Anarchism in East Germany (1945-1955)
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The Rise of Ethical Anarchism in Britain, 1885-1900
1 e[/]pater 2 sie[\]cle THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 By Mark Bevir Department of Politics Newcastle University Newcastle upon Tyne NE1 7RU U.K. ABSTRACT In the nineteenth century, anarchists were strict individualists favouring clandestine organisation and violent revolution: in the twentieth century, they have been romantic communalists favouring moral experiments and sexual liberation. This essay examines the growth of this ethical anarchism in Britain in the late nineteenth century, as exemplified by the Freedom Group and the Tolstoyans. These anarchists adopted the moral and even religious concerns of groups such as the Fellowship of the New Life. Their anarchist theory resembled the beliefs of counter-cultural groups such as the aesthetes more closely than it did earlier forms of anarchism. And this theory led them into the movements for sex reform and communal living. 1 THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 Art for art's sake had come to its logical conclusion in decadence . More recent devotees have adopted the expressive phase: art for life's sake. It is probable that the decadents meant much the same thing, but they saw life as intensive and individual, whereas the later view is universal in scope. It roams extensively over humanity, realising the collective soul. [Holbrook Jackson, The Eighteen Nineties (London: G. Richards, 1913), p. 196] To the Victorians, anarchism was an individualist doctrine found in clandestine organisations of violent revolutionaries. By the outbreak of the First World War, another very different type of anarchism was becoming equally well recognised. The new anarchists still opposed the very idea of the state, but they were communalists not individualists, and they sought to realise their ideal peacefully through personal example and moral education, not violently through acts of terror and a general uprising. -
The Anarchists: a Picture of Civilization at the Close of the Nineteenth Century
John Henry Mackay The Anarchists: A Picture of Civilization at the Close of the Nineteenth Century 1891 The Anarchist Library Contents Translator’s Preface ......................... 3 Introduction.............................. 4 1 In the Heart of the World-Metropolis .............. 6 2 The Eleventh Hour.......................... 21 3 The Unemployed ........................... 35 4 Carrard Auban ............................ 51 5 The Champions of Liberty ..................... 65 6 The Empire of Hunger........................ 87 “Revenge! Revenge! Workingmen, to arms! . 112 “Your Brothers.” ...........................112 7 The Propaganda of Communism..................127 8 Trafalgar Square ...........................143 9 Anarchy.................................153 Appendix................................164 2 Translator’s Preface A large share of whatever of merit this translation may possess is due to Miss Sarah E. Holmes, who kindly gave me her assistance, which I wish to grate- fully acknowledge here. My thanks are also due to Mr. Tucker for valuable suggestions. G. S. 3 Introduction The work of art must speak for the artist who created it; the labor of the thoughtful student who stands back of it permits him to say what impelled him to give his thought voice. The subject of the work just finished requires me to accompany it with a few words. *** First of all, this: Let him who does not know me and who would, perhaps, in the following pages, look for such sensational disclosures as we see in those mendacious speculations upon the gullibility of the public from which the latter derives its sole knowledge of the Anarchistic movement, not take the trouble to read beyond the first page. In no other field of social life does there exist to-day a more lamentable confusion, a more naïve superficiality, a more portentous ignorance than in that of Anarchism. -
Kropotkin in America
