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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia). -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Martyred for the Church
Wissenschaftliche Untersuchungen zum Neuen Testament · 2. Reihe Herausgeber / Editor Jörg Frey (Zürich) Mitherausgeber/Associate Editors Markus Bockmuehl (Oxford) · James A. Kelhoffer (Uppsala) Tobias Nicklas (Regensburg) · J. Ross Wagner (Durham, NC) 471 Justin Buol Martyred for the Church Memorializations of the Effective Deaths of Bishop Martyrs in the Second Century CE Mohr Siebeck Justin Buol, born 1983; 2005 BA in Biblical and Theological Studies, Bethel University; 2007 MA in New Testament, Trinity Evangelical Divinity School; 2009 MA in Classical and Near Eastern Studies, University of Minnesota; 2017 PhD in Christianity and Judaism in Antiquity, University of Notre Dame; currently an adjunct professor at Bethel University. ISBN 978-3-16-156389-8 / eISBN 978-3-16-156390-4 DOI 10.1628/978-3-16-156390-4 ISSN 0340-9570 / eISSN 2568-7484 (Wissenschaftliche Untersuchungen zum Neuen Testament, 2. Reihe) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. This applies particularly to repro- ductions, translations and storage and processing in electronic systems. The book was printed by Laupp & Göbel in Gomaringen on non-aging paper and bound by Buchbinderei Nädele in Nehren. Printed in Germany. Preface This monograph represents a revised version of my doctoral dissertation. It has been updated to take into account additional scholarly literature, bring in new argumentation, and shorten some sections for relevance. -
7 Butchering Girls
7 BUTCHERING GIRLS Red