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List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
Biographical Notes
DAVID DANIELS Page 1 of 6 [email protected] http://en.wikipedia.org/wiki/David_Daniels_%28poet%29 Born: Beth Israel Hospital: Newark: New Jersey: USA: October 11: 1933: He has been making words out of pictures and pictures out of words for over 60 years: His Visual Poem of 350+ Visual Poems in .PDF format: THE GATES OF PARADISE: As well as his Autobiographical Visual Poem of 250+ Visual Poems: YEARS (Fall 2003) Are available in their entirety at: z z UBUWEB VISUAL CONCRETE SOUND http://www.ubu.com/ Editor: Kenneth Goldsmith And at: http://www.thegatesofparadise.com Editor: David Daniels Visual Poems by David Daniels are also at: Deluxe Rubber Chicken http://wings.buffalo.edu/epc/ezines/deluxe/six/contents.html Editor: Mark Peters David Daniels Poems, Paintings, Manuscripts And Supportive Memorabilia Are Archived At: The Poetry/Rare Books Collection of The University Libraries: State University of New York at Buffalo at: httb://ublib.buffalo.edu/libraries/units/pl/collections/manuscripts/index.html http://ublib.buffalo.edu/libraries/units/pl/ Attention: Curator: Dr. Michael Basinski [email protected] David Daniels Poems, Prints and Manuscripts are archived at: The Sackner Archive Of Concrete And Visual Poetry at: http://www.rediscov.com/sackner.htm Creator: Dr. Marvin Sackner [email protected] David Daniels Poems, Prints and Manuscripts are archived at: The Ohio State University Libraries Rare Books & Manuscripts Library Avant Writing Collection at: http://www.acs.ohio-state.edu/index.php Attention: Curator, Dr. John M. Bennett Columbus, OH 43210 USA [email protected] David Daniels Poems, Prints and Manuscripts are archived at: The British Library Modern English Collections Overseas English Section at: http://www.bl.uk/collections/oes/oesusa.html Attention: Curator: American Collections: Dr. -
Catalog 2018 General.Pdf
TERRY’S COMICS Welcome to Catalog number twenty-one. Thank you to everyone who ordered from one or more of our previous catalogs and especially Gold and Platinum customers. Please be patient when you call if we are not here, we promise to get back to you as soon as possible. Our normal hours are Monday through Friday 8:00AM-4:00PM Pacific Time. You can always send e-mail requests and we will reply as soon as we are able. This catalog has been expanded to include a large DC selection of comics that were purchased with Jamie Graham of Gram Crackers. All comics that are stickered below $10 have been omitted as well as paperbacks, Digests, Posters and Artwork and many Magazines. I also removed the mid-grade/priced issue if there were more than two copies, if you don't see a middle grade of an issue number, just ask for it. They are available on the regular web-site www.terryscomics.com. If you are looking for non-key comics from the 1980's to present, please send us your want list as we have most every issue from the past 35 years in our warehouse. Over the past two years we have finally been able to process the bulk of the very large DC collection known as the Jerome Wenker Collection. He started collecting comic books in 1983 and has assembled one of the most complete collections of DC comics that were known to exist. He had regular ("newsstand" up until the 1990's) issues, direct afterwards, the collection was only 22 short of being complete (with only 84 incomplete.) This collection is a piece of Comic book history. -
Diffusion, Analysis and Discussion of Electronic Literature in Italy (DADELI) GRUPPO GIADA Independent Scholars