PAULAVRICH KROPOTKIN IN AMERICA It is a well-established fact that foreign immigrants and visitors played a major role in the emergence of American anarchism. During the nineteenth and twentieth centuries, European-born artisans and peasants — Germans and Czechs, Italians and Spaniards, Russians and Jews — constituted the mass base of the movement, while its intellectual leadership included well-known speakers and writers from diverse countries, who came either as permanent settlers or on extended lecture tours. Among the Russians, Michael Bakunin spent nearly two months in the United States after his flight from Siberia in 1861.1 Stepniak (S. M. Kravchinsky) went there to lecture in 1891, N. V. Chaikovsky to join a Utopian community and again to raise funds for the Russian revolutionary movement. The flood of Russian immigrants before and during the First World War included V. M. Eikhenbaum ("Volin"), Efim Yarchuk, Aaron and Fanny Baron, Boris Yelensky and William Shatoff, not to mention Emma Goldman and Alexander Berkman, who had arrived in the 188O's. After the Bolshevik consolidation of power came such figures as Gregory Maximoff, Abba Gordin and Mark Mratchny, who recently died in New York, the last of the Russian anarchists with an international reputation. (Maximoff died in Chicago in 1950 and Alexander Schapiro in New York in 1946, a refugee from Hitler's invasion of France.) Of all the Russian visitors, however, it was Peter Kropotkin who made the greatest impression. The leading figure in the international anarchist movement since Bakunin's death in 1876, Kropotkin was a founder of both the British and Russian anarchist movements, and exerted a strong in- fluence on anarchists throughout the world. -
Anarchism in Hungary: Theory, History, Legacies
CHSP HUNGARIAN STUDIES SERIES NO. 7 EDITORS Peter Pastor Ivan Sanders A Joint Publication with the Institute of Habsburg History, Budapest Anarchism in Hungary: Theory, History, Legacies András Bozóki and Miklós Sükösd Translated from the Hungarian by Alan Renwick Social Science Monographs, Boulder, Colorado Center for Hungarian Studies and Publications, Inc. Wayne, New Jersey Distributed by Columbia University Press, New York 2005 EAST EUROPEAN MONOGRAPHS NO. DCLXX Originally published as Az anarchizmus elmélete és magyarországi története © 1994 by András Bozóki and Miklós Sükösd © 2005 by András Bozóki and Miklós Sükösd © 2005 by the Center for Hungarian Studies and Publications, Inc. 47 Cecilia Drive, Wayne, New Jersey 07470–4649 E-mail: [email protected] This book is a joint publication with the Institute of Habsburg History, Budapest www.Habsburg.org.hu Library of Congress Control Number 2005930299 ISBN 9780880335683 Printed in the United States of America CONTENTS INTRODUCTION 1 PART ONE: ANARCHIST SOCIAL PHILOSOPHY 7 1. Types of Anarchism: an Analytical Framework 7 1.1. Individualism versus Collectivism 9 1.2. Moral versus Political Ways to Social Revolution 11 1.3. Religion versus Antireligion 12 1.4. Violence versus Nonviolence 13 1.5. Rationalism versus Romanticism 16 2. The Essential Features of Anarchism 19 2.1. Power: Social versus Political Order 19 2.2. From Anthropological Optimism to Revolution 21 2.3. Anarchy 22 2.4. Anarchist Mentality 24 3. Critiques of Anarchism 27 3.1. How Could Institutions of Just Rule Exist? 27 3.2. The Problem of Coercion 28 3.3. An Anarchist Economy? 30 3.4. How to Deal with Antisocial Behavior? 34 3.5. -
Anarchism and Religion
Anarchism and Religion Nicolas Walter 1991 For the present purpose, anarchism is defined as the political and social ideology which argues that human groups can and should exist without instituted authority, and especially as the historical anarchist movement of the past two hundred years; and religion is defined as the belief in the existence and significance of supernatural being(s), and especially as the prevailing Judaeo-Christian systemof the past two thousand years. My subject is the question: Is there a necessary connection between the two and, if so, what is it? The possible answers are as follows: there may be no connection, if beliefs about human society and the nature of the universe are quite independent; there may be a connection, if such beliefs are interdependent; and, if there is a connection, it may be either positive, if anarchism and religion reinforce each other, or negative, if anarchism and religion contradict each other. The general assumption is that there is a negative connection logical, because divine andhuman authority reflect each other; and psychological, because the rejection of human and divine authority, of political and religious orthodoxy, reflect each other. Thus the French Encyclopdie Anarchiste (1932) included an article on Atheism by Gustave Brocher: ‘An anarchist, who wants no all-powerful master on earth, no authoritarian government, must necessarily reject the idea of an omnipotent power to whom everything must be subjected; if he is consistent, he must declare himself an atheist.’ And the centenary issue of the British anarchist paper Freedom (October 1986) contained an article by Barbara Smoker (president of the National Secular Society) entitled ‘Anarchism implies Atheism’. -
