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Peregrine Nations 2.3, October 2002
VOLUME TWO, NUMBER THREE / OCTOBER 2002 In This Ish: Silent eLOCutions (Art by Trinlay Khadro & Ye Editor) Smoke & Mirrors by Alan White (Art by Alan White) State of the Art: Graphic Novel Writers -- Coda by Will Allan Hogarth Saints by E. B. Frohvet (Art by William Rotsler) The Faned Article Pool by J. G. Stinson (art by my rubber stamp collection) Will the Real Swamp Thing Please Stand Up? (editorial) (Art by Alan White) Free Book Deal Update Pub Crawl: Zine Reviews by J.G. Stinson Additional Art: Alan White / cover, masthead No page numbers again, still haven't figured out how to make Word do that without futzing the thing... peregrination, n., L., A traveling, roaming, or wandering about; a journey. (The New Webster Encyclopedic Dictionary of the English Language, Avenel Books, New York: 1980). "As Perrottet explains...the Pax Romana...in the first two centuries of the Christian era...made possible for the first time the concept of tourism...and with it all the accoutrements still known in the travel industry: peregrinatores, the tourists themselves; mystagogi...guides; periegesis, ...guidebooks..." // From "On Tour with the Ancients" by Louis Werner, Archaeology Magazine, Nov./Dec. 2002, p. 57. Well, now, ain't that a hoot. This issue of Peregrine Nations is a © 2002 J9 Press Publication edited and published by J. G. Stinson, P.O. Box 430314, Big Pine Key, FL 33043-0314 USA. Copies available for $1 or the Usual. A quarterly pubbing sked is intended. All material in this publication was contributed for one-time use only, and the copyrights belong to the contributors. -
SFRA Newsletter Published Ten Times a Vear Iw the Science Fiction Research Associa Tion
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 3-1-1989 SFRA ewN sletter 165 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 165 " (1989). Digital Collection - Science Fiction & Fantasy Publications. Paper 110. http://scholarcommons.usf.edu/scifistud_pub/110 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The SFRA Newsletter Published ten times a vear Iw The Science Fiction Research Associa tion. C:opyrightf'.' 1l)8~ by the SFRA. Address editorial correspon dence to SFRA Newslcller. English Dept., Florida Atlantic University, Boca Raton. FL ::n,n I (Tel. 407-3()7-3838). Editor: Robert A. Collins: Associate Editor: Catherine Fischer: R('l'iCiv Editor: Rob Latham: Fillll Editor: Ted Krulik; Book Neil'S Editor: Martin A. Schneider: EditOlial Assistant: .Jeanette Lawson. Send changes of address to the Secretary. enquiries concerning subscriptions to the Treasurer, listed below. Past Presidents of SFRA Thomas D. Clare son (1970-76) SFRA Executive Arthur o. Lewis,.Jr. (1977-78) Committee .Joe De Bolt (1979-80) .J ames Gunn (1981-82) Patricia S. Warrick (1983-84) Donald M. Hassler (J985-8() President Elizabeth Anne Hull Past EditOl'S of the Newsletter Liberal Arts Division Fred Lerner (1971-74) William Rainey Harper College Beverly Friend (1974-78) Palatine. -
SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
Mr Mercedes Stephen King Y Su Incursión En La Novela Negra Y Policial
AÑO 17 - Nº 198 - JUNIO 2014 Mr Mercedes Stephen King y su incursión en la novela negra y policial HERO COMPLEX GALLERY - EL POP DE KING - ENCUENTROS LITERARIOS 2014 - H. P. LOVECRAFT Nº 198 - JUNIO 2014 PORTADA Ha visto la luz una nueva novela de MR Stephen King, Mr Mercedes. En la MERCEDES EDITORIAL trama, el autor de Maine se mete de lleno de una historia policial y de Stephen King y su NOTICIAS suspenso, sin aspectos incursión en la novela IMPRESIONES sobrenaturales. negra y policial INFORME PÁG. 3 Durante una pasada conferencia en la Universidad de EDICIONES Massachussets (Lowell), Stephen A FONDO King comentó que Mr Mercedes sería su primera novela negra, O ICCIÓN • Identikits de personajes de la N -F del género policial o de literatura ORTOMETRAJES detectives. Pues bien, ha llegado C • Doctor Sleep, ganador del Bram el mes de junio, y