A Year in Provence Brought to You by Meloidea
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Murder in Aubagne: Lynching, Law, and Justice During the French
This page intentionally left blank Murder in Aubagne Lynching, Law, and Justice during the French Revolution This is a study of factions, lynching, murder, terror, and counterterror during the French Revolution. It examines factionalism in small towns like Aubagne near Marseille, and how this produced the murders and prison massacres of 1795–1798. Another major theme is the conver- gence of lynching from below with official terror from above. Although the Terror may have been designed to solve a national emergency in the spring of 1793, in southern France it permitted one faction to con- tinue a struggle against its enemies, a struggle that had begun earlier over local issues like taxation and governance. This study uses the tech- niques of microhistory to tell the story of the small town of Aubagne. It then extends the scope to places nearby like Marseille, Arles, and Aix-en-Provence. Along the way, it illuminates familiar topics like the activity of clubs and revolutionary tribunals and then explores largely unexamined areas like lynching, the sociology of factions, the emer- gence of theories of violent fraternal democracy, and the nature of the White Terror. D. M. G. Sutherland received his M.A. from the University of Sussex and his Ph.D. from the University of London. He is currently professor of history at the University of Maryland, College Park. He is the author of The Chouans: The Social Origins of Popular Counterrevolution in Upper Brittany, 1770–1796 (1982), France, 1789–1815: Revolution and Counterrevolution (1985), and The French Revolution, 1770– 1815: The Quest for a Civic Order (2003) as well as numerous scholarly articles. -
Site/Non-Site Explores the Relationship Between the Two Genres Which the Master of Aix-En- Provence Cultivated with the Same Passion: Landscapes and Still Lifes
site / non-site CÉZANNE site / non-site Guillermo Solana Museo Thyssen-Bornemisza, Madrid February 4 – May 18, 2014 Fundación Colección Acknowledgements Thyssen-Bornemisza Board of Trustees President The Museo Thyssen-Bornemisza Hervé Irien José Ignacio Wert Ortega wishes to thank the following people Philipp Kaiser who have contributed decisively with Samuel Keller Vice-President their collaboration to making this Brian Kennedy Baroness Carmen Thyssen-Bornemisza exhibition a reality: Udo Kittelmann Board Members María Alonso Perrine Le Blan HRH the Infanta Doña Pilar de Irina Antonova Ellen Lee Borbón Richard Armstrong Arnold L. Lehman José María Lassalle Ruiz László Baán Christophe Leribault Fernando Benzo Sáinz Mr. and Mrs. Barron U. Kidd Marina Loshak Marta Fernández Currás Graham W. J. Beal Glenn D. Lowry HIRH Archduchess Francesca von Christoph Becker Akiko Mabuchi Habsburg-Lothringen Jean-Yves Marin Miguel Klingenberg Richard Benefield Fred Bidwell Marc Mayer Miguel Satrústegui Gil-Delgado Mary G. Morton Isidre Fainé Casas Daniel Birnbaum Nathalie Bondil Pia Müller-Tamm Rodrigo de Rato y Figaredo Isabella Nilsson María de Corral López-Dóriga Michael Brand Thomas P. Campbell Nils Ohlsen Artistic Director Michael Clarke Eriko Osaka Guillermo Solana Caroline Collier Nicholas Penny Marcus Dekiert Ann Philbin Managing Director Lionel Pissarro Evelio Acevedo Philipp Demandt Jean Edmonson Christine Poullain Secretary Bernard Fibicher Earl A. Powell III Carmen Castañón Jiménez Gerhard Finckh HSH Prince Albert II of Monaco Giancarlo Forestieri William Robinson Honorary Director Marsha Rojas Tomàs Llorens David Franklin Matthias Frehner Alejandra Rossetti Peter Frei Katy Rothkopf Isabel García-Comas Klaus Albrecht Schröder María García Yelo Dieter Schwarz Léonard Gianadda Sir Nicholas Serota Karin van Gilst Esperanza Sobrino Belén Giráldez Nancy Spector Claudine Godts Maija Tanninen-Mattila Ann Goldstein Baroness Thyssen-Bornemisza Michael Govan Charles L. -