X Max Stirner
X MAX STIRNER In 1888 John Henry Mackay, the Scottish-German poet, while at the British Museum reading Lange's History of Materialism, encoimtered the name of Max Stirner and a brief criticism of his forgotten book, Der Einzige und sein Eigenthum (The Only One and His Property; in French translated L'Unique et sa Propri^te, and in the first English translation more aptly and euphoniously entitled The Ego and His Own). His curiosity excited, Mackay, who is an anarchist, procured after some difficulty a copy of the work, and so greatly was he stirred that for ten years he gave himself up to the study of Stimer and his teachings, and after incredible painstaking published in 1898 the story of his life. (Max Stimer: Sein Leben und sein Werk: John Henry Mackay.) To Mackay's labours we owe all we know of a man who was as absolutely swallowed up by the years as if he had never existed. But some advanced spirits had read Stirner's book, the most revolutionary ever written, and had felt its influence. Let us name two: Henrik Ibsen and Frederick Nietzsche. Though the name of Stirner is not quoted by Nietzsche, he nevertheless recommended Stirner to a favourite pupil of his, Professor Baumgartner at Basel University. This was in 1874. One hot August afternoon in the year 1896 at Bayreuth, I was standing in the Marktplatz when a member of the Wagner Theatre pointed out to me a house opposite, at the corner of the Maximilianstrasse, and said: "Do you see that house with the double gables? A man was born there whose name will be green when Jean Paul and Richard Wagner are forgotten." It was too large a draught upon my credulity, so I asked the name. -
Music Manuscripts and Books Checklist
THE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MUSIC MANUSCRIPTS AND BOOKS The Morgan Library & Museum’s collection of autograph music manuscripts is unequaled in diversity and quality in this country. The Morgan’s most recent collection, it is founded on two major gifts: the collection of Mary Flagler Cary in 1968 and that of Dannie and Hettie Heineman in 1977. The manuscripts are strongest in music of the eighteenth, nineteenth, and early twentieth centuries. Also, the Morgan has recently agreed to purchase the James Fuld collection, by all accounts the finest private collection of printed music in the world. The collection comprises thousands of first editions of works— American and European, classical, popular, and folk—from the eighteenth century to the present. The composers represented in this exhibition range from Johann Sebastian Bach to John Cage. The manuscripts were chosen to show the diversity and depth of the Morgan’s music collection, with a special emphasis on several genres: opera, orchestral music and concerti, chamber music, keyboard music, and songs and choral music. Recordings of selected works can be heard at music listening stations. Wolfgang Amadeus Mozart (1756–1791) Der Schauspieldirektor, K. 486. Autograph manuscript of the full score (1786). Cary 331. The Mary Flagler Cary Music Collection. Mozart composed this delightful one-act Singspiel—a German opera with spoken dialogue—for a royal evening of entertainment presented by Emperor Joseph II at Schönbrunn, the royal summer residence just outside Vienna. It took the composer a little over two weeks to complete Der Schauspieldirektor (The Impresario). The slender plot concerns an impresario’s frustrated attempts to assemble the cast for an opera. -
Global Anti-Anarchism: the Origins of Ideological Deportation and the Suppression of Expression