Diffusion, Analysis and Discussion of Electronic Literature in Italy (DADELI) GRUPPO GIADA Independent Scholars Abstract The present paper introduces a new project whose aim is to disseminate, analyse and discuss electronic literature in Italy. In the first section a general overview of the state of art of Italian electronic literature is given. We show that efforts both within aca- demic research institutions and the publishing industry are hindered by a lack of interest and a misconception about what electronic literature is, particularly in Italy. The second section discusses two twin projects designed by Gruppo Giada, an inde- pendent research group founded in 2014: the first one is an Anthology of the History of Electronic Literature (1945-2015) (section 2.1), and the second one is an online platform (section 2.2). Finally, the conclusion underlines the goals of Gruppo Giada’s projects, given the current global landscape of the field of electronic literature. Keywords: Italian literary anthology; electronic literature; history of new media writing. Resumo Este artigo apresenta um novo projeto, cujo objetivo é divulgar e analisar a literatura eletrónica em Itália. A primeira secção contém uma visão geral do estado da arte da literatura eletrónica italiana. Mostramos que os esforços, quer das instituições de investigação académica, quer da indústria editorial têm sido prejudicados pela falta de interesse e por um equívoco sobre o que é a literatura eletrónica, particularmente em Itália. A segunda secção aborda dois projetos gémeos concebidos pelo Gruppo Giada, um grupo de pesquisa independente fundado em 2014: o primeiro é uma Antologia da História da Literatura Eletrónica (1945-2015) (secção 2.1), e o segundo é uma plataforma em linha (secção 2.2). -
La Parola Intermediale: Un Itinerario Pugliese (Cavallino 25, 26 Maggio 2017)
La parola intermediale: un itinerario pugliese (Cavallino 25, 26 Maggio 2017) a cura di Francesco Aprile e Cristiano Caggiula 2017 CITTÀ DI CAVALLINO BIBLIOTECA COMUNALE “G. RIZZO” -3- © testi 2017: Vincenzo Ampolo, Francesco Aprile, Michele Brescia, Rossana Bucci, Cristiano Caggiula, Marilena Cataldini, Oronzo Liuzzi, Egidio Marullo, Antonio Negro, Francesco Pasca, Alberto Piccinni LA PAROLA INTERMEDIALE: UN ITINERARIO PUGLIESE La rivista di critica e linguaggi di ricerca www.utsanga.it, nata nel settembre 2014 con intenti a carattere storico-critico in quegli ambiti che vedono l’ibridazione, dal secondo Novecento ad oggi, della parola letteraria con i mass-media e le aree extra- letterarie in genere, propone, in collaborazione con la Biblioteca Gino Rizzo di Cavallino, attraverso una due giorni di incontri, la tavola rotonda dal titolo “La parola intermediale: un itinerario pugliese”. Scopo dell’iniziativa è tracciare un resoconto delle esperienze pugliesi che hanno avuto modo di muoversi, dagli anni ’60 ad oggi, negli ambiti di quei linguaggi liminali, ibridi, di derivazione poetica. Dalla poesia concreta alla poesia visiva, dalla mail art alla parola performativa, dalle scritture manuali all’asemic writing, dalla net.poetry al glitch: il contributo pugliese alle ricerche intermediali. Nei giorni 25 e 26 maggio, dalle ore 18:00 presso la Biblioteca Gino Rizzo, a Cavallino (Le) in via Amendola, le ricerche promosse dalla rivista www.utsanga.it incontrano l’impegno, la cura e la promozione che la Biblioteca Gino Rizzo dimostra da tempo in ambito culturale. Nasce un incontro che intreccia l’azione volitiva dell’impegno sul territorio alle ricerche a carattere storico-critico su quei linguaggi che del territorio pugliese sono traccia nel mondo. -
Funeral Home