Dark Matter #4
Cover Page DarkIssue Four Matter July 2011 SF, Fantasy & Art [email protected] Dark Matter Issue Four July 2011 SF, Fantasy & Art [email protected] Dark Matter Contents: Issue 4 Dark Matter Stuff 1 News & Articles 7 Gun Laws & Cosplay 7 Troopertrek 2011 8 Hugo Award Nominees 10 2010 Aurealis Awards 14 2011 Aurealis Awards to be held in Sydney again 15 2011 Ditmar Awards 16 2011 Chronos Awards 20 Renovation WorldCon 22 Iron Sky update 28 Art by Ben Grimshaw 30 Ebony Rattle as Electra, Art by Ben Grimshaw 31 The Girl in the Red Hood is Back … But She’s a Little Different 32 Launching & Gaining Velocity 34 Geek and Nerd 35 Peacemaker - A Comic Book 36 Continuum 7 Report 38 Starcraft 2 - Prae.ThorZain 46 Good Friday Appeal 50 FAQ about the writing of Machine Man, by Max Barry 65 J. Michael Straczynski says... 67 Interviews 69 Kevin J. Anderson talks to Dark Matter 69 Tom Taylor and Colin Wilson talk to Dark Matter 78 Simon Morden talks to Dark Matter 106 Paul Bedford talks to Dark Matter 115 Cathy Larsen talks to Dark Matter 131 Madeleine Roux talks to Daniel Haynes 142 Chewbacca is Coming 146 Greg Gates talks to Dark Matter 153 Richard Harland talks to Dark Matter 165 Letters 173 Anime/Animation 176 The Sacred Blacksmith Collection 176 Summer Wars 177 Evangelion 1.11 You are [not] alone 178 Evangelion 2.22 You can [not] advance 179 Book Reviews 180 The Razor Gate 180 Angelica 181 2 issue four The Map of Time 182 Die for Me 183 The Gathering 184 The Undivided 186 the twilight saga: the official illustrated guide 188 Rivers -
On Art and Artists
A/ 'PI CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY Cornell University Library N 7445.N82 1907 On art and artists, 3 1924 020 584 946 DATE DUE PRINTEDINU.S./I Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924020584946 ON ART AND ARTISTS Photo : Elhott and Fry. On A H and A rtisls. ON ART AND ARTISTS BY MAX NORDAU AUTHOR OF " DEGBNBRATION " TRANSLATED BY W. F. HARVEY, M.A. PHILADELPHIA GEORGE W. JACOBS & CO. PUBUSHERS 11 n Printed in Great Britain. CONTENTS CHAF. PACE I. The Social Mission of Art. i II. Socialistic Art—Constantin Meunier . 30 in. The Question of Style .... 44 IV. The Old French Masters . .56 V. A Century of French Art .... 70 VI. The School of 1830 ..... 96 VII. The Triumph of a Revolution— The Realists . .107 Alfred Sisley ..... 123 Camille Pissarro . .133 Whistler's Psychology . .145 VIII. Gustave Moreau ..... 155 " IX. EUGilNE CARRlfeRE . l66 X. Puvis DE Chavannes ..... i8s XL Bright and Dark Painting—Charles Cottet . 201 XII. Physiognomies in Painting . .217 XIII. Augusts Rodin ..... 275 XIV. Resurrection—BARTHOLOMi . 294 XV. Jean CarriSis ...... 308 XVI. Works of Art and Art Criticisms . 320 XVII. Mt Own Opinion ..... 336 Index ....... 349 : ON ART AND ARTISTS I THE SOCIAL MISSION OF ART There exists a school of aestheticism which laughs contemptuously at the mere sight of this superscrip- tion. Art having a mission ! What utter nonsense. A person must be a rank Philistine to connect with the idea of art the conception of a non- artistic mission, be it social or otherwise. -
I've Seen Films
I’ve Seen Films International Short Film Festival I’VE SEEN FILMS 2008 International Short Film Festival International Jury 7 I’VE SEEN FILMS 2008 International Short Film Festival INTERNATIONAL JURY Bill Bristow (UK) producer, director and writer ‘’Who Are They?’’, ‘’Prosit Ermanno!’’ (documentary); ‘’The Swan’’ (theater production); ‘’Fleas’’(theater direction); ‘’A Game of Moles’’ (writer); ‘’The Whaler’’ (screenwriter); ‘’Granny’s Wish’’ (theater production). Ludovico Einaudi (ITA) classical music composer and pianist ‘’Eden Roc’’, ‘’Time Out’’, ‘’Le Onde’’, ‘’Una Mattina’’, ‘’La Scala Concert’’, ‘’Diario Mali’’, ‘’Divenire’’ (composer); ‘’Da qualche parte in città’’, ‘’Acquario’’, ‘’Giorni Dispari’’, ‘’Aprile’’, ‘’Un delitto impossibile’’, ‘’Fuori del mondo’’, ‘’Zhivago’’, ‘’Sotto falso nome’’ (soundtracks). Richard Gere (USA) actor, producer, composer and performer ‘’American Gigolo’’, ‘’Breathless’’, ‘’The Honorary Consul’’, ‘’Sommersby’’, ‘’Autumn in New York’’, ‘’The Mothman Prophecies’’, ‘’Shall We Dance?’’, ‘’The Hoax’’, ‘’I’m Not There’’ (actor); ‘’Hachiko: A Dog’s Story’’ (actor and producer); ‘’Unfaithful’’, ‘’Chicago’’, ‘’Pretty Woman’’, ‘’The Cotton Club’’ (actor, composer and performer). Rutger Hauer (NL) actor, director and writer ‘’Turkish Delight’’, ‘’Soldier of Orange’’, ‘’Nighthawks’’, ‘’Blade Runner’’, ‘’Ladyhawke’’, ‘’The Hitcher’’, ‘’The Legend of the Holy Drinker’’, ‘’Confessions of a Dangerous Mind’’, “Escape from Sobibor”; ‘’Batman Begins’’, ‘’Sin City’’ (actor); ‘’The Room’’, ‘’Starfi sh Tango’’ (director); -
Alien: Covenant
ALIEN: COVENANT In space, no one can hear you scream. After nearly four decades, those words remain synonymous with the sheer, relentless intensity of Ridley Scott’s masterpiece of futuristic horror, Alien. Now, the father of the iconic franchise returns once more to the world he created to explore its darkest corners with ALIEN: COVENANT, a pulse-pounding new adventure that pushes the boundaries of R-rated terror. All is quiet aboard the spaceship Covenant. The crew and the rest of the 2,000 souls aboard the pioneering vessel are deep in hyper-sleep, leaving the synthetic Walter to walk the corridors alone. The ship is en route to the remote planet Origae-6, where, on the far side of the galaxy, the settlers hope to establish a new outpost for humanity. The tranquility is shattered when a nearby stellar ignition shreds Covenant’s energy-collection sails, resulting in dozens of casualties and throwing the mission off course. Soon, the surviving crew members discover what appears to be an uncharted paradise, an undisturbed Eden of cloud-capped mountains and immense, soaring trees far closer than Origae- 6 and potentially just as viable as a home. What they’ve found, however, is actually a dark and deadly world full of unexpected twists and turns. Facing a terrible threat beyond their imagination, the embattled explorers must attempt a harrowing escape. Set ten years after the events depicted in Scott’s 2012 hit Prometheus, ALIEN: COVENANT returns to the roots of the director’s groundbreaking saga with a uniquely terrifying tale filled with white-knuckle adventure and monstrous new creatures. -
Archivision Art Module E[1]
ARCHIVISION ART MODULE E: WORLD ART III 3000 photographs | images available now | data to come summer 2020 CANADA Montreal Montreal Museum of Fine Arts: Chagall Exhibit • Juggler with a Double Profile (1968) [1] • King David (1954) [3] • Rooster (1947) [5] • Sketch for Clown with Shadow (1964) [1] • Sketch for Comedia dell'arte (1957-58) [1] • Rainbow (1967) [3] • Red Circus (1956-1960) [3] • Triumph of Music (final model for Lincoln Center) (1966) [11] • Triumph of Music (prep drawing 1 for Lincoln Center) (1966) [1] • Triumph of Music (prep drawing 2 for Lincoln Center) (1966) [1] • Wedding (1944) [3] • Variation on the theme of The Magic Flute - Sarastro (1965) [4] • Variation on the theme of The Magic Flute - Papageno (1965) [3] • La Pluie (Rain) (on