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10 Ans Après JUSTE UN BAISER
DOMENICO PROCACCI PRÉSENTE 10 ans après JUSTE UN BAISER... LE NOUVEAU FILM DE GABRIELE MUCCINO LE RÉALISATEUR DE À LA RECHERCHE DU BONHEUR ET 7 VIES STEFANO ACCORSI VITTORIA PUCCINI PIERFRANCESCO FAVINO CLAUDIO SANTAMARIA GIORGIO PASOTTI MARCO COCCI SABRINA IMPACCIATORE DANIELA PIAZZA PRIMO REGGIANI ET ADRIANO GIANNINI ET AVEC VALERIA BRUNI TEDESCHI UNE PRODUCTION FANDANGO MARS FILMS EN COLLABORATION AVEC MEDUSA FILM SCÉNARIO GABRIELE MUCCINO CASTING FRANCESCO VEDOVATI DIRECTEUR DE LA PHOTOGRAPHIE ARNALDO CATINARI MONTAGE CLAUDIO DI MAURO DÉCORS EUGENIA F. DI NAPOLI COSTUMES ANGELICA RUSSO GEMMA MASCAGNI SON GAETANO CARITO MUSIQUE PAOLO BUONVINO PRODUCTEUR EXÉCUTIF CLAUDIO ZAMPETTI DIRECTEUR DE PRODUCTION GIAN LUCA CHIARETTI PRODUIT PAR DOMENICO PROCACCI LA CHANSON “BACIAMI ANCORA”, DISPONIBLE CHEZ UNIVERSAL RÉALISÉ PAR GABRIELE MUCCINO EST ÉCRITE ET INTERPRÉTÉE PAR JOVANOTTI WWW.MARSDISTRIBUTION.COM FANDANGO, MARS FILMS et MEDUSA présentent encore un baiser DISTRIBUTION MARS DISTRIBUTION UN FILM DE GABRIELE MUCCINO 66, rue de Miromesnil 75008 Paris avec Tél. : 01 56 43 67 20 Fax : 01 45 61 45 04 STEFANO ACCORSI VITTORIA PUCCINI CLAUDIO SANTAMARIA GIORGIO PASOTTI PIERFRANCESCO FAVINO RELATIONS PRESSE LE PUBLIC SYSTÈME CINÉMA Alexis Delage-Toriel & Agnès Leroy 40, rue Anatole France 92594 Levallois-Perret cedex Tél. : 01 41 34 21 09 – Fax : 01 41 34 20 77 [email protected] [email protected] www.lepublicsystemecinema.fr SORTIE LE 29 DÉCEMBRE 2010 Photos et dossier de presse téléchargeables sur www.marsdistribution.com DURÉE : 2H20 synopsis Neuf ans se sont passés depuis que nous avons quitté les personnages de JUSTE UN BAISER. Carlo et ses amis sont tous à différents moments charnières de leurs vies. -
Dos Films Recientes Descubren a Ettore Scola, Un Veterano
personalidades ( i). Dos films recientes descubren a Ettore Scola, un veterano Ha hecho trece películas como director y algunas más como libretista, es uno de los profesionales italianos con mayor experiencia, pero sólo ahora se sabe que Ettore Scola puede ser un nombre importante. El estreno de Un día muy especial repitió el alerta y éste quizá sea el momento de iniciar la revisión de Scola: para saber que ha hecho mucha película menor, frívola y poco creativa para llegar ahora a una primera culminación Si no fuera porque Nos habíamos amado tanto y Un día muy especial han obligado a la atención pública, ia personalidad de Ettore Scola (47 años, trece films como director, una larga lista de libretos) permanecería desco nocida para casi toda la crítica. En rigor es todavía un desconoci do, en parte porque no existe hasta ahora ningún análisis del conjunto de su obra, en parte porque sus propios films no descubren una actitud nítida y permanente ante el mundo o ante el propio medio expresivo. Aunque su talento más notorio parece ser satírico o farsesco (libretos para Dino Risi y Pietrangeli, sus primeros films como director), los dos títulos más Importan tes de su carrera parecen más serios Un momento histórico muy particular que las múltiples comedias previas. cas y la idea se apoya en un efecto de algunos rasgos comunes en ideas, des Sin embargo detrás de Un día muy es libreto (la permanente, monótona, pre arrollos y diálogos, parte de esas ca pecial, un film sombrío, asoma lo que sencia de la trasmisión radial invadien racterísticas eran también las de otros alguien llamó una comedia trágica, don do el adificio de apartamentos romano films italianos de la época: el amargo de Marcello Mastroianni baila una rum donde quedan solos Sophia Loren y cierre de Adua y sus amigas (ex-prosti- ba melancólica y donde los diálogos Marcello Mastroianni). -
Coca-Cola Light on Air Gea E University.It Goldenpoint Estate 2006
