1996–1997 Bulletin (PDF)
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A Finding Aid to the Ellen Lanyon Papers, Circa 1880-2014, Bulk 1926-2013, in the Archives of American Art
A Finding Aid to the Ellen Lanyon Papers, circa 1880-2014, bulk 1926-2013, in the Archives of American Art Hilary Price 2016 September 19 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, circa 1880-2015 (bulk 1926-2015)......................... 6 Series 2: Correspondence, 1936-2015.................................................................. 10 Series 3: Interviews, circa 1975-2012.................................................................... 24 Series 4: Writings, Lectures, and Notebooks, circa -
PROGRAM SESSIONS Madison Suite, 2Nd Floor, Hilton New York Chairs: Karen K
Wednesday the Afterlife of Cubism PROGrAM SeSSIONS Madison Suite, 2nd Floor, Hilton New York Chairs: Karen K. Butler, Mildred Lane Kemper Art Museum, Wednesday, February 9 Washington University in St. Louis; Paul Galvez, University of Texas, Dallas 7:30–9:00 AM European Cubism and Parisian Exceptionalism: The Cubist Art Historians Interested in Pedagogy and Technology Epoch Revisited business Meeting David Cottington, Kingston University, London Gibson Room, 2nd Floor Reading Juan Gris Harry Cooper, National Gallery of Art Wednesday, February 9 At War with Abstraction: Léger’s Cubism in the 1920s Megan Heuer, Princeton University 9:30 AM–12:00 PM Sonia Delaunay-Terk and the Culture of Cubism exhibiting the renaissance, 1850–1950 Alexandra Schwartz, Montclair Art Museum Clinton Suite, 2nd Floor, Hilton New York The Beholder before the Picture: Miró after Cubism Chairs: Cristelle Baskins, Tufts University; Alan Chong, Asian Charles Palermo, College of William and Mary Civilizations Museum World’s Fairs and the Renaissance Revival in Furniture, 1851–1878 Series and Sequence: the fine Art print folio and David Raizman, Drexel University Artist’s book as Sites of inquiry Exhibiting Spain at the Chicago Columbian Exposition of 1893 Petit Trianon, 3rd Floor, Hilton New York M. Elizabeth Boone, University of Alberta Chair: Paul Coldwell, University of the Arts London The Rétrospective and the Renaissance: Changing Views of the Past Reading and Repetition in Henri Matisse’s Livres d’artiste at the Paris Expositions Universelles Kathryn Brown, Tilburg University Virginia Brilliant, John and Mable Ringling Museum of Art Hey There, Kitty-Cat: Thinking through Seriality in Warhol’s Early The Italian Exhibition at Burlington House Artist’s Books Andrée Hayum, Fordham University Emerita Lucy Mulroney, University of Rochester Falling Apart: Fred Sandback at the Kunstraum Munich Edward A. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Roger Brown (1941 – 1997)
Roger Brown (1941 – 1997) Born, Hamilton, AL Died, Atlanta, GA Education 1970, MFA School of the Art Institute of Chicago 1968, BFA School of the Art Institute of Chicago 1962-1964 attended the American Academy of Art Solo Exhibitions 2015 Roger Brown: Political Paintings, DC Moore Gallery, New York, NY, June 18 – July 31, 2015 Roger Brown: Virtual Still Life, Maccarone Gallery, New York, NY, June 25 – August 7, 2015 2014 Roger Brown: Virtual Still Life, Russell Bowman Art Advisory, September 5 – November 1, 2014 Roger Brown: His American Icons, The Hughes Gallery, Sydney, Australia, March 22 - April 14, 2014 2013 Roger Brown, DC Moore Gallery, New York, NY, January 10 - February 9, 2013 2012 Roger Brown: This Boy’s Own Story, Sullivan Galleries, School of the Art Institute of Chicago, IL, August 24 – November 10, 2012 Dual exhibition, Roger Brown: Major Paintings, Russell Bowman Art Advisory, Chicago, IL and Zolla Lieberman Gallery, Chicago, IL, September 7 - October 27, 2012 Roger Brown: Urban Traumas and Natural Disasters, Springfield Art Museum, Springfield, MO, September 17 – November 13, 2012 2011 Roger Brown: Calif. U.S.A., Hyde Park Art Center, Chicago, IL, June 20 – October 3 