T U E S D A Y , F E B R U A R Y 2, 1960 Average Daily Net Press Run The Weather - Ferecaat of C. S. Weathtr Ba For the Week Ended Jan. so, ISSO PAGE FOURTEEN, iMattftitgBlgr gttMting Ijgralb Partly Mondy aa< '‘saUar night, low lS-18. Thefeiegr ' 'DAR-to Hear Talk 13,071 Ky iUr, little change ta The Waddell School J T A will • freed^ ry** Mmbar of the Audit meet tomorrow beginning with an Lutz Museum Launches By State Historian Bureau of OlrenlaHoB. About Town open house for parenU to visit ugrettdrug • Manche$ter— A City of Village Charm classrooms at 7:30 p.m. Miss Joyce Green, curriculum asalataht for "History Through Literature: The Manchester' Italian Ameri PARKADE (Claaatfled Advertlring on Page IS) P R IC E F IV E can Club will hold a committee language in Glastonbury schools, Membership Campaign Some of the Great Historical Nov VOL. LXXIX, NO. 165 (ENGHTEEN PAGES) MANCHESTER, CONN., WEDNESDAY, FEBRUARY 3, 1960 meeting Friday at 8 p.m. at the will speak at 8:30 on the elemen els.” wlU be the subject of Miss clubhouse to discuss plans for the tary school language program. Esther D. Griswold, state DAR his 10th annual banquet slated Satur "Mancheater’s Heritage’’ will be^Butler, Mrs. Richard Carpenter. Mrs. Edgar Clarke and Mrs. torian, from ^ rlln , at a m eetli^ day, Feb. 27. Members of the Italian "Ameri the theme of an adult nsember- Hyde. of 'Orford Parish Chapter, D 7 on Burning Boat Let’s. Face lt:i can Society will meet tomorrow ahlp drive fbr Luts Junior Museum Syria A irs Joseph Lopes, 48 Spruce S t, left at 7 p.m. -
Cultural History and Comics Auteurs: Cartoon Collections at Syracuse University Library
Syracuse University SURFACE The Courier Libraries 2001 Cultural History and Comics Auteurs: Cartoon Collections at Syracuse University Library Chad Wheaton Syracuse University Carolyn A. Davis Syracuse University Follow this and additional works at: https://surface.syr.edu/libassoc Part of the Arts and Humanities Commons Recommended Citation Wheaton, Chad and Davis, Carolyn A., "Cultural History and Comics Auteurs: Cartoon Collections at Syracuse University Library" (2001). The Courier. 337. https://surface.syr.edu/libassoc/337 This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIB RA RY ASS 0 CI ATE S c o URI E R VOLUME XXXIII . 1998-2001 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VO LU ME XXXIII 1998-2001 Franz Leopold Ranke, the Ranke Library at Syracuse, and the Open Future ofScientific History By Siegfried Baur, Post-Doctoral Fellow 7 Thyssen Foundation ofCologne, Germany Baur pays tribute to "the father ofmodern history," whose twenty-ton library crossed the Atlantic in 1888, arriving safely at Syracuse University. Mter describ ing various myths about Ranke, Baur recounts the historian's struggle to devise, in the face ofaccepted fictions about the past, a source-based approach to the study ofhistory. Librarianship in the Twenty-First Century By Patricia M. Battin, Former Vice President and 43 University Librarian, Columbia University Battin urges academic libraries to "imagine the future from a twenty-first cen tury perspective." To flourish in a digital society, libraries must transform them selves, intentionally and continuously, through managing information resources, redefining roles ofinformation professionals, and nourishing future leaders. -
Funkhouser, C, Baldwin.S, Prehistoric Digital Poetry. Anarchaeologyof
Prehistoric Digital Poetry MODERN AND CONTEMPORARY POETICS Series Editors Charles Bernstein Hank Lazer Series Advisory Board Maria Damon Rachel Blau DuPlessis Alan Golding Susan Howe Nathaniel Mackey Jerome McGann Harryette Mullen Aldon Nielsen Marjorie Perloff Joan Retallack Ron Silliman Lorenzo Thomas Jerry Ward Prehistoric Digital Poetry An Archaeology of Forms, 1959–1995 C. T. FUNKHOUSER THE UNIVERSITY OF ALABAMA PRESS Tuscaloosa Copyright © 2007 The University of Alabama Press Tuscaloosa, Alabama 35487-0380 All rights reserved Manufactured in the United States of America Typeface: Minion ∞ The paper on which this book is printed meets the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Library of Congress Cataloging-in-Publication Data Funkhouser, Chris. Prehistoric digital poetry : an archaeology of forms, 1959–1995 / C. T. Funkhouser. p. cm. — (Modern and contemporary poetics) Includes bibliographical references and index. ISBN-13: 978-0-8173-1562-7 (cloth : alk. paper) ISBN-10: 0-8173-1562-4 (cloth : alk. paper) ISBN-13: 978-0-8173-5422-0 (pbk. : alk. paper) ISBN-10: 0-8173-5422-0 (pbk. : alk. paper) 1. Computer poetry—History and criticism. 