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Part I Belgrade: the City of Spectacle 1 City-As-Action
Notes Part I Belgrade: The City of Spectacle 1. When the protest was over, Ognjenovic´, a distinguished theatre director and playwright, was forced by the authorities to resign from the position of Artistic Director of the National Theatre. By the mid-1990s, the National Theatre was tightly controlled by cultural officials of Miloševic´’s regime, prompting a few members of the ensemble to leave the theatre in protest. In post-Miloševic´ years, Ognjenovic´ became Serbia’s ambassador to Denmark. 2. For lyrics of the Patti Smith song, go to: http://www.metrolyrics.com/people- have-the-power-lyrics-patti-smith.html 3. After the events of 5 October 2000, when Miloševic´ was overthrown, Lecˇic´ became Minister of Culture in the newly formed Serbian Government. He remained Minister of Culture for the next three years. 4. OTPOR was a political organization (of mostly students) active from 1998, whose agenda was the political struggle for democracy against the regime of Slobodan Miloševic´. Occasionally, members of OTPOR were arrested for their political activities. Nowadays, OTPOR is no loner an active organization and some of its prominent members have become leading figures of the political establishment in Serbia. 5. Zoran Djindjic´ was one of the most prominent figures of the Serbian politi- cal opposition to Miloševic´. He became Prime Minister of Serbia in 2001. In March of 2003, Djindjic´ was assassinated by a former paramilitary soldier with links to organized crime. 1 City-as-Action 1. See Dubravka Kneževic´’s ‘Marked in Red Ink’, an article that deals with the anti-regime protests in Serbia that opens with an analogy to the French Revolution. -
Fiction & Documentary
FICTION & DOCUMENTARY FICTION 2 Nightlife by Damjan Kozole 4 Mother by Vlado Škafar 6 Huston, We Have A Problem by Žiga Virc 8 Perseverance by Miha Knific 10 Nika by Slobodan Maksimović 12 A Comedy of Tears by Marko Sosič 14 Case: Osterberg by Matej Nahtigal 1 FICTION 16 Šiška Deluxe by Jan Cvitkovič IN 18 Idyll by Tomaž Gorkič FICTION PRODUCTION 32 20 Family Film by Olmo Omerzu 43 DOCUMENTARY 22 The High Sun by Dalibor Matanić IN 24 Life is a Trumpet by Antonio Nuić DOCUMENTARY PRODUCTION 58 26 Ministry of Love by Pavo Marinković 28 Lucy in the Sky by Giuseppe Petitto 30 Our Everyday Life by Ines Tanović Production: Slovenian Film Centre Editor: Inge Pangos Translation: Borut Praper Visual & design: Boštjan Lisec Print: Collegium Graphicum Print run: 700 Ljubljana, January 2016 Slovenian Film Guide_Fiction & Documentary 3 Nightlife by Damjan Kozole Nočno življenje, 2016, DCP, 1:2.35, in colour, 93 min Late at night, a renowned lawyer is found on the sidewalk of a busy street in Ljubljana. He is semi-conscious and his body is covered in blood from numerous dog bite wounds. Phy- sicians at the Ljubljana Medical Centre are fighting for his life, while his wife is coping with the shock and her deepest fears. During that night she breaks all of the moral princi- ples she has advocated all her life. Damjan Kozole (1964) is an award-winning filmmaker whose directing credits include the critically acclaimed Spare Parts, nominated for the Golden Bear at the 53th Berlin IFF, Selected Filmography and Slovenian Girl, which premiered in 2009 at Toronto, Pusan and Sarajevo IFF and has (feature) been distributed worldwide. -
Triler U Hrvatskom Filmu