Quotidiano di comunicazione e marketing, anno II, numero 79, mercoledì 3 maggio 2006, pag. 1 Coca-Cola Light on air Gea e University.it Il nuovo spot tv di Publicis per l’Italia Partnership per i Mondiali di Calcio Sono gli applausi i protagonisti Insieme a nuovi soggetti, Gea World SpA e University.it città come Roma, Milano, Na- del nuovo spot di Coca-Cola alcuni protagonisti degli spot collaboreranno insieme in vista poli, Reggio Calabria, Avellino light, sviluppato da Publicis per sono stati ripresi nella campa- dei prossimi Mondiali di Calcio e Viareggio. il mercato italiano. Sono state gna outdoor, per rafforzare la “Germania 2006”. E’ previsto un articolato piano create due versioni del 30”, in nuova visual identity e l’ap- In occasione del grande even- di comunicazione media carat- cui divertenti e coinvolgenti proccio celebrativo dell’applau- to sportivo, infatti, la società di terizzato da uscite su stampa situazioni vengono seguite da so, in sinergia con la campa- Moggi Jr. allestirà in tutta Italia quotidiana nazionale, locale e applausi per celebrarne i pro- gna tv. 6 grandi villaggi centrali dove il sportiva, affissioni, numerosi tagonisti, che hanno il corag- Per l’adattamento italiano: pubblico appassionato di cal- passaggi radiofonici su Radio gio di fare piccole e grandi Direttore Creativo Esecutivo: cio potrà incontrarsi per vivere Kiss Kiss scelta come emitten- scelte per vivere la loro vita al Alasdhair Macgregor-Hastie. insieme, con meglio, con divertimento e Direttore Creativo/Head of Art: emozione, la “leggerezza”. Assistiamo quin- Stefano Colombo. partecipazione di alla “celebrazione” di Matte- Art Director: Pietro Lorusso. -
ORPHÉE | ORPHEUS | ORFEUS Directed by Jean Cocteau
ORPHÉE | ORPHEUS | ORFEUS Directed by Jean Cocteau Starring : Jean Marais, François Périer, María Casarès, Marie Déa, Roger Blin, Juliette Greco 1950 | 91’ | B&W | OV French | Fantasy | DCP Film restored in 2008 Subtitles : English, German, Finnish Rights : International (except for UK, USA & Anglophone Canada) Once again Jean Cocteau updates a classic to a compelling modern allegory. Jean Marais is Orpheus, a poet in search of inspiration. Marie Déa is radiant as Eurydice. María Casarès is Death, the imperious and se- ductive princess, whose glove-clad hand ripples though a mirror, leading Orpheus to another world. “If a poet has a dream, it is not of becoming famous, but of being believed.” - Jean Cocteau Cannes Film Festival, Cannes Classics, 2008 LA PISCINE | THE SWIMMING POOL DER SWIMMING POOL Directed by Jacques Deray Starring : Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin 1968 | 120’ | Colour | OV French | Crime, Drama | DCP Film restored in 2008 Subtitles : English, German, Dutch Rights : International (except USA, Canada, Italy, Russia, Japan, Ex-USSR, Dutch-speaking territories) Jean-Paul and Marianne spend lazy holidays at their villa in idyllic Southern France. However when Harry and his attractive young daughter Penelope show up, the dreamy summer days are suddenly filled with unspoken tension and jealousy. The shimmering swimming pool becomes the scene of a crime of passion. * Music by Michel Legrand 2 LA BANDERA | ESCAPE FROM YESTERDAY KOMPANIE DER VERLORENEN Directed by Julien Duvivier Starring : Jean Gabin, Anabella, Robert Le Vigan 1935 | 100’ | B&W | OV French | French classic | DCP Film restored in 2006 Subtitles : English, German Rights : International Jean Gabin is unforgettable as a French Legionnaire relentlessly pursued by his criminal past – and a fellow soldier who seems to know a little too much about him… Sent to the frontline, the two men come to terms with their courage in the face of danger. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Angelo Frontoni
0 50 100m 18 8 14 5 16 7 6 15 2 3 1 4 17 13 12 11 10 Angelo Frontoni: 9 sul set Venaria Reale Mostra diffusa: Viale Buridani - Piazza Vittorio Veneto - Via Andrea Mensa 21 Luglio - 21 Novembre 2021 Piazza dell’Annunziata - Piazza della Repubblica 0 50 100m 8 Pro Loco 16 Piazza dell’Annunziata 17 Piazza Vittorio Veneto 1 Peccati Veniali Alain Delon, Brigitte Bardot sul set di William Brigitte Bardot, set Le Mepris, J.L. Silvana Mangano, Anthony Perkings set sul set di Napoleone ad Austerliz, Abe Wilson (Tre passi nel delirio) Godard, 1963 La diga sul Pacifico, René Clément, Gance, 1960 di Louis Malle, 1967 1957 2 Marti’s Jayne Mansfield, Fontana di Trevi, Gillo Pontecorvo, Susan Strasberg Jessica Lange sul set di King Kong di John Sophia Loren, set Judith, Daniel Mann, sul set di Kapò, G. Pontecorvo, 1960 Guillermin 1976 9 Ottica Pighetti Vittorio De Sica, Sophia Loren sul set di Matri- Arthur Miller, Raf Vallone sul set di Uno monio all'italiana di V.De Sica, 1964 3 Hub Piazza Don Alberione Catherine Deneuve set La costanza della Sguardo dal Ponte, Sidney Lumet, 1962 Anna Maria Ferrero, Jean Sorel, set Vaghe Ragione, P. Festa Campanile, 1965 stelle dell’orsa..., Luchino Visconti, 1965 Irene Papas, sul set di A ciascuno il suo Francesca Neri, Massimo Troisi sul set di Pensa- di Elio Petri, 1967 vo fosse amore invece era un calesse di M. Troisi, 1991 Charlotte Rampling set Addio fratello 10 Viola crudele, G. Patroni Griffi, 1971 Monica Belluci, set Li chiamarono.. -
EARL CAMERON Sapphire
EARL CAMERON Sapphire Reuniting Cameron with director Basil Dearden after Pool of London, and hastened into production following the Notting Hill riots of summer 1958, Sapphire continued Dearden and producer Michael Relph’s valuable run of ‘social problem’ pictures, this time using a murder-mystery plot as a vehicle to sharply probe contemporary attitudes to race. Cameron’s role here is relatively small, but, playing the brother of the biracial murder victim of the title, the actor makes his mark in a couple of memorable scenes. Like Dearden’s later Victim (1961), Sapphire was scripted by the undervalued Janet Green. Alex Ramon, bfi.org.uk Sapphire is a graphic portrayal of ethnic tensions in 1950s London, much more widespread and malign than was represented in Dearden’s Pool of London (1951), eight years earlier. The film presents a multifaceted and frequently surprising portrait that involves not just ‘the usual suspects’, but is able to reveal underlying insecurities and fears of ordinary people. Sapphire is also notable for showing a successful, middle-class black community – unusual even in today’s British films. Dearden deftly manipulates tension with the drip-drip of revelations about the murdered girl’s life. Sapphire is at first assumed to be white, so the appearance of her black brother Dr Robbins (Earl Cameron) is genuinely astonishing, provoking involuntary reactions from those he meets, and ultimately exposing the real killer. Small incidents of civility and kindness, such as that by a small child on a scooter to Dr Robbins, add light to a very dark film. Earl Cameron reprises a role for which he was famous, of the decent and dignified black man, well aware of the burden of his colour. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
Runway Revolution: Is This the End of Fashion As We Know
Established 1961 13 Lifestyle Features Monday, July 6, 2020 French theatre star accused of beating up vlogger n actor from France’s most pres- back when I was on the ground. I was tigious theatre company, the hit with books and shoes,” she said. “He AComedie Francaise, has been pulled my hair and threw me to the accused of assaulting and threatening ground in his apartment. He tried to to kill a vlogger, the theatre confirmed strangle me and left marks on my Tuesday. “La Comedie Francaise is neck,” Coquille-Chambel added, who hugely shocked to discover the intoler- also posted photos of bruises and a cut able violence one of its staff has been lip. She said she had audio recordings accused of,” the theatre tweeted. “We of the actor threatening to kill her. condemn this in the strongest terms Coquille-Chambel appealed to other and will take all necessary measures,” it women who may have been victims of added, without naming the man. There the actor to come forward and to Founder of Mosi Oa Tunya and Zimbabwe entrepreneur Shepherd Elias Lopez, a cigar making maestro from the Dominican Republic, lights are some 30 male actors in the “break the silence” of abuse in the the- Mafundikwa poses for pictures with his company’s hand rolled cigars as a hand rolled cigar at the Mosi Oa Tunya. Comedie Francaise company, including atre. “I know that he had a reputation he poses for a portrait at his factory in Harare.—AFP photos some of France’s most loved stars.