Guide for the Use of Visitors to the Horniman Museum and Library
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Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies at 1st Level: Alchemist Basic weapons, Natural, Crossbows, any other 1 Barbarian Basic weapons, Natural, any other 4 Bard Basic weapons, Natural, any other 3 Cavalier Basic weapons, Natural, Spears, any other 3 Cleric Basic weapons, Natural, deity’s weapon group, any other 2(3 groups if not following a deity) Druid Basic weapons, Natural, druid weapons, any other 1 Fighter Basic weapons, Natural, any other 5 Gunslinger Basic weapons, Natural, firearms, any other 3 Monk Basic weapons, and all monk weapons Inquisitor Basic weapons, Natural, deity’s weapon group, Bows or Crossbows, any other 3 (4 groups if not following a deity) Magus Basic weapons, Natural, any other 4 Oracle Basic weapons, Natural, any other 1 (+3 if taking Skill at Arms) Paladin/AntiPaladin Basic weapons, Natural, any other 4 Ranger Basic weapons, Natural, any other 4 Rogue Basic weapons, Natural, any other 3 Sorcerer Basic weapons, Natural, spears, crossbows , any other 1 Summoner Basic weapons, Natural, spears, crossbows , any other 1 Witch Basic weapons, Natural, spears, crossbows , any other 1 Wizard Basic weapons, Natural, spears, crossbows This system doesn’t change Racial Weapon Familiarity. Weapon Group Name: Weapons In Group: Axes bardiche, battleaxe, dwarven waraxe, greataxe, handaxe, heavy pick, hooked axe, knuckle axe, light pick, mattock, orc double axe, pata, and throwing axe Basic club, dagger, quarterstaff, and sling Blades, Heavy bastard sword, chakram, double chicken saber, double -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
African Textiles in the V&A 1852- 2000
Title Producing and Collecting for Empire: African Textiles in the V&A 1852- 2000 Type Thesis URL http://ualresearchonline.arts.ac.uk/6141/ Date 2012 Citation Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum. Creators Stylianou, Nicola Stella Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Producing and Collecting for Empire: African Textiles in the V&A 1852-2000 Nicola Stella Stylianou Submitted to University of the Arts London for PhD Examination October 2012 This is an AHRC funded Collaborative PhD between Research Centre for Transnational Art, Identity and Nation (TrAIN) at UAL and the Victoria and Albert Museum. Volume 1 Abstract Producing and collecting for Empire: African textiles in the V&A 1850-2000 The aim of this project is to examine the African textiles in the Victoria and Albert Museum and how they reflect the historical and cultural relationship between Britain and Africa. As recently as 2009 the V&A’s collecting policy stated ‘Objects are collected from all major artistic traditions … The Museum does not collect historic material from Oceania and Africa south of the Sahara’ (V&A 2012 Appendix 1). Despite this a significant number of Sub-Saharan African textiles have come into the V&A during the museum’s history. The V&A also has a large number of textiles from North Africa, both aspects of the collection are examined. -
Maori Treasure Box
Research Documentation Report Maori Treasure Box Museum of London Accession Number Q100 The Thomas Layton Collection Authors Rosamund Currie, Glynn Davis, Catherine Elliott, Umaporn Kruekamwang, Raquel Pinto Institute of Archaeology, University College London Report submitted in partial fulfilment of the requirements for the degree of MA in Museum Studies of University College London Research Documentation Report: Q100 Layton Treasure Box “An art object such as a wakahuia (treasure box) is an enriched creation. The very name of the object, wakahuia , conjures up in the mind a long succession of vessels of varying shapes and sizes decorated in a variety of ways. If an artist wishes to make a wakahuia , then the name itself, the word, demands that he proceed in the full knowledge of what that word means. His choices are limited by what has happened in the past, and by what is occurring in the present. Thus the form and size selected by the artist are already clothed in a thousand words. Then more and more words are added until the object is in the hands of its intended owner(s) and is being used in an acceptable manner. The object touches the lives of several people, and it, in turn, is ‘touched’ by them and later by a succession of persons who may know nothing of it origins. Over time an object becomes invested with interesting talk [our Italics].” Sidney Mead 1984, 21 1 Research Documentation Report: Q100 Layton Treasure Box Contents 1. Introduction.............................. ........................................................................... ......... 3 2. Object Information.............................................................................................. ......... 5 3. Object Description and Analysis ....................................................................... ......... 10 3.1 Regional Distribution of Treasure Boxes ............................................ -
