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Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
SALA-Conference-Prog
SOUTH ASIAN LITERARY ASSOCIATION 2019 ANNUAL CONFERENCE SOUTH ASIAN LITERATURES IN THE WORLD January 6-7, 2019 theWit Chicago 201 N. State St. Chicago, IL 60601 USA Conference Co-Chairs: Madhurima Chakraborty, Columbia College Chicago Nalini Iyer, Seattle University DAY 1: SUNDAY, JANUARY 6, 2019 7:30 AM: REGISTRATION DESK OPENS 8:00-8:20 AM: CONFERENCE COMMENCEMENT Wilde ● John C. Hawley, SALA President ● Madhurima Chakraborty, Conference co-chair. “South Asian Literatures in the World.” SESSION 1: 8:30-9:45 AM Wilde Locating the Inventions of South Asia—Opening Plenary (Roundtable) Chair: Nalini Iyer, Seattle University ● Neilesh Bose, University of Victoria ● Rajani Sudan, Southern Methodist University ● Susan Andrade, University of Pittsburgh ● Ana Cristina Mendes, University of Lisbon, Center for English Studies ● Waseem Anwar, Forman Christian College, Lahore SESSION 2: 10:00 -11:15 AM 2A Wilde SALA Conference Schedule/2 Gender, Environment, and Crisis in South Asian Graphic Narratives (Roundtable) Chair: Kavita Daiya, George Washington University ● Kavita Daiya, George Washington University. “Migration Stories.” ● Anuja Madan, Kansas State University, “The Art of Amruta Patil.” ● Lopamudra Basu, University of Wisconsin-Stout. “Postcolonial Masculinities in Sarnath Banerjee’s Novels.” ● Sukanya Gupta, University of Southern Indiana. “Sarnath Banerjee’s All Quiet in Vikaspuri as Text/Image Activism & Cli-Fi.” ● Nidhi Shrivastava, University of Western Ontario. “Priya’s Shakti:, Recasting of Familiar Mythological Constructs in Order to Criticize Rape Culture.” 2B Dickinson The Politics of Kashmir Chair: Abdollah Zahiri, Seneca College ● Rituparna Mitra, Marlboro College. “The Ghazal and the Gathering of World’s in Ali’s ‘The Country Without a Post office’.” ● Wafa Hamid, Lady Shriram College for Women, University of Delhi. -
190925 ACSA Creative Achievement Award Final
ACSA Creative Achievement Award Submission: The Future of the Netsch Campus p1 of 20 The Future of the Netsch Campus Fall 2015 – Spring 2019 When it opened in January 1965, the Netsch Campus at then-University of Illinois Chicago Circle was a new model of public urban education. In pointed contradistinction to the pastoral forms of the traditionally rural public university, exemplified by Jefferson’s University of Virginia, Walter Netsch and his team from Skidmore, Owings & Merrill (SOM) sought to materialize this new model through alternative forms of urban and architectural design. Conceptualized as a pebble dropped in a pond–aka “the drop of water scheme”–representing “knowledge spreading out,” the dense inner rings of campus contained the shared lecture halls and classroom buildings, flanked by the library and the student union, while outer rings contained discipline-specific buildings. The campus was connected throughout by raised walkways–human highways designed for a projected enrollment of 32,000 students within five years–that came together in a great public amphitheater called the Circle Forum at the literal and conceptual center. Hailed by the architectural press as a spectacular example of Brutalism, its reception on campus was decidedly more ambivalent. Diagrammatic Campus Plan, c1961 View of the Center of Campus, c1964 000-20-01.001, Photograph Subject File 086.Cabanban-20227.26, Photograph Subject File Both courtesy of the University Archives, University of Illinois at Chicago Library In the 1990s, the campus was irrevocably transformed by the addition of dormitories at the northeast corner and by the removal of the walkways and central amphitheater; reasons for the demolition included a lack of maintenance, a lack of accessibility, a perception of danger, and a lack of “green.” All of these issues were solvable, but the University chose not to do so. -
SALA-Newsletter-Wint
Murdoch University (Western Australia) and Jackson State University (USA) Winter 2019 VOLUME 43 NO. 2 President’s Column 1 PRESIDENT’S COLUMN SALA 2019 Conference Program 2-9 Dear SALA Members: SALA Member News 10 Happy New Year to all! The main reason of SALA 2019 is to address Meena Alexander: In Memoriam by Lopa Basu 11 the move in academia away from the Eurocentric emphasis in conceptu- 12-15 New Books in South Asian Studies alizations of “globalization,” and towards what our call for papers de- (En) Gendering South Asian Studies: The Evolution of the 16-18 scribes as a thinking through of “South-South affinities, affiliations, and South Asian Review by Rahul K. Gairola antagonisms.” Thanks to Madhurima Chakraborty and Nalini Iyer for In His Own Words: The History of South Asian Review by 19-20 this great theme, and for their organizational skills in pulling this to- P.S. Chauhan gether. This conference will investigate “the cultural production of Amritjit Singh honored at Ohio University by Christopher 21 South Asian identity as a global phenomenon,” asking “how such pro- Ian Foster duction is generated globally, through international relationships, and in Open SALA Positions and Candidate Profiles 21-23 concert with production of identities of other nations and collective CFPs, Forms, Note from Webmaster, and Miscellany 24-32 identities.” This promises to be a wonderfully imaginative set of papers that will enrich the published research of our members. SALA EXECUTIVE BOARD 2017-2019 President: John C. Hawley, Santa Clara University Vice President: Nalini Iyer, Seattle University Chicago is an excellent site for such discussions. -
