Hostages' Fate Still Unknown
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Januar Februar
brezpla~ni izvod po{tnina pla~ana pri po{ti 1106 ljubljana kinote~nik 2011 2012 januar-februar Rainer Werner Fassbinder retrospektiva ostanite {e naprej z nami Televizijskim ogledom in uvidom sledi {e ob{irnej{a, po skoraj dvajsetletnem "Televizija! Vzgojiteljica, mati, ljubica." doma~em zamolku toliko glasnej{a retrospektiva nem{kega scenarista, dramatika, Homer Simpson igralca, producenta in re`iserja Rainerja Wernerja Fassbinderja, ki bo prinesla "Za film bi rad pomenil to, kar Shakespeare pomeni za gledali{~e, Marx za {tirideset projekcij dvajsetih filmov plus – kot je pri ve~jih retrospektivah spet v politiko in Freud za psihologijo: nekdo, za komer ni~ ne ostane isto." navadi – zajeten kinote~ni katalog, posve~en avtorju. Kdor je Fassbinderja `e Rainer Werner Fassbinder gledal, ga bo pri{el pogledat spet (retrospektiva, mimogrede, prina{a kup , letnik XII, {tevilka 5–6, januar-februar 2012 naslovov, ki v Sloveniji {e nikoli niso bili predvajani na velikem platnu). Kdor Kaj imata skupnega televizija in Rainer Werner Fassbinder razen tega, da je prva Fassbinderja {e ni gledal, pa ima v Kinoteki rezerviran abonma ne samo pri radikalno posegla v tok navad in obna{anja 20. stoletja, drugi pa ni~ manj predmetu filma, pa~ pa tudi na podro~ju ob~utljivih to~k evropske zgodovine radikalno v tok filmske zgodovine istega stoletja? Poleg dejstva, da je Fassbinder dvajsetega stoletja, brezkompromisnega politi~nega udejstvovanja, eti~nega pribli`no tretjino svojega enormnega opusa posnel prav za televizijo, ju tokrat anga`maja in njemu pripadajo~ega dogodka ljubezni. dru`i tudi skupen nastop v januarsko-februarskem programu Kinoteke. Retrospektiva se bo iz januarja prelila v februar, ta pa se sklepa z mnogo manj ali Tega na samem pragu novega leta odpiramo z ob{irno, tematsko retrospektivo, prav ni~ "kanoni~no", a zato ni~ manj "pou~no" retrospektivo, ki bo predstavila ki smo jo poimenovali Ekrani na platnu in v sklopu katere raziskujemo, na kak{ne pet filmov Reze Mirkarimija, mlaj{ega cineasta iranskega rodu. -
Manifest Destiny
UNLV Retrospective Theses & Dissertations 1-1-2007 Manifest Destiny John Nardone University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Nardone, John, "Manifest Destiny" (2007). UNLV Retrospective Theses & Dissertations. 2132. http://dx.doi.org/10.25669/gi3n-246p This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. MANIFEST DESTINY by John Nardone Bachelor of Arts University of Scranton 1999 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts Degree in Creative Writing Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas December 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1443780 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. -
1989 JOHN DEERE CLASSIC of Third-Round Leader and Defending Champion Blaine Mccallister
CURT BYRUM TOTAL 1R 2R 3R 4R MONEY 1989 268 66 67 69 66 $126,000 JOHN DEERE CLASSIC Playing on a sponsor’s exemption, Curt Byrum OAKWOOD CC, COAL VALLEY, IL won his first Tour title and his ticket onto the JULY 20-23 Tour. He closed with a round of 66 in the last PAR: 35-35-70 of 15 Q-C tournaments played directly opposite the British Open. TOTAL PURSE: Byrum’s win came a month after his brother Tom had won the Kemper Open, making them the first brothers to win on Tour in the $700,000 same year in 17 years. Byrum opened the final round a shot back 1989 JOHN DEERE CLASSIC of third-round leader and defending champion Blaine McCallister. RANK PLAYER TOTAL 1R 2R 3R 4R MONEY RANK PLAYER TOTAL 1R 2R 3R 4R MONEY MISSED CUT TOTAL 1R 2R MISSED CUT TOTAL 1R 2R MISSED CUT TOTAL 1R 2R T2 Bill Britton 269 70 65 69 65 $61,600 T35 Dick Mast 277 72 66 71 68 3,304 Mike Bender 146 75 71 Mike Holland 156 80 76 T2 Brian Tennyson 269 69 69 67 64 61,600 T35 Tim Norris 277 73 66 66 72 3,304 Roy Biancalana 145 75 70 P.H. Horgan III 142 72 70 T4 Jim Gallagher, Jr. 271 69 68 69 65 30,800 T35 Calvin Peete 277 69 67 71 70 3,304 Woody Blackburn 151 78 73 Cary Hungate 144 66 78 T4 Barry Jaeckel 271 70 71 67 63 30,800 T42 Mark Brooks 278 70 71 69 68 2,450 Charlie Bowles 143 72 71 Richie Karl 152 79 73 T6 John Adams 272 67 68 67 70 24,325 T42 Steve Elkington 278 72 69 67 70 2,450 George Burns 143 70 73 Karl Kimball 142 72 70 T6 Dan Forsman 272 74 65 68 65 24,325 T42 Webb Heintzelman 278 71 68 69 70 2,450 Clark Burroughs 143 72 71 Kevin Klier 144 71 73 T8 Jay Haas 273 -