Indiana Journal of Global Legal Studies Volume 19 Issue 1 Article 7 Winter 2012 Global Anti-Anarchism: The Origins of ideological Deportation and the Suppression of Expression Julia Rose Kraut New York University Follow this and additional works at: https://www.repository.law.indiana.edu/ijgls Part of the Immigration Law Commons, and the International Law Commons Recommended Citation Kraut, Julia Rose (2012) "Global Anti-Anarchism: The Origins of ideological Deportation and the Suppression of Expression," Indiana Journal of Global Legal Studies: Vol. 19 : Iss. 1 , Article 7. Available at: https://www.repository.law.indiana.edu/ijgls/vol19/iss1/7 This Symposium is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Indiana Journal of Global Legal Studies by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Global Anti-Anarchism: The Origins of Ideological Deportation and the Suppression of Expression JULIA ROSE KRAUT* ABSTRACT On September 6, 1901, a self-proclaimed anarchist named Leon Czolgosz fatally shot President William McKinley at the Pan-American Exposition in Buffalo, New York. This paper places the suppression of anarchists and the exclusion and deportation of foreigners in the aftermath of the "shot that shocked the world" within the context of international anti-anarchist efforts, and reveals that President McKinley's assassination successfully pulled the United States into an existing global conversation over how to combat anarchist violence. This paper argues that these anti-anarchistrestrictions and the suppression of expression led to the emergence of a "free speech consciousness" among anarchists,and others, and to the formation of the Free Speech League, predecessor of the American Civil Liberties Union (ACLU). -
Anarchy and the Nation: German Anarchism, Nationalism, and Revolution in Spain, 1933-1937 Matthew Alh L University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2014 Anarchy and the Nation: German Anarchism, Nationalism, and Revolution in Spain, 1933-1937 Matthew alH l University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History Commons Recommended Citation Hall, Matthew, "Anarchy and the Nation: German Anarchism, Nationalism, and Revolution in Spain, 1933-1937" (2014). Theses and Dissertations. 405. https://dc.uwm.edu/etd/405 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. ANARCHY AND THE NATION: GERMAN ANARCHISM, NATIONALISM, AND REVOLUTION IN SPAIN, 1933-1937 by Matthew Hall A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History at The University of Wisconsin-Milwaukee May 2014 ABSTRACT ANARCHY AND THE NATION: GERMAN ANARCHISM, NATIONALISM, AND REVOLUTION IN SPAIN, 1933-1937 by Matthew Hall The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Winson Chu The relationship between anarchism and nationalism is poorly articulated in the scholarly literature and heavily contested within the modern anarchist movement. Between 1933 and 1937, a group of German anarchists, living in Spain and caught in that country’s civil war and revolution in 1936, dealt with this question in their time in exile in Barcelona. Never explicitly confronting the issue of nationalism within their ranks, the Gruppe Deutsche Anarchosyndikalisten im Auslands (Gruppe DAS) nevertheless used nationally motivating iconography, discourse, and institutions to strengthen their constituencies and attract new ones. -
History of Marxism & Socialism
History of Marxism & Socialism: A Chart of Key Figures with Comments Dr. Rodney G. Peffer SOCIALIST SOCIALIST ANARCHISM ANARCHISM CLASSICAL UTOPIAN EVOLUTIONARY PROTO-SOCIAL IN EUROPE: IN UK & USA: MARXISM: SOCIALISM: SOCIALISM: DEMOCRACY 19th-Early 20th C. 19th-Early 20th C. 19th Century Late 18th Century- Late 19th Century Late 19th Century Mid 19th Century Pierre Proudhon William Godwin Karl Marx (Later) Fr. Engels Louis Blanc Mikhail Bakunin Johann Most Friedrich Engels Gracchus Babeuf Ferdinand Lassalle Daniel De Leon Louis Blanqui Oscar Wilde Eleanor Marx Saint-Simon William Morris1 William Morris2 Louise Michel James Connolly Wilhelm Liebknecht Auguste Comte Eduard Bernstein1 Eduard Bernstein2 Pietr Kropotkin Big Bill Haywood; August Bebel Charles Fourier Edward Bellamy; Henry George Leo Tolstoy Mother Jones; Joe Hill; Karl Kautsky Robert Owen Charlotte Gilmore Richard Ely Luigi Fabbri John Reed Georgi Plekhanov Perkins Victor Berger "LIBERAL" IMPORTANT NON- SOCIALIST HETERODOX MARXISTS/ CLASSICAL AUSTRO- MARXIST SOCIAL SOCIAL ANARCHISM ECONOMISTS SOCIALISTS i MARXISM: MARXISM SCIENTISTS DEMOCRACY Early-Mid 20th C. Early-Mid 20th C Early-Mid 20th C. Early-Mid 20th C. Early-Mid 20th C. Early-Mid 20th C Early-Mid 20th C. Emma Goldman J.M. Keynes Eugene V. Debs; Helen V.I. Lenin Rudolph Hilferding Emile Durkheim Jean Jaurès; Alexander Berkman; Michael Kalecki Keller; Antonie Panne- Leon Trotsky Otto Bauer Thorsten Veblin Sidney & Beatrice Ricardo Flores Magón; Nicholas Kaldor koek; G.D.H. Cole; Rosa Luxemburg Max Adler Max Weber Webb; G.B. Shaw; Rudolf Rocker; Gunnar Myrdal José Carlos Mariátegui; Karl Liebnecht Victor Adler Joseph Schumpeter Ramsay MacDonald; Buenaventura Duratti Joan Robinson Victor Serge; Andres Franz Mehring Karl Renner Talcott Parsons Leon Blum Lucía Sánchez Saornil Piero Sraffa Nin; George Orwell; Antonio Gramsci Otto Neurath C. -