W41 PPB-Web.Pdf
The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms .......................................................... -
A Finding Aid to the Ellen Lanyon Papers, Circa 1880-2014, Bulk 1926-2013, in the Archives of American Art
A Finding Aid to the Ellen Lanyon Papers, circa 1880-2014, bulk 1926-2013, in the Archives of American Art Hilary Price 2016 September 19 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, circa 1880-2015 (bulk 1926-2015)......................... 6 Series 2: Correspondence, 1936-2015.................................................................. 10 Series 3: Interviews, circa 1975-2012.................................................................... 24 Series 4: Writings, Lectures, and Notebooks, circa -
PROGRAM SESSIONS Madison Suite, 2Nd Floor, Hilton New York Chairs: Karen K
Wednesday the Afterlife of Cubism PROGrAM SeSSIONS Madison Suite, 2nd Floor, Hilton New York Chairs: Karen K. Butler, Mildred Lane Kemper Art Museum, Wednesday, February 9 Washington University in St. Louis; Paul Galvez, University of Texas, Dallas 7:30–9:00 AM European Cubism and Parisian Exceptionalism: The Cubist Art Historians Interested in Pedagogy and Technology Epoch Revisited business Meeting David Cottington, Kingston University, London Gibson Room, 2nd Floor Reading Juan Gris Harry Cooper, National Gallery of Art Wednesday, February 9 At War with Abstraction: Léger’s Cubism in the 1920s Megan Heuer, Princeton University 9:30 AM–12:00 PM Sonia Delaunay-Terk and the Culture of Cubism exhibiting the renaissance, 1850–1950 Alexandra Schwartz, Montclair Art Museum Clinton Suite, 2nd Floor, Hilton New York The Beholder before the Picture: Miró after Cubism Chairs: Cristelle Baskins, Tufts University; Alan Chong, Asian Charles Palermo, College of William and Mary Civilizations Museum World’s Fairs and the Renaissance Revival in Furniture, 1851–1878 Series and Sequence: the fine Art print folio and David Raizman, Drexel University Artist’s book as Sites of inquiry Exhibiting Spain at the Chicago Columbian Exposition of 1893 Petit Trianon, 3rd Floor, Hilton New York M. Elizabeth Boone, University of Alberta Chair: Paul Coldwell, University of the Arts London The Rétrospective and the Renaissance: Changing Views of the Past Reading and Repetition in Henri Matisse’s Livres d’artiste at the Paris Expositions Universelles Kathryn Brown, Tilburg University Virginia Brilliant, John and Mable Ringling Museum of Art Hey There, Kitty-Cat: Thinking through Seriality in Warhol’s Early The Italian Exhibition at Burlington House Artist’s Books Andrée Hayum, Fordham University Emerita Lucy Mulroney, University of Rochester Falling Apart: Fred Sandback at the Kunstraum Munich Edward A. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
SLF Portolan Project Interview with Nalo Hopkinson, Andrea Hairston, and Sheree Renée Thomas Los Angeles, California, 2019
SLF Portolan Project Interview with Nalo Hopkinson, Andrea Hairston, and Sheree Renée Thomas Los Angeles, California, 2019 Mary Anne Mohanraj: Hi everybody, this is Mary Anne Mohanraj, and I'm here at the World Fantasy Convention 2019 in Los Angeles. I'm here with Nalo Hopkinson, Andrea Hairston, and Sheree Renée Thomas, really delighted to be interviewing them for the SLF. So, I thought we would start with how I first got to know all of you and your work. I think the first one was Nalo Hopkinson. I met Nalo at WisCon, it would have been, I want to say around 1997-98, when WisCon was making a real effort to do outreach to people of color, and they had actually invited me to come, and I was a starving grad student at the time, and said I couldn't possibly fly from California all the way to Madison. And they had covered my expenses to attend the convention. And I got there, and there were five people of color, at the seven – Andrea Hairston: That was a good year. [laughter] Mary Anne Mohanraj: Yeah, at the 700-something person convention. So they had an issue, which they were trying to address. And Nalo was one of them. Does that match up with your memory? And, I don't know, was that your first WisCon as well, or? Nalo Hopkinson: My first WisCon was right after Clarion, and I did Clarion in ‘95, so it was probably a few years before. Mary Anne Mohanraj: A little before, then. Nalo Hopkinson: I think I knew who you were before then. -
SLF Portolan Project Interview with Minal Hajratwala Locus Awards, Seattle, June 2019
SLF Portolan Project Interview with Minal Hajratwala Locus Awards, Seattle, June 2019 Mary Anne Mohanraj: Hey everybody, this is Mary Anne Mohanraj, prototyping a podcast that I'm hoping that Ben Rosenbaum and I will be able to do going forward. We don't really have a focus yet. We are thinking it could be somewhere in the culture and speculative fiction realm. It may be pretty wide ranging, because Ben and I often talk about politics and religion, and family; science, technology, cities; whatever strikes our fancy, and we get into good conversations. But Ben isn't with us today. Today, I'm in Seattle. I have come here for the Locus Award ceremony and conveniently was able to set up an interview with Minal Hajratwala (Did I say that right? I did, okay) – who is here as a Clarion student, which really startled me because I know her as a very accomplished writer. She did this book Leaving India, which is a history of the Indian diaspora, but it's also a memoir about her family that ended up in six different countries? Yes? Minal Hajratwala: Nine! Mary Anne Mohanraj: Nine different countries. I get this wrong every time! Nine different countries – Minal Hajratwala: It’s a lot of countries to keep track of. Mary Anne Mohanraj: It's a lot of countries. Nine different countries. But it's a book that I teach in my postcolonial lit class. But she's now made a turn to science fiction. And she's here, so – say hi! Minal Hajratwala: Hi! Mary Anne Mojanraj: Do you want to introduce yourself? Minal Hajratwala: Here we are, yes, I'm Minal Hajratwala, here we are in J’aime Les Crepe House in Seattle. -
LORRAINE PELTZ B. Brooklyn, NY EDUCATION 1983 Master of Fine
LORRAINE PELTZ b. Brooklyn, NY EDUCATION 1983 Master of Fine Art, University of Chicago, Chicago, IL, Midway Studio Prize 1980 Bachelor of Fine Art, State University of New York at New Paltz, New Paltz, NY SELECTED SOLO EXHIBITIONS 2009 Cheryl McGinnis Gallery, New York, NY (2-person) Summer 2009 2008 Lorraine Peltz, Excellent Hostess: Selected Paintings: 1993-2008 Outstanding Midwestern Artist Series, South Shore Arts, Center for Visual and Performing Arts, Munster, IN 2007 Chandeliers, Starbursts, etc., Koscielak Gallery, Chicago, IL Cosmic Hostess, The Hyde Park Art Center, Chicago, IL 2006 Mixed Fruits, gescheidle, Chicago, IL 2004 Dream/Girl, gescheidle, Chicago, IL Dream/Girl, Center for Visual and Performing Arts, Munster, IN 2002 Day and Night: New Paintings, Lyons Wier Gallery, Chicago, IL Pink Works, Galerie Piltzer, Campagne, Barbizon, France 2001 Paintings, Loyola University Medical Center, Maywood, IL 2000 Selected Paintings, Riverside Arts Center, Riverside, IL Pink Works, I Space, Chicago/ University Art Gallery, Indiana State University/Terre Haute, IN/ Tarble Arts Center, Charleston, IL 1998 University Club, Chicago, IL 1997 Carrie Secrist Gallery, Chicago, IL Arden Gallery, Boston, MA 1996 Galerie Piltzer, Paris, France 1995 Gallery A, Chicago, IL 1994 Valparaiso University Museum of Art, Valparaiso, IN 1993 Sazama Gallery, Chicago, IL 1992 Recent Drawings, Center for Contemporary Art, Chicago, IL 1991 Evanston Art Center, Evanston, IL 1989 Deson-Saunders Gallery, Chicago, IL Chicago Cultural Center, IL SELECTED GROUP EXHIBITIONS 2009 Pleasure Paintings: Phyllis Bramson, Lorraine Peltz, Keer Tanchek, Elmhurst Art Museum, Elmhurst, IL. 2008 Bridge Miami with Micaela Gallery, Miami Beach, FL. Chicago Verge, I Space, Chicago, IL. -
School of Architecture 2001–2002
School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) The closing date for material in this bulletin was June 20, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be repro- duced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Open House All interested applicants are invited to attend the School’s Open House: Thursday, November 1, 2001. Inquiries Requests for additional information may be directed to the Registrar, Yale School of Architecture, PO Box 208242, 180 York Street, New Haven ct 06520-8242; telephone, 203.432.2296; fax, 203.432.7175. Web site: www.architecture.yale.edu/ Photo credits: John Jacobson, Sarah Lavery, Michael Marsland, Victoria Partridge, Alec Purves, Ezra Stoller Associates, Yale Office of Public Affairs School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 c yale university ce Pla Lake 102-8 Payne 90-6 Whitney — Gym south Ray York Square Place Tompkins New House Residence rkway er Pa Hall A Tow sh m u n S Central tree Whalley Avenue Ezra Power Stiles t Morse Plant north The Yale Bookstore > Elm Street Hall of Graduate Studies Mory’s Sterling St.