nos trae la Stoker FICCIÓN publicación de este nuevo libro • Todas las novedades de Under the del maestro del terror moderno. OTROS MUNDOS Dome Esperaremos ansiosos que llegue • Bad Little Kid, Mr Mercedes y CONTRATAPA noviembre, fecha en que se Gerald's Game podrían llegar a los publicará en español y todos los cines lectores de habla hispana podrán • ¿Es tiempo de una antología? leerla. La expectativa generada por la ... y otras noticias novela ha sido grande, y la PÁG. 4 campaña publicitaria se ha hecho sentir. Para comenzar, se publicó un extracto... PÁG. 25 Arte en Hero Complex Gallery (Parte 2) El pasado 21 de marzo inauguró en Cain Rose Up, Encuentros la Hero Complex Gallery (Los de Ranjeet S. -
March 2013 NASFA Shuttle
Te Shutle March 2013 Te Next NASFA Meetng is Saturday 16 March 2013 at te Regular Locaton ConCom Meeting 16 March, 3P; see below for details Member of MindGear LLC <mindgearlabs.com>, discussing d Oyez, Oyez d 3D printers. (And doubtless he’ll touch on some of the other cool stuff in their lab.) The next NASFA Meeting will be at 6P, Saturday 16 MARCH ATMM March 2013 at the regular meeting location—the Madison The host and location for the March After-the-Meeting Meet- campus of Willowbrook Baptist Church (old Wilson Lumber ing are undetermined at press time, though there’s a good Company building) at 7105 Highway 72W (aka University chance it will be at the church. The usual rules apply—that is, Drive). Please see the map below if you need help finding it. please bring food to share and your favorite drink. MARCH PROGRAM Also, assuming it is at the church, please stay to help clean The March program will be Rob Adams, the Managing up. We need to be good guests and leave things at least as clean as we found them. CONCOM MEETINGS The next Con†Stellation XXXII concom meeting will be 3P Saturday 16 March 2013—the same day as the club meeting. Jeff Road Jeff Kroger At press time the plan is to meet at the church, but that’s subject to confirmation that the building will be available at that time. US 72W Please stay tuned to email, etc., for possible updates. (aka University Drive) CHANGING SHUTTLE DEADLINES The latest tweak to the NASFA Shuttle schedule shifted the usual repro date somewhat to the right (roughly the weekend before each meeting) but much of each issue will need to be Slaughter Road Slaughter put to bed as much as two weeks before the monthly meeting. -
Metahorror #1992
MetaHorror #1992 MetaHorror #Dell, 1992 #9780440208990 #Dennis Etchison #377 pages #1992 Never-before-published, complete original works by 20 of today's unrivaled masters, including Peter Straub, David Morrell, Whitley Strieber, Ramsey Campbell, Thomas Tessier, Joyce Carol Oates, Chelsea Quinn Yarbro, and William F. Nolan. The Abyss line is . remarkable. I hope to be looking into the Abyss for a long time to come.-- Stephen King. DOWNLOAD i s. gd/l j l GhE www.bit.ly/2DXqbU6 Collects tales of madmen, monsters, and the macabre by authors including Peter Straub, Joyce Carol Oates, Robert Devereaux, Susan Fry, and Ramsey Campbell. #The Museum of Horrors #Apr 30, 2003 #Dennis Etchison ISBN:1892058030 #The death artist #Dennis Etchison #. #Aug 1, 2000 Santa Claus and his stepdaughter Wendy strive to remake the world in compassion and generosity, preventing one child's fated suicide by winning over his worst tormentors, then. #Aug 1, 2008 #Santa Claus Conquers the Homophobes #Robert Devereaux #ISBN:1601455380 STANFORD:36105015188431 #Dun & Bradstreet, Ltd. Directories and Advertising Division #1984 #. #Australasia and Far East #Who Owns Whom, https://ozynepowic.files.wordpress.com/2018/01/maba.pdf Juvenile Fiction #The Woman in Black #2002 #Susan Hill, John Lawrence #ISBN:1567921892 #A Ghost Story #1986 Set on the obligatory English moor, on an isolated cause-way, the story stars an up-and-coming young solicitor who sets out to settle the estate of Mrs. Drablow. Routine. #https://is.gd/lDsWvO #Javier A. Martinez See also: Bram Stoker Award;I Have No Mouth and I Must Scream;The Whim- per of Whipped Dogs; World Fantasy Award. -
