TRULY APOSTOLIC MEN – Studia 3
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Murder in Aubagne: Lynching, Law, and Justice During the French
This page intentionally left blank Murder in Aubagne Lynching, Law, and Justice during the French Revolution This is a study of factions, lynching, murder, terror, and counterterror during the French Revolution. It examines factionalism in small towns like Aubagne near Marseille, and how this produced the murders and prison massacres of 1795–1798. Another major theme is the conver- gence of lynching from below with official terror from above. Although the Terror may have been designed to solve a national emergency in the spring of 1793, in southern France it permitted one faction to con- tinue a struggle against its enemies, a struggle that had begun earlier over local issues like taxation and governance. This study uses the tech- niques of microhistory to tell the story of the small town of Aubagne. It then extends the scope to places nearby like Marseille, Arles, and Aix-en-Provence. Along the way, it illuminates familiar topics like the activity of clubs and revolutionary tribunals and then explores largely unexamined areas like lynching, the sociology of factions, the emer- gence of theories of violent fraternal democracy, and the nature of the White Terror. D. M. G. Sutherland received his M.A. from the University of Sussex and his Ph.D. from the University of London. He is currently professor of history at the University of Maryland, College Park. He is the author of The Chouans: The Social Origins of Popular Counterrevolution in Upper Brittany, 1770–1796 (1982), France, 1789–1815: Revolution and Counterrevolution (1985), and The French Revolution, 1770– 1815: The Quest for a Civic Order (2003) as well as numerous scholarly articles. -
Site/Non-Site Explores the Relationship Between the Two Genres Which the Master of Aix-En- Provence Cultivated with the Same Passion: Landscapes and Still Lifes
site / non-site CÉZANNE site / non-site Guillermo Solana Museo Thyssen-Bornemisza, Madrid February 4 – May 18, 2014 Fundación Colección Acknowledgements Thyssen-Bornemisza Board of Trustees President The Museo Thyssen-Bornemisza Hervé Irien José Ignacio Wert Ortega wishes to thank the following people Philipp Kaiser who have contributed decisively with Samuel Keller Vice-President their collaboration to making this Brian Kennedy Baroness Carmen Thyssen-Bornemisza exhibition a reality: Udo Kittelmann Board Members María Alonso Perrine Le Blan HRH the Infanta Doña Pilar de Irina Antonova Ellen Lee Borbón Richard Armstrong Arnold L. Lehman José María Lassalle Ruiz László Baán Christophe Leribault Fernando Benzo Sáinz Mr. and Mrs. Barron U. Kidd Marina Loshak Marta Fernández Currás Graham W. J. Beal Glenn D. Lowry HIRH Archduchess Francesca von Christoph Becker Akiko Mabuchi Habsburg-Lothringen Jean-Yves Marin Miguel Klingenberg Richard Benefield Fred Bidwell Marc Mayer Miguel Satrústegui Gil-Delgado Mary G. Morton Isidre Fainé Casas Daniel Birnbaum Nathalie Bondil Pia Müller-Tamm Rodrigo de Rato y Figaredo Isabella Nilsson María de Corral López-Dóriga Michael Brand Thomas P. Campbell Nils Ohlsen Artistic Director Michael Clarke Eriko Osaka Guillermo Solana Caroline Collier Nicholas Penny Marcus Dekiert Ann Philbin Managing Director Lionel Pissarro Evelio Acevedo Philipp Demandt Jean Edmonson Christine Poullain Secretary Bernard Fibicher Earl A. Powell III Carmen Castañón Jiménez Gerhard Finckh HSH Prince Albert II of Monaco Giancarlo Forestieri William Robinson Honorary Director Marsha Rojas Tomàs Llorens David Franklin Matthias Frehner Alejandra Rossetti Peter Frei Katy Rothkopf Isabel García-Comas Klaus Albrecht Schröder María García Yelo Dieter Schwarz Léonard Gianadda Sir Nicholas Serota Karin van Gilst Esperanza Sobrino Belén Giráldez Nancy Spector Claudine Godts Maija Tanninen-Mattila Ann Goldstein Baroness Thyssen-Bornemisza Michael Govan Charles L. -
On Art and Artists