roger brown: urban traumas and natural disasters, Springfield Art Museum, Springfield, MO, September 17 - November 13 1 2010 Roger Brown: Calif. U.S.A., curated by Nicholas Lowe, Hyde Park Art Center, Chicago, IL, June 20 – October 3, 2010 2009 Roger Brown: Early Work, Major Paintings and Constructions, 1968-1980, Russell Bowman Art Advisory, Chicago, IL, March 27 – May 16 Roger Brown, Art Works: Chicago A Progressive Corporate Exhibition of Chicago Artists, Metropolitan Capital Bank, Chicago, IL 2008 Roger Brown: The American Landscape, DC Moore Gallery, New York, NY, May 1 – June 13 2007-2009 Roger Brown: Southern Exposure, curated by Sidney Lawrence, The Jule Collins Smith Museum of Fine Art at Auburn University, AL, October 6, 2007 – January 5, 2008. -
Sarah Canright CV
Sarah Canright Lives and works in Austin, Texas. Education 1964 B.F.A., The School of the Art Institute of Chicago Teaching 1982-Present Senior Lecturer, University of Texas, Austin 1983-1993 Lecturer, Princeton University 1982 Visiting Artist, School of the Art Institute of Chicago 1981 Instructor, School of Visual Arts, New York 1980-1981 Instructor, Philadelphia College of Art 1980 Visiting Artist, Skowhegan Summer School of Painting and Sculpture, 1980 1978-1980 Instructor, Princeton University 1976 Visiting Artist, Wright State University, Dayton, Ohio 1977 Visiting Artist, University of Illinois, Normal, Illinois 1975 Visiting Artist, University of Iowa, Iowa City, Iowa 1975 Visiting Artist, University of Illinois, Chicago Circle Campus 1974 Visiting Artist, School of the Art Institute of Chicago Selected Solo Exhibitions 2012 Sarah Canright: Watercolors, The Courtyard Gallery at the AT&T Center, The University of Texas, Austin 2011 Sarah Canright, Cute Art Foundation, New York (catalogue) 1999 Lyons-Matrix Gallery, Austin 1993 Lyons-Matrix Gallery, Austin 1987 Marvin Seline Gallery, Austin 1986 Artemesia Gallery, Chicago 1984 Pam Adler Gallery, New York 1983 Pam Adler Gallery, New York 1981 Pam Adler Gallery, New York 1979 Pam Adler Gallery, New York Phyllis Kind Gallery, Chicago Franklin Furnace, New York 1976 University Art Galleries, Wright State University, Dayton 1974 Phyllis Kind Gallery, Chicago 1120 N Ashland Ave., 3rd Floor, Chicago, IL 60622 | Tel. (773) 278-1664 | [email protected] | www.corbettvsdempsey.com -
Roger Brown November 12, 2019 – January 11, 2020 Opening: Tuesday, November 12Th, 6:00 - 8:00 Pm
Roger Brown November 12, 2019 – January 11, 2020 Opening: Tuesday, November 12th, 6:00 - 8:00 pm Venus Over Manhattan 980 Madison Avenue New York, NY 10075 FOR IMMEDIATE RELEASE: (New York, NY) – Venus Over Manhattan is pleased to present an exhibition of work by Roger Brown, organized in collaboration with the Roger Brown Study Collection at the School of the Art Institute of Chicago, and Kavi Gupta. Comprising a large group of paintings that spans the breadth of his career, the presentation surveys the development of Brown’s production. In conjunction with the exhibition, the gallery will publish a catalogue featuring two new texts on the artist by Lisa Stone, Curator of the Roger Brown Study Collection, and Dan Nadel, Curator at Large, Jan Shrem and Maria Manetti Shrem Museum of Art, UC Davis, as well as pages from Brown’s sketchbooks that relate to the works on view. The exhibition will be on view from November 12th, 2019 through January 11th, 2020. Roger Brown began exhibiting his work in the late 1960s, alongside a group of artists often referred to as the Chicago Imagists. Celebrated for their use of imagery, figuration, narrative, and patterning, these artists pulled from idiosyncratic sources to produce deeply personal and visually diverse work, shirking the cool, stylistic orthodoxies that dominated on the coasts. Brown moved in circles around the School of the Art Institute of Chicago, which nurtured the unconventional interests of Brown and his peers. Brown was deeply associated with Chicago during his lifetime: he graduated from the School of the Art Institute of Chicago in 1970; he kept a series of studios, filled with carefully selected art and objects, from both the vernacular and mainstream realms, that culminated in his building in the Lincoln Park neighborhood; and his instantly legible paintings and objects, replete with silhouetted figures, patterned landscapes, and scalloped skies, rendered in dizzying isometric perspective, helped foster a community of artists that announced Chicago as a viable site of artistic production. -