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of Academy of Dramatic Art SVEUČILIŠTE U ZAGREBU AKADEMIJA DRAMSKE UMJETNOSTI ODSJEK FILMSKE I TV REŽIJE: IGRANI FILM Student: Goran Ribarić TRILER U HRVATSKOM FILMU DIPLOMSKI RAD Mentor: doc. dr. sc. Bruno Kragić Zagreb, 2015. 0 SADRŽAJ SADRŽAJ ................................................................................................................................. 1 1. UVOD ................................................................................................................................. 2 2. RATNI TRILER ............................................................................................................... 5 2.1. SVJEDOCI ............................................................................................................................................ 5 2.2. CRNCI ................................................................................................................................................... 8 3. POLITIČKO - ŠPIJUNSKI TRILER ........................................................................... 12 3.1. ZLATNE GODINE ............................................................................................................................. 12 3.2. TREĆA ŽENA .................................................................................................................................... 14 3.3. KRADLJIVAC USPOMENA ............................................................................................................ -
Bosnia: Doomed to Failure Or a Rising Hope? Caitlin V
Ursinus College Digital Commons @ Ursinus College Politics Honors Papers Student Research 4-25-2016 Bosnia: Doomed to Failure or a Rising Hope? Caitlin V. Moore Ursinus College, [email protected] Adviser: Rebecca Evans Follow this and additional works at: https://digitalcommons.ursinus.edu/pol_hon Part of the Eastern European Studies Commons, Ethnic Studies Commons, European History Commons, Islamic World and Near East History Commons, and the Political Science Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Moore, Caitlin V., "Bosnia: Doomed to Failure or a Rising Hope?" (2016). Politics Honors Papers. 4. https://digitalcommons.ursinus.edu/pol_hon/4 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Politics Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Bosnia: Doomed to Failure or a Rising Hope? Caitlin V Moore April 25, 2016 Submitted to the faculty of Ursinus College in fulfillment of the requirements for Honors in Politics 1 MOORE Bosnia: Doomed to Failure or a Rising Hope? Table of Contents Abstract……………………………………………………………………………………………2 Chapter 1. Introduction…..………………………………………………………………………..3 Chapter 2. Historical Background…..…………………………………………………………......5 Chapter 3. Dayton Peace Accords..........................................................................................…...15 Literature -
Croatian Films Features, Documentaries & Animation
Croatian Films Features, Documentaries & Animation Released in 2012 Content 2 Features (11) Documentaries (15) • Flower Square | Cvjetni trg by Krsto Papić · 8 • 20 Days in Tibet | 20 dana na Tibetu by Silvestar Kolbas · 36 • Goltzius and the Pelican Company by Peter Greenaway • Bare Island | Goli otok by Darko Bavoljak · 38 (minority co-production) · 10 • Big Day | Veliki dan by Đuro Gavran · 40 • Good to Go | Sretan do kraja by Matevž Luzar (minority co- • Blockade | Blokada by Igor Bezinović · 42 production) · 12 • Bosanoga, an Entirely Accidental Death | Bosanoga (sasvim • Halima’s Path | Halimin put by Arsen Anton Ostojić · 14 slučajna smrt) by Morana Komljenović · 44 • Hives | Košnice by Group of Directors · 16 • Čedo by Nikola Strašek · 46 • A Letter to My Dad | Pismo ćaći by Damir Čučić · 18 • Dr Andrija Štampar, Visionary | Dr. Andrija Štampar, vizionar by • My Beautiful Country | Most na Ibru by Michaela Kezele Mladen Juran · 48 (minority co-production) · 20 • Family Meals | Nije ti život pjesma Havaja by Dana Budisavljević · 50 • Night Boats | Noćni brodovi by Igor Mirković · 22 • The Fine Art of Mirroring - Youth Day 1987 by Toma Bačić · 52 • Sonja and the Bull | Sonja i bik by Vlatka Vorkapić · 24 • From Grain to Painting | Od zrna do slike by Branko Ištvančić · 54 • Vegetarian Cannibal | Ljudožder vegetarijanac by Branko • Hills Village 21000 Split | Brda 21000 Split by Silvio Mirošničenko Schmidt · 26 · 56 • When Day Breaks | Kad svane dan by Goran Paskaljević · 28 • The King | Kralj by Dejan Aćimović · 58 • Zagreb Stories -
