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AP English Language
& Composition HIGHLIGHTED Summer
Assignment Packet
HIGHLIGHTED Summer Assignment Packet
Table of Contents
● Passage #1: Analyzing Diction in “The Declaration of Independence” 5 by Thomas Jefferson 2
● Passage #2: Analyzing Imagery in “Once More to the Lake” by E.B. White ● Passage #3: Analyzing Detail in “Grant and Lee: A Study in Contrasts” by Bruce Catton ● Passage #4: Analyzing Syntax in “Ain’t I a Woman” by Sojourner Truth ● Passage #5: Analyzing Tone in “I Am Tired of Fighting” by Chief Joseph ● Passage #6: Analyzing Visual Text Using “The Louisville Flood” Margaret Bourke White’s Photograph ● Passage #7: Analyzing Visual Text Using Vintage Advertisements ● Summaries, Worksheets, and Reactions on Summer Reading Books
Assignments
1. Read all of the passages found in this packet, and, using Google Classroom, highlight each passage according to the instructions.
2. Then, in Google Classroom, respond to each question or statement using the format provided.
3. You also need to read the two books listed below and write summaries and reactions as directed later in the packet. The books you need to read are:
● Narrative of the Life of Frederick Douglass by Frederick Douglass which can be downloaded at
http://www.ibiblio.org/ebooks/Douglass/Narrative/Douglass_Narrative.pdf
● Thank You for Arguing, Revised and Updated Edition, Chapters 1-- 13, by Jay Heinrichs which can be downloaded at
http://www.mrpenza.com/uploads/2/1/3/5/21358904/thank-you-for-arguing.pdf
4. Look up all words in this packet for which you do not know the meaning. It is imperative that you build your vocabulary in AP Language. You will have a vocabulary quiz during the first week of school. (Fri, Aug. 12)
Crucial Guidelines
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1. Give yourself plenty of time to complete this assignment. Although listed last, I would start with the assignment on Thank You for Arguing, Revised and Updated Edition by Jay Heinrichs. It will not be difficult, but it is time-consuming.
2. Complete all of your work independently.
3. Complete all of your work in Google Classroom.
4. Print a copy of your packet with all of your work for class the first day of school.
Due: Monday, August 8, 2016 @ the start of class
5. Submit your work to Turnitin.com by
Monday, August 8, 2016 during class.
You will receive the user ID and password for Turnitin on the first day of school.
Passage #1: Analyzing Diction in “The Declaration of Independence” by Thomas Jefferson
Directions: Diction is the author’s choice of words or phrases (usually that support the author’s purpose). With this in mind, read “The Declaration of Independence” and highlight ten significant words or phrases that reflect Jefferson’s purpose in writing it. I have already highlighted two examples, which do not count toward the ten you need to highlight.
IN CONGRESS, JULY 4, 1776
The unanimous Declaration of the thirteen united States of America 4
hen in the Course of human events it becomes necessary for one people to
dissolve the political bands which have connected them with another and to
assume among the powers of the earth, the separate and equal station to which
the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind
requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed
by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit
of Happiness. — That to secure these rights, Governments are instituted among Men, deriving
their just powers from the consent of the governed, — That whenever any Form of Government
becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to
institute new Government, laying its foundation on such principles and organizing its powers in
such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed,
will dictate that Governments long established should not be changed for light and transient causes;
and accordingly all experience hath shewn that mankind are more disposed to suffer, while evils
are sufferable than to right themselves by abolishing the forms to which they are accustomed. But
when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design
to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such
Government, and to provide new Guards for their future security. — Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute
Tyranny over these States. To prove this, let Facts be submitted to a candid world. 5
He has refused his Assent to Laws, the most wholesome and necessary for the public good.
He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.
He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.
He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures.
He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.
He has refused for a long time, after such dissolutions, to cause others to be elected, whereby the Legislative Powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the meantime exposed to all the dangers of invasion from without, and convulsions within.
He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.
He has obstructed the Administration of Justice by refusing his Assent to Laws for establishing Judiciary Powers. 6
He has made Judges dependent on his Will alone for the tenure of their offices, and the amount and payment of their salaries.
He has erected a multitude of New Offices, and sent hither swarms of Officers to harass our people and eat out their substance.
He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.
He has affected to render the Military independent of and superior to the Civil Power.
He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:
For quartering large bodies of armed troops among us:
For protecting them, by a mock Trial from punishment for any Murders which they should commit on the Inhabitants of these States:
For cutting off our Trade with all parts of the world:
For imposing Taxes on us without our Consent:
For depriving us in many cases, of the benefit of Trial by Jury:
For transporting us beyond Seas to be tried for pretended offences:
For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies 7
For taking away our Charters, abolishing our most valuable Laws and altering fundamentally the
Forms of our Governments:
For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.
He has abdicated Government here, by declaring us out of his Protection and waging War against us.
He has plundered our seas, ravaged our coasts, burnt our towns, and destroyed the lives of our people.
He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation, and tyranny, already begun with circumstances of Cruelty & Perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.
He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.
He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.
In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people. 8
Nor have We been wanting in attentions to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us.
We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.
We, therefore, the Representatives of the united States of America, in General Congress,
Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare,
That these united Colonies are, and of Right ought to be Free and Independent States, that they are
Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent
States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. — And for the support of this Declaration, with a firm reliance on the protection of Divine Providence, we mutually pledge to each other our Lives, our Fortunes, and our sacred Honor.
*Note: Respond to all questions and statements that follow using the format provided. In other words, don’t change the format, please.
Questions on “The Declaration of Independence”
1. Archaic Words - Give five examples of words in “The Declaration of Independence” that are rarely used today:
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A. B. C. D. E.