Anarchist Communism - an Introduction
Anarchist Communism - An Introduction - A Short Introduction to Anarchist-Communism Makhno (Ukraine). Kropotkin is often seen as the most impor- tant theorist of anarchist communism, outlining his economic Anarchist communism is a form of anarchism that advocates ideas in books The Conquest of Bread and Fields, Factories the abolition of the State and capitalism in favour of a horizon- and Workshops. Kropotkin felt co-operation to be more bene- tal network of voluntary associations through which everyone ficial than competition, arguing in Mutual Aid: A Factor of will be free to satisfy his or her needs. Evolution that this was illustrated in nature. Anarchist com- Anarchist communism is also known as anarcho-commu- munist ideas were very influential in the introduction of anar- nism, communist anarchism, or, sometimes, libertarian com- chism to Japan through the efforts of Kôtoku Shûsui in the munism. However, while all anarchist communists are libertar- early 1900s who corresponded with Kropotkin and translated ian communists, some libertarian communists, such as coun- his works. Alexander Berkman and Emma Goldman (who cil communists, are not anarchists. What distinguishes anar- were both deported from the USA to Russia in 1919) became chist communism from other variants of libertarian commu- important proponents of ‘Communist anarchism’ and became nism is the formers opposition to all forms of political power, especially critical of Bolshevism after they discovered its dev- hierarchy and domination. astating reality first-hand in Russia, and after the Red Army’s Anarchist communism stresses egalitarianism and the aboli- crushing of the Kronstadt uprising. They in turn had been tion of social hierarchy and class distinctions that arise from unequal wealth distribution, the abolition of capitalism and influenced by German-born émigrée to the USA, Johann Most, money, and the collective production and distribution of who had earlier helped bring anarchist communist thought to wealth by means of voluntary associations. -
Anarchism++PO53022A.Pdf
Anarchism PO53022A (Spring 2013) Prof. Carl Levy Department of Politics Goldsmiths College University of London WT 708 Office Hours Mondays 2-4 [email protected] This unit focuses on the history, politics and ideology of anarchism chiefly from its origins in the nineteenth century to 1939. There will be a discussion of anarchism in the post-1945 period but the main aim of the unit is to trace the origins and development of anarchist ideology (Godwin, Stirner, Proudhon, Bakunin, Kropotkin, Malatesta, Goldman, etc.) and the associated social and labour movements in Europe and the Americas (from the Paris Commune of 1871 to the Spanish Civil War, 1936- 1939, and the Haymarket Riot of Chicago of 1886 and the Mexican Revolution of 1910-1920 to the Russian Revolution and Civil War of 1917-1921). We will investigate anarcho-collectivism, anarcho- communism, anarcho-individualism and anarcho-syndicalism. The relationship between anarchist movements and terrorism will also be discussed, but so too will the relationship of art and education to anarchism. But these will also be a substantial time devoted to anarchist-type movements and ideas, which developed throughout the world before 1800 and as well a discussion of the ‘ism’, anarchism, its reception and interchange with thinkers, ideas and movements in Asia and Africa. Course Aims To examine the concepts and values which are central to anarchist thought. To consider the place of anarchism in key historical events. 1 Learning Outcomes Be able to understand critically the nature of anarchism. Understand the place of anarchism in a broad historical context.