Haris Pasovic---City the Engaged | 1
Haris Pasovic---City the Engaged | 1 Haris PAŠOVIĆ CITY THE ENGAGED 1. On a summer day in 1 993, I went to visit the National Library. It was dangerous to get there. Its entrance was exposed to Mt. Trebević from where it could have been targeted at any moment. I knew I could be seen quite clearly from the mountain above. But I took the risk. I don’t know why. Risking my life to enter into a ruin? But I somehow had to do it. The entrance was partly buried under a heap of rubble, charred paper scattered all over the place. I took a piece – it was an old train timetable. I don’t remember which. I got through to the main hall. Once there, I was shocked. Terrified. Petrified. The building had been built in the pseudo‐Moorish style during the era of the Austro‐Hungarian occupation of Bosnia and Herzegovina. Its main hall was under a glass dome and the rays of light used to hit its marble pillars, its balconies with their stone‐lace balustrades, its arches of various sizes and its shadowy lodges, from where dark corridors led in different directions. It all added up to a mystery, an exciting labyrinth. The very thought that somewhere in the interior of this monumental edifice there were millions of books, documents and manuscripts, gave the experience of entering into this library an almost mythical sense. Now I was standing in the midst of this ruin, looking at the melted marble pillars. The burnt books had melted stone! I was standing there. -
Paradoxes of Stabilisation: Bosnia and Herzegovina from the Perspective of Central Europe
PARADOXES OF STABILISATION BOSNIA AND HERZEGOVINA FROM THE PERSPECTIVE OF CENTRAL EUROPE Edited by Marta Szpala W ARSAW FEBRUARY 2016 PARADOXES OF STABILISATION BOSNIA AND HERZEGOVINA FROM THE PERSPECTIVE OF CENTRAL EUROPE E dited by Marta Szpala © Copyright by Ośrodek Studiów Wschodnich im. Marka Karpia / Centre for Eastern Studies CONTENT EDITOR Marta Szpala EDITOR Nicholas Furnival CO-OPERATION Anna Łabuszewska, Katarzyna Kazimierska GRAPHIC DESIGN PARA-BUCH PHOTOGRAPH ON COVER F. Pallars / Shutterstock.com DTP GroupMedia MAPS Wojciech Mańkowski PUBLISHER Ośrodek Studiów Wschodnich im. Marka Karpia Centre for Eastern Studies ul. Koszykowa 6a, Warsaw, Poland Phone + 48 /22/ 525 80 00 Fax: + 48 /22/ 525 80 40 osw.waw.pl ISBN 978-83-62936-78-6 Contents INTRODUCTION /7 PART I. THE INTERNAL CHALLENGES Jan Muś ONE HAND CLAPPING – THE STATE-BUILDING PROCESS AND THE CONSTITUTION OF BOSNIA AND HERZEGOVINA /17 1. Origins of the Constitution /17 2. Non-territorial division – Constituent Peoples /19 3. Territorial division /19 4. Constitutional consociationalism – institutions, processes, competences and territorial division /21 4.1. Representation of ethnic groups or ethnicisation of institutions /22 4.2. The division of competences /24 4.3. Procedural guarantees of inclusion /26 Conclusions /27 Wojciech Stanisławski THREE NATIONS IN BOSNIA AND HERZEGOVINA (TO SAY NOTHING OF THE FOURTH). THE QUEST FOR A POST-DAYTON COLLECTIVE BOSNIAN IDENTITY /29 1. The three historical and political nations of Bosnia /31 2. The nations or the projects? /32 3. The stalemate and the protests /34 4. The quest for a shared memory /35 Hana Semanić FRAGMENTATION AND SEGREGATION IN THE EDUCATION SYSTEM IN BOSNIA AND HERZEGOVINA /39 1. -
Monday 26Th October
The Belfast/Sarajevo Initiative for the Creative and Performing Arts: An Exchange between Queen’s University, Belfast and the Academy of Performing Arts Sarajevo Hosted by the Brian Friel Centre for Theatre Research th th Monday 26 – Friday 30 October 2009 Steering Committee: Niall Rea, Michelle Young, Merita Zekovic Academic Chair: Professor Anna Mc Mullan MONDAY 26TH OCTOBER INTRODUCING SARAJEVO 10.00am – 1.00pm Room 102, Peter Froggatt Centre Papers presented by the Interdisciplinary Postgraduate Research Group in Post- Conflict Studies Merita Zekovic ‘CSaw’ Performing Artistic transformations of Sarajevo sites in a post-conflict context Niall Rea ‘Queer Trouble’ The recent problematic presentation of queer identity in Sarajevo Maria Andreana Deiana ‘Blurring the Issue’ Representations of women in the Bosnian War and the Aesthetics of victimhood Giulia Carabielli ‘Re(ad)dressing Mostar. Architecture and/of the everyday life’ EXPERIENCES OF SARAJEVO 2.00pm – 4.00pm Room 102, Peter Froggatt Centre A round table discussion with Belfast practitioners and artists on their personal experiences of working in Sarajevo Mike Maloney (Theatre Practitioner and ex Belfast Circus School) Donal McKendry (Theatre Practitioner and ex Belfast Circus School) Chris Agee (Writer and Translator) FILM SCREENING 5.15pm – 7.00pm Seminar Room, Drama and Film Centre, 20 University Square Grbavica Directed and written by Jasmilla Zbanic, Grbavica is a story about contemporary Sarajevo. Single mother Esma wants to grant her twelve-year-old daughter Sara's wish to participate in a school trip. A certificate proving her father is a war martyr would allow her a discount. But Esma continues to avoid Sara's requests for the certificate. -
Bombs Over Bosnia the Role of Airpower in Bosnia-Herzegovina
Bombs over Bosnia The Role of Airpower in Bosnia-Herzegovina MICHAEL O. BEALE, Major, USAF School of Advanced Airpower Studies THESIS PRESENTED TO THE FACULTY OF THE SCHOOL OF ADVANCED AIRPOWER STUDIES, MAXWELL AIR FORCE BASE, ALABAMA, FOR COMPLETION OF GRADUATION REQUIREMENTS, ACADEMIC YEAR 1995–96. Air University Press Maxwell Air Force Base, Alabama August 1997 DISCLAIMER Opinions, conclusions, and recommendations expressed or implied within are solely those of the author(s), and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Cleared for public release: distribution unlimited. ii Contents Chapter Page DISCLAIMER . ii ABSTRACT . v ABOUT THE AUTHOR . vii ACKNOWLEDGEMENTS . ix 1 A HISTORY OF DIVISION AND CONFLICT . 1 2 THE DEATH OF YUGOSLAVIA ACCELERATES . 9 3 DENY FLIGHT: THE DETERRENT USE OF AIRPOWER . 19 4 OPERATION DELIBERATE FORCE . 31 5 CONCLUSIONS AND IMPLICATIONS . 43 BIBLIOGRAPHY . 53 iii iv Abstract The North Atlantic Treaty Organization (NATO) initiated Operation Deny Flight at the request of the United Nations (UN) Security Council in April 1993, in response to the ongoing war in Bosnia-Herzegovina. Two and one-half years later, in December 1995, Deny Flight officially ended after an almost continuous 970-day aerial presence constituting over 100,000 aircraft sorties. In that time, NATO aircraft dropped more than 3,000 bombs while participating in combat operations for the first time in alliance history. Deny Flight’s initial mission was to enforce a UN Security Council mandated no-fly zone over Bosnia. This mission expanded in the ensuing months to include close air support when requested for UN protection forces (UNPROFOR) on the ground and to deter Serb aggression against six UN-designated safe areas. -
Funding Festivals: Bringing the World to Sarajevo*
DOI https://doi.org/10.2298/MUZ1722133H UDC 338.48-611(497.6 Сарајево) 78.091.4 Funding Festivals: Bringing the World to Sarajevo* Erica Haskell1 University of New Haven, Connecticut, USA Received: 15 February 2017 Accepted: 1 June 2017 Original scientific paper Abstract The focus of this article is on the “festivalization” of Sarajevo, the capital city of Bosnia-Herzegovina, after the signing of the Dayton Agreement (1995), and the donor environment during that time that largely supported foreign rather than local performances. I chronicle a shift – from socialist-era regional festivals before the war to post-war period staged multi-day multi-performance events with foreign programming – and highlight the tendency of donors to de-emphasize local difference as a way of creating politically safe aiding strategies. I unpack why the “festival model” was attractive to local and foreign cultural organizers during this period. Specifically I discuss the reorganization of the Sarajevo Winter Festival as well as other festivals that existed before the war and continued to produce such events after the war. Keywords: Bosnia-Herzegovina, Sarajevo, music, post-conflict, festivals, post- socialist, applied ethnomusicology “[I]t is possible to organize a concert at a high professional level without entertainers’ charity, which all kinds of humanitarians from around the world dumped on this city over the last four years.”2 * Portions of this article were included in my dissertation “Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo” with support from the American Councils Central Europe Research Scholar Program. https://repository.library.brown.edu/studio/item/bdr:11298/ 1 [email protected] 2 From an article in Dani (August 1996) titled “Mladen Vojičić Tifa,” describing Tifa’s upcoming concert in Sarajevo. -
PREMIJERE I PROGRAMI FESTIVALA Premijere Od 1
PREMIJERE I PROGRAMI FESTIVALA premijere od 1. siječnja do 31. prosinca 2011. Premijere hrvatskih profesionalnih kazališta i kazališnih grupa priredio: Goran Ivanišević ZAGREB Héderváry), Ivan Jončić (Veliki župan Rubido Dragić / Iva Mihalić; Olga Pakalović / Silvio Vovk Ciki), Tomislav Stojković (Podžupan), Dušan (Parovi iz romana), Dušan Bućan (Milan Domić), Bućan (Milan Domić), Dušan Gojić (Pristav), Mirta Zijad Gračić (Vladimir Lunaček, kritičar), Franjo HRVATSKO NARODNO Zečević (Valerija, kuma iz Varaždina), Kristijan Kuhar (Dr. Milivoj Dežman, urednik), Joško Ševo KAZALIŠTE U ZAGREBU Potočki (Župnik-ispovjednik), Olga Pakalović (Direktor i glavni urednik novina) (Dorica, Mirjanina mlađa sestra), Mia Krajcar (Kata, Cabaret: Dora Lipovčan, Mia Krajcar, Mia Biondić, Ivica Boban kuharica), Vanja Matujec (Sestra Bernarda, učiteljica Nera Stipičević, Ivana Krizmanić, Silvio Vovk, Ozren Zagorka u konviktu Sestara milosrdnica u Zagrebu), Marija Opačić redateljica Ivica Boban Tadić (Nadstojnica), Katija Zubčić (Časna majka), Glazbenici: Tomislav Ribičić (gitara), Siniša Reljić Mia Krajcar, Iva Mihalić, Ivana Krizmanić, Dora (klavijature) Lipovčan, Nera Stipičević (Učenice), Zijad Gračić Statisti: Hrvoje Kahlina, Karlo Keglević, Marko (Glumac) Staričić, Saša Tomić Zagorkin brak (Mađarska) i sanatorij Miroslav Krleža izvode: Livio Badurina (Inženjer Lajoš Nađ, Gospoda Glembajevi Mirjanin muž), Katija Zubčić (Svekrva, njegova redatelj Vito Taufer majka), Alen Šalinović (Dr. Franjo Nađ, njegov premijera 6. svibnja 2011. brat), Dora Lipovčan (Rozika, -
From War to Peace in the Balkans, the Middle East, and Ukraine
PALGRAVE CRITICAL STUDIES IN POST-CONFLICT RECOVERY Series Editors: Sultan Barakat and Sansom Milton FROM WAR TO PEACE IN THE BALKANS, THE MIDDLE EAST AND UKRAINE Daniel Serwer Palgrave Critical Studies in Post-Confict Recovery Series Editors Sultan Barakat Department of Politics University of York York, UK Sansom Milton Post-war Reconstruction and Development University of York York, UK This series seeks to advance original research in the broadly defned area of post-confict recovery. The Pivot format of the series is designed to meet the growing need for the provision of timely, focused, theoretically- rigorous, and applied research into confict-affected environments. The aim is to bridge the theory and practice of post-confict recovery across a range of disciplinary approaches and interventionary logics including but not limited to humanitarian action, confict resolution, post-war recon- struction, peacebuilding, state-building, and transitional justice. It wel- comes submissions from researchers, practitioners and policy makers, in particular from the Global South. More information about this series at http://www.palgrave.com/gp/series/14708 Daniel Serwer From War to Peace in the Balkans, the Middle East and Ukraine Daniel Serwer School of Advanced International Studies Johns Hopkins University Washington, DC, USA Palgrave Critical Studies in Post-Confict Recovery ISBN 978-3-030-02172-6 ISBN 978-3-030-02173-3 (eBook) https://doi.org/10.1007/978-3-030-02173-3 Library of Congress Control Number: 2018957680 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.