loan from S. Guggenheim Museum, 1911) Montreal Museum of Fine Arts: Napoleon Exhibit • Apotheosis of Napoleon I, by workshop of bertel Thorvaldsen (ca. 1830) [8] • The Last Attack, Waterloo, Ernest Crofts (1895) [17] Montreal Museum of Fine Arts: Picasso Show • Malanggan Ceremonial Carving (New Ireland, Papua New Guinea, 20th century) [1] • Yupik Finger Mask from Alaska (19th century) [1] • Kavat mask, by baining artist (Papua New Guinea), before 1965 [2] • Headdress, Unknown Tusian (Tusyan) artist (burkina Faso) 20th C [3] • blind Minotaur Guided by Little Girl in the Night (1934) [1] • Bouquet of Flowers [1] • Figure (1930) [1] • Head of a Woman (1927) [1] • Head of a Woman 2 (1929) [1] • Head of a Young Woman (1945) [1] • Large Reclining Nude (1943) [2] • Portrait of a Woman [1] by -
Focus 2016 World Film Market Trends Tendances Du Marché Mondial Du Lm Pages Pub Int Focus 2010:Pub Focus 29/04/10 10:54 Page 1
FOCUS WORLD FILM MARKET TRENDS TENDANCES DU MARCHÉ MONDIAL DU FILM 2016_ focus 2016 World Film Market Trends Tendances du marché mondial du lm Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Julio Talavera Milla ([email protected]) Film Analysts, Department for Information on Markets and Financing, European Audiovisual Observatory Editorial assistants, LUMIERE Database Laura Ene, Valérie Haessig, Gabriela Karandzhulova Lay-out: Acom* Europe © 2016, Marché du Film Printed: Global Rouge, Les Deux-Ponts 2 Editorial As a publication of the Marché du Film, FOCUS FOCUS, une publication du Marché du Film, sera will be an essential reference for professional une référence incontournable pour tous les partici- attendees this year. Not only will it help you grasp pants professionnels cette année. Elle vous aidera the changing practices of the film industry, but it non seulement à appréhender les pratiques en con- also provides specific information on production stante évolution de l’industrie cinématographique, and distribution around the world. mais elle vous informera également de manière plus spécifique sur les secteurs de la production Once again, we are glad to collaborate with et de la distribution dans le monde entier. Susanne Nikoltchev and her team. With this part- nership, we aim to provide you with valuable Nous avons le plaisir de collaborer de nouveau insight into the world of film market trends. -
Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R. -
Alien: Covenant, Dir. by Ridley Scott (Twentieth Century Fox, 2017)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Alien: Covenant, dir. by Ridley Scott (Twentieth Century Fox, 2017) Alien: Covenant is the sixth instalment in the much-celebrated and critically acclaimed science-fiction/horror saga initiated in 1979 by Ridley Scott’s Alien and consisting also of James Cameron’s Aliens (1986), David Fincher’s Alien³ (1992), Jean-Pierre Jeunet’s Alien: Resurrection (1997) and the prequel film Prometheus (Scott, 2012).1 Alien: Covenant is also the twenty-fourth work by the eclectic eighty-year-old British producer and director, whose work has successfully spanned all cinematic genres, from science fiction (Blade Runner, 1982), through costume and historical drama (1492: Conquest of Paradise, 1992, and Kingdom of Heaven, 2005) and fantasy (Legend, 1985), to the detective film (Black Rain, 1989), the road movie (Thelma and Louise, 1991) and comedy (A Good Year, 2006). Covenant is a sequel to Prometheus; the earlier film depicts the search for the origins of the human species by a group of scientists, explorers, and the leading members of the Weyland Corporation, tracing their encounter with a being belonging to the race of the so- called Engineers. In Prometheus, the