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Murder in Aubagne: Lynching, Law, and Justice During the French
This page intentionally left blank Murder in Aubagne Lynching, Law, and Justice during the French Revolution This is a study of factions, lynching, murder, terror, and counterterror during the French Revolution. It examines factionalism in small towns like Aubagne near Marseille, and how this produced the murders and prison massacres of 1795–1798. Another major theme is the conver- gence of lynching from below with official terror from above. Although the Terror may have been designed to solve a national emergency in the spring of 1793, in southern France it permitted one faction to con- tinue a struggle against its enemies, a struggle that had begun earlier over local issues like taxation and governance. This study uses the tech- niques of microhistory to tell the story of the small town of Aubagne. It then extends the scope to places nearby like Marseille, Arles, and Aix-en-Provence. Along the way, it illuminates familiar topics like the activity of clubs and revolutionary tribunals and then explores largely unexamined areas like lynching, the sociology of factions, the emer- gence of theories of violent fraternal democracy, and the nature of the White Terror. D. M. G. Sutherland received his M.A. from the University of Sussex and his Ph.D. from the University of London. He is currently professor of history at the University of Maryland, College Park. He is the author of The Chouans: The Social Origins of Popular Counterrevolution in Upper Brittany, 1770–1796 (1982), France, 1789–1815: Revolution and Counterrevolution (1985), and The French Revolution, 1770– 1815: The Quest for a Civic Order (2003) as well as numerous scholarly articles. -
The Library of Professor Eric G. Carlson
The Library of Professor Eric G. Carlson Part II: Rare Illustrated Books and Print Portfolios, ca. 1850-1930 405 titles, in ca. 585 physical volumes The Library of Professor Eric G. Carlson Part I: Art of France from the French Revolution to the End of the Third Republic, 1790-1940. General Reference Works and Monographs on Artists, with a special emphasis on prints and printmaking The art historian and art dealer Eric G. Carlson (1940-2016) was a noted specialist in French and American prints and drawings of the nineteenth and early twentieth centuries. A mediaevalist by training (Ph.D. Yale University), and professor at the State University of New York at Purchase from 1978 to 2006, Carlson brought a scholar's acumen to his exploration of lesser-known fields and figures of French art. His library reflects this, being exceptionally rich not just on the major artists of the era, but on the many painters and printmakers who remain to this day little known to the general public. Its coverage of the art of Romanticism, Realism, and Post-Impressionism, with very impressive concentrations on Géricault, Delacroix, Courbet, Degas and Gauguin, among others, is matched by a fascinating depth in the Symbolist and Nabi movements and the School of Pont-Aven, and the myriad Academic and Salon artists, illustrators and caricaturists who flourished between the start of the Second Empire and the end of the Third Republic. The library is unusually complete and sophisticated in the documentation and critical study of all aspects of the period, with rare exhibition and auction catalogues, and scarce early monographs, as well as the latest academic scholarship. -
Site/Non-Site Explores the Relationship Between the Two Genres Which the Master of Aix-En- Provence Cultivated with the Same Passion: Landscapes and Still Lifes
site / non-site CÉZANNE site / non-site Guillermo Solana Museo Thyssen-Bornemisza, Madrid February 4 – May 18, 2014 Fundación Colección Acknowledgements Thyssen-Bornemisza Board of Trustees President The Museo Thyssen-Bornemisza Hervé Irien José Ignacio Wert Ortega wishes to thank the following people Philipp Kaiser who have contributed decisively with Samuel Keller Vice-President their collaboration to making this Brian Kennedy Baroness Carmen Thyssen-Bornemisza exhibition a reality: Udo Kittelmann Board Members María Alonso Perrine Le Blan HRH the Infanta Doña Pilar de Irina Antonova Ellen Lee Borbón Richard Armstrong Arnold L. Lehman José María Lassalle Ruiz László Baán Christophe Leribault Fernando Benzo Sáinz Mr. and Mrs. Barron U. Kidd Marina Loshak Marta Fernández Currás Graham W. J. Beal Glenn D. Lowry HIRH Archduchess Francesca von Christoph Becker Akiko Mabuchi Habsburg-Lothringen Jean-Yves Marin Miguel Klingenberg Richard Benefield Fred Bidwell Marc Mayer Miguel Satrústegui Gil-Delgado Mary G. Morton Isidre Fainé Casas Daniel Birnbaum Nathalie Bondil Pia Müller-Tamm Rodrigo de Rato y Figaredo Isabella Nilsson María de Corral López-Dóriga Michael Brand Thomas P. Campbell Nils Ohlsen Artistic Director Michael Clarke Eriko Osaka Guillermo Solana Caroline Collier Nicholas Penny Marcus Dekiert Ann Philbin Managing Director Lionel Pissarro Evelio Acevedo Philipp Demandt Jean Edmonson Christine Poullain Secretary Bernard Fibicher Earl A. Powell III Carmen Castañón Jiménez Gerhard Finckh HSH Prince Albert II of Monaco Giancarlo Forestieri William Robinson Honorary Director Marsha Rojas Tomàs Llorens David Franklin Matthias Frehner Alejandra Rossetti Peter Frei Katy Rothkopf Isabel García-Comas Klaus Albrecht Schröder María García Yelo Dieter Schwarz Léonard Gianadda Sir Nicholas Serota Karin van Gilst Esperanza Sobrino Belén Giráldez Nancy Spector Claudine Godts Maija Tanninen-Mattila Ann Goldstein Baroness Thyssen-Bornemisza Michael Govan Charles L. -
IFA Alumni Newsletter 2017
Number 52 – Fall 2017 NEWSLETTERAlumni Published by the Alumni Association of Contents From the Director ...............3 The Institute of Fine Arts Alumni Updates ...............20 in the Aftermath of the A Wistful ‘So Long’ to our Beloved May 4, 1970 Kent State Killings ....8 Doctors of Philosophy Conferred and Admired Director Pat Rubin ....4 in 2016-2017 .................30 Thinking out of the Box: You Never From Warburg to Duke: Know Where it Will Lead .........12 Masters Degrees Conferred Living at the Institute ............6 in 2016-2017 .................30 The Year in Pictures ............14 Institute Donors ...............32 Faculty Updates ...............16 Institute of Fine Arts Alumni Association Officers: Advisory Council Members: Committees: President William Ambler Walter S. Cook Lecture Jennifer Eskin [email protected] Jay Levenson, Chair [email protected] Susan Galassi [email protected] [email protected] Yvonne Elet Vice President and Kathryn Calley Galitz Jennifer Eskin Acting Treasurer [email protected] Susan Galassi Jennifer Perry Matthew Israel Debra Pincus [email protected] [email protected] Katherine Schwab Lynda Klich Secretary [email protected] Newsletter Johanna Levy Anne Hrychuk Kontokosta Martha Dunkelman [email protected] [email protected] [email protected] Debra Pincus Connor Hamm, student assistant [email protected] History of the Institute of Fine Arts Rebecca Rushfield, Chair [email protected] Alumni Reunion Alicia Lubowski-Jahn, Chair [email protected] William Ambler 2 From the Director Christine Poggi, Judy and Michael Steinhardt Director Metropolitan Museum of Art, the Frick varied program. It will include occasional Collection, Museum of Modern Art, and a collaboration and co-sponsorship of exhibitions, diverse range of other museums. -
Archivision Art Module E[1]
ARCHIVISION ART MODULE E: WORLD ART III 3000 photographs | images available now | data to come summer 2020 CANADA Montreal Montreal Museum of Fine Arts: Chagall Exhibit • Juggler with a Double Profile (1968) [1] • King David (1954) [3] • Rooster (1947) [5] • Sketch for Clown with Shadow (1964) [1] • Sketch for Comedia dell'arte (1957-58) [1] • Rainbow (1967) [3] • Red Circus (1956-1960) [3] • Triumph of Music (final model for Lincoln Center) (1966) [11] • Triumph of Music (prep drawing 1 for Lincoln Center) (1966) [1] • Triumph of Music (prep drawing 2 for Lincoln Center) (1966) [1] • Wedding (1944) [3] • Variation on the theme of The Magic Flute - Sarastro (1965) [4] • Variation on the theme of The Magic Flute - Papageno (1965) [3] • La Pluie (Rain) (on loan from S. Guggenheim Museum, 1911) Montreal Museum of Fine Arts: Napoleon Exhibit • Apotheosis of Napoleon I, by workshop of bertel Thorvaldsen (ca. 1830) [8] • The Last Attack, Waterloo, Ernest Crofts (1895) [17] Montreal Museum of Fine Arts: Picasso Show • Malanggan Ceremonial Carving (New Ireland, Papua New Guinea, 20th century) [1] • Yupik Finger Mask from Alaska (19th century) [1] • Kavat mask, by baining artist (Papua New Guinea), before 1965 [2] • Headdress, Unknown Tusian (Tusyan) artist (burkina Faso) 20th C [3] • blind Minotaur Guided by Little Girl in the Night (1934) [1] • Bouquet of Flowers [1] • Figure (1930) [1] • Head of a Woman (1927) [1] • Head of a Woman 2 (1929) [1] • Head of a Young Woman (1945) [1] • Large Reclining Nude (1943) [2] • Portrait of a Woman [1] by -
Monday, February 04, 2008
Pascale Le Jeune DS, LS, NCS INDEPENDENT ASSOCIATE CERTIFIED ADVENTURE AND LUXURY TRAVEL COUNSELOR 704- 228th Ave NE #632 • Sammamish, WA 98074 425.503.0389 • [email protected] • www.ExperienceActiveTravel.com Discover France’s Sacred Stories Join Joy Abbey & Virginie Blackmoor On an 12-Day journey to Southern France May 19 – May 31, 2015 Group size: 12 1 Pascale Le Jeune DS, LS, NCS INDEPENDENT ASSOCIATE CERTIFIED ADVENTURE AND LUXURY TRAVEL COUNSELOR 704- 228th Ave NE #632 • Sammamish, WA 98074 425.503.0389 • [email protected] • www.ExperienceActiveTravel.com Day 1 – Tuesday, May 19, 2015 International flight DEPART USA / MARSEILLE, FRANCE Board your international flight to Marseille, France Day 2 – Wednesday, May 20, 2015 Marseille Airport / Marseille ARRIVE IN MARSEILLE, FRANCE Welcome to Marseille. The city has a spicy character and resolutely independent nature that defies easy definition. Discover a richly substantial and exciting destination utterly different from anything else Provence has to offer. The people of Marseille have long been the most multicultural and ethnically diverse in France, and they are collectively known for their infectious joie de vivre. A Group transfer is provided from the Marseille airport to the hotel. Marseille will be your home for the next 2 nights. Lodging Hotel Marseille Bonneveine Prado Although the metropolis is sprawled over a substantial area the tourist heart of the city can be covered within a day, including time for a dip in the ocean. Marseille demands a sensory engagement from its visitors; take in the view from Notre Dame Basilica, breathe in the smells of the ocean at the Vieux Port fish market and tune into the animated conversation of local people. -
Critique(S) D’Art : Nouveaux Corpus, Nouvelles Méthodes Sous La Direction De Marie Gispert Et De Catherine Méneux
UNIVERSITÉ PARIS 1 PANTHÉON-SORBONNE CENTRE DE RECHERCHE HiCSA (Histoire culturelle et sociale de l’art - EA 4100) HiCSA Éditions en ligne CRITIQUE(S) D’ART : NOUVEAUX CORPUS, NOUVELLES MÉTHODES SOUS LA DIRECTION DE MARIE GISPERT ET DE CATHERINE MÉNEUX Actes du colloque Une nouvelle histoire de la critique d’art à la lumière des humanités numériques ?, Paris, École du Louvre, université Paris 1 Panthéon- Sorbonne, École nationale des chartes, 17, 18 et 19 mai 2017, organisé par Anne-Sophie Aguilar, Éléonore Challine, Christophe Gauthier, Marie Gispert, Gérald Kembellec, Lucie Lachenal, Éléonore Marantz et Catherine Méneux, et de la Journée d’études Les critiques d’art francophones, des années 1880 à l’entre-deux-guerres, Paris, HiCSA, 25 juin 2015, organisée par Anne- Sophie Aguilar, Éléonore Challine, Christophe Gauthier, Marie Gispert et Catherine Méneux. Pour citer cet ouvrage Marie Gispert et Catherine Méneux (dir.), Critique(s) d’art : nouveaux corpus, nouvelles méthodes, Paris, site de l’HiCSA, mis en ligne en mars 2019 ISBN : 978-2-491040-02-4 SOMMAIRE Remerciements 5 Marie Gispert, Catherine Méneux, Introduction 6-28 DE L’APPROCHE COLLECTIVE À LA PROSOPOGRAPHIE ? Sébastien Charlier, Les expressions de la critique dans les revues d’architecture éditées à Liège dans l’entre-deux-guerres 30-52 Emmanuelle Champomier, Apports, limites et enjeux méthodologiques d’une approche prosopographique de la critique cinématographique 53-65 Claire Dupin de Beyssat, Être critique d’art sous le Second Empire. Parcours et carrières de quelques salonniers entre 1852 et 1870 66-94 APPROCHE GLOBALE, APPROCHE FRAGMENTÉE : JEU(X) D’ÉCHELLE/VARIATIONS SUR LES CORPUS Laure Barbarin, Roger Ballu et La Vie artistique. -
Impressions of the Art at the Panama-Pacific Exposition
W m it-: l^t:'^,l:^l "vP^' "^/^m^ c.y ^^ J ••>' /'..^./'*. '^^j.^ '^o.^-?•^-o^ oV'^^ia*- ^^&^ ^^m^^^ 4 o »\y X'-^-^v V'^-'.*^ ;* . V 'o. *.t:t'' a 1-^ y^j,^^- "t. -n^^o^ », < O •' T' o-) .^^ <S^. '..o' * ^^ ^L'A y ... -. v.^ .S^-^. '^.^W/ ^-'^ " 4 ir^ -fL 'bV •a.^ O -'^Wi'^^s* ^0 ,0' ^5, A." -^ ^/v'^v %5<^"/ V^v' %/-^£^^'>^^ V^^.^' .* «0 < o -^v^O^ »- '^l*!^' •^i'^'^ v^ '^Sfe' '^^^° .. M 'bv .„c^^ ^*>#" J>^^ .^''^^ ^'•"^'^- '-^^^° ^'" ,,.^^ "\ ''^: ^^'\ S . 'WWS .J' . .-v'.v . X'2 *'t:t' .'v <^> .^ ^ ^.>.^ o 4> 5°. 4^°^ V 1. O 5 " • A v^^ <. /.. :. '-^0^ 1^ * O B O ° ^.^ o^.i^';%'°""V\...^"--:o^;s..,'v^-\/lO* ,= v^^ .*'% 0^ v;^ •^ ^'T.s* A <^ .^" A^ 'is •' .^^ % -J." . <>^ ^' "^"^ *- <fi '' i\^^ A"' ' . • s 4 > Cj. o • » «U O C 4- <K ,0 ^ '^. A** v^- '•''" *' = ^^ . • ** .-. '»- ^^ A" * ^°-^^. ^-1°^ .-iq* * "q,*^^'\o^ <^. o.^' Oj," <?>„ c'* V- 0^ Off '^o^ ^bV-" •^o^ ^^-^^^^ r^0 ^V^ v-^ 0° t ^ .4,^^ .-s.'^ ^ta V,. ".. IMPRESSIONS OF THE ART AT THE PANAMA-PACIFIC EXPOSITION OTHER WORKS BY CHRISTIAN BRIXTON, M.A.. Litt. D. Modern Artists. The Baker ami Taylor Coinpanv. New York, 1!I(IS Catalogue of Paintings by Ignacio Zi'loaga. The Hispanic Society of Amerifa, New ^'ork, 190!l AuSSTELLUNG AmERIKANISCHER KuNST. Konigliche Akademie tier Kiinste zu Berlin, IIUO Die Entwicklung der Amerikanischen Malerei. F. Bruekmann. Miinehen-Berlin. litlc Masterpieces of American Painting. The Berlin Photographic Company, New York ami Berlin, I'JIO Catalogue of Sculpture by Prince Paul Troubetzkoy. The American Numismatic Society, New York, 1911 Walter Greaves, Pupil of Whistler. Cottier and Company, New York, 191i The Scandinavian Exhibition. -
Francia – References for Each Section of the Journey Are From
In the Steps of Augustine of Canterbury A Pilgrim’s Guide in France In the Steps of Augustine of Canterbury A Pilgrim’s Guide in France For historical background on the sixth century and the implications of Augustine’s journey through France – ancient Francia – references for each section of the journey are from: Robin Mackintosh, Augustine of Canterbury: Leadership, Mission and Legacy, Canterbury Press, 2013 Rob Mackintosh & Peter Ingrams 1 Contents Chapter 3 Raging Waters Copyright - Arles to Lyon Dedication Chapter 4 Crucial Encounter - Lyon to Nevers Preface Chapter 5 Ready at Last Acknowledgements - Nevers to Paris Chapter 1 The Great Beginning Chapter 6 Taking Risks, Meeting Ancestors - Villefranche-sur-Mer to Aix-en-Provence - Paris to Laon Chapter 2 A Fresh Start Chapter 7 Imperium or Emporium? - Aix-en-Provence to Arles - Laon to Quentovic 2 b Copyright Dedication © Rob Mackintosh & Peter Ingrams 2016 This Pilgrim Guide is dedicated to the Companions of Augustine of Canterbury, and to everyone on a pilgrim First published in 2016 way in the hope that their lives will be enriched in many and unexpected ways. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, In the end, as in the beginning, pilgrimage is a response to in any from or by any means, electronic, mechanical, an impulse of Love. photocopying or otherwise, without the prior permission of the publishers. “The proof of love is in the works. Where love exists, it works great things. But when it ceases to act, it ceases to The Authors have asserted their rights under the exist” Copyright, Designs and Patents Act, 1988, to be identified – Pope St. -
Aix-En-Provence Aix Region GB HANDICAP TOURIST GUIDE
Aix-en-Provence Aix Region GB HANDICAP TOURIST GUIDE 2017 1 2 CONTENTS P04 | Useful information P10 | Aix-en-Provence destination P11 | City Pass and guided visits P16 | Discover Aix-en-Provence P38 | Cézanne’s sites P40 | Discover the Aix Region P50 | Accessible transport P54 | Accommodation and restaurants: labelled establishments 3 1 USEFUL TOURISM & HANDICAP INFORMATION LABEL This guide is aimed at meeting the needs of people with mo- bility, visual, hearing or mental impairments. Its objective is to provide information on the various tourist attractions to help you prepare for your visit. The sites which are accessible or which have been given the Tourism & Handicap label are mentioned, as well as their facilities. LABEL BY TYPE OF IMPAIRMENT Mobility Visual Hearing Mental ACCESSIBILITY INFORMATION Mobility Visual Hearing Mental 4 USEFUL CONTACTS Association Tourisme & Handicaps 55, avenue Marceau 75016 Paris 01 44 11 10 41 [email protected] www.tourisme-handicaps.org Bouches-du-Rhône Tourisme www.myprovence.fr PACA Regional Tourism Committee www.handitourismepaca.fr 5 LABELLED TOURIST OFFICES