A/ 'PI CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY Cornell University Library N 7445.N82 1907 On art and artists, 3 1924 020 584 946 DATE DUE PRINTEDINU.S./I Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924020584946 ON ART AND ARTISTS Photo : Elhott and Fry. On A H and A rtisls. ON ART AND ARTISTS BY MAX NORDAU AUTHOR OF " DEGBNBRATION " TRANSLATED BY W. F. HARVEY, M.A. PHILADELPHIA GEORGE W. JACOBS & CO. PUBUSHERS 11 n Printed in Great Britain. CONTENTS CHAF. PACE I. The Social Mission of Art. i II. Socialistic Art—Constantin Meunier . 30 in. The Question of Style .... 44 IV. The Old French Masters . .56 V. A Century of French Art .... 70 VI. The School of 1830 ..... 96 VII. The Triumph of a Revolution— The Realists . .107 Alfred Sisley ..... 123 Camille Pissarro . .133 Whistler's Psychology . .145 VIII. Gustave Moreau ..... 155 " IX. EUGilNE CARRlfeRE . l66 X. Puvis DE Chavannes ..... i8s XL Bright and Dark Painting—Charles Cottet . 201 XII. Physiognomies in Painting . .217 XIII. Augusts Rodin ..... 275 XIV. Resurrection—BARTHOLOMi . 294 XV. Jean CarriSis ...... 308 XVI. Works of Art and Art Criticisms . 320 XVII. Mt Own Opinion ..... 336 Index ....... 349 : ON ART AND ARTISTS I THE SOCIAL MISSION OF ART There exists a school of aestheticism which laughs contemptuously at the mere sight of this superscrip- tion. Art having a mission ! What utter nonsense. A person must be a rank Philistine to connect with the idea of art the conception of a non- artistic mission, be it social or otherwise. -
Archivision Art Module E[1]
ARCHIVISION ART MODULE E: WORLD ART III 3000 photographs | images available now | data to come summer 2020 CANADA Montreal Montreal Museum of Fine Arts: Chagall Exhibit • Juggler with a Double Profile (1968) [1] • King David (1954) [3] • Rooster (1947) [5] • Sketch for Clown with Shadow (1964) [1] • Sketch for Comedia dell'arte (1957-58) [1] • Rainbow (1967) [3] • Red Circus (1956-1960) [3] • Triumph of Music (final model for Lincoln Center) (1966) [11] • Triumph of Music (prep drawing 1 for Lincoln Center) (1966) [1] • Triumph of Music (prep drawing 2 for Lincoln Center) (1966) [1] • Wedding (1944) [3] • Variation on the theme of The Magic Flute - Sarastro (1965) [4] • Variation on the theme of The Magic Flute - Papageno (1965) [3] • La Pluie (Rain) (on loan from S. Guggenheim Museum, 1911) Montreal Museum of Fine Arts: Napoleon Exhibit • Apotheosis of Napoleon I, by workshop of bertel Thorvaldsen (ca. 1830) [8] • The Last Attack, Waterloo, Ernest Crofts (1895) [17] Montreal Museum of Fine Arts: Picasso Show • Malanggan Ceremonial Carving (New Ireland, Papua New Guinea, 20th century) [1] • Yupik Finger Mask from Alaska (19th century) [1] • Kavat mask, by baining artist (Papua New Guinea), before 1965 [2] • Headdress, Unknown Tusian (Tusyan) artist (burkina Faso) 20th C [3] • blind Minotaur Guided by Little Girl in the Night (1934) [1] • Bouquet of Flowers [1] • Figure (1930) [1] • Head of a Woman (1927) [1] • Head of a Woman 2 (1929) [1] • Head of a Young Woman (1945) [1] • Large Reclining Nude (1943) [2] • Portrait of a Woman [1] by -
Monday, February 04, 2008
Pascale Le Jeune DS, LS, NCS INDEPENDENT ASSOCIATE CERTIFIED ADVENTURE AND LUXURY TRAVEL COUNSELOR 704- 228th Ave NE #632 • Sammamish, WA 98074 425.503.0389 • [email protected] • www.ExperienceActiveTravel.com Discover France’s Sacred Stories Join Joy Abbey & Virginie Blackmoor On an 12-Day journey to Southern France May 19 – May 31, 2015 Group size: 12 1 Pascale Le Jeune DS, LS, NCS INDEPENDENT ASSOCIATE CERTIFIED ADVENTURE AND LUXURY TRAVEL COUNSELOR 704- 228th Ave NE #632 • Sammamish, WA 98074 425.503.0389 • [email protected] • www.ExperienceActiveTravel.com Day 1 – Tuesday, May 19, 2015 International flight DEPART USA / MARSEILLE, FRANCE Board your international flight to Marseille, France Day 2 – Wednesday, May 20, 2015 Marseille Airport / Marseille ARRIVE IN MARSEILLE, FRANCE Welcome to Marseille. The city has a spicy character and resolutely independent nature that defies easy definition. Discover a richly substantial and exciting destination utterly different from anything else Provence has to offer. The people of Marseille have long been the most multicultural and ethnically diverse in France, and they are collectively known for their infectious joie de vivre. A Group transfer is provided from the Marseille airport to the hotel. Marseille will be your home for the next 2 nights. Lodging Hotel Marseille Bonneveine Prado Although the metropolis is sprawled over a substantial area the tourist heart of the city can be covered within a day, including time for a dip in the ocean. Marseille demands a sensory engagement from its visitors; take in the view from Notre Dame Basilica, breathe in the smells of the ocean at the Vieux Port fish market and tune into the animated conversation of local people. -
Francia – References for Each Section of the Journey Are From
In the Steps of Augustine of Canterbury A Pilgrim’s Guide in France In the Steps of Augustine of Canterbury A Pilgrim’s Guide in France For historical background on the sixth century and the implications of Augustine’s journey through France – ancient Francia – references for each section of the journey are from: Robin Mackintosh, Augustine of Canterbury: Leadership, Mission and Legacy, Canterbury Press, 2013 Rob Mackintosh & Peter Ingrams 1 Contents Chapter 3 Raging Waters Copyright - Arles to Lyon Dedication Chapter 4 Crucial Encounter - Lyon to Nevers Preface Chapter 5 Ready at Last Acknowledgements - Nevers to Paris Chapter 1 The Great Beginning Chapter 6 Taking Risks, Meeting Ancestors - Villefranche-sur-Mer to Aix-en-Provence - Paris to Laon Chapter 2 A Fresh Start Chapter 7 Imperium or Emporium? - Aix-en-Provence to Arles - Laon to Quentovic 2 b Copyright Dedication © Rob Mackintosh & Peter Ingrams 2016 This Pilgrim Guide is dedicated to the Companions of Augustine of Canterbury, and to everyone on a pilgrim First published in 2016 way in the hope that their lives will be enriched in many and unexpected ways. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, In the end, as in the beginning, pilgrimage is a response to in any from or by any means, electronic, mechanical, an impulse of Love. photocopying or otherwise, without the prior permission of the publishers. “The proof of love is in the works. Where love exists, it works great things. But when it ceases to act, it ceases to The Authors have asserted their rights under the exist” Copyright, Designs and Patents Act, 1988, to be identified – Pope St. -
Aix-En-Provence Aix Region GB HANDICAP TOURIST GUIDE
Aix-en-Provence Aix Region GB HANDICAP TOURIST GUIDE 2017 1 2 CONTENTS P04 | Useful information P10 | Aix-en-Provence destination P11 | City Pass and guided visits P16 | Discover Aix-en-Provence P38 | Cézanne’s sites P40 | Discover the Aix Region P50 | Accessible transport P54 | Accommodation and restaurants: labelled establishments 3 1 USEFUL TOURISM & HANDICAP INFORMATION LABEL This guide is aimed at meeting the needs of people with mo- bility, visual, hearing or mental impairments. Its objective is to provide information on the various tourist attractions to help you prepare for your visit. The sites which are accessible or which have been given the Tourism & Handicap label are mentioned, as well as their facilities. LABEL BY TYPE OF IMPAIRMENT Mobility Visual Hearing Mental ACCESSIBILITY INFORMATION Mobility Visual Hearing Mental 4 USEFUL CONTACTS Association Tourisme & Handicaps 55, avenue Marceau 75016 Paris 01 44 11 10 41 [email protected] www.tourisme-handicaps.org Bouches-du-Rhône Tourisme www.myprovence.fr PACA Regional Tourism Committee www.handitourismepaca.fr 5 LABELLED TOURIST OFFICES AIX-EN-PROVENCE TOURIST OFFICE 300, avenue Giuseppe Verdi 13100 Aix-en-Provence 04 42 16 11 61 [email protected] aixenprovencetourism.com OPENING HOURS 1 January to 31 March / 1 October to 31 December Monday to Saturday - 8.30am to 6pm Closed Sunday and bank holidays 1 April to 30 September Monday to Saturday - 8.30am to 7pm Sunday and bank holidays - 10am to 1pm / 2pm to 6pm Public car park, disabled spaces. Guide to suitable tourist facilities and public services. Guided visit in wheelchair of the Aix historic centre is available. -
Memoirs of Napoleon Bonaparte, the Court of the First Empire
1' 1 ' 1 1'lHuliin!.! 'Ml, 1,1' I J,>i'iU'H' iB, llillll! It* It I ! I ! -. ?"'^::'.. • ill? :: ' .: . '•' it';' ;->': i I 11 Pill iJSI ,,...>to.A;MmrFM L I^^l Cornell University 637/^/ Library 1^^^ The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924012877522 Cornell University Library DC 203.M54 1910 of Napoleon Bonaparte, the court Memoirs '" II ii||i iiin 111 111 I 3 1924 012 877 522 MEMOIRS OF NAPOLEON BONAPARTE The Court of the First Empire BY BARON C-F DE MENEVAL His Pri-vate Secret a ry VOLUME I With a Special Introduction and Illustrations NEW YORK P F COLLIER & SON PUBLISHERS Copyright igio By p. F. Collier & Son —— CONTENTS CHAPTER I PACE Meneval's Early Life.—Makes Acquaintance of Louis Bona- parte.—The Return of General Bonaparte from Egypt. Louis Bonaparte.—Napoleon's Prophecy on his Destiny. Opinions of Napoleon on J. J. Rousseau.—Napoleon French, not Italian.—Meneval Taken by the Conscription. —Capture and Execution of Frotte at Verneuil.—Meneval Meets Joseph Bonaparte.—Negotiations with the United States.—Meneval Sees Napoleon for the First Time. M. de Lafayette.—Passage of General Moreau to Lune- ville.—^The Victory of Hohenlinden.—Peace Concluded. Lucien Bonaparte.—Death of Paul I.—Evacuation of Egypt.—Signing the Concordat.—Fall of the Pitt Cabinet. —Signing the Treaty at Amiens.—Marriage of Louis Bonaparte.—Marriage of Murat Sanctioned by Church . VJ CHAPTER n Meneval Admitted into the First Consul's Cabinet.—Friendly Reception from Madame Bonaparte—Family Dinner. -
11 Walks and Hiking Tours
Aix Region GB 11 WALKS AND HIKING TOURS 2017 NP 1 The Federation of Popular Sports’ hikes ake time to breathe the scrubland’s scents, enjoy the warm The permanent tours Tsun, listen to the sounds of nature, marvel at the powerful The all accessible trails present no difficulty and are signposted landscapes and views of Provence... this is what these 11 walks for low gradients loops of about 10 to 12 km. and hiking tours in the heart of Aix Region are all about. Accessible and designed in partnership with the French Fede- Who can participate? ration of Popular Sports, the marked trails of about 10 to 12 Everyone regardless of age or walking pace may participate in km long, lead you on the paths of history, amidst vineyards and a popular march. There are no set departure times; everyone charming villages in the Mediterranean mountains and forests, walks at one’s own pace. This is an opportunity to get together to discover the treasures of our land. with friends and family; children must be accompanied. Once or twice a year, thematic festivities are organized along these loops. They are listed in this leaflet.. Schedule Registration and departure are free from 8am to 1 or 2pm de- pending on the chosen hike. Distance certificate A participation notebook is delivered upon the first Popular Hike in order to have it stamped when returning from the hike. Each trail gets its unique stamp validating the distance. Participation Each participant has to purchase a €2 federal license covering the insurance fee. www.ffsp.fr 2 3 Summer regulation of Schedule for the Aix Region’s forest access "Popular Walks" (Prefectoral Decree of June 1st to September 30th) Check the evening before your visit at: TOWN DATE THEME cg13.eway.fr/conditions.php or by telephone +33 (0)8 11 20 13 13 (surcharged number) Saint-Cannat April Scarecrow walk Les Pennes- May Plants walk Mirabeau Let’s start the trails on your smartphone! Gréasque June Mine and bread walk How does it work? Jouques July Scents and evening walk August 1. -
THE TAPESTRIES from CANTERBURY CATHEDRAL. 69 Ornaments
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society ( 67 ) THE TAPESTRIES EROM CANTERBURY CATHEDRAL. BY AYMER VALLANCE. IN the loan Exhibition of French Art, held at Burhngton House, London, in the opening months of 1932, were included two tapestries, numbered in the catalogue 27 and 32 respec- tively, which should be of peculiar interest to Kentish folk, inasmuch as they once formed part of the furniture of Canterbury Cathedral. They were lent for exhibition by the Cathedral of Aix in Provence, to which they now belong, and of which they decorate the quire and south aisle. The particular pieces exhibited in London form part of a series depicting the Life of our Lord. The material is mainly wool, with the occasional introduction of silk, to give variety of texture, and to heighten the effect in places here and there. The technique of the process is that known as haute lisse, which means that the tapestry is hand-woven in an upright loom, the weaver being stationed at the back, and seeing the face of the web, so long as it is in progress, only by reflection in a mirror through the vertical threads of the warp. Such is the method invariably employed for tapestries of any size. For smaUer pieces, in contradistinction to the haute lisse, the alternative process of basse lisse is used. When employing this method the weaver sits, as at an embroidery frame, and looks down on to the face of the web, stretched out horizontaUy. -
Chapter Ii Origins of Gothic Architecture in Cyprus
C. ENLART L'ART GOTHIQUE ET LA RENAISSANCE E N CHYPRE 11.LUSTKK DE 34 PLANCHES ET DE 421 FIGURES Ouvrage publié sous les auspices du Ministère de l'Instruction publique et des Beaux-Arts. TOME PREMIER PARIS KU \ KSI LlîOl'X, ÉDITKl R 28, RUE BONAPARTE, 2S 18!)!» Title page of the 1899 edition. CHAPTER I CHARACTER AND DEVELOPMENT OF WESTERN ARCHITECTURE IN CYPRUS l ROMANESQUE ARCHITECTURE Romanesque architecture had undoubtedly made its presence felt in Cyprus before the western invasion; that was in 1191, whereas Roman- l esque architecture had been brought from the coast of Syria, where it Now the Bazaar Mosque. was already being practised in the twelfth century by the Romanesque architects who have left us in Beirut a beautiful church in the finest 2 1 Les églises de la Terre French style, not to mention those noteworthy Romanesque churches Sainte (Didron, Paris, 1860). 2 in Palestine studied by the Marquis de Vogiié. 3 (Ed. Note.) On the churches One proof of the source from where the Romanesque style was im- of the Karpas believed by ported into Cyprus can be derived from the situation of the buildings; Enlart to be Romanesque see further: G. Jeffery, A De- its influence can only be traced in the Karpas Peninsula, that elongated scription of the Historic promontory which stretches in the direction of the coast of Asia Minor Monuments of Cyprus and approaches it closely. Seeing that in the course of the twelfth (Nicosia, 1918), pp. 258-60; R. Gunnis, Historic Cyprus century Cyprus was cut off from its cultural roots it is reasonable to (London, 1916), pp. -
Doubting Mary: Early English Drama from N-Town to Shakespeare
Doubting Mary: Early English Drama from N-Town to Shakespeare Emma Margaret Solberg Jersey City, New Jersey BA, Oxford University, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August, 2013 Table of Contents Introduction…………...................................................................................................................1 ★ The Late Medieval English Cult of the Virgin………….……………………………...6 ★ Critical History…………………………………………..……………………………...9 Chapter 1: The Virgin Whore ★ Introduction: Ave Eva……………………………………...………………………….20 ★ The Immaculate Conception………………………………...…………………………27 ★ Joseph’s Doubt………………………………...………………………………………42 ★ The First Suspect: Joseph………………………………...……………………………44 Mary’s Locked Door………………………………..………………………...52 God’s Cuckold……………………………………….……………………….55 ★ The Second, Third, and Fourth Suspects ……...……………………………………...60 ★ The Fifth Suspect ……...……………………………………………………………...69 ★ The Sixth Suspect ……...……………………………………………………………..73 The Adulteress’ Excuse………………………………..……………………..80 ★ Christ and the Adulteresses……………………………………...…………………….83 Marian Miracles…………………………………………..…………………..90 ★ Conclusion: Incarnational Theater…………………………………….………………92 Chapter 2: “Trye the Trewthe Owth” ★ Introduction: “The fool says in his heart, there is no God”…………………...………96 ★ Moments of Doubt…………………………………………………………..…..……102 ★ N-Town’s Nativity Pageant………………………………………………...……...…108 ★ N-Town’s “Trial of Mary