2. Computer poetry—Technique. 3. Interactive multimedia. 4. Hypertext systems. I. Title. PN1059.C6F86 2007 808.10285—dc22 2006037512 Portions of I-VI by John Cage have been reprinted by permission of Harvard University Press, Cambridge, Mass, pp. 1, 2, 5, 103, 435. Copyright © 1990 by the President and Fellows of Harvard College. To my comrades in the present and to cybernetic literary paleontologists of the mythic future “The poem is a machine,” said that famous man, and so I’m building one. -
Editor & Publisher International Year Books
Content Survey & Selective Index For Editor & Publisher International Year Books *1929-1949 Compiled by Gary M. Johnson Reference Librarian Newspaper & Current Periodical Room Serial & Government Publications Division Library of Congress 2013 This survey of the contents of the 1929-1949 Editor & Publisher International Year Books consists of two parts: a page-by-page selective transcription of the material in the Year Books and a selective index to the contents (topics, names, and titles) of the Year Books. The purpose of this document is to inform researchers about the contents of the E&P Year Books in order to help them determine if the Year Books will be useful in their work. Secondly, creating this document has helped me, a reference librarian in the Newspaper & Current Periodical Room at the Library of Congress, to learn about the Year Books so that I can provide better service to researchers. The transcript was created by examining the Year Books and recording the items on each page in page number order. Advertisements for individual newspapers and specific companies involved in the mechanical aspects of newspaper operations were not recorded in the transcript of contents or added to the index. The index (beginning on page 33) attempts to provide access to E&P Year Books by topics, names, and titles of columns, comic strips, etc., which appeared on the pages of the Year Books or were mentioned in syndicate and feature service ads. The headings are followed by references to the years and page numbers on which the heading appears. The individual Year Books have detailed indexes to their contents. -
Del Linguaggio Poesia Visiva Ricerche Verbo - Visuali
LE PRATICHE VISUALI DEL LINGUAGGIO POESIA VISIVA RICERCHE VERBO - VISUALI DISPENSE EDITORIA D’ARTE PROF. MASSIMO ARDUINI LA POESIA VISIVA LA PRATICA VISUALE DEL LINGUAGGIO a poesia visiva, nasce da tutte quelle 1. la crisi del Neorealismo evidenziata dalla rivista sperimentazioni artistiche e letterarie “Officina”; Lcompiute nel clima della Neoavanguardia, a 2. le riflessioni sui rapporti tra la politica, la partire dagli anni Sessanta del XX secolo. cultura e la letteratura tipiche di riviste come “Il La Neoavanguardia - all’interno della quale si Politecnico”, “Società”, “Il Contemporaneo” e sviluppano le ricerche verbo-visuali - si qualifica “Rinascita” nate a partire dal secondo dopoguerra; come uno strumento di analisi, come azione 3. il rinnovamento dei dibattiti su temi come sul piano della cultura, come interpretazione ‘letteratura e vita’, ‘letteratura e industria’, e su della realtà e, di conseguenza, come analisi una nuova questione della lingua; dell’intreccio fra Arte e Cultura, caratteristico 4. la presa di coscienza dello sperimentalismo di dei dibattiti intellettuali degli anni Sessanta. Le Pasolini, dei futuristi e dei dadaisti; ricerche linguistiche ed estetiche della Poesia 5. il principio dell’engagement ipotizzato da Sartre Visiva nascono in questi contesti - facili definire - di e ripreso da Vittorini negli anni Cinquanta nella “eclettismo” culturale. Solo analizzando la cultura rivista e le ideologie dell’epoca si può avere una chiara “Il Verri”; percezione della complessità dei dibattiti e del 6. la democratizzazione e la morte dell’Arte perché la Poesia Visiva abbia avuto uno sviluppo analizzata dalla Scuola di Francoforte; simultaneo a livello mondiale, collocandosi a metà 7. l’allargamento lessicale dei mass media; fra i generi artistici e i generi letterari, essendo 8.l’idea di opera aperta teorizzata da Umberto essa un fenomeno ibrido di Arte e Letteratura. -