Of an Important Unique Collection from a Private Militaria Museum
‘PART TWO’ OF AN IMPORTANT UNIQUE COLLECTION FROM A PRIVATE MILITARIA MUSEUM Saturday 16th March - Commencing at 10.00am Tel: 01502 713490 Catalogues WWW.DURRANTSAUCTIONS.COM £3.00 RICS ACCREDITED VALUERS AND AUCTIONEERS NOTES FOR PROSPECTIVE PURCHASERS DURRANTS AUCTIONEERS AND VALUERS Durrants’ experience of Auction Sales dates back to 1853 and since that time we have continued to undertake chattel sales and valuations throughout Norfolk and Suffolk. From our Auction Rooms at Peddars Lane, Beccles we conduct Fine Art and Antique Auction Sales every month, interspersed with Specialist Sales. Our team of Valuers and Auctioneers undertake valuations for probate and insurance purposes and provide advice for sale and family division. RICS accredited Valuers and Auctioneers OUR SERVICE With our own salerooms, experienced staff and removal vehicles we are able to offer a comprehensive and cost effective service to executors, solicitors and private clients. On site inspections at short notice by appointment Experienced valuers throughout the group Verbal advice or comprehensive reports Professional and confidential service Specialist valuations of furniture, ceramics, pictures, silver, jewellery, clocks and watches, books, toys and dolls, stamps, postcards, coins, Militaria, swords, medals Sporting Guns and Antique Firearms Durrants has offices in Beccles, Halesworth, Southwold, Harleston and Diss. Each has a team of experienced Chartered Surveyors and Estate Agents, offering a wide range of services encompassing Agricultural, Residential, Commercial and Investment properties. We also have a specialist Planning and Design Group. FIREARMS We have full R.F.D. capabilities enabling us to sell on your behalf all items that require licences. Our registered Firearms Dealership Number is Suffolk 252. -
Rajguru the World in the Garden Final
1 Dr Megha Rajguru Senior Lecturer, History of Art and Design, University of Brighton [email protected] The World in the Garden: Ethnobotany in the Contemporary Horniman Museum Garden, London. Abstract This article traces the evolution of the Horniman Museum garden, London, from the nineteenth-century and focuses on its current design. The design (2007-present day) mimics the founder Frederick Horniman’s approach to collecting and displaying, which is now described as ethnobotanical, but with an increased focus on unifying the museum collections and garden. The Museum contains displays of ethnological, zoological and entomological specimens. Sections of the contemporary garden showcase world plants, which are part of the ethnological museum trail, leading visitors from the gallery into the garden, to witness nature and culture intertwined. Interpretation panels describe world cultures’ relationships with botany. Through this process of display and interpretation, the museum produces ethnobotanical knowledge for its visitors. The mode of construction of knowledge in this didactic garden is two-fold. It is materialist and representational, while providing space for the visitor for a translation of ethnographic meanings. 2 I borrow James Clifford’s “Ethnographic Allegory” (1986) to examine the ways in which this method of curating enables processes of translation and the role of the garden within this. While this curating approach attempts to mimic Horniman’s vision, it produces a historicist vision of world cultures – objects from the past juxtaposed with plants growing in the garden and descriptions of contemporary lives. The garden as a living entity provides the allegorical process, the element of coevalness. -
Sounding the Horn a Survey of Rhino Horn Antiques Sold in 2017 at Auction in the UK
C Sounding the Horn A survey of rhino horn antiques sold in 2017 at auction in the UK Sue Brace and Cathy Dean | Save The Rhino International, October 2018 Acknowledgements We would like to record our thanks to the following people and organisations, who kindly provided comment, information and / or advice at various stages in the production of this report: Jane Alexandra, Two Million Tusks Elizabeth Biott, Defra Andrew Brown, Environmental Investigation Agency Helen Carless, Lawrences Auctioneers Laura Chesters, Antiques Trade Gazette Jonathan Cook Naomi Doak, The Royal Foundation Kenneth Donaldson Richard Emslie, IUCN SSC African Rhino Specialist Group Craig Fellows Ian Guildford, National Wildlife Crime Unit Emma Henderson, Oxford Radiocarbon Accelerator Unit Lynn Johnson, Leadership Mastery Pty Ltd Elaine Kendall, Defra Emma Lear, Ecosphere Capital Limited Richard Lewis, Auction Technology Group Grant Miller, UK Border Force CITES Donalea Patman, For the Love of Wildlife Limited Louise Ravula, Two Million Tusks Karen Rennie, Rennie’s Seaside Modern Julian Rademeyer, TRAFFIC Alex Rhind Alan Roberts, National Wildlife Crime Unit David L. Roberts, Durrell Institute of Conservation and Ecology, University of Kent Richard Thomas, TRAFFIC Lucy Webster, Science and Advice for Scottish Agriculture Aron White, Environmental Investigation Agency Suggested citation Suggested citation: Brace, S. and Dean, C. (2018). Sounding the Horn: A survey of rhino horn antiques sold in 2017 at auction in the UK. Save the Rhino International, London. Contents -
T Shirt Key 1 Temp
1 Takouba Tuareg (Saharan Africa), late 32 Jambiya Persian (Iran), 18th century. 20th century. 33 Talwar Moghul (India), 18th century. 2 Allarh Tuareg (Saharan Africa), mid- Ethnographic Edged Weapons Resource Site 34 Jambiya Arabian, early 20th century. 20th century. 35 Talibon (Philippines), 20th century. 3 Halberd Swiss or German, early 16th 36 Wakizashi Japanese, 17th century. century. 37 Koummya Moroccan, 20th century. 4 Axe American (United States), late 20th century. 38 Yataghan Ottoman (Turkey), 18th century. 5 Mambeli Azande (central Africa), late 19th to early 20th century. 39 Nimcha Moroccan, 19th century. 6 Flissa Berber (north Africa), early 20th 40 Khukuri Nepalese, 20th century. century. 41 Talwar Moghul (India), 19th century. 7 Phirangi (Firangi) Hindu (southern 42 Talwar Moghul (India), 19th century. India), 17th century. 43 Khukuri Nepal, 19th century. 8 Bronze Sword (central Europe), 9th to 44 Shotel Abyssinian (Ethiopia), 19th 11th century B.C. century. 9 Claymore (Basket Hilted Broadsword) 45 Keris (Kris) Javanese, 20th century. Scottish, 18th century. 46 Pinahig Ifugao, Igorot (northern Luzon, 10 Pata Mahratta (southern India), 18th Philippines), 20th century. century. 47 Keris (Kris) Moro (Philippines), 20th 11 Bronze Sword (central Europe), 11th to century. 15th century B.C. 48 Piha-Khetta Sinhalese (Sri Lanka), late 12 Mandau (Parang Ihlang) Dyak 19th century. (Kalimantan (Borneo)), 19th century. 49 Noklang Khasi (Assam, India), 19th 13 Telek (Arm Dagger) Tuareg (Saharan century. Africa), late 20th century. 50 Zweihander (Two handed sword) 14 Head Axe Igorot (northern Luzon, German, late 16th century. Philippines), 19th - 20th century. 51 Bastard Sword (Hand and a half 15 Telek (Arm Dagger) Tuareg (Saharan sword) German, late 14th century. -
Dragon Magazine #189
Issue # 189 SPECIAL ATTRACTIONS Vol. XVII, No. 8 Warriors & Wizards From Afar January 1993 9 A world tour of the fantastic for the AD&D® game. Publisher 10 The Dark Continent David Howery James M. Ward Want a brand-new land to challenge any adventurer? Heres Africa with a wild twist! Editor Roger E. Moore 20 Arms & Armor of Africa Michael J. Varhola Associate editor Youd better know your knobkerrie from your Dale A. Donovan isiHlangu. Fiction editor The Other Orientals Tom Griffith Barbara G. Young 28 Cant wait for Oriental Adventures to hit the AD&D Editorial assistant 2nd Edition game? Here it is! Wolfgang H. Baur 34 Rhinos Arm, Tigers Claws Michael J. Varhola Art director From four mirror armor to the talwar: what the Larry W. Smith well-equipped warrior uses in India. Production staff Gaye OKeefe Tracey Zamagne Dawn K. Murin FICTION Subscriptions Djinn Coffee Allen Varney and Aaron Allston Janet L. Winters 46 A djinni of his very own! Imbu couldnt believe it. But he did suspect a catch. U.S. advertising Cindy Rick U.K. correspondent and U.K. advertising REVIEWS Wendy Mottaz The Role of Computers Hartley, Patricia, and Kirk Lesser 57 Your world is dying, and youve got to save it! So, what else is new? DRAGON® Magazine (ISSN 0279-6848) is published tion throughout the United Kingdom is by Comag monthly by TSR, Inc., P.O. Box 756 (201 Sheridan Magazine Marketing, Tavistock Road, West Drayton, Springs Road), Lake Geneva WI 53147, United States Middlesex UB7 7QE, United Kingdom; telephone: of America. -
Swords and Daggers
Swords and Daggers Swords are weapons formed by a blade (the part intended for striking) and a hilt (from which the sword is held) [Fig. 1]. While there have been swords made of wood and stone, the more predominant and effective examples have been made of some sort of metal. Bronze was used in ancient times, followed by iron and then steel. Daggers are a more primitive, much smaller weapon which share many features with the sword. As a general rule, knives have a single edge. Blade The sword’s blade can be divided between the forte (third of the blade closer to the hilt) and the foible (third of the blade closer to the tip). This refers to how much strength the wielder can put into each area of the blade when used as a lever. The part of the blade that becomes narrow and goes into the grip is called the tang [Fig. 2]. The point of balance [Fig. 3] is the sword’s center of gravity, often found on the blade very close to the hilt, and influences the handling of the weapon. The center of percussion [Fig. 3] is the area of the blade that produces the least amount of vibration when striking a target, and thus is the ideal place with which to strike. The cross-section of the blade [Fig. 4] is the shape it has when cut at the guard. The fullers, incorrectly called blood grooves in modern times, were used to reduce the weight of the blade and give it structural strength. -
Antique Arms, Armour & Modern Sporting Guns
ANTIQUE ARMS, ARMOUR & MODERN SPORTING GUNS Wednesday 23 & Thursday 24 May 2018 Knightsbridge, London ANTIQUE ARMS, ARMOUR & MODERN SPORTING GUNS Wednesday 23 & Thursday 24 May 2018 Knightsbridge, London Antique Arms & Armour Lots 1 - 241 at 10.30am Lots 242 - 498 at 2pm Modern Sporting Guns Lots 501 - 663 at 2pm BONHAMS ENQUIRIES PRESS ENQUIRIES Montpelier Street Antique Arms & Armour [email protected] IMPORTANT INFORMATION Knightsbridge, Director Please note that lots of Iranian London SW7 1HH David Williams CUSTOMER SERVICES and Persian origin are subject Monday to Friday www.bonhams.com +44 (0) 20 7393 3807 to US trade restrictions which 8.30am – 6pm +44 (0) 776 882 3711 mobile currently prohibit their import +44 (0) 20 7447 7447 VIEWING [email protected] into the United States, with no Sunday 20 May exemptions. 11am – 3pm Modern Sporting Guns SALE NUMBERS Monday 21 May Head of Department Antique Arms & Armour Similar restrictions may apply 9am – 7pm Patrick Hawes 24657 to other lots. Tuesday 22 May +44 (0) 20 7393 3815 9am – 4.30pm +44 (0) 781 868 4869 mobile Modern Sporting Guns It is the buyers responsibility [email protected] 24659 to satisfy themselves that the Modern Sporting Guns Only lot being purchased may be Wednesday 23 May Administrator CATALOGUE imported into the country of 9am – 4.30pm Helen Abraham £20 destination. Thursday 24 May +44 (0) 20 7393 3947 The United States Government Please see page 2 for bidder 9am – 12pm [email protected] has banned the import of ivory information including after-sale into the USA. Lots containing collection and shipment BIDS Junior Cataloguer ivory are indicated by the +44 (0) 20 7447 7447 Jolyon Drew symbol Ф printed beside the lot Please see back of catalogue +44 (0) 20 7447 7401 fax +44 (0) 20 7393 3816 number in this catalogue. -
Swords and Daggers
Swords and Daggers Swords are weapons formed by a blade (the part intended for striking) and a hilt (from which the sword is held) [Fig. 1]. While there have been swords made of wood and stone, the more predominant and effective examples have been made of some sort of metal. Bronze was used in ancient times, followed by iron and then steel. Daggers are a more primitive, much smaller weapon which share many features with the sword. As a general rule, knives have a single edge. Blade The sword’s blade can be divided between the forte (third of the blade closer to the hilt) and the foible (third of the blade closer to the tip). This refers to how much strength the wielder can put into each area of the blade when used as a lever. The part of the blade that becomes narrow and goes into the grip is called the tang [Fig. 2]. The point of balance [Fig. 3] is the sword’s center of gravity, often found on the blade very close to the hilt, and influences the handling of the weapon. The center of percussion [Fig. 3] is the area of the blade that produces the least amount of vibration when striking a target, and thus is the ideal place with which to strike. The cross-section of the blade [Fig. 4] is the shape it has when cut at the guard. The fullers, incorrectly called blood grooves in modern times, were used to reduce the weight of the blade and give it structural strength.