Roger Brown, a Leading Painter of the Chicago
Roger Brown, 55, Leading Chicago Imagist Painter, Dies Roberta Smith November 26, 1997 THE NEW YORK TIMES Roger Brown, a leading painter of the Chicago Imagist style, whose radiant, panoramic images were as passionately po- litical as they were rigorously visual, died on Saturday at Piedmont Hospital in Atlanta. He was 55 and had homes and studios in Chicago, New Buffalo, Mich., and Carpen- teria, Calif. The cause was liver failure after a long illness, said Phyllis Kind of the Phyllis Kind Gallery, which has represented Mr. Brown since 1970. In the late 1960’s and early 70’s, Mr. Brown was one of a number of artists whose interests and talents coalesced into one of the defining moments in postwar Chicago art. The inspiration for these artists came from European Surrealism, which was prevalent in the city’s public and private collections; contemporary outsider art, which the Imagists helped promote, and popular culture, recently sanctioned by Pop Artists. In addition to Mr. Brown, these artists included Jim Nutt, Ed Paschke, Phil Hanson, Ray Yoshida, Karl Wirsum, Barbara Rossi and Gladys Nilsson, almost all of whom he met as a student at the School of the Art Institute of Chicago, and each of whom braided the city’s disparate cultural strands into a distinctive hybrid of figurative styles. Mr. Brown’s hybrid was a powerful combination of flattened, cartoonish images that featured isometric skyscrapers and tract houses, furrowed fields, undulating hills, pillowy clouds and agitated citizens, the latter usually seen in black silhouette at stark yellow windows where they enacted violent or sexual shadow plays. -
LORRAINE PELTZ B. Brooklyn, NY EDUCATION 1983 Master of Fine
LORRAINE PELTZ b. Brooklyn, NY EDUCATION 1983 Master of Fine Art, University of Chicago, Chicago, IL, Midway Studio Prize 1980 Bachelor of Fine Art, State University of New York at New Paltz, New Paltz, NY SELECTED SOLO EXHIBITIONS 2009 Cheryl McGinnis Gallery, New York, NY (2-person) Summer 2009 2008 Lorraine Peltz, Excellent Hostess: Selected Paintings: 1993-2008 Outstanding Midwestern Artist Series, South Shore Arts, Center for Visual and Performing Arts, Munster, IN 2007 Chandeliers, Starbursts, etc., Koscielak Gallery, Chicago, IL Cosmic Hostess, The Hyde Park Art Center, Chicago, IL 2006 Mixed Fruits, gescheidle, Chicago, IL 2004 Dream/Girl, gescheidle, Chicago, IL Dream/Girl, Center for Visual and Performing Arts, Munster, IN 2002 Day and Night: New Paintings, Lyons Wier Gallery, Chicago, IL Pink Works, Galerie Piltzer, Campagne, Barbizon, France 2001 Paintings, Loyola University Medical Center, Maywood, IL 2000 Selected Paintings, Riverside Arts Center, Riverside, IL Pink Works, I Space, Chicago/ University Art Gallery, Indiana State University/Terre Haute, IN/ Tarble Arts Center, Charleston, IL 1998 University Club, Chicago, IL 1997 Carrie Secrist Gallery, Chicago, IL Arden Gallery, Boston, MA 1996 Galerie Piltzer, Paris, France 1995 Gallery A, Chicago, IL 1994 Valparaiso University Museum of Art, Valparaiso, IN 1993 Sazama Gallery, Chicago, IL 1992 Recent Drawings, Center for Contemporary Art, Chicago, IL 1991 Evanston Art Center, Evanston, IL 1989 Deson-Saunders Gallery, Chicago, IL Chicago Cultural Center, IL SELECTED GROUP EXHIBITIONS 2009 Pleasure Paintings: Phyllis Bramson, Lorraine Peltz, Keer Tanchek, Elmhurst Art Museum, Elmhurst, IL. 2008 Bridge Miami with Micaela Gallery, Miami Beach, FL. Chicago Verge, I Space, Chicago, IL. -