Abandoned Cars
ABANDONED CARS by Tim Lane APRIL $18.99 Paperback • Territory: E COMICS & GRAPHIC NOVELS / Literary • CQ: 30 168 pages, black-and-white, 7” x 9 ½” ISBN: 978-1-60699-341-5 Previous hardcover edition: 978-1-56097-918-0 • 2009 Ignatz Award Nominee for Outstanding Collection • Video preview of 2008 hardcover edition available at: fantagraphics.com/abandonedcars • AGE RANGE: 15 + • Author website: jackienoname.com THE ACCLAIMED 2008 debuT NOW IN SOFTCOVER! Abandoned Cars is Tim Lane’s first collection of graphic short stories, noir- ish narratives that are united by their exploration of the great American mytho- logical drama by way of the desperate and haunted characters that populate its pages. Lane’s characters exist on the margins of society—alienated, floating in the void between hope and despair, confused but introspective. The writing is straightforward, the stories mainstream but told in a pulpy idiom with an existential edge, often in the first person, reminiscent of David Goodis’s or Jim Thompson’s prose, or of films like Pick-Up on South Street or Out of the Past. Visually, Lane’s drawing is in a realistic mode, reminiscent of Charles Burns, that heightens the tension in stories that veer between naturalism on the one hand and the comical, nightmarish, and hallucinatory on the other. Here, American culture is a thrift store and the characters are thrift store junkies living among the clutter. It’s an America depicted as a subdued and haunted Coney Island, made up of lost characters—boozing, brawling, haplessly shooting themselves in the face, and hopping freight trains in search of Elvis. -
A M E R I C a N C H R O N I C L E S the 1940-1944
AMERICAN CHRONICLES THE 1940-1944 By KURT F. MITCHELL with ROY THOMAS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data ......................................... 5 Introduction & Acknowledgements ............. 6 Chapter One: 1940 Rise of the Supermen ......................................... 8 Chapter Two: 1941 Countdown to Cataclysm ...............................62 Chapter Three: 1942 Comic Books Go To War................................ 122 Chapter Four: 1943 Relax: Read the Comics ................................ 176 Chapter Five: 1944 The Paper Chase ............................................. 230 Works Cited ...................................................... 285 Index ................................................................. 286 Rise of the Supermen America on January 1, 1940, was a nation on edge. Still suffering the aftershocks of the Great Depression despite Franklin D. Roosevelt’s progressive New Deal nos- trums—unemployment stood at 17% for 1939—Americans eyed the expanding wars in Europe and Asia nervously. Some tried to dismiss Adolf Hitler and Benito Mussolini as comic opera buffoons, decrying the hostilities as a “phony war” because not much had happened since the blitzkrieg dismemberment of Poland the previous September. These naysayers did not see it for what it was: the calm before the storm. Before the first year of the new decade was out, Nazi Germany seized Norway, Denmark, Belgium, the Nether- lands, and ultimately France, while attempting to bomb the United Kingdom into subjection. The British held out defiantly, and Hitler reluctantly abandoned his plans to invade England. That small victory brought no cheer to the conquered nations, where Der Führer’s relentless oppres- sion of Jews and other scapegoated minorities was in full force. Il Duce, too, continued his aggression, as Fascist Italy invaded Egypt and Greece.