2. Paraphrasing: Rewrite one sentence that contains a word that is rarely used today in the way you would say it to your friends.
Original sentence:
My sentence:
3. Give five examples of words from “The Declaration of Independence” that carry negative connotations. A connotation is what is suggested by a word apart from its dictionary definition. For example, the words cheap and frugal are synonymous, but cheap has a negative connotation, suggesting a tightwad; while frugal has a positive connotation, suggesting a careful spender.
A. B. C. D. E.
4. Pick out TWO of the ten words you highlighted. After that, describe the type of diction you think that word embodies. The following are words we will be using throughout the year to describe diction. As part of your summer assignment, it is imperative that you study the spelling and definition of each word.
jargon pedantic poetic vulgar euphemistic moralistic scholarly pretentious slang insipid sensuous idiomatic precise exact abstract esoteric learned cultured connotative symbolic picturesque plain simple homespun literal figurative provincial colloquial bombastic trite artificial abstruse obscure detached grotesque creative emotional concrete exact
The following is an example:
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The word “unalienable” displays exact diction since Jefferson is stating that these are rights that cannot be taken away; the word unalienable is a reflection of that precise God-given right.
A. The word “_____” displays ______diction since Jefferson is stating that______.
B. The word “_____” displays ______diction since Jefferson is stating that______.
Passage #2: Analyzing Imagery in “Once More to the Lake” by E.B.White
Directions: Imagery is the verbal representation of sensory experience. In literature all five senses may be represented: sight (visual imagery), sound (auditory imagery), touch (tactile imagery), taste (gustatory imagery), and smell (olfactory imagery). With this in mind, read “Once More to the Lake” and highlight five significant sentences that contain imagery. Try to include all five senses if possible. I have already highlighted two examples, which do not count toward the five you need to highlight. One summer, along about 1904, my father rented a camp on a lake in Maine and took us all there for the month of August. We all got ringworm from some kittens and had to rub Pond's
Extract on our arms and legs night and morning, and my father rolled over in a canoe with all his clothes on; but outside of that the vacation was a success and from then on none of us ever thought there was any place in the world like that lake in Maine. We returned summer after summer--always on August 1st for one month. I have since become a salt-water man, but sometimes in summer there are days when the restlessness of the tides and the fearful cold of the sea water and the incessant wind which blows across the afternoon and into the evening make me wish for the placidity of a lake in the woods. A few weeks ago this feeling got so strong I bought myself a couple of bass hooks and a spinner and returned to the lake where we used to go, for a week's fishing and to revisit old haunts. 11
I took along my son, who had never had any fresh water up his nose and who had seen
lily pads only from train windows. On the journey over to the lake I began to wonder what it
would be like. I wondered how time would have marred this unique, this holy spot--the coves
and streams, the hills that the sun set behind, the camps and the paths behind the camps. I was
sure that the tarred road would have found it out and I wondered in what other ways it would be
desolated. It is strange how much you can remember about places like that once you allow your
mind to return into the grooves which lead back. You remember one thing, and that suddenly
reminds you of another thing. I guess I remembered clearest of all the early mornings, when the
lake was cool and motionless, remembered how the bedroom smelled of the lumber it was made
of and of the wet woods whose scent entered through the screen. The partitions in the camp were
thin and did not extend clear to the top of the rooms, and as I was always the first up I would
dress softly so as not to wake the others, and sneak out into the sweet outdoors and start out in
the canoe, keeping close along the shore in the long shadows of the pines. I remembered being
very careful never to rub my paddle against the gunwale for fear of disturbing the stillness of the
cathedral.
The lake had never been what you would call a wild lake. There were cottages sprinkled
around the shores, and it was in farming although the shores of the lake were quite heavily
wooded. Some of the cottages were owned by nearby farmers, and you would live at the shore and eat your meals at the farmhouse. That's what our family did. But although it wasn't wild, it was a fairly large and undisturbed lake and there were places in it which, to a child at least, seemed infinitely remote and primeval. 12
I was right about the tar: it led to within half a mile of the shore. But when I got back
there, with my boy, and we settled into a camp near a farmhouse and into the kind of
summertime I had known, I could tell that it was going to be pretty much the same as it had been before--I knew it, lying in bed the first morning, smelling the bedroom, and hearing the boy sneak quietly out and go off along the shore in a boat. I began to sustain the illusion that he was
I, and therefore, by simple transposition, that I was my father. This sensation persisted, kept cropping up all the time we were there. It was not an entirely new feeling, but in this setting it grew much stronger. I seemed to be living a dual existence. I would be in the middle of some simple act, I would be picking up a bait box or laying down a table fork, or I would be saying something, and suddenly it would be not I but my father who was saying the words or making the gesture. It gave me a creepy sensation.
We went fishing the first morning. I felt the same damp moss covering the worms in the bait can, and saw the dragonfly alight on the tip of my rod as it hovered a few inches from the surface of the water. It was the arrival of this fly that convinced me beyond any doubt that everything was as it always had been, that the years were a mirage and there had been no years.
The small waves were the same, chucking the rowboat under the chin as we fished at anchor, and the boat was the same boat, the same color green and the ribs broken in the same places, and under the floorboards the same freshwater leavings and debris--the dead hellgrammite, the wisps of moss, the rusty discarded fishhook, the dried blood from yesterday's catch. We stared silently at the tips of our rods, at the dragonflies that came and wells. I lowered the tip of mine into the water, tentatively, pensively dislodging the fly, which darted two feet away, poised, darted two feet back, and came to rest again a little farther up the rod. There had been no years between the 13 ducking of this dragonfly and the other one--the one that was part of memory. I looked at the boy, who was silently watching his fly, and it was my hands that held his rod, my eyes watching.