Textart a Hypertext Notebook by Michael P
Concrete Poetry TeXTArt A Hypertext Notebook by Michael P. Garofalo January 2, 2020 Concrete Poems, Text Graphics, Calligrams, Graffiti, Lettrisme, Calligraphy, Info-graphics, Posters, Shape/Pattern Poems, Ads, TextArt Interactive and Hypertext Poetry, Ambigrams, Comics, Typographic Arts, Signs, Visual Poetry, Web Text Effects, Digital Graphics Communicating with Text and Images Directory, Guide, Index, Bibliography Websites, Books, Journals, Pamphlets, Articles, History, Exhibits, How To, Artists, Related, and TextArt A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Quotations Preface Exhibits Home Calligraphy Colors Comics Typography Vector Graphics ASCII A AAaaaAAaaaaAA Adobe Industry standard graphic arts software. Adobe Illustrator Books Industry standard vector graphics software. Adobe Photoshop Books The Aesthetics of Visual Poetry, 1914-1928. By Willard Bohn. Cambridge University Press, 1986, 240 pages. 2 Alphabet Books for Children Alphabetic Labyrinth: The Letters in History and Imagination. By Johanna Drucker. Thames and Hudson, 1995, 320 pages. Alphabets to Order By Alastair Johnston. Oak Knoll Press, The British Library, 2000. Review Altar Poem Alt-X Online Network Ambigrams - Wikipedia Ambigrams Revealed: A Graphic Designer's Guide To Creating Typographic Art Using Optical Illusions, Symmetry, and Visual Perception. By Nikita Prokhorov. New Riders, 2013, 168 pages. Anagrams - Wikipedia Animisms Jim Andrews An Anthology of Concrete Poetry. Edited by Emmett Williams. New York, Something Else Press, 1967, 342 pages. Info Anthology of Concretism. Edited by Eugene Wildman. 2nd. edition. Chicago : Swallow Press, Inc., 1969. April Poems Archae Editions. By Richard Kostelanetz. 3 Art and Human Consciousness. By Gottfried Richter and Burley Channer. -
Etn1985 06.Pdf
Volume 31, No. 6 April 18, 1985 • MAJOR U.S. OUTDOOR MEETS • SUN ANGEL 52-6½; 4. Samuels' (SMU) 51-8¼; .. nm- 51-5½, 51-3½, 52-4½, 51-1½); 4. Costanzo Tempe, Arizona, April 6. Frazier. (Az) 52-½; 5. Kaaiawahia (Pol) 47-4½; 6. Tarr Attendance: 4211. (UNLV) 45-1¾. 100, Glance (Pol) 10.30; 2. Cook (USC) SP, Williky (Mace) 66-8½ (61-7¾, 65-½, 10.33; 3. Robinson (AzSt) 10.42; 4. Miller 63-10¾, 63-3½, 63-9¾, 66-B½); 2. Wolf (adi) OT, Pagel 188-0; 2. DeSnoo (S Di) 185-0 (SSTC) 10.46; 5. Powell (unat) 10.51; 6. Parker 63-7; 3. Camp (AzSt) 61-7½;4. Smith (SSTC) (CL); 3. Griffin (Nik) 183-7; 4. Norton (CA) (SMU) 10.56. 60-10¾; 5. Nilsen' {SMU) 60-4½; 6. Hubbard 174-2; 5. Garrett 168-4; 6. Levi (unat) 164- 7; 7. 1500, Scott (AzSt) 3:46.54; 2. Wyns' (laSt) (unat) 52-9¼. Kaaiawahia 134-1. 3:47.47. DT, McSevaney (SSTC) 210-0 (172-6, rf, JT, Hart' (Az) 175•10; 2. Bernstein (SLO) St, Souza (NnAz) 8:50.51; 2. Scannell 202-7, rf, 210-0, rf); 2. Powell (Bud) 205-11 170-1; 3. Mueller (S Di) 169-5; 4. Szarkowski (AzSt) 8:55.49. (194-7, 191-4, 199-9, 200-5, 205-11, lsf (Nb) 160-9; 5. Martinson (Pum) 160-1; ... 8. 5000, Rugut' (SMU) 14:07.13; 2. DiConti {c214] ); 3. Binley {SSTC) 199-8; 4. Williky Carr (Pum) 140-10. (SSTC) 14: 11.08; 5. -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
Mcfarlane SAYS CABINET KNEW WHAT WAS GOING ON
Uiaitrltpalpr) Manchester — A City o( Village Charm HpralJ) Saturday. Jan. 17,1987 30 Cents McFARLANE SAYS CABINET KNEW WHAT WAS GOING ON WASHINGTON (AP) - Former na simpty trading U.S. arms for the release advised against it, and that there was no decision was taken. tional security adviser Rotert C. of Americans held hostage in Lebanon. "no ambiguity or misunderstanding "I’m not chalienging him,” Shultz McFarlane toid Congress Friday that McFarlane said Reagan acted to among them of the nature pf the said. "I’m Just saying I have lots of SecreUry of State George P. Shultz and authorize the contacts with Iran in decision.” notes. I sort of habitually did that. Secretary of Defense Caspar W. Wein midsummer 198S only after he and his Shultz, however, told reporters late Maybe I’m missing something or berger "knew what was going on" advisers became convinced that despite Friday that he could not recall being told missed something. But I don’t have any during the decision to san(^on arms obvious risks, any other course would be during the summer of 1985 that Reagan note about being formally notified of a sates as part of a bid to forge ties with "a cop-out” given Iran’s important had approved Israeli arms shipments to presidential decision.” moderates in Iran. strate^c position to both the United Iran. Shultz said the first, fuli-scaie formal McFarlane also said President Rea States and the Soviet Union. In fact, Shultz said he attended a meeting to discuss weapons shipments gan was warned "very emphaticatly” He said that Shuitzand other Cabinet meeting that August with Reagan and to Iran was not held until that by his advisers that if the dealings officers were fuliy involved in the McFarlane in which the issue was bMame public, it would took tike he was original decision, even though they discussed, and he had "the impression” 'Tam to page S Hawk gains its freedom John Spaulding, animal curator at the Lutz Children’s Museum, coaxes an injured redtail hawk to use its wings in prepara tion for the bird’s release at sunrise today. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Lou Scheimer Oct
Lou Scheimer Oct. 19, 1928 - Oct. 17, 2013 This book is dedicated to the life and career of cartoon visionary and co-founder of Filmation, Lou Scheimer. Without him, the cartoon landscape of the 1980s would have been much more barren. We owe him a huge debt of gratitude for forging wondrous memories for an entire generation of children. He truly did have the power. Sample file Line Developer And Now, a Word From Our Sponsors Cynthia Celeste Miller We at Spectrum Games would like to give a massive thanks to all our amazing Kickstarter backers, who have been enthusias- tic, patient and understanding. It is genuinely appreciated. Cheers! Writing and Design Team Cynthia Celeste Miller, Norbert Franz, Barak Blackburn, Stephen Shepherd, Ellie Hillis Ryan Percival, Raymond Croteau, Davena Embery, Sky Kruse, Michael David Jr., Star Eagle, Andy Biddle, Chris Collins, Insomniac009, David Havelka, Brendan Whaley, Jay Pierce, Jason “Jivjov”, Matthew Petty, Jason Middleton, Vincent E. Hoffman, Ralph Lettan, Christian Eilers, Preface Gabe Carlson, Jeff Scifert, Jeffrey A. Webb, Eric Dahl, Modern Myths, Rodney Allen Stanton III, Jason Wright, Phillip Naeser, Aaron Locke Flint Dille Nuttal, Chris Bernhardi, Lon A. Porter, Jr., Markus Viklund, Eric Troup, Joseph A. Russell. Mike Emrick. Theo, Jen Kitzman, Eric Coates, Kitka, Brian Erickson, Mike Healey, Zachary Q. Adams, Preston Coutts, Doc Holladay, Brian Bishop, Christopher Onstad, Kevin A. Jackson, Robery Payne, Ron Rummell, Justin Melton, James Dotson, Richard S. Preston, Jack Kessler, Larry Stanton, Marcus Arena, David Saggers, Robert Editor Ferency-Viars, George Blackburn Powell, Nigel Ray, John “Shadowcat” Ickes, Garth Dighton, Richard Smith, M. -
Study on High Jumpers on the Word
Ovidius University Annals, Series Physical Education and Sport / SCIENCE, MOVEMENT AND HEALTH Vol. XII, ISSUE 2 Supplement 2012, Romania The journal is indexed in: Ebsco, SPORTDiscus, INDEX COPERNICUS JOURNAL MASTER LIST, DOAJ DIRECTORY OF OPEN ACCES JOURNALS, Caby, Gale Cengace Learning STUDY ON HIGH JUMPERS ON THE WORD GHEORGHE DANIEL1 Abstract Purpose. This work has proposed that purpose, to separate the essential data for selection and training high performance athletes in the perspective of major international competition. Methods. As research methods I used the case study, observation and statistics. Results. For the final selection to the Olympics, to accede to one of the medals, the athlete’s performance should be over 2.30 m. If we have several athletes with special performances, we should focus primarily on those with a richer experience, with several international competitions, so a little older. Conclusions. In 2 of the 5 Olympics, the performance for the first place is equal to the average top, which confirms first hypothesis. The top average