The Sisters of the Seven Sins
Sample file 1 The Sisters of the Seven Sins A Giallo Crime/Mystery/Occult Drama (C) Postmortem Studios ( James Desborough) 2021 Written by: Miguel Ribeiro Editing, Layout & Design: James ‘Grim’ Desborough Photography: Iola Yolska Art: Stock, orphaned works and Brad McDevitt. Sample file 2 ntroduction hose iallo astards is scenario takes place in a e word Giallo – which means Portuguese convent with a dark history of "yellow" in Italian – is basically Italian demonic possession, black magic, and devil pulp. e term derives from a collection of worship that, in the mid-1970s, is occupied murder mystery paperback books, similar by a recently founded unusual religious to American hardboiled ction from the congregation made up of disgraced women 1930s and 1940s, which had yellow covers. who wish to atone for their past, the Still, it is mostly known for its 1960s Reprobate Sisters of the Seven Sins. cinematic iteration, a subgenre of horror, which made Giallo famous in markets Players can take the role of nuns, outside Italy. Filmmakers such as Mario Vatican authorities sent to investigate and Lamberto Bava, Ruggero Deodato, reports of demoniacal manifestations, Lucio Fulci and Dario Argento are among reporters interested in exploring the story Giallo's most eminent names. e genre behind this atypical catholic sisterhood or combines murder-mystery with elements even criminals, working on a devious plan of crime thriller, psychological horror, to restore a sinister painting to the convent sexploitation and (very rarely) supernatural where it originally belonged. horror. Having female leads, most of them beautiful young women, subjected to In this scenario, you will nd vicious attacks, some of them murdered, a summary description of Saint Mary the eroticism, the visual style and peculiar Magdalene's ctional convent, located in use of colours are some of the most the Portuguese capital, Lisbon, followed common tropes. -
9. List of Film Genres and Sub-Genres PDF HANDOUT
9. List of film genres and sub-genres PDF HANDOUT The following list of film genres and sub-genres has been adapted from “Film Sub-Genres Types (and Hybrids)” written by Tim Dirks29. Genre Film sub-genres types and hybrids Action or adventure • Action or Adventure Comedy • Literature/Folklore Adventure • Action/Adventure Drama Heroes • Alien Invasion • Martial Arts Action (Kung-Fu) • Animal • Man- or Woman-In-Peril • Biker • Man vs. Nature • Blaxploitation • Mountain • Blockbusters • Period Action Films • Buddy • Political Conspiracies, Thrillers • Buddy Cops (or Odd Couple) • Poliziotteschi (Italian) • Caper • Prison • Chase Films or Thrillers • Psychological Thriller • Comic-Book Action • Quest • Confined Space Action • Rape and Revenge Films • Conspiracy Thriller (Paranoid • Road Thriller) • Romantic Adventures • Cop Action • Sci-Fi Action/Adventure • Costume Adventures • Samurai • Crime Films • Sea Adventures • Desert Epics • Searches/Expeditions for Lost • Disaster or Doomsday Continents • Epic Adventure Films • Serialized films • Erotic Thrillers • Space Adventures • Escape • Sports—Action • Espionage • Spy • Exploitation (ie Nunsploitation, • Straight Action/Conflict Naziploitation • Super-Heroes • Family-oriented Adventure • Surfing or Surf Films • Fantasy Adventure • Survival • Futuristic • Swashbuckler • Girls With Guns • Sword and Sorcery (or “Sword and • Guy Films Sandal”) • Heist—Caper Films • (Action) Suspense Thrillers • Heroic Bloodshed Films • Techno-Thrillers • Historical Spectacles • Treasure Hunts • Hong Kong • Undercover -
Grimdark Magazine Issue 27 PDF