I felt dizzy and didn't know which rod I was at the end of.
We caught two bass, hauling them in briskly as though they were mackerel, pulling them over the side of the boat in a businesslike manner without any landing net, and stunning them with a blow on the back of the head. When we got back for a swim before lunch, the lake was exactly where we had left it, the same number of inches from the dock, and there was only the merest suggestion of a breeze. This seemed an utterly enchanted sea, this lake you could leave to its own devices for a few hours and come back to, and find that it had not stirred, this constant and trustworthy body of water. In the shallows, the dark, water-soaked sticks and twigs, smooth and old, were undulating in clusters on the bottom against the clean ribbed sand, and the track of the mussel was plain. A school of minnows swam by, each minnow with its small, individual shadow, doubling the attendance, so clear and sharp in the sunlight. Some of the other campers were in swimming, along the shore, one of them with a cake of soap, and the water felt thin and clear and insubstantial. Over the years there had been this person with the cake of soap, this cultist, and here he was. There had been no years.
Up to the farmhouse to dinner through the teeming, dusty field, the road under our sneakers was only a two-track road. The middle track was missing, the one with the marks of the hooves and the splotches of dried, flaky manure. There had always been three tracks to choose from in choosing which track to walk in; now the choice was narrowed down to two. For a moment I missed terribly the middle alternative. But the way led past the tennis court, and something about the way it lay there in the sun reassured me; the tape had loosened along the 14
backline, the alleys were green with plantains and other weeds, and the net (installed in June and removed in September) sagged in the dry noon, and the whole place steamed with midday heat and hunger and emptiness. There was a choice of pie for dessert, and one was blueberry and one was apple, and the waitresses were the same country girls, there having been no passage of time, only the illusion of it as in a dropped curtain--the waitresses were still fifteen; their hair had been washed, that was the only difference--they had been to the movies and seen the pretty girls with the clean hair.
Summertime, oh summertime, pattern of life indelible, the fade proof lake, the woods unshatterable, the pasture with the sweet fern and the juniper forever and ever, summer without end; this was the background, and the life along the shore was the design, the cottages with their innocent and tranquil design, their tiny docks with the flagpole and the American flag floating against the white clouds in the blue sky, the little paths over the roots of the trees leading from camp to camp and the paths leading back to the outhouses and the can of lime for sprinkling, and at the souvenir counters at the store the miniature birch-bark canoes and the post cards that showed things looking a little better than they looked. This was the American family at play, escaping the city heat, wondering whether the newcomers at the camp at the head of the cove were "common" or "nice," wondering whether it was true that the people who drove up for
Sunday dinner at the farmhouse were turned away because there wasn't enough chicken.
It seemed to me, as I kept remembering all this, that those times and those summers had been infinitely precious and worth saving. There had been jollity and peace and goodness. The arriving (at the beginning of August) had been so big a business in itself, at the railway station the farm wagon drawn up, the first smell of the pine-laden air, the first glimpse of the smiling 15
farmer, and the great importance of the trunks and your father's enormous authority in such
matters, and the feel of the wagon under you for the long ten-mile haul, and at the top of the last long hill catching the first view of the lake after eleven months of not seeing this cherished body of water. The shouts and cries of the other campers when they saw you, and the trunks to be unpacked, to give up their rich burden. (Arriving was less exciting nowadays, when you sneaked up in your car and parked it under a tree near the camp and took out the bags and in five minutes it was all over, no fuss, no loud wonderful fuss about trunks.)
Peace and goodness and jollity. The only thing that was wrong now, really, was the sound of the place, an unfamiliar nervous sound of the outboard motors. This was the note that jarred, the one thing that would sometimes break the illusion and set the years moving. In those other summer times, all motors were inboard; and when they were at a little distance, the noise they made was a sedative, an ingredient of summer sleep. They were one-cylinder and two-cylinder
engines, and some were make-and-break and some were jump-spark, but they all made a sleepy
sound across the lake. The one-lungers throbbed and fluttered, and the twin-cylinder ones purred
and purred, and that was a quiet sound too. But now the campers all had outboards. In the
daytime, in the hot mornings, these motors made a petulant, irritable sound; at night, in the still
evening when the afterglow lit the water, they whined about one's ears like mosquitoes. My boy
loved our rented outboard, and his great desire was to achieve single-handed mastery over it, and
authority, and he soon learned the trick of choking it a little (but not too much), and the
adjustment of the needle valve. Watching him I would remember the things you could do with
the old one-cylinder engine with the heavy flywheel, how you could have it eating out of your
hand if you got really close to it spiritually. Motor boats in those days didn't have clutches, and 16
you would make a landing by shutting off the motor at the proper time and coasting in with a
dead rudder. But there was a way of reversing them, if you learned the trick, by cutting the
switch and putting it on again exactly on the final dying revolution of the flywheel, so that it
would kick back against compression and begin reversing. Approaching a dock in a strong
following breeze, it was difficult to slow up sufficiently by the ordinary coasting method, and if a
boy felt he had complete mastery over his motor, he was tempted to keep it running beyond its
time and then reverse it a few feet from the dock. It took a cool nerve, because if you threw the
switch a twentieth of a second too soon you would catch the flywheel when it still had speed
enough to go up past center, and the boat would leap ahead, charging bull-fashion at the dock.