age is 24 years and 7 months which confirms the second hypothesis. The third hypothesis is confirmed with the observation that for the Olympics the performance is the supreme criterion, the height isn’t a decisive criterion (there are medalists with height below top average). The hypothesis of the athlete’s weight isn’t confirmed, recording an average of 77,36 kg. We only have significant correlation between athlete’s height and weight. Key words: athletes, performance, statistics. Introduction the essential data for selection and training high The present study is an analysis of the finalists performance athletes in the perspective of major from the last two Olympics and the first three of the international competition. -
Watch out for Eddie Haskell
Human Capital Management Watch Out for Eddie Haskell f you’re old enough to remem- quirements, and they offer almost noth- ber Leave It To Beaver, or if ing to attract real talent. Online job posts you’ve caught a re-run on “Nick are no better. Sometimes they’re longer, I but again, most say little more than “this at Nite,” you know who Eddie is what we need.” Remember, Eddie’s Haskell is. He’s Wally’s smooth out there reading these, and he’s looking talking friend, and no matter what for the next new thing to pique his inter- trouble he may have caused, he was est. Recruitment advertising, whether always able to charm his way past online or off, is marketing. To make your Mrs. Cleaver. marketing successful, and attract real tal- ent, you need to create compelling copy. Now before you say, “what does this You need to sell. And you need to give have to do with me,” consider this: There candidates a strong reason to take ac- are a lot of “Eddie Haskell’s” out there… tion…now! Make ads and position de- and they’re trying to get a job with you! scriptions visibly attractive with intrigu- ing titles and graphics that capture the But, were they great interviewees? Some attention of the best candidates. Include CAN YOU SPOT EDDIE? may have been, but many more prob- detailed information about the benefits ably were not. Here’s why: great em- of working for your company, the posi- The problem with Eddie Haskell’s is that ployees don’t change jobs all that often, tive aspects of your corporate culture, they’re hard to spot. -
INSTITUTION Congress of the US, Washington, DC. House Committee
DOCUMENT RESUME ED 303 136 IR 013 589 TITLE Commercialization of Children's Television. Hearings on H.R. 3288, H.R. 3966, and H.R. 4125: Bills To Require the FCC To Reinstate Restrictions on Advertising during Children's Television, To Enforce the Obligation of Broadcasters To Meet the Educational Needs of the Child Audience, and for Other Purposes, before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce, House of Representatives, One Hundredth Congress (September 15, 1987 and March 17, 1988). INSTITUTION Congress of the U.S., Washington, DC. House Committee on Energy and Commerce. PUB DATE 88 NOTE 354p.; Serial No. 100-93. Portions contain small print. AVAILABLE FROM Superintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) -- Viewpoints (120) -- Reports - Evaluative/Feasibility (142) EDRS PRICE MFO1 /PC15 Plus Postage. DESCRIPTORS *Advertising; *Childrens Television; *Commercial Television; *Federal Legislation; Hearings; Policy Formation; *Programing (Broadcast); *Television Commercials; Television Research; Toys IDENTIFIERS Congress 100th; Federal Communications Commission ABSTRACT This report provides transcripts of two hearings held 6 months apart before a subcommittee of the House of Representatives on three bills which would require the Federal Communications Commission to reinstate restrictions on advertising on children's television programs. The texts of the bills under consideration, H.R. 3288, H.R. 3966, and H.R. 4125 are also provided. Testimony and statements were presented by:(1) Representative Terry L. Bruce of Illinois; (2) Peggy Charren, Action for Children's Television; (3) Robert Chase, National Education Association; (4) John Claster, Claster Television; (5) William Dietz, Tufts New England Medical Center; (6) Wallace Jorgenson, National Association of Broadcasters; (7) Dale L.