explorers discover near the end of the film that the last surviving Engineer had been frozen into hyper-sleep thousands of years earlier, preventing him from destroying Earth, a mission that he fortunately does not complete upon awakening. Prometheus is filled with references to religion, specifically Christian beliefs (allegedly, the Engineers’ mission to destroy our planet was ordered around the time of Christ’s death), the creation of life (the protagonist is sterile, but she gives birth to an alien life form), and, in a nod to Mary Shelley’s Frankenstein (1818), the horror of a creator refusing his own progeny. -
Monday, February 04, 2008
Pascale Le Jeune DS, LS, NCS INDEPENDENT ASSOCIATE CERTIFIED ADVENTURE AND LUXURY TRAVEL COUNSELOR 704- 228th Ave NE #632 • Sammamish, WA 98074 425.503.0389 • [email protected] • www.ExperienceActiveTravel.com Discover France’s Sacred Stories Join Joy Abbey & Virginie Blackmoor On an 12-Day journey to Southern France May 19 – May 31, 2015 Group size: 12 1 Pascale Le Jeune DS, LS, NCS INDEPENDENT ASSOCIATE CERTIFIED ADVENTURE AND LUXURY TRAVEL COUNSELOR 704- 228th Ave NE #632 • Sammamish, WA 98074 425.503.0389 • [email protected] • www.ExperienceActiveTravel.com Day 1 – Tuesday, May 19, 2015 International flight DEPART USA / MARSEILLE, FRANCE Board your international flight to Marseille, France Day 2 – Wednesday, May 20, 2015 Marseille Airport / Marseille ARRIVE IN MARSEILLE, FRANCE Welcome to Marseille. The city has a spicy character and resolutely independent nature that defies easy definition. Discover a richly substantial and exciting destination utterly different from anything else Provence has to offer. The people of Marseille have long been the most multicultural and ethnically diverse in France, and they are collectively known for their infectious joie de vivre. A Group transfer is provided from the Marseille airport to the hotel. Marseille will be your home for the next 2 nights. Lodging Hotel Marseille Bonneveine Prado Although the metropolis is sprawled over a substantial area the tourist heart of the city can be covered within a day, including time for a dip in the ocean. Marseille demands a sensory engagement from its visitors; take in the view from Notre Dame Basilica, breathe in the smells of the ocean at the Vieux Port fish market and tune into the animated conversation of local people. -
Macbeth Production Notes
MACBETH PRODUCTION NOTES For UK Publicity Enquiries: [email protected] [email protected] [email protected] For International Publicity Enquiries: [email protected] [email protected] [email protected] Stills can be downloaded from: studiocanal.co.uk/press SHORT SYNOPSIS MACBETH is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition, set in war torn Scottish landscape. SYNOPSIS Ellon. Scotland. Following a fierce battle in which Macbeth, Thane of Glamis and loyal general of King Duncan’s forces, has finally killed Macdonwald, a traitor and leader of rebel forces, he and fellow soldier Banquo encounter three women scavenging among the fallen soldiers, who foretell that Macbeth will become Thane of Cawdor and King of Scotland, while Banquo will be the father of future kings. Both men are unnerved by the prophecies but for the moment appear not to believe them. At the battlefield campsite, Angus and Rosse arrive from the King’s court to pass on thanks from their royal master for the success in battle and to bestow Macbeth the title Thane of Cawdor. The previous holder of the title has been killed for treachery against the crown. When Macbeth goes to pay homage to the King, Duncan tells him that he has made arrangements to visit his home at Inverness to celebrate the victory.