We had a good week at the camp. The bass were biting well and the sun shone endlessly, day after day. We would be tired at night and lie down in the accumulated heat of the little bedrooms after the long hot day and the breeze would stir almost imperceptibly outside and the smell of the swamp drift in through the rusty screens. Sleep would come easily and in the morning the red squirrel would be on the roof, tapping out his gay routine. I kept remembering everything, lying in bed in the mornings--the small steamboat that had a long rounded stern like the lip of a Ubangi, and how quietly she ran on the moonlight sails, when the older boys played their mandolins and the girls sang and we ate doughnuts dipped in sugar, and how sweet the music was on the water in the shining night, and what it had felt like to think about girls then.
After breakfast we would go up to the store and the things were in the same place--the minnows
in a bottle, the plugs and spinners disarranged and pawed over by the youngsters from the boys'
camp, the fig newtons and the Beeman's gum. Outside, the road was tarred and cars stood in
front of the store. Inside, all was just as it had always been, except there was more Coca Cola and 17 not so much Moxie and root beer and birch beer and sarsaparilla. We would walk out with a bottle of pop apiece and sometimes the pop would backfire up our noses and hurt. We explored the streams, quietly, where the turtles slid off the sunny logs and dug their way into the soft bottom; and we lay on the town wharf and fed worms to the tame bass. Everywhere we went I had trouble making out which was I, the one walking at my side, the one walking in my pants.
One afternoon while we were there at that lake a thunderstorm came up. It was like the revival of an old melodrama that I had seen long ago with childish awe. The second-act climax of the drama of the electrical disturbance over a lake in America had not changed in any important respect. This was the big scene, still the big scene. The whole thing was so familiar, the first feeling of oppression and heat and a general air around camp of not wanting to go very far away. In mid-afternoon (it was all the same) a curious darkening of the sky, and a lull in everything that had made life tick; and then the way the boats suddenly swung the other way at their moorings with the coming of a breeze out of the new quarter, and the premonitory rumble.
Then the kettle drum, then the snare, then the bass drum and cymbals, then crackling light against the dark, and the gods grinning and licking their chops in the hills. Afterward the calm, the rain steadily rustling in the calm lake, the return of light and hope and spirits, and the campers running out in joy and relief to go swimming in the rain, their bright cries perpetuating the deathless joke about how they were getting simply drenched, and the children screaming with delight at the new sensation of bathing in the rain, and the joke about getting drenched linking the generations in a strong indestructible chain. And the comedian who waded in carrying an umbrella. 18
When the others went swimming my son said he was going in too. He pulled his dripping trunks from the line where they had hung all through the shower, and wrung them out.
Languidly, and with no thought of going in, I watched him, his hard little body, skinny and bare, saw him wince slightly as he pulled up around his vitals the small, soggy, icy garment. As he buckled the swollen belt suddenly my groin felt the chill of death.
Questions on “Once More to the Lake”: 4. List three specific changes that have taken place on the lake. Does White emphasize these changes or play them down? Explain.
5. What images does White repeat throughout his essay? What is the purpose of this repetition?
6. How does White’s conclusion echo the first paragraph of the essay?
7. Pick out TWO of the sentences you highlighted. After that, describe the type of imagery you think that word embodies. (You can use the same words that were suggested under Question #4 on diction.) Keep in mind analysis of imagery does not include the phrasing “The reader can picture is his or her mind…”
The following is an example:
The sentence “I guess I remembered clearest of all the early mornings, when the lake was cool and motionless, remembered how the bedroom smelled of the lumber it was made of and of the wet woods whose scent entered through the screen” displays emotional imagery as the author recollects on his childhood memories. The use of specific words-- such as “rememberest clearest” and “the bedroom smelled of the lumber”—only increase his nostalgia towards this memory.
Your answer should be formulated as such:
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A. The sentence “______” displays______imagery as______.
B. The sentence “______” displays______imagery as______.
8. Create another interesting opening line to practice great ways to start an essay using the following formula:
In E.B. White’s ______and ______essay, he focuses on the description of
______to explain ____
______.
Passage #3: Analyzing Detail in “Grant and Lee: A Study in Contrasts” by Bruce Catton
Directions: Detail is the author’s use of aspects such as facts, observations, and incidents to develop a subject and impart voice. With this in mind, read “Grant and Lee: A Study in Contrasts” and highlight five significant sentences that reflect Catton’s purpose in writing it. I have already highlighted two examples, which do not count toward your overall five you need to highlight.
When Ulysses S. Grant and Robert E. Lee met in the parlor of a modest house at
Appomattox Court House, Virginia, on April 9, 1865, to work out the terms for the surrender of
Lee's Army of Northern Virginia, a great chapter in American life came to a close, and a great new chapter began. 20
These men were bringing the Civil War to its virtual finish. To be sure, other armies had
yet to surrender, and for a few days the fugitive Confederate government would struggle
desperately and vainly, trying to find some way to go on living now that its chief support was
gone. But in effect it was all over when Grant and Lee signed the papers. And the little room
where they wrote out the terms was the scene of one of the poignant, dramatic contrasts in
American history.
They were two strong men, these oddly different generals, and they represented the strengths of two conflicting currents that, through them, had come into final collision.
Back of Robert E. Lee was the notion that the old aristocratic concept might somehow survive and be dominant in American life.
Lee was tidewater Virginia, and in his background were family, culture, and tradition. . . the age of chivalry transplanted to a New World which was making its own legends and its own myths. He embodied a way of life that had come down through the age of knighthood and the
English country squire. America was a land that was beginning all over again, dedicated to nothing much more complicated than the rather hazy belief that all men had equal rights and should have an equal chance in the world. In such a land Lee stood for the feeling that it was somehow of advantage to human society to have a pronounced inequality in the social structure.