1 Contents From the Editor Beth Tabler Outliers A.M. Shine Crossing the Monster Kaaron Warren Island of Sin Jack Murphy An Interview with Chuck Wendig Beth Tabler The Tesseract Evan Marcroft An Interview with Paul Tremblay Beth Tabler The Jewels of the Mermaids Marisca Pichette The Case for Conflict Sadie Hartmann Tubes Jeremy C. Shipp An Interview with Graham Masterton 2 Beth Tabler Gingerbread Lindsay King-Miller 3 From the Editor BETH TABLER Hey, there. My name is Beth Tabler, and I am guest editing the horror crossover issue of Grimdark Magazine. As a young connoisseur of all horror and science fiction movies inappropriate for my age, I remember seeing Poltergeist for the first time when I was seven years old. I had snuck down to the television while my folks were sleeping. I never quite got over demonic trees, clowns, and an old woman screaming, "Carol Anne." I remember reading my first Stephen King book, Salem's Lot, at 12. I knew at that moment that my reading life would never be the same. I remember the first grimdark book I read at 25; it was Mark Lawrence’s Prince of Thorns, by the way. I realized sometimes heroes aren't heroic, bad guys can be protagonists, and life is full of a lot more gray than I had thought. Horror and grimdark are a part of who I am and how I see the world. They are my jam. The themes of horror and grimdark have always gone hand in hand. But often, a thin gray line separates the two, a place where the story does not fall one way or another but sits on that terrifying spot between the two, where you can't quite tell what is what. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 6-1-2006 SFRA ewN sletter 276 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 276 " (2006). Digital Collection - Science Fiction & Fantasy Publications. Paper 91. http://scholarcommons.usf.edu/scifistud_pub/91 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #~T. April/llay/June J006 • Editor: Christine Mains Hanaging Editor: Janice M. Boastad Nonfiction Reriews: Ed McKniaht Science Fiction Research Fiction Reriews: Association Philip Snyder SFRA Re~;e", The SFRAReview (ISSN 1068-395X) is published four times a year by the Science Fiction ResearchAs I .. "-HIS ISSUE: sodation (SFRA) and distributed to SFRA members. Individual issues are not for sale; however, starting with issue SFRA Business #256, all issues will be published to SFRA's website no less than 10 weeks Editor's Message 2 after paper publication. For information President's Message 2 about the SFRA and its benefits, see the Executive Meeting Minutes 3 description at the back of this issue. For a membership application, contact SFRA Business Meeting Minutes 4 Treasurer Donald M. Hassler or get one Treasurer's Report 7 from the SFRA website: <www.sfra.org>. -
IRS for ANZAPA
- 2 for ANZAPA #267 - J u n e 2012 and for display on eFanzines (www.efanzines.com) o-o-o Contents This issue’s cover .......................................................................................................................................................... 3 The Lady Varnishes ...................................................................................................................................................... 4 Vale Ray Bradbury (1920-2012) ................................................................................................................................... 5 Letters from (North) America....................................................................................................................................... 7 Conventions held and on the horizon ............................................................................................................................ 9 Awards at the Natcon – Sunday evening 10th June 2012 .......................................................................................... 12 Hugo Awards - 2012 nominations ............................................................................................................................. 16 Fan Funds represented or commented on at Continuum 8 ...................................................................................... 19 Surinam Turtles - trade paperbacks online for US$18.00 from Ramble House: http://www.ramblehouse.com..... 21 Book review – ‘A Kingdom Besieged’ by Raymond E Feist (in his -
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence.