Monday 26Th October

Total Page:16

File Type:pdf, Size:1020Kb

Monday 26Th October The Belfast/Sarajevo Initiative for the Creative and Performing Arts: An Exchange between Queen’s University, Belfast and the Academy of Performing Arts Sarajevo Hosted by the Brian Friel Centre for Theatre Research th th Monday 26 – Friday 30 October 2009 Steering Committee: Niall Rea, Michelle Young, Merita Zekovic Academic Chair: Professor Anna Mc Mullan MONDAY 26TH OCTOBER INTRODUCING SARAJEVO 10.00am – 1.00pm Room 102, Peter Froggatt Centre Papers presented by the Interdisciplinary Postgraduate Research Group in Post- Conflict Studies Merita Zekovic ‘CSaw’ Performing Artistic transformations of Sarajevo sites in a post-conflict context Niall Rea ‘Queer Trouble’ The recent problematic presentation of queer identity in Sarajevo Maria Andreana Deiana ‘Blurring the Issue’ Representations of women in the Bosnian War and the Aesthetics of victimhood Giulia Carabielli ‘Re(ad)dressing Mostar. Architecture and/of the everyday life’ EXPERIENCES OF SARAJEVO 2.00pm – 4.00pm Room 102, Peter Froggatt Centre A round table discussion with Belfast practitioners and artists on their personal experiences of working in Sarajevo Mike Maloney (Theatre Practitioner and ex Belfast Circus School) Donal McKendry (Theatre Practitioner and ex Belfast Circus School) Chris Agee (Writer and Translator) FILM SCREENING 5.15pm – 7.00pm Seminar Room, Drama and Film Centre, 20 University Square Grbavica Directed and written by Jasmilla Zbanic, Grbavica is a story about contemporary Sarajevo. Single mother Esma wants to grant her twelve-year-old daughter Sara's wish to participate in a school trip. A certificate proving her father is a war martyr would allow her a discount. But Esma continues to avoid Sara's requests for the certificate. She will rather find a way to pay full price for the trip. She believes not telling the truth about Sara's father is a way to protect both herself and her daughter. 1 TH TUESDAY 27 OCTOBER WORKSHOP WITH ANDREJ DJERKOVIC 10.00am – 3.00pm Meredith Room, 23 University Square An exciting opportunity to work with internationally acclaimed documentary photographer Andrej Djerkovic on the creation of an original piece of work for exhibition. Based on the concept of ‘physical dividedness’, participants will create work using their own words and images. Djerkovic’s work through and beyond the siege of Sarajevo earned him a Certificate of Appreciation from the United States Information Service. He has previously been an artist in residence at Belfast Exposed Gallery and his work from here is permanently exhibited in the National Gallery in Sarajevo. He has exhibited throughout the world and he will present and discuss his work as part of this session. This workshop is open to all staff and postgraduate students. Booking is essential. SEMINAR WITH ELMA TATARAGIC 3.00pm – 5.00pm Room 207, Peter Froggatt Centre A unique seminar with the critically renowned screen writer and film maker whose multi award winning film ‘Snijeg’ (Snow) will be shown during the week. Tataragic will present and discuss her work which received, among other awards, the Special Jury and Public award at the 20th Trieste Film Festival and won the Special Jury Award at the 37th Festival of New Cinema in Montreal. This workshop is open to all staff and postgraduate students. FILM SCREENING 5.15pm – 7.00pm Seminar Room, Drama and Film Centre, 20 University Square Welcome to Sarajevo Directed by Michael Winterbottom, this is the story of a group of journalists posted to Sarajevo during the intense and unpredictable violence of the siege of Sarajevo. Searching for footage that will guarantee them a prime news slot, their story is played out against that of Nina – a relief worker who is attempting to shuttle a busload of children out of the country. Combining documentary footage of the horrific acts of "ethnic cleansing" within the story, this film is a highly original motion picture that aims to shed light on the tragic civil war that ravaged Yugoslavia. 2 WEDNESDAY 28TH OCTOBER WORKSHOP WITH ANDREJ DJERKOVIC 10.00am – 12.30pm Meredith Room, 23 University Square The workshop with the acclaimed photographer will finish with a debrief and showing of work that will be exhibited outside the Brian Friel Theatre from Wednesday evening until Saturday FILM SCREENING 2.00pm – 4.30pm Seminar Room, Drama and Film Centre, 20 University Square Snow Directed by Aida Begic. Screenplay and Producer Elma Tataragic. Six women, a grandfather, four girls and a young boy live in war ravaged and isolated village of Slavno. Their families and friends have been killed and their bodies have never been found. The first snow brings full isolation to the village. Alma, a young stubborn woman, believes they can still survive. She encourages her people to work their way out of poverty by selling plum jam and other fruits and vegetables that their village is famous for on a deserted road. Two businessmen eventually come to visit Slavno demanding residents to leave the village offering money in return. The villagers ultimately face a dilemma--should they accept the offer that could save their lives, but destroy their souls. This screening will be introduced by screen writer and producer, Elma Tataragic. Open to all QUB staff and students. Booking is essential. IMAGE SITE CONFLICT 2.30pm – 5.00pm Meredith Room, 23 University Square Chaired by Dr. Debbie Lisle Placing the photo image in a post conflict context with presentations from Bosnian photographer and artist, Andrej Djerkovic whose work through and beyond the siege of Sarajevo earned him international critical acclaim. Also included in the panel will be Dr. Mark Phelan from Drama Studies at Queen’s, the founder of Belfast Exposed, Sean McKernan, Frankie Quinn from Red Barn Gallery and Newry born artist, Sean Hillen, creator of photomontages based on his documentary photos from the ‘Troubles’ and of the Omagh memorial sculpture. Artists will discuss their work and its role in documenting and commemorating the past. This seminar is open to all staff and postgraduate students and will also be open to the public. Early booking is advised. 3 TH THURSDAY 29 OCTOBER LECTURE: HARIS PASOVIC 10.00am – 11.00am Room 301, Peter Froggatt Centre The Director of the acclaimed East West Theatre Centre will be introducing his workshop with 3rd year Drama students. WORKSHOP: ELMA TATARAGIC 10.00am – 1.00pm Seminar Room, Drama and Film Centre, 20 University Square Film-making Workshop with screen writer and producer, Elma Tataragic. This workshop will be for 3rd year Film students and is also open to Interdisciplinary post graduate students. WORKSHOP: HARIS PASOVIC 1.00pm – 4.00pm Rehearsal Room, Brian Friel Theatre, 20 University Square Practical workshop with Haris Pasovic for 3rd year Drama students THEATRE IS CONFLICT HARIS PASOVIC 4.00pm – 6.30pm Brian Friel Theatre Internationally renowned Theatre Director, Producer and founder of the first Sarajevo Film Festival, Beyond the End of the World in 1993 when the city was still under siege, Pasovic will present a retrospective exploration of his life and work. Formerly the Artistic Director of the International Festival MESS and currently the Artistic Director of the award winning East West Centre responsible for some of the most iconic theatrical events in the former Yugoslavia, this is a unique opportunity to hear the thoughts and opinions of this visionary director on the survival, role and responsibilities of theatre during and after conflict. This event is open to all staff and post graduate students and is also open to the public. Early booking is advised. SEMINAR WITH ELMA TATARAGIC 5.00pm – 7.00pm Film Studies Seminar Room Seminar with Screen writer/producer Elma Tataragic with MA screen writing students. This seminar is open to all post graduate students BOOK LAUNCH CHRIS AGEE 6.30pm – 7.30pm Visitors Centre near Great Hall Chris Agee will read from his third collection of poetry, Next to Nothing (Salt, 2009). Editor of Scar on the Stone: Contemporary Poetry from Bosnia, Agee spends part of each year at his house on Korčula, near Dubrovnik. Many of the poems in his new collection are set in Croatia, Bosnia and Kosovo. “It is a profound and exceptionally moving book. I haven’t read anything so powerful in a long time. I was left with a sense of both the fragility and the huge importance of the here and now, as well as with an expanded sense of poetry’s capacity.” (Hugh Dunkerley) In association with the Seamus Heaney Centre for Poetry, QUB, and Salt Publishing, Cambridge, England. 4 TH FRIDAY 30 OCTOBER POST CONFLICT ART? : A DAY OF CROSS CULTURAL EXPLORATION AND EXCHANGE EAST WEST THEATRE CENTRE 10.00am – 12.30pm Brian Friel Theatre, 20 University Square Ismar Hadziabdic, Assistant Producer of award winning company, East West Theatre Centre will present an overview of some of the company’s most iconic theatrical events. RECEPTION LUNCH 12.30pm – 2.00pm Foyer of Brian Friel Theatre A BELFAST SARAJEVO EXCHANGE 2.00pm – 4.00pm Brian Friel Theatre, 20 University Square Introduction/Welcome from Professor David Johnston, Head of School of Languages, Literatures and Performing Arts. POST CONFLICT ART? A round table discussion chaired by Professor Anna McMullan A panel discussion involving a unique exchange between artists and practitioners living and working in Belfast and Sarajevo, this promises to be a stimulating dialogue involving some of the most exciting and prolific artists working in both cities at the moment. The panel will include Elma Tataragic, Bosnian screen writer and producer of the multi award winning 2008 film Snijeg (Snow), documentary photographer and artist, Andrej Djerkovic and internationally acclaimed Theatre Director, Haris Pasovic. In conversation with these artists will be Paula Mc Fetridge, Artistic Director of Kabosh Theatre Company, Belfast, Director and academic David Grant and acclaimed playwright, Owen McCafferty. WINE RECEPTION 4.30pm – 6.30pm Foyer of Brian Friel Theatre All events are free (limited seats: RSVP to [email protected] to reserve your place).
Recommended publications
  • Rediscover Northern Ireland Report Philip Hammond Creative Director
    REDISCOVER NORTHERN IRELAND REPORT PHILIP HAMMOND CREATIVE DIRECTOR CHAPTER I Introduction and Quotations 3 – 9 CHAPTER II Backgrounds and Contexts 10 – 36 The appointment of the Creative Director Programme and timetable of Rediscover Northern Ireland Rationale for the content and timescale The budget The role of the Creative Director in Washington DC The Washington Experience from the Creative Director’s viewpoint. The challenges in Washington The Northern Ireland Bureau Publicity in Washington for Rediscover Northern Ireland Rediscover Northern Ireland Website Audiences at Rediscover Northern Ireland Events Conclusion – Strengths/Weaknesses/Potential Legacies CHAPTER III Artist Statistics 37 – 41 CHAPTER IV Event Statistics 42 – 45 CHAPTER V Chronological Collection of Reports 2005 – 07 46 – 140 November 05 December 05 February 06 March 07 July 06 September 06 January 07 CHAPTER VI Podcasts 141 – 166 16th March 2007 31st March 2007 14th April 2007 1st May 2007 7th May 2007 26th May 2007 7th June 2007 16th June 2007 28th June 2007 1 CHAPTER VII RNI Event Analyses 167 - 425 Community Mural Anacostia 170 Community Poetry and Photography Anacostia 177 Arts Critics Exchange Programme 194 Brian Irvine Ensemble 221 Brian Irvine Residency in SAIL 233 Cahoots NI Residency at Edge Fest 243 Healthcare Project 252 Camerata Ireland 258 Comic Book Artist Residency in SAIL 264 Comtemporary Popular Music Series 269 Craft Exhibition 273 Drama Residency at Catholic University 278 Drama Production: Scenes from the Big Picture 282 Film at American Film
    [Show full text]
  • Part I Belgrade: the City of Spectacle 1 City-As-Action
    Notes Part I Belgrade: The City of Spectacle 1. When the protest was over, Ognjenovic´, a distinguished theatre director and playwright, was forced by the authorities to resign from the position of Artistic Director of the National Theatre. By the mid-1990s, the National Theatre was tightly controlled by cultural officials of Miloševic´’s regime, prompting a few members of the ensemble to leave the theatre in protest. In post-Miloševic´ years, Ognjenovic´ became Serbia’s ambassador to Denmark. 2. For lyrics of the Patti Smith song, go to: http://www.metrolyrics.com/people- have-the-power-lyrics-patti-smith.html 3. After the events of 5 October 2000, when Miloševic´ was overthrown, Lecˇic´ became Minister of Culture in the newly formed Serbian Government. He remained Minister of Culture for the next three years. 4. OTPOR was a political organization (of mostly students) active from 1998, whose agenda was the political struggle for democracy against the regime of Slobodan Miloševic´. Occasionally, members of OTPOR were arrested for their political activities. Nowadays, OTPOR is no loner an active organization and some of its prominent members have become leading figures of the political establishment in Serbia. 5. Zoran Djindjic´ was one of the most prominent figures of the Serbian politi- cal opposition to Miloševic´. He became Prime Minister of Serbia in 2001. In March of 2003, Djindjic´ was assassinated by a former paramilitary soldier with links to organized crime. 1 City-as-Action 1. See Dubravka Kneževic´’s ‘Marked in Red Ink’, an article that deals with the anti-regime protests in Serbia that opens with an analogy to the French Revolution.
    [Show full text]
  • Bosnia: Doomed to Failure Or a Rising Hope? Caitlin V
    Ursinus College Digital Commons @ Ursinus College Politics Honors Papers Student Research 4-25-2016 Bosnia: Doomed to Failure or a Rising Hope? Caitlin V. Moore Ursinus College, [email protected] Adviser: Rebecca Evans Follow this and additional works at: https://digitalcommons.ursinus.edu/pol_hon Part of the Eastern European Studies Commons, Ethnic Studies Commons, European History Commons, Islamic World and Near East History Commons, and the Political Science Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Moore, Caitlin V., "Bosnia: Doomed to Failure or a Rising Hope?" (2016). Politics Honors Papers. 4. https://digitalcommons.ursinus.edu/pol_hon/4 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Politics Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Bosnia: Doomed to Failure or a Rising Hope? Caitlin V Moore April 25, 2016 Submitted to the faculty of Ursinus College in fulfillment of the requirements for Honors in Politics 1 MOORE Bosnia: Doomed to Failure or a Rising Hope? Table of Contents Abstract……………………………………………………………………………………………2 Chapter 1. Introduction…..………………………………………………………………………..3 Chapter 2. Historical Background…..…………………………………………………………......5 Chapter 3. Dayton Peace Accords..........................................................................................…...15 Literature
    [Show full text]
  • Haris Pasovic---City the Engaged | 1
    Haris Pasovic---City the Engaged | 1 Haris PAŠOVIĆ CITY THE ENGAGED 1. On a summer day in 1 993, I went to visit the National Library. It was dangerous to get there. Its entrance was exposed to Mt. Trebević from where it could have been targeted at any moment. I knew I could be seen quite clearly from the mountain above. But I took the risk. I don’t know why. Risking my life to enter into a ruin? But I somehow had to do it. The entrance was partly buried under a heap of rubble, charred paper scattered all over the place. I took a piece – it was an old train timetable. I don’t remember which. I got through to the main hall. Once there, I was shocked. Terrified. Petrified. The building had been built in the pseudo‐Moorish style during the era of the Austro‐Hungarian occupation of Bosnia and Herzegovina. Its main hall was under a glass dome and the rays of light used to hit its marble pillars, its balconies with their stone‐lace balustrades, its arches of various sizes and its shadowy lodges, from where dark corridors led in different directions. It all added up to a mystery, an exciting labyrinth. The very thought that somewhere in the interior of this monumental edifice there were millions of books, documents and manuscripts, gave the experience of entering into this library an almost mythical sense. Now I was standing in the midst of this ruin, looking at the melted marble pillars. The burnt books had melted stone! I was standing there.
    [Show full text]
  • Paradoxes of Stabilisation: Bosnia and Herzegovina from the Perspective of Central Europe
    PARADOXES OF STABILISATION BOSNIA AND HERZEGOVINA FROM THE PERSPECTIVE OF CENTRAL EUROPE Edited by Marta Szpala W ARSAW FEBRUARY 2016 PARADOXES OF STABILISATION BOSNIA AND HERZEGOVINA FROM THE PERSPECTIVE OF CENTRAL EUROPE E dited by Marta Szpala © Copyright by Ośrodek Studiów Wschodnich im. Marka Karpia / Centre for Eastern Studies CONTENT EDITOR Marta Szpala EDITOR Nicholas Furnival CO-OPERATION Anna Łabuszewska, Katarzyna Kazimierska GRAPHIC DESIGN PARA-BUCH PHOTOGRAPH ON COVER F. Pallars / Shutterstock.com DTP GroupMedia MAPS Wojciech Mańkowski PUBLISHER Ośrodek Studiów Wschodnich im. Marka Karpia Centre for Eastern Studies ul. Koszykowa 6a, Warsaw, Poland Phone + 48 /22/ 525 80 00 Fax: + 48 /22/ 525 80 40 osw.waw.pl ISBN 978-83-62936-78-6 Contents INTRODUCTION /7 PART I. THE INTERNAL CHALLENGES Jan Muś ONE HAND CLAPPING – THE STATE-BUILDING PROCESS AND THE CONSTITUTION OF BOSNIA AND HERZEGOVINA /17 1. Origins of the Constitution /17 2. Non-territorial division – Constituent Peoples /19 3. Territorial division /19 4. Constitutional consociationalism – institutions, processes, competences and territorial division /21 4.1. Representation of ethnic groups or ethnicisation of institutions /22 4.2. The division of competences /24 4.3. Procedural guarantees of inclusion /26 Conclusions /27 Wojciech Stanisławski THREE NATIONS IN BOSNIA AND HERZEGOVINA (TO SAY NOTHING OF THE FOURTH). THE QUEST FOR A POST-DAYTON COLLECTIVE BOSNIAN IDENTITY /29 1. The three historical and political nations of Bosnia /31 2. The nations or the projects? /32 3. The stalemate and the protests /34 4. The quest for a shared memory /35 Hana Semanić FRAGMENTATION AND SEGREGATION IN THE EDUCATION SYSTEM IN BOSNIA AND HERZEGOVINA /39 1.
    [Show full text]
  • Bombs Over Bosnia the Role of Airpower in Bosnia-Herzegovina
    Bombs over Bosnia The Role of Airpower in Bosnia-Herzegovina MICHAEL O. BEALE, Major, USAF School of Advanced Airpower Studies THESIS PRESENTED TO THE FACULTY OF THE SCHOOL OF ADVANCED AIRPOWER STUDIES, MAXWELL AIR FORCE BASE, ALABAMA, FOR COMPLETION OF GRADUATION REQUIREMENTS, ACADEMIC YEAR 1995–96. Air University Press Maxwell Air Force Base, Alabama August 1997 DISCLAIMER Opinions, conclusions, and recommendations expressed or implied within are solely those of the author(s), and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Cleared for public release: distribution unlimited. ii Contents Chapter Page DISCLAIMER . ii ABSTRACT . v ABOUT THE AUTHOR . vii ACKNOWLEDGEMENTS . ix 1 A HISTORY OF DIVISION AND CONFLICT . 1 2 THE DEATH OF YUGOSLAVIA ACCELERATES . 9 3 DENY FLIGHT: THE DETERRENT USE OF AIRPOWER . 19 4 OPERATION DELIBERATE FORCE . 31 5 CONCLUSIONS AND IMPLICATIONS . 43 BIBLIOGRAPHY . 53 iii iv Abstract The North Atlantic Treaty Organization (NATO) initiated Operation Deny Flight at the request of the United Nations (UN) Security Council in April 1993, in response to the ongoing war in Bosnia-Herzegovina. Two and one-half years later, in December 1995, Deny Flight officially ended after an almost continuous 970-day aerial presence constituting over 100,000 aircraft sorties. In that time, NATO aircraft dropped more than 3,000 bombs while participating in combat operations for the first time in alliance history. Deny Flight’s initial mission was to enforce a UN Security Council mandated no-fly zone over Bosnia. This mission expanded in the ensuing months to include close air support when requested for UN protection forces (UNPROFOR) on the ground and to deter Serb aggression against six UN-designated safe areas.
    [Show full text]
  • Funding Festivals: Bringing the World to Sarajevo*
    DOI https://doi.org/10.2298/MUZ1722133H UDC 338.48-611(497.6 Сарајево) 78.091.4 Funding Festivals: Bringing the World to Sarajevo* Erica Haskell1 University of New Haven, Connecticut, USA Received: 15 February 2017 Accepted: 1 June 2017 Original scientific paper Abstract The focus of this article is on the “festivalization” of Sarajevo, the capital city of Bosnia-Herzegovina, after the signing of the Dayton Agreement (1995), and the donor environment during that time that largely supported foreign rather than local performances. I chronicle a shift – from socialist-era regional festivals before the war to post-war period staged multi-day multi-performance events with foreign programming – and highlight the tendency of donors to de-emphasize local difference as a way of creating politically safe aiding strategies. I unpack why the “festival model” was attractive to local and foreign cultural organizers during this period. Specifically I discuss the reorganization of the Sarajevo Winter Festival as well as other festivals that existed before the war and continued to produce such events after the war. Keywords: Bosnia-Herzegovina, Sarajevo, music, post-conflict, festivals, post- socialist, applied ethnomusicology “[I]t is possible to organize a concert at a high professional level without entertainers’ charity, which all kinds of humanitarians from around the world dumped on this city over the last four years.”2 * Portions of this article were included in my dissertation “Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo” with support from the American Councils Central Europe Research Scholar Program. https://repository.library.brown.edu/studio/item/bdr:11298/ 1 [email protected] 2 From an article in Dani (August 1996) titled “Mladen Vojičić Tifa,” describing Tifa’s upcoming concert in Sarajevo.
    [Show full text]
  • From War to Peace in the Balkans, the Middle East, and Ukraine
    PALGRAVE CRITICAL STUDIES IN POST-CONFLICT RECOVERY Series Editors: Sultan Barakat and Sansom Milton FROM WAR TO PEACE IN THE BALKANS, THE MIDDLE EAST AND UKRAINE Daniel Serwer Palgrave Critical Studies in Post-Confict Recovery Series Editors Sultan Barakat Department of Politics University of York York, UK Sansom Milton Post-war Reconstruction and Development University of York York, UK This series seeks to advance original research in the broadly defned area of post-confict recovery. The Pivot format of the series is designed to meet the growing need for the provision of timely, focused, theoretically- rigorous, and applied research into confict-affected environments. The aim is to bridge the theory and practice of post-confict recovery across a range of disciplinary approaches and interventionary logics including but not limited to humanitarian action, confict resolution, post-war recon- struction, peacebuilding, state-building, and transitional justice. It wel- comes submissions from researchers, practitioners and policy makers, in particular from the Global South. More information about this series at http://www.palgrave.com/gp/series/14708 Daniel Serwer From War to Peace in the Balkans, the Middle East and Ukraine Daniel Serwer School of Advanced International Studies Johns Hopkins University Washington, DC, USA Palgrave Critical Studies in Post-Confict Recovery ISBN 978-3-030-02172-6 ISBN 978-3-030-02173-3 (eBook) https://doi.org/10.1007/978-3-030-02173-3 Library of Congress Control Number: 2018957680 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • Download Cv Here
    Sabina Gadžo Mutapčić – Curriculum Vitae Name: Sabina Gadžo Mutapčić, MPhil Date of Birth: 12 May 1982 Place of Residence: Sarajevo, Bosnia- Herzegovina Address: Petrakijina 3/3, 71000 Sarajevo, Bosnia- Herzegovina Home Tel. No: + 387 33 20 26 50 Mobile No: + 387 61 32 11 55 E-mail: [email protected]; [email protected] Language researcher, SSST University English Language Lecturer; Court- certified interpreter with over 10 years of translation/interpretation experience EDUCATION 2011- Certified by the Ministry of Justice as a Court Certified Interpreter in the Federation of Bosnia and Herzegovina (http://www.fmp.gov.ba/useruploads/files/ispiti/tumaci/lista_tumaca/lista_stal nih_sudskih_tuma%C4%8Ca_na_podru%C4%8Cju_federacije_bih_engleski_jezik_2 4022014.pdf) 2004- 2005 University of Cambridge, Master of Philosophy in English and Applied Linguistics (MPhil.). Rank: 2.1. 1999-2004 University of Sarajevo, Bachelor of Arts in English and English Literature (B.A.). Average grade: 9.3/10 1996-1999 Druga Gimnazija (2nd Grammar School), Sarajevo Completed Forms 2, 3 and 4; average grade of 4.8/5.0 1995-1996 St. Christopher’s Secondary School, Nairobi, Kenya - Completed Form 1; received “Top of Form” Certificate Other qualifications and awards: 2010, December Accredited as a Court Certified Interpreter for English in the Federation of Bosnia and Herzegovina 2004, July International English Language Testing System (IELTS), Type: Academic, Overall Band Score: 9.0/9.0 2004, July Open Society Fund Cambridge Chevening Scholarship – Full tuition, accommodation and maintenance fees for Master’s study at the University of Cambridge 2002, July Barcelona-Sarajevo Joint Summer University Program, Barcelona - Conference Topic: “Europe between Immigration and Emigration”; obtained a Certificate of Merit 2000, September Barcelona-Sarajevo Joint Summer University Program, Sarajevo - Conference Topic: “Breakthroughs in English Language Teaching”; obtained a Certificate of Merit Note: All certificates attesting to the above awards can be submitted upon request.
    [Show full text]
  • Exchange Students Guide University of Sarajevo
    EXCHANGE STUDENTS GUIDE UNIVERSITY OF SARAJEVO Publisher: University of Sarajevo International Relations Office, ©2012 7/II Obala Kulina Bana St., Sarajevo, Bosnia & Herzegovina With the support of King Baudouin Foundation Rue Brederodestraat 21 B-1000 Brussels, Belgium Editor-in-Chief: Prof. Faruk Čaklovica, PhD, Rector Compiled by Jasna Bošnjović and Adnan Rahimić Design, Typesetting & Layout: Dalida Karić-Hadžiahmetović, ©2012 Photography: Dalida Karić-Hadžiahmetović, Adnan Rahimić, Semih Hazar (photo on cover), Dijana Smajlović (str. 12, 68), Internet (58,59,60,61,69) Printing run: 300 copies Third Edition Print: “Štamparija Fojnica”, d.o.o. Fojnica This material is prepared by International Relations Office at the University of Sarajevo and by the support of European Commission, ERASMUS MUNDUS Action 2 and King Baudouin Foundation. The information in this guide is presented for the personal and non-commercial use for students and staff members who participate in Erasmus Mundus Action 2 programme. EXCHANGE STUDENTS GUIDE No reproduction or republishing without the written consent of the editor is allowed. UNIVERSITY OF SARAJEVO The editor would appreciate the notice “Information courtesy of the International Relations Office at the University of Sarajevo” being included with any reproduced or plagiarized work. ------------------------------------------------- CIP - Katalogizacija u publikaciji Nacionalna i univerzitetska biblioteka Bosne i Hercegovine, Sarajevo 378.4:371.233]:338.48(036) EXCHANGE students guide : University of Sarajevo
    [Show full text]
  • The Siege of Sarajevo Museum – the Art of Living 1992 - 1996
    The Siege of Sarajevo Museum – The Art of Living 1992 - 1996 (FAMA Collection) PROJECT PROPOSAL Looking at Life, Looking at the World, Looking at ….. ….. Sarajevo’s Experience of Survival! March 2012 Patron Project Partner Consortium City of Sarajevo Municipality Centar - Sarajevo 0 Table of Content PART 1 Vision Statement 2 Objectives 3 Quick Reference Summary 4 PART 2 Background 7 The Siege of Sarajevo 1992-1996 FAMA Collection 1991 – 2010 The Road-Map 8 Then – Now - Tomorrow PART 3 Project: The Siege of Sarajevo Museum Why 10 What 10 How 15 o Location (16) o Architecture & Design (18) Who 20 When 23 PART 4 The City Network initiative Why 25 What 25 How 25 Who 26 When 26 PART 5 Sustainability Model 28 PART 6 Contacts 29 Annexes FAMA Acknowledgments 30 1 Vision Statement Looking at Life, Looking at the World, bearing witness to important events, watching things hidden, things that will become important, observing and recording voices and faces of our time, watching and wondering, watching and Learning. FAMA Collection: Survival Map 1992-1996 The Siege of Sarajevo 1992-1996 Museum – The Art of Living (FAMA Collection) project is launching a new way of interacting and learning about the phenomenon of the Siege of Sarajevo by focusing on the Mechanism of Survival vs. Mechanism of Terror. The Museum will be a unique depository of human knowledge – where human ingenuity, creativity and intelligence were captured amidst the urban post- cataclysmic realm. It is a heritage snap-shot of faces and voices that have shaped the longest siege in the modern history of mankind.
    [Show full text]
  • Bosnia Was Researched and Written by Lara Berlin, Luca Urech, and Nicolette Boehland, Under the Supervision of Bonnie Docherty
    The People’s Perspectives: Civilian Involvement in Armed Conflict The People's Perspectives: Civilian Involvement in Armed Conflict Nicolette Boehland, Harvard Law School Fellow with Center for Civilians in Conflict (CIVIC), is the primary researcher and author of the report. Sahr Muhammedally, Senior Program Manager at CIVIC, was the report’s primary editor. Sarah Holewinski, former Executive Director of CIVIC and Naz Modirzadeh, Director of the Harvard Law School Program on International Law and Armed Conflict, developed the concept of the People’s Perspectives study and provided assistance in the editing process. Bonnie Docherty, Senior Clinical Instructor at Harvard Law School’s International Human Rights Clinic, edited the analytical overview and the case studies. Caroline Kavit designed and prepared the report for publication. Christine McCartney provided editing and production assistance. The case study on Bosnia was researched and written by Lara Berlin, Luca Urech, and Nicolette Boehland, under the supervision of Bonnie Docherty. The case studies on Libya, Gaza, and Somalia were researched and written by Nicolette Boehland. In-country assistance was provided by Mohamed Buaishi and Sabri Ebdewi in Libya, Niđara Pašanović and Velma Saric of the Post-Conflict Research Center in Bosnia, Deema EL Ghoul in Gaza, and Aden Tarah and Leila Habai in Kenya. A team of students from the International Justice Clinic at the University of California, Irvine School of Law provided research assistance for this report. The team was supervised by David Kaye, Director of the clinic, and included Jonathan Markovitz, Adrianna Kourafas, Kerri Sakaue, Adam Barry, Nima Kamali, and Skyler Gray. Additional research assistance was provided by CIVIC interns Ellen Policinski, Jenni Moore, Kellie Brandt, Taqwa Rushdan, and Tessa Poppe.
    [Show full text]