There should be a leisure class, backed by ownership of land; in turn, society itself should be keyed to the land as the chief source of wealth and influence. It would bring forth (according to this ideal) a class of men with a strong sense of obligation to the community; men who lived not to gain advantage for themselves, but to meet the solemn obligations which had been laid on them by the very fact that they were privileged. From them the country would get its leadership; 21 to them it could look for the higher values--of thought, of conduct, of personal deportment--to give it strength and virtue.
Lee embodied the noblest elements of this aristocratic ideal. Through him, the landed nobility justified itself. For four years, the Southern states had fought a desperate war to uphold the ideals for which Lee stood. In the end, it almost seemed as if the Confederacy fought for Lee; as if he himself was the Confederacy . . . the best thing that the way of life for which the
Confederacy stood could ever have to offer. He had passed into legend before Appomattox.
Thousands of tired, underfed, poorly clothed Confederate soldiers, long since past the simple enthusiasm of the early days of the struggle, somehow considered Lee the symbol of everything for which they had been willing to die. But they could not quite put this feeling into words. If the
Lost Cause, sanctified by so much heroism and so many deaths, had a living justification, its justification was General Lee.
Grant, the son of a tanner on the Western frontier, was everything Lee was not. He had come up the hard way and embodied nothing in particular except the eternal toughness and sinewy fiber of the men who grew up beyond the mountains. He was one of a body of men who owed reverence and obeisance to no one, who were self-reliant to a fault, who cared hardly anything for the past but who had a sharp eye for the future.
These frontier men were the precise opposites of the tidewater aristocrats. Back of them, in the great surge that had taken people over the Alleghenies and into the opening Western country, there was a deep, implicit dissatisfaction with a past that had settled into grooves. They stood for democracy, not from any reasoned conclusion about the proper ordering of human society, but simply because they had grown up in the middle of democracy and knew how it 22
worked. Their society might have privileges, but they would be privileges each man had won for
himself. Forms and patterns meant nothing. No man was born to anything, except perhaps to a
chance to show how far he could rise. Life was competition.
Yet along with this feeling had come a deep sense of belonging to a national community.
The Westerner who developed a farm, opened a shop, or set up in business as a trader could hope to prosper only as his own community prospered--and his community ran from the Atlantic to the Pacific and from Canada down to Mexico. If the land was settled, with towns and highways and accessible markets, he could better himself. He saw his fate in terms of the nation's own destiny. As its horizons expanded, so did his. He had, in other words, an acute dollars-and-cents stake in the continued growth and development of his country.
And that, perhaps, is where the contrast between Grant and Lee becomes most striking.
The Virginia aristocrat, inevitably, saw himself in relation to his own region. He lived in a static society which could endure almost anything except change. Instinctively, his first loyalty would go to the locality in which that society existed. He would fight to the limit of endurance to defend it, because in defending it he was defending everything that gave his own life its deepest meaning.
The Westerner, on the other hand, would fight with an equal tenacity for the broader concept of society. He fought so because everything he lived by was tied to growth, expansion, and a constantly widening horizon. What he lived by would survive or fall with the nation itself
He could not possibly stand by unmoved in the face of an attempt to destroy the Union. He would combat it with everything he had, because he could only see it as an effort to cut the ground out from under his feet. 23
So Grant and Lee were in complete contrast, representing two diametrically opposed elements in American life. Grant was the modem man emerging; beyond him, ready to come on the stage, was the great age of steel and machinery, of crowded cities and a restless burgeoning vitality. Lee might have ridden down from the old age of chivalry, lance in hand, silken banner fluttering over his head. Each man was the perfect champion of his cause, drawing both his strengths and his weaknesses from the people he led.
Yet it was not all contrast, after all. Different as they were--in background, in personality, in underlying aspiration--these two great soldiers had much in common. Under everything else, they were marvelous fighters. Furthermore, their fighting qualities were really very much alike.
Each man had, to begin with, the great virtue of utter tenacity and fidelity. Grant fought his way down the Mississippi Valley in spite of acute personal discouragement and profound military handicaps. Lee hung on in the trenches at Petersburg after hope itself had died. In each man there was an indomitable quality. . . .the born fighter's refusal to give up as long as he can still remain on his feet and lift his two fists.
Daring and resourcefulness they had, too; the ability to think faster and move faster than the enemy. These were the qualities which gave Lee the dazzling campaigns of Second Manassas and Chancellorsville and won Vicksburg for Grant.
Lastly, and perhaps greatest of all, there was the ability, at the end, to turn quickly from war to peace once the fighting was over. Out of the way these two men behaved at Appomattox carne the possibility of a peace of reconciliation. It was a possibility not wholly realized, in the years to come, but which did, in the end, help the two sections to become one nation again . . . after a war whose bitterness might have seemed to make such a reunion wholly impossible. No 24
part of either man's life became him more than the part he played in this brief meeting in the
McLean house at Appomattox. Their behavior there put all succeeding generations of Americans
in their debt. Two great Americans, Grant and Lee--very different, yet under everything very much alike. Their encounter at Appomattox was one of the great moments of American history.
Questions on “Grant and Lee: A Study in Contrasts”:
9. Catton’s purpose in contrasting Grant and Lee is to make a general statement about the differences between two currents in American history. Summarize these differences. Do you think these differences still exist today?
10. Is Catton’s purpose in comparing Grant and Lee the same as his purpose in contrasting them? That is, do their similarities also make a statement about U.S. history? Explain.
11. Catton uses transitions skillfully in his essay. Identify the transitional words or expressions that link each paragraph to the preceding one. Explain their effectiveness.
12. Pick out TWO of the sentences you highlighted. After that, describe the type of detail you think that word embodies. (You can use the same words that were suggested under Question #4 on diction.)