AIX-EN-PROVENCE TOURIST OFFICE 300, avenue Giuseppe Verdi 13100 Aix-en-Provence 04 42 16 11 61 [email protected] aixenprovencetourism.com OPENING HOURS 1 January to 31 March / 1 October to 31 December Monday to Saturday - 8.30am to 6pm Closed Sunday and bank holidays 1 April to 30 September Monday to Saturday - 8.30am to 7pm Sunday and bank holidays - 10am to 1pm / 2pm to 6pm Public car park, disabled spaces. Guide to suitable tourist facilities and public services. Guided visit in wheelchair of the Aix historic centre is available. -
TRULY APOSTOLIC MEN – Studia 3
Studia 3 Oblatio Joseph T. LaBelle TRULY APOSTOLIC MEN Apostolic Life in the Early Ministry of Saint Eugene de Mazenod Missionarii OMI Oblatio Studia / 3 Supplemento a Oblatio, III-2014 / 1. Direction / Editor / Editor: Oblate Studies and Research Office – Missionary Oblates of Mary Immaculate. Via Aurelia 290 – 00165 Roma, Italia (C.P. 9061 – 00100 Roma Aurelio) e-mail: [email protected] website: www.omioblatio.org Direttore responsabile: Fabio Ciardi Registrato presso il Tribunale di Roma Finito di stampare nel mese di maggio 2014 dalla Tipografia Città Nuova via Pieve Torina, 55 - 00156 Roma Imagine cover: Saint Eugene de Mazenod, 1822, preserved at the General House, Rome. Oblatio Studia 1. Yvon Beaudoin, Fernand Jetté. Un guide sage dans un temps de crise, 2012, 156 p. English pdf version: http://www.omiworld.org/oblatio/studia. asp?STID=8 3DZHá=DMąF (G From the French Revolution to the New Evan- gelization - Eugene de Mazenod and his charism between XVIII and XXI century / De la Révolution française à la nuovelle évangélisation, 2013, 280 p. 3. Joseph T. LaBelle, Truly Apostolic Men. Apostolic Life in the Early Ministry of Saint Eugene de Mazenod, 2014, 204 p. l 3 l LIST OF ABBREVIATIONS DES Dizionario Enciclopedico di Spiritualità, a cura di Er- manno Ancilli e del Pontificio Istituto di Spiritualità del Teresianum. 3 vols. Rome: Città Nuova Editrice, 1990. DOV Dictionary of Oblate Values, under the direction of Fa- bio Ciardi O.M.I. Rome 2000 (in French, Dictionnaire des valeurs Oblates.) Rome: Association for Oblate Studies and Research, 1996. DS Dictionnaire de spiritualité ascétique et mystique, doc- trine et histoire: Paris, G. -
France's Seizure and Circulation of the Matsukata Collection
Artl@s Bulletin Volume 8 Issue 3 Putting the Arts in their Place Article 2 2019 From Enemy Asset to National Showcase: France’s Seizure and Circulation of the Matsukata Collection (1944-1958) Léa Saint-Raymond École normale supérieure, [email protected] Maxime Georges Métraux Sorbonne Université, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Digital Humanities Commons, and the Diplomatic History Commons Recommended Citation Saint-Raymond, Léa and Maxime Georges Métraux. "From Enemy Asset to National Showcase: France’s Seizure and Circulation of the Matsukata Collection (1944-1958)." Artl@s Bulletin 8, no. 3 (2019): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Putting the Arts in their Place From Enemy Asset to National Showcase: France’s Seizure and Circulation of the Matsukata Collection (1944-1958) Léa Saint-Raymond École normale supérieure Maxime Georges Métraux Sorbonne Université Abstract Sequestered by the French State as an "enemy asset" in 1944, Kojiro Matsukata’s collection was used as a national showcase through exhibitions until 1958. Few catalogues were transparent as to the works’ provenance from the collection.