Downloads: Chuck Close Prints: Process and Collaboration by Terrie Sultan with Contributions from Richard Schiff Hardcover
US $25 The Global Journal of Prints and Ideas July – August 2014 Volume 4, Number 2 On Screenprint • The Theater of Printing • Arturo Herrera • Philippe Apeloig • Jane Kent • Hank Willis Thomas Ryan McGinness • Aldo Crommelynck • Djamel Tatah • Al Taylor • Ray Yoshida • Prix de Print: Ann Aspinwall • News C.G. Boerner is delighted to announce that a selection of recent work by Jane Kent is on view at the International Print Biennale, Hatton Gallery, Newcastle upon Tyne, June 27–August 8, 2014. Jane Kent, Blue Nose, 2013, silkscreen in 9 colors, 67 x 47 cm (26 ⅜ x 18 ½ inches) edition 35, printed and published by Aspinwall Editions, NY 23 East 73rd Street New York, NY 10021 www.cgboerner.com July – August 2014 In This Issue Volume 4, Number 2 Editor-in-Chief Susan Tallman 2 Susan Tallman On Screenprint Associate Publisher Susan Tallman and Michael Ferut 4 Julie Bernatz Screenprint 2014 Managing Editor Jason Urban 11 Dana Johnson Stagecraft: The Theater of Print in a Digital World News Editor Christine Nippe 15 Isabella Kendrick Arturo Herrera in Berlin Manuscript Editor Caitlin Condell 19 Prudence Crowther Type and Transcendence: Philippe Apeloig Online Columnist Sarah Kirk Hanley Treasures from the Vault 23 Mark Pascale Design Director Ray Yoshida: The Secret Screenprints Skip Langer Prix de Print, No. 6 26 Editorial Associate Peter Power Michael Ferut Ann Aspinwall: Fortuny Reviews Elleree Erdos Jane Kent 28 Hank Willis Thomas 30 Ryan McGinness 32 Michael Ferut 33 Hartt, Cordova, Barrow: Three from Threewalls Caitlin Condell 34 Richard Forster’s Littoral Beauties Laurie Hurwitz 35 Aldo Crommelynck Kate McCrickard 39 Djamel Tatah in the Atelier Jaclyn Jacunski On the Cover: Kelley Walker, Bug_156S Paper as Politics and Process 42 (2013-2014), four-color process screenprint John Sparagana Reads the News on aluminum. -
Matthew F Fisher
OCHI MATTHEW F FISHER Born 1976, Boston, MA Lives and works in New York, NY EDUCATION 2000 Virginia Commonwealth University, Master of Fine Arts 1998 Columbus College of Art and Design, Bachelor of Fine Arts SOLO EXHIBITIONS 2021 The Hole, Hamptons, NY (forthcoming) Seas, Ochi Projects, Los Angeles, CA 2020 The Great Fire, SHRINE, New York, NY Four Seasons: A Solo Show, Deanna Evans Project, New York, NY The Sameness of Everyday, Taymour Grahne, London, UK 2019 After the Ice, Taymour Granhe, London, UK Soft Nature, Ochi Projects, Los Angeles, CA 2018 Into the Blue, Johansson Projects, Oakland, CA Strange Light, Over Under Room, Brooklyn, NY 2017 Observable Universe, Taymour Grahne Gallery, New York, NY Hello Sea, One River School, Englewood, NJ 2016 Sun, Stars, Sea, and Moon, Airlock Gallery, San Marcos, CA Ten Years, Curated by Jon Lutz, Spring/Break, New York, NY 2015 Black Water Don’t Shine Like the Moon, Sardine, Brooklyn, NY 2014 If You Ain’t a Reflection, You’re a Wave, Ampersand Gallery, Portland, OR 2013 Goodnight nobody, Weird Days, Brooklyn, NY 2012 Asea, Aloof, Mulherin+Pollard Projects, NY, NY 2010 Lost Time, Heskin Contemporary, New York, NY, (catalog) 2009 Lonesome George, ADA Gallery, Richmond, VA Forever Is, RARE, New York, NY 2006 Letting Go, University of the Arts, Philadelphia, PA While You Where Away, ADA Gallery, Richmond, VA 2005 Paintings, Stephanie Theodore at SCOPE, New York, NY OCHI 2004 Drawings and Paintings, Spector Gallery, Philadelphia, PA SELECTED TWO-PERSON EXHIBITIONS 2019 Tow Jalopies, with Carl D’Alvia, Drive By Projects, Watertown, MA 2018 Night Waves, with Casey Cook, SHRINE, New York, NY 2017 The Perfect Order of Randomness, with Julie Curtiss, Monya Rowe Gallery, St. -
Christina Ramberg CV
CHRISTINA RAMBERG 1946 b. Fort Campbell, KY 1995 d. Chicago, IL Education 1973 MFA, The School of the Art Institute of Chicago 1968 BFA, The School of the Art Institute of Chicago Teaching The School of the Art Institute of Chicago Hyde Park Art Center, Chicago Selected Solo Exhibitions 2019 The Making of Husbands: Christina Ramberg in Dialogue, KW Institute for Contemporary Art, Berlin, Germany 2014 Glasgow International, 42 Carlton Place, Glasgow 2013 Christina Ramberg, Institute of Contemporary Art, Boston 2011 Christina Ramberg: Corset Urns and Other Inventions, 1968 – 1980, David Nolan Gallery, New York 2001 Christina Ramberg Paintings and Drawings, Adam Baumgold Gallery, New York 2000 Christina Ramberg Drawings, Gallery 400 at University of Illinois at Chicago Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, California Herron Gallery at the Herron School of Art, Indianapolis, Indiana Marsh Gallery at University of Richmond Museums, Richmond, Virginia 1988 Christina Ramberg: A Retrospective 1968-1988, The Renaissance Society at the University of Chicago 1982 Phyllis Kind Gallery, New York 1981 Phyllis Kind Gallery, New York 1977 Phyllis Kind Gallery, New York 1974 Phyllis Kind Gallery, Chicago Selected Group Exhibitions 2019 How Chicago! Imagists 1960s to 70s, Goldsmiths CCA, London, England A Detached Hand, Magenta Plains, New York Body Object, George Adams Gallery, New York 2018 women are very good at crying and they should be getting paid for it, kaufmann repetto, New York 2017 We Are Here, Museum of Contemporary Art Chicago, Chicago I Was A Wall, And My Breasts Were Like Fortress Towers, Adams and Ollman, Portland Her Eyes Are Like Doves Beside Streams of Water, Adams and Ollman, Portland 2016 Monster Roster: Existentialist Art in Postwar Chicago, Smart Museum of Art, Chicago 2015 America Is Hard to See, Whitney Museum of American Art, New York Surrealism: The Conjured Life, Museum of Contemporary Art Chicago Unorthodox, Jewish Museum, New York Order, Essex Street, New York About Face, Kayne Griffin Corcoran, Los Angeles. -
Faculty List 1
Faculty List 1 Faculty List Jay Lambrecht MS, University of Illinois Urbana-Champaign (Emeritus) Catherine Lantz MLIS, Dominican University University Library Deborah Lauseng AMLS, University of Michigan Benjamin Aldred MS, University of Illinois Urbana-Champaign, PhD, Carl Lehnen MS, PhD, University of Illinois Urbana-Champaign Indiana University Mingyan Li MLIS, University of Illinois Chicago Annie Armstrong MLS, University of Wisconsin–Madison Jeanne Link MLIS, University of Illinois Urbana-Champaign, MS, Iowa Felicia Barrett MLS, Indiana University State University Kathryn Carpenter MSLS, University of Illinois Urbana-Champaign Kavita Mundle MLS, Dominican University Deborah Blecic MS, University of Illinois Urbana-Champaign Kevin O’Brien MLS, Indiana University Elena Carrillo MLIS, Dominican University, MFA, University of Texas at Cleo Pappas MLIS, Dominican University (Emeritus) El Paso Scott Pitol MLIS, Dominican University Mary Case AMLS, University of Michigan, MA, Syracuse University Ryan Rafferty MLIS, University of Illinois Urbana-Champaign Maureen Clark MILS, Dominican University Rebecca Raszewski MLS, Drexel University Ian Collins MS, University of Texas at Austin Robert Sandusky MA, Northern Illinois University, PhD, University of John M. Cullars MLS, PhD, Indiana University (Emeritus) Illinois Urbana-Champaign Jane Darcovich MSLIS, MA, University of Illinois Urbana-Champaign Carol Scherrer MALS, Rosary College (Emeritus) Robert A. Daugherty MS, University of Illinois Urbana-Champaign Marsha Selmer MS, Western Michigan University (Emeritus) (Emeritus) Tracy Seneca MLIS, University of California, Berkeley, MA DePaul Sandra De Groote MLS, University of Western Ontario University Paula R. Dempsey MALIS, Dominican University, PhD, Loyola University Steven Smith MLIS, University of Illinois Urbana-Champaign Josephine L. Dorsch MALS, Rosary College (Emeritus) Ann C. Weller MA, University of Chicago (Emeritus) David Dror MA, University of Arizona Stephen E.