The following is an example:
The sentence “Lee embodied the noblest elements of this aristocratic ideal” displays an idealistic detail about the character of Lee. The use of specific words such as “noblest” and “aristocratic” to define Lee show just how esteemed his reputation is.
Your answer:
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A. The sentence “______” displays______detail
as______.
B. The sentence “______” displays______detail
as______.
13. Another aspect most young writers are challenged by is writing a thesis statement. To aid us in this matter, the following is a template for how to formulate a thesis statement when writing a comparison/contrast essay:
While author ______focuses on ______, author ______analyzes
______.
Now practice writing a thesis statement using this formula that compares and contrasts the two generals in this essay:
While Bruce Catton focuses on General ______’s traits by emphasizing ______, Catton
also emphasizes General ______’s qualities by explaining ______.
Passage #4: Analyzing Syntax in “Ain’t I a Woman” by Sojourner Truth
Background on Speech: The following speech was given by Sojourner Truth in 1851 at a convention for women’s rights. Truth had been a slave in 1797, but became an anti-slavery speaker after gaining her freedom in 1827.
Directions: Syntax is the way the author uses word order, sentence length, sentence focus, and punctuation (usually to support the author’s purpose). With this in mind, read “Ain’t I a Woman?” and highlight three significant sentences that reflect Truth’s purpose. I have already highlighted one example, which does not count toward your overall three you need to highlight.
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Well, children, where there is so much racket there must be something out of kilter. I think that 'twixt the Negroes of the South and the women at the North, all talking about rights, the white men will be in a fix pretty soon. But what's all this here talking about?
That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?
Then they talk about this thing in the head; what's this they call it? [member of audience whispers, "intellect"] That's it, honey. What's that got to do with women's rights or negroes' rights? If my cup won't hold but a pint, and yours holds a quart, wouldn't you be mean not to let me have my little half measure full?
Then that little man in black there, he says women can't have as much rights as men,
'cause Christ wasn't a woman! Where did your Christ come from? Where did your Christ come from? From God and a woman!
Man had nothing to do with Him.
If the first woman God ever made was strong enough to turn the world upside down all alone, these women together ought to be able to turn it back , and get it right side up again! And 27 now they is asking to do it, the men better let them.
Obliged to you for hearing me, and now old Sojourner ain't got nothing more to say.
Questions on “Ain’t I A Woman?”:
14. In your opinion, what is Sojourner Truth’s strongest point?
15. What is the purpose of her repeating the question “Ain’t I A Woman?”
16. Pick out TWO of the sentences you highlighted. After that, describe the type of syntax you think that word embodies. (You can use the same words that were suggested under Question #4 on diction.)
The following is an example:
The sentence “And ain’t I a woman” displays colloquial syntax. Sojourner Truth, an emancipated slave, speaks from her heart to express her strengths as a woman.
A. The sentence “______” displays______syntax as______.
B. The sentence “______” displays______syntax as______.
17. In AP English Language and Composition, many students also initially struggle with coming up with a strong clincher statement. Imagine now you are concluding an essay you just wrote on Sojourner Truth’s speech. Use the following template to aid you in creating your clincher:
Sojourner Truth’s words are still impactful today as ______28
______.
Passage #5: Analyzing Tone in Chief Joseph’s “I Am Tired of Fighting”
Background on Passage: Chief Joseph, pictured below, surrendered to the U.S. Army in 1877. He was the chief of the Nez Pierce people and had spent several years defending his land. His words were originally published in Harper’s Bazaar magazine.
Directions: Tone is the writer’s (or narrator’s) attitude toward the subject and audience. With this in mind, read “I Am Tired of Fighting” and highlight five significant words or phrases that reflect Chief Joseph’s tone. I have already highlighted one example, which do not count toward your overall five you need to highlight.
Tell General Howard I know his heart. What he told me before, I have it in my heart. I am tired of fighting. Our Chiefs are killed; Looking Glass is dead, Ta Hool Hool Shute is dead.
The old men are all dead. It is the young men who say yes or no. He who led on the young men is dead. It is cold, and we have no blankets; the little children are freezing to death. My people, some of them, have run away to the hills, and have no blankets, no food. No one knows where they are - perhaps freezing to death. I want to have time to look for my children, and see how many of them I can find. Maybe I shall find them among the dead. Hear me, my Chiefs! I am tired; my heart is sick and sad. From where the sun now stands I will fight no more forever. 29
Questions on “I Am Tired of Fighting”:
18. Pick out THREE of the words or phrases you highlighted. After that, describe the type of tone you think that word embodies. The following are examples of words that could be used to describe tone:
angry sad sentimental sharp cold fanciful upset urgent complimentary silly joking condescending boring poignant sympathetic afraid detached contemptuous happy confused apologetic hollow childish humorous joyful peaceful horrific allusive mocking sarcastic sweet objective nostalgic vexed vibrant zealous tired frivolous irreverent bitter audacious benevolent dreamy shocking seductive restrained somber candid proud giddy pitiful dramatic provocative
The following is an example:
The word “tired” displays Chief Joseph’s resigned tone; he repeats the message at the beginning and end of the passage that he is tired of fighting and feels he must surrender.
A. The word “______” displays a/an______tone since ______
______.
B. The word “______” displays a/an______tone since ______
______.
C. The word “______” displays a/an______tone since ______
______. 30
19. One of the aspects some students struggle with in argument essays is finding examples from history to support what they are writing. (When you write an argument essay, to make a high score you should have examples from history, literature, and your personal experience.)
In order to practice this right now, find TWO articles from REPUTABLE SOURCES that describe a circumstance from history in which a minority was unjustly persecuted. One example should be from the twentieth century. One example should be from the 21st century.
A. Example of Unjust Persecution from 20th Century: PUT HYPERLINK HERE
This article discusses ______. This atrocity caused ______.
I know this is a reputable source since ______.
B. Example of Unjust Persecution from 21st Century: PUT HYPERLINK HERE
This article discusses ______. This atrocity caused ______.
I know this is a reputable source since ______.
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Passage #7: Analyzing Visual Text Using Margaret Bourke White’s Photograph Entitled “The Louisville Flood”
Background of Photograph: This photograph was taken in 1937. It is a gelatin silver print mounted on board, originally 9 11/16 X 13 3/8 in.
Directions: After studying the photograph above, answer the following questions. (Remember if you cannot see the photograph or the ads on the next pages clearly, you can access this document on Ms. Rosenbaum’s website at: http://highmail.highlands.k12.fl.us/~rosenbac/.)
20. Find other work this photographer has done by searching for her work online. What else has she done that is significant? Is this image like the author’s other work or is it different? What accounts for the difference? Note: Credit the source of where you found your information by doing the following after you answer the question—(Source: website name). Keep in mind that you should not use a blog or Wikipedia, but a credible academic source. Also keep in mind to always credit the sources where you find information in a college-level class.
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21. What are the larger historical, political, social, cultural, and economic contexts of this image? 33
22. Is this a serious or comic image? How do you know?
23. What does the image remind you of? Have you seen anything like it somewhere else? Where? How is this image similar to those others? How does it differ?
24. Does the image include words or a caption? How are those words used? Do they simply identify the image? Are they part of the image? What do they contribute to the overall meaning?
25. What is your first response after viewing this image?
26. What is juxtaposed in this image? Explain the use of juxtaposition and its effect.
27. How is the image arranged in the visual space? Can you diagram its overall composition? What effect does this arrangement have on the way you read this image?
28. What strikes you as important, interesting, or emotionally moving in the image?
29. Can you identify elements of the image that could be seen as symbolic? Passage #8: Analyzing Visual Text Using Vintage Advertisements
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Directions: Look over the following two advertisements. (One is a Camel cigarette ad from the 1950s; the other is an ad for Total cereal from the 1970s—and no these are not made up!) Answer the questions that follow on these advertisements.
30. After looking over Camel’s cigarette ad, what is your overall impression? Explain.
31. Pick out at least three words or phrases that stand out as ironic to you as a person living in the 21st century.
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32. After looking over the ad for Total cereal, what is your overall impression? Explain.
33. Pick out at least three words or phrases that stand out as ironic to you as a person living in the 21st century.
Questions on Summer Reading Books: 36
Directions: These questions are just an overview to keep you on track as you complete your summer reading books. You should also be aware that we will spend much of the first nine weeks discussing these books, so please make sure you are annotating as you read.
Narrative of the Life of Frederick Douglass, An American Slave
34. Write a two sentence summary of the Preface. (Note: If your version of the book does not contain the Preface, it can be downloaded at: http://www.gutenberg.org/files/23/23-h/23-h.htm)
35. Pick out a quote from the preface that displays William Lloyd Garrison’s tone toward the issue of slavery using the formula below:
The quote ______displays William Lloyd Garrison’s ______tone towards the horrors of slavery since ______.
36. Pick out a quote from the preface that displays William Lloyd Garrison’s attitude toward Frederick Douglass using the formula below:
The quote ______displays William Lloyd Garrison’s _(adjective)__ attitude toward Mr. Frederick Douglass since ______.
37. Write a one sentence summary of the “Letter from Wendell Phillips, Esq.” (Note: If your version of the book does not contain the Letter, it can be downloaded at: http://www.gutenberg.org/files/23/23-h/23-h.htm)
38. Pick out a word from the Letter that could be analyzed for diction using the formula below:
The word “_____” displays ______diction since Phillips is stating that ______.
39. Write a two sentence summary of Chapter I.
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40. Write a two sentence summary of Chapter II.
41. Write a two sentence summary of Chapter III.
42. Write a two sentence summary of Chapter IV.
43. Write a two sentence summary of Chapter V.
44. Write a two sentence summary of Chapter VI.
45. Write a two sentence summary of Chapter VII.
46. Write a two sentence summary of Chapter VIII.
47. Write a two sentence summary of Chapter IX.
48. Write a two sentence summary of Chapter X.
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49. Write a two sentence summary of Chapter XI.
50. Write a two sentence summary of the Appendix.
Thank You For Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us about The Art of Persuasion
Read Chapters 1- 13 --Introduction and Offense sections (Only)
Thank You for Arguing – First Part of Book: Offense
Please note: all of these assignments must be completed in google classroom and submitted to Turnitin.com. (We’ll submit to turnitin the first day of school in class.)
51. Chapter 1 Assignment: After reading chapter 1, keep a log one day of all the persuasion that you encounter throughout the day (either someone or something persuading you or you persuading others). Include a variety of at least 10 and explain how persuasion is part of the situation. The log can be an informal list; then, incorporate each example with an explanation into a cohesive paragraph. Edit your responses. (You should have at least 10 paragraphs when you’re finished.)
52. Chapter 2 Journal: After reading Ch. 2, write a journal entry about whether you fight or argue. Describe one of the most common fights/arguments that occurs or used to occur in your life. Recreate the typical dialogue, body language/gestures, and outcome(s) that occur. Discuss 39
the appeals used and the patterns they tend to follow. Then, explain why this fight/argument keeps recurring (or used to). What are some options, based on what you read in Ch. 2 that might help or did help to break this recurring cycle? How might thinking about your goal affect this cycle/pattern?
