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Renovation Moves Forward
oi.uchicago.edu THE ORIENTAL INSTITUTE & NOTES NO. 150 SUMMER 1996 @THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICA REN OVATION MOVES FORWARD By Emily Teeter, Ph.D., Assistant Curator, Oriental Institute Museum The renovation of the Oriental Insti On February 5, 1996 the Egyptian tute Museum is a reality. For the frrst Gallery closed to the public. Small ob time in over sixty years, the galleries jects were packed, but the oversize ob will be completely refurbished and jects such as large stelae required brought up to modern museum stan special treatment. The firm of Belding dards with the installation of climate Walbridge was contracted to move control. It is a mammoth undertaking those items. The really oversized ob that leaves no one happy for the jects-the Assyrian winged bull and time-being, but it will have tremen the statue of Tutankhamun-were dous rewards when the museum sheathed in plastic, and protective bar reOpens in the spring of 1998. riers were built in front of them. Mu The project calls for the con seum Curator Karen L. Wilson struction of a 14,000 square foot ensured the safety of the winged bull wing on the southern side of the Ori by posting a copy of an ancient curse ental Institute building that will on the bull's protective box. Finally, house artifact storage, the museum the alcove walls were demolished. * It archives (photograph and paper was an amazing sight to see the Egyp records), a new conservation labora tian gallery virtually empty. tory, and book stack areas for the Re April 1, 1996 marked the next search Archives. -
Uchicagomag-Spring20.Pdf
Is it possible to feel nostalgic the first time you visit a place? KIAWAH GETS YOU COVID-19 … BRENT STAPLES … RECESSION LIT … IMPROVING MEDICAL IMAGING … COACH OF COACHES A Curated Collection of Homes and Homesites with Club Memberships in the Heart of the South Carolina Lowcountry. kiawahisland.com/ivyleague | 866.312.1791 SPRING 2020 Obtain the Property Report required by Federal Law and read it before signing anything. No Federal or State agency has endorsed or judged the merits of value, if any, of this property. This is not intended to be an offer to sell nor a solicitation of offer to buy real estate in any jurisdiction where prohibited by law. This offer is made pursuant to the New York State Department of Law’s Simplified Procedure for Homeowners Associations with a De Minimis Cooperative Interest (CPS-7). The CPS-7 application (File No. HO16-0007) and related documents may be obtained from the sponsor. This project is registered with the State of New Jersey Department of Banking and Insurance Real Estate Commission. Obtain and read the NJ Public Offering Statement before signing anything (NJ Reg#16-15-0011 and 0012). An affiliate of Kiawah Partners. SPRING 2020, VOLUME 112, NUMBER 3 UCH_Spring2020 cover and spine_v1.indd 1 5/15/20 11:46 AM 200319_Kiawah_Chicago.indd 1 1/30/20 8:54 AM UCH_ADS_v1.indd 2 5/13/20 1:16 PM EDITORˆS NOTES VOLUME 112, NUMBER 3, SPRING 2020 EDITOR Laura Demanski, AM’94 SENIOR EDITOR Mary Ruth Yoe FROM A DISTANCE ASSOCIATE EDITOR Susie Allen, AB’09 MANAGING EDITOR Rhonda L. -
Monster Roster: Existentialist Art in Postwar Chicago Receives First Major Exhibition, at University of Chicago’S Smart Museum of Art, February 11 – June 12, 2016
Contact C.J. Lind | 773.702.0176 | [email protected] For Immediate Release “One of the most important Midwestern contributions to the development of American art” MONSTER ROSTER: EXISTENTIALIST ART IN POSTWAR CHICAGO RECEIVES FIRST MAJOR EXHIBITION, AT UNIVERSITY OF CHICAGO’S SMART MUSEUM OF ART, FEBRUARY 11 – JUNE 12, 2016 Related programming highlights include film screenings, monthly Family Day activities, and a Monster Mash Up expert panel discussion (January 11, 2016) The Smart Museum of Art at the University of Chicago, 5550 S. Greenwood Avenue, will mount Monster Roster: Existentialist Art in Postwar Chicago, the first-ever major exhibition to examine the history and impact of the Monster Roster, a group of postwar artists that established the first unique Chicago style, February 11–June 12, 2016. The exhibition is curated by John Corbett and Jim Dempsey, independent curators and gallery owners; Jessica Moss, Smart Museum Curator of Contemporary Art; and Richard A. Born, Smart Museum Senior Curator. Monster Roster officially opens with a free public reception, Wednesday, February 10, 7–9pm featuring an in-gallery performance by the Josh Berman Trio. The Monster Roster was a fiercely independent group of mid-century artists, spearheaded by Leon Golub (1922–2004), which created deeply psychological works drawing on classical mythology, ancient art, and a shared persistence in depicting the figure during a period in which abstraction held sway in international art circles. “The Monster Roster represents the first group of artists in Chicago to assert its own style and approach—one not derived from anywhwere else—and is one of the most important Midwestern contributions to the development of American art,” said co-curator John Corbett. -
This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Dan Nadel, Hairy Who? 1966-1969, Artforum, February 2019, P. 164-167 REVIEWS
ARTFORUM H A L E s GLADYS NILSSON Dan Nadel, Hairy Who? 1966-1969, Artforum, February 2019, p. 164-167 REVIEWS FOCUS 166 Dan Nadel OIi "Hall)' Who? 1966-1969 " 11:18 Barry SChwabskyon Raout de Keyser 169 Dvdu l<ekeon the 12th Shangh ai Blennale NEW YORK PARIS zoe Lescaze on Liu vu,kav11ge 186 UllianOevieson Lucla L.a&una Ania Szremski on Amar Kanwar Mart1 Hoberman on Alaln Bublex Jeff Gibson on Paulina OloW5ka BERLIN 172 Colby Chamberialn on Lorraine O'Grady 187 MartinHerberton SteveBlshop OavtdFrankelon lyleAshtonHarrl5 Jurriaan Benschopon Louise Bonnet 173 MlchaelWilsonon HelenMlrra Chloe Wyma on Leonor Finl HAMBURG R11chelChumeron HeddaS1erne JensAsthoffon UllaYonBrandenburg Mira DayalonM11rcelStorr ZURICH 176 Donald Kuspit on ltya Bolotowsky Adam Jasper on Raphaela Vogel Barry Schwabsky on Gregor Hildebrandt 2ackHatfieldon"AnnaAtklns ROME Refracted: Contemporary Works " Francesca Pola on Elger Esser Sasha Frere-Jones on Aur.i Satz TURIN.ITALY Matthew Weinstein on Allen Frame Giorglo\lerzottlon F,ancescoVeuoll WASHINGTON, DC VIENNA 179 TinaR1versRyan011 TrevorPaglen Yuki Higashinoon CHICAGO Wende1ienvanO1denborgh C.C. McKee on Ebony G. Patterson PRAGUE BrienT. Leahy on Robertlostull er 192 Noemi Smolik on Jakub Jansa LISBON 181 Kaira M. cabanas on AlexandreMeloon JuanArauJo ·co ntesting Modernity : ATHENS lnlormallsm In Venezuela, 1955-1975" 193 Cathr)TI Drakeontlle 6thAthensB lennele EL PASO,TEXAS BEIJING 1s2 Che!seaweatherson 194 F!OrlB He on Zhan, Pelll "AfterPosada : Revolutlon · YuanFucaon ZhaoYao LOS ANGELES TOKYO 183 SuzanneHudsonon Sert1Gernsbecher 195 Paige K. Bradley on Lee Kil Aney Campbell on Mary Reid KalleyandP!ltflCkKelley OUBAI GollcanDamifkaz1k on Ana Mazzei TORONTO Dan Adler on Shannon Boo! ABIOJAN, IVORY COAST 196 Mars Haberman on Ouatlera Watts LONDON Sherman Sam on Lucy Dodd SAO PAULO EJisaSchaarot1Flom1Tan Camila Belchior on Clarissa Tossln CHRISTCHURCH. -
Museum Oi.Uchicago.Edu
oi.uchicago.edu MUSEUM oi.uchicago.edu Overleaf: Strainer jug; ceramic. Iron I period, 1200–975 B.C. Megiddo, Israel. Photo by Anna Ressman oi.uchicago.edu MUSEUM MUSEUM Geoff Emberling The Museum has had a another successful year in the midst of these difficult economic times. We continue to welcome about 50,000 visitors annually to the Oriental Institute to introduce them to the history, written traditions, and art of the ancient cultures of the Middle East. We generate widespread publicity and interest in the Oriental Institute at the same time as we work to improve access to our amazing collection. The Museum also contributes in many ways to the financial support of the Institute, through donations at the front desk, sales in the Suq, a wide range of grants, and by serving as a venue for a variety of events. As you will see in the sections that follow, our special exhibits, education programs, and docent tours have had great success this past year, and we have taken some significant steps in publicity and marketing that we hope will lead to greater attendance in the future. Our collections staff has also made numerous improvements to cataloging and storage that enhanced our ability to facilitate use of the collection for research, teaching, and exhibits. As usual, the successes of the Museum are inevitably joint projects relying on cooperation of many staff members, and I would like to express my thanks to everyone who has made it such a pleasure to work in the Oriental Institute over the past year. -
Chicago Tourist Information 7 August, 2003
Lepton Photon 2003 Chicago Tourist Information 7 August, 2003 XXI International Symposium on Lepton and Photon Interactions at High Energies Fermi National Accelerator Laboratory, Batavia, IL USA 11 – 16 August 2003 CHICAGO TOURIST INFORMATION Wednesday 13 August 2003 is a free day at the Lepton Photon 2003 Symposium. The Symposium banquet will be held in the evening at Navy Pier in downtown Chicago. It will begin with a reception at 6:30 p.m., followed by dinner at 7:30 p.m. There will be a lakefront fireworks display right off the pier at 9:30 p.m. Buses will depart from Navy Pier around 10:00 p.m. We hope that many of you will take advantage of the time to visit Chicago. We will run several buses to Chicago in the morning. There will be a few additional buses in the afternoon. Detailed schedules will be available at the beginning of the conference and sign-up for the bus transportation is requested. We have some suggestions for tours you might take or sights you might see depending on your interests. Please be aware that many of the attractions are internationally renowned and, depending on the time of the year and the weather, can be quite crowded and have long waits for admission. In some cases, you can get tickets in advance through the web or Ticketron. All times and fees are for Wednesday, 13 August 2003 and do vary from day to day. More information is available in the materials we have provided in the registration packet and at the official city of Chicago Website: http://www.cityofchicago.org. -
WORK EXPERIENCE ART INSTITUTE of CHICAGO Collection Manager for the Department of European Painting & Sculpture (EPS). Respo
DEVON L. PYLE-VOWLES 847-903-7940 email: [email protected] WORK EXPERIENCE ART INSTITUTE OF CHICAGO Collection Manager for the Department of European Painting & Sculpture (EPS). Responsible for the department’s collection, including acquisitions, outgoing loans, incoming loans, deaccessions, object files, database records, metadata, and research materials. Coordinated and managed activities pertaining to the permanent collection, including the administration of new acquisitions, conservation treatment requests, gallery rotations and installations, loans, storage, documentation of permanent collection objects and promised gifts, and external research inquiries. When necessary, couriered the EPS collection for outgoing loan program of the AIC (about 10 times a year). Under advisement of curators, published accurate object information online through the museum’s databases, ensuring data fidelity and actively managed the tagging of the EPS collection. Served as liaison between department chair and curators, technicians, specialists, and support staff. As the main point of contact, collaborated with the departments of Collections and Loans, Experience Design on developing and maintaining accurate collection data on the website; Conservation and Science, Facilities, Imaging, the Office of the Secretary to the Board of Trustees. Also, coordinated communications when necessary with lenders, donors, estates, appraisers, EPS committee members, galleries, and collectors.(June 2014-July 2020) Collections Inventory Manager for the Department of European Decorative Arts. Responsible for developing, coordinating and implementing the protocol for the inventory project which included the collection being photographed for the database and the website. Maintained and updated the departmental accession files, location lists and corresponding Art Institute (AIC) database records for the European Decorative Arts collection. Worked closely with the Curator and Preparatory specialist on the collection assessment and photography process. -
Karl Wirsum B
Karl Wirsum b. 1939 Lives and works in Chicago, IL Education 1961 BFA, The School of the Art Institute of Chicago, Chicago, IL Solo Exhibitions 2019 Unmixedly at Ease: 50 Years of Drawing, Derek Eller Gallery, NY Karl Wirsum, Corbett vs Dempsey, Chicago, IL 2018 Drawing It On, 1965 to the Present, organized by Dan Nadel and Andreas Melas, Martinos, Athens, Greece 2017 Mr. Whatzit: Selections from the 1980's, Derek Eller Gallery, New York, NY No Dogs Aloud, Corbett vs. Dempsey, Chicago, IL 2015 Karl Wirsum, The Hard Way: Selections from the 1970s, Organized with Dan Nadel, Derek Eller Gallery, New York, NY 2013 Derek Eller Gallery, New York, NY 2010 Drawings: 1967-70, co-curated by Dan Nadel, Derek Eller Gallery, New York, NY Jean Albano Gallery, Chicago, IL 2008 Karl Wirsum: Paintings & Prints, Contemporary Art Center of Peoria, Peoria, IL Winsome Works(some), Chicago Cultural Center, Chicago, IL; traveled to Madison Museum of Contemporary Art, WI; Herron Galleries, Indiana University- Perdue University, Indianapolis, IN 2007 Karl Wirsum: Plays Missed It For You, Jean Albano Gallery, Chicago, IL 2006 The Wirsum-Gunn Family Show, Jean Albano Gallery, Chicago, IL 2005 Union Art Gallery, University of Wisconsin Milwaukee, Milwaukee, WI 2004 Hello Again Boom A Rang: Ten Years of Wirsum Art, Jean Albano Gallery, Chicago, IL 2002 Paintings and Cutouts, Quincy Art Center, Quincy, IL Jean Albano Gallery, Chicago, IL 2001 Rockford College Gallery, Rockford, IL 2000 Jean Albano Gallery, Chicago, IL 1998 Jean Albano Gallery, Chicago, IL University Club of Chicago, Chicago, IL 1997 The University of Iowa Museum of Art, Sculpture Court, Iowa City, IA 1994 Phyllis Kind Gallery, Chicago, IL J. -
Roger Brown (1941 – 1997)
Roger Brown (1941 – 1997) Born, Hamilton, AL Died, Atlanta, GA Education 1970, MFA School of the Art Institute of Chicago 1968, BFA School of the Art Institute of Chicago 1962-1964 attended the American Academy of Art Solo Exhibitions 2015 Roger Brown: Political Paintings, DC Moore Gallery, New York, NY, June 18 – July 31, 2015 Roger Brown: Virtual Still Life, Maccarone Gallery, New York, NY, June 25 – August 7, 2015 2014 Roger Brown: Virtual Still Life, Russell Bowman Art Advisory, September 5 – November 1, 2014 Roger Brown: His American Icons, The Hughes Gallery, Sydney, Australia, March 22 - April 14, 2014 2013 Roger Brown, DC Moore Gallery, New York, NY, January 10 - February 9, 2013 2012 Roger Brown: This Boy’s Own Story, Sullivan Galleries, School of the Art Institute of Chicago, IL, August 24 – November 10, 2012 Dual exhibition, Roger Brown: Major Paintings, Russell Bowman Art Advisory, Chicago, IL and Zolla Lieberman Gallery, Chicago, IL, September 7 - October 27, 2012 Roger Brown: Urban Traumas and Natural Disasters, Springfield Art Museum, Springfield, MO, September 17 – November 13, 2012 2011 Roger Brown: Calif. U.S.A., Hyde Park Art Center, Chicago, IL, June 20 – October 3 roger brown: urban traumas and natural disasters, Springfield Art Museum, Springfield, MO, September 17 - November 13 1 2010 Roger Brown: Calif. U.S.A., curated by Nicholas Lowe, Hyde Park Art Center, Chicago, IL, June 20 – October 3, 2010 2009 Roger Brown: Early Work, Major Paintings and Constructions, 1968-1980, Russell Bowman Art Advisory, Chicago, IL, March 27 – May 16 Roger Brown, Art Works: Chicago A Progressive Corporate Exhibition of Chicago Artists, Metropolitan Capital Bank, Chicago, IL 2008 Roger Brown: The American Landscape, DC Moore Gallery, New York, NY, May 1 – June 13 2007-2009 Roger Brown: Southern Exposure, curated by Sidney Lawrence, The Jule Collins Smith Museum of Fine Art at Auburn University, AL, October 6, 2007 – January 5, 2008. -
Uncommon Accumulation Bednar Press Release
For Immediate Release: Thursday, December 12, 2019 Contact: Charlotte Easterling 608.257.0158 x 240 [email protected] MMoCA CELEBRATES MAJOR GIFT OF NEARLY 100 WORKS OF CHICAGO IMAGIST ART UNCOMMON ACCUMULATION: THE MARK AND JUDY BEDNAR COLLECTION OF CHICAGO IMAGISM March 14–July 19, 2020 MADISON, WI— To celebrate Mark and Judy Bednar’s transformative gift of Chicago Imagist art from their collection to the Madison Museum of Contemporary Art, MMoCA will bring together the works in the museum’s main galleries with the exhibition Uncommon Accumulation: The Mark and Judy Bednar Collection of Chicago Imagism. From March 14 through July 19, 2020, Uncommon Accumulation will showcase the works that have already been gifted to the museum alongside the promised gifts that have been collected by the Bednars over the past 45 years. The gift from the Bednars complements the museum’s existing collection of Chicago Imagism through its inclusion of artworks produced very early in the careers of several of the artists. Formative works by Roger Brown, Robert Lostutter, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Barbara Rossi, Karl Wirsum, and Ray Yoshida from the 1960s and 70s—a period when some of the Imagists were still in graduate school at the School of the Art Institute of Chicago (SAIC)—are part of this extraordinary gift. These new additions uphold MMoCA as having one of the largest, and now one of the most comprehensive, collections of Chicago Imagism. The Chicago Imagists were a group of figurative artists who emerged in Chicago in the mid-1960s. Using vibrant color and bold lines, they depicted the human body as grossly distorted and highly stylized. -
Julia Thecla: Undiscovered Worlds Joanna Gardner-Hugget
Via Sapientiae: Masthead Logo The nI stitutional Repository at DePaul University DePaul Art Museum Publications Academic Affairs 1-1-2006 Julia Thecla: Undiscovered Worlds Joanna Gardner-Hugget Louise Lincoln Recommended Citation Gardner-Hugget, Joanna and Lincoln, Louise, "Julia Thecla: Undiscovered Worlds" (2006). DePaul Art Museum Publications. 11. https://via.library.depaul.edu/museum-publications/11 This Book is brought to you for free and open access by the Academic Affairs at Via Sapientiae. It has been accepted for inclusion in DePaul Art Museum Publications by an authorized administrator of Via Sapientiae. For more information, please contact [email protected], [email protected]. JULIA THECLA undiscovered worlds DEPAUL UNIVERSITY ART MUSEUM JULIA THECLA undiscovered worlds DEPAUL UNIVERSITY ART MUSEUM Julia Thecla Undiscovered Worlds September 14 - November 22, 2006 DePaul University Art Museum Chicago, Illinois Copyright © 2006 DePaul University ISBN-13: 978-0-9789074-1-9 ISBN-10: 0-9789074-1-8 Cover image: Julia Thecla. In the Clouds, 1960. Oil on canvas. DePaul University (cat. no. 26) Photo on page 5: Season’s Greetings, about 1945. Photomechanical reproduction. Courtesy of Barton Faist Studio and Gallery, Chicago Photo on page 42: Julia Thecla at an Art Institute of Chicago opening, about 1936. Courtesy of Barton Faist Studio and Gallery, Chicago ACKNOWLEDGMENTS We acknowledge with deep gratitude the generosity of individual lenders to the exhibition: Harlan Berk, River Forest, Illinois; John Corbett, Chicago; Leon and Marian Aschuler Despres, Chicago; Maximilienne Ewalt, San Francisco; Barton Faist, Chicago; Brenda Faist, Chicago; Daniel and Elizabeth McMullen, Naperville, Illinois; Edward Mogul, Chicago; and Montserrat Wassam, San Francisco, California.