53. Chapter 3, Part 1 Assignment: After reading Part 1 define "blame," "value," and "choice" in your own words. Be sure to include the role of verb tense. Give your own examples of each (not the ones already given in the book). Minimum of 3 examples of each.
54. Chapter 3, Part 2 Assignment: Write about an argument (the one from your journal entry, a new one that you have been in or have been witness to, or one that you can analyze from a movie). What were the parties trying to accomplish? Did they stay focused on that goal or did they lose sight of it? What blame/values/choices do you see happening in the argument? If no 40
choices offered, what would have been some possible choices to try to resolve the situation? Heinrich says, “We expect our arguments to accomplish something.” Write in cohesive paragraphs and edit your work.
55. Chapters 4 and 5, Part 1 Assignment: After reading Chapter 4, create a full-page color flyer (in Google Classroom) that demonstrates ethos, logos, and pathos using visual images to convey what each one is. Imagine having to teach the concept of each one to the underclassmen. 41
How would you make it so that they could understand? You’ll be graded on accuracy, creativity and effectiveness. No plagiarizing Google images or the like. (Meaning, don’t look up ethos and images. Find your own examples.)
56. In chapter 5, how does Heinrichs define “decorum”? Find at least ten statements he makes that help to build this definition. a. 42
b.
c.
d.
e.
f.
g.
h.
i.
j.
57. “You cannot be indecorous and persuasive at the same time. The two are mutually exclusive.” What does Heinrichs mean by this? Give an example (not one already in the book) of someone being indecorous and explain why that behavior/attitude/tone/appearance wasn’t persuasive. What would have to happen for that person to be persuasive?
58. Writing Assignment (200 word minimum) - What do clothes, bumper stickers, sitting on tables, or playing on our phones have to do with decorum and persuasion? How good of a job do you think you do at matching your decorum to different occasions like at job interviews, around adults, in fancy places, etc.? Based on what you’ve learned from Heinrichs, what do you 43 think you do well and what do you think you need to work on? Write in cohesive paragraphs and edit your work.
Chapter 6 Assignment: Please answer the following in complete sentences.
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59. What does it mean to be rhetorically virtuous? Explain and include an example not already in the book.
60 How does rhetorical virtue differ from actually being virtuous?
61. Why does Atticus Finch’s rhetorical virtue decline the more virtuous he is?
62. What ethos gambit did Abraham Lincoln take to increase his rhetorical virtue? Why was this strategic move necessary?
63. Explain the pros and cons of each strategy you can use to pump up your rhetorical virtue: a. Bragging –
b. Getting a witness to brag for you –
c. Revealing a tactical flaw –
d. Switching sides when the powers that be do –
64. Explain who Eddie Haskell is and what the Eddie Haskell Ploy is. Watch the video (Haskell comes in at the 40 second mark) to see how Haskell tried to manipulate people on Leave It to Beaver: www.youtube.com/watch?v=MohwVOYzlPw. You can also read about him on Wikipedia. Chapter 7-8 Assignment: Complete the Guided Notes worksheet that follows.
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65. What are the three traits of ethos?
66. Which does Bluto, John Belushi’s character in Animal House, lack and how does that contribute to the failure of his initial run out of the room?
67. Persuasion of your audience depends on
68. Sharing your audience’s values is not sufficient; they also have to believe
69. Define the second major element of ethos PRACTICAL WISDOM:
70. Which is better for this – intellect or instinct – and why?
71. Three tools to get an audience to trust your decision:
72. What’s the exception to #2 of question 7?
73. Why is inconsistency a useful leadership tool? Give an example of inconsistency being useful.
74. Give an example of inconsistency being ineffective.
75. Define the third major element of ethos DISINTERESTED GOODWILL:
76. How is “disinterested” different from “uninterested”?
77. How did politicians in earlier times prove their disinterestedness through selflessness?
78. Explain Argument Tool #1 – The Reluctant Conclusion and give an example to help you remember it. 46
79. Explain Argument Tool #2 – The Personal Sacrifice and give an example to help you remember it.
80. You want your audience to be ______, ______, ______, and ______.
81. Explain Argument Tool #3 – Dubitatio and give an example to help you remember it.
82. Explain Quintilian’s dubious theory:
83. How can you use this technique when speaking to an audience?
84 How can you use this technique when speaking in a one-on-one argument?
Chapters 9-10 Assignment: For each chapter, write five concepts you learned or found interesting. Please use complete sentences for each and your own words.
85.
86.
87. 88. 47
89.
90.
91.
92.
93.
94.
Chapter 11 Assignment: Complete the worksheet in complete sentences.
95. Describe one situation in which you have argued for something that was not advantageous to your audience.
96. Employing what you have learned from TYFA, how could you recast this argument to make it advantageous to your audience, and thus make it more advantageous to you?
97. Now, describe a situation in which someone else tried to persuade you using a strategy that you felt was not advantageous to you.
98. What could that person have done/said that would have changed the dynamics to make his or her argument advantageous to you and thus more successful in persuading you? (“Nothing” is not an acceptable answer.)
99. Come up with a list of 5 commonplaces you hear/see/use this week:
100. As it says in the textbox, Thomas Jefferson kept commonplace books all his life. What would be 5 commonplaces that you would include in your own book of practical wisdom?
101. Pick a company or business and create a list of at least 5 catchwords or phrases that they use. 48
Company: Website
102. Give an example of babbling that you have used or have experienced.
103. Give an example of a rejection and how the person rejected could try to turn the argument around.
Chapters 12-13 Assignment: For each chapter, write five concepts you learned or found interesting. Please use complete sentences for each and your own words.
104.
105.
106.
107.
109.
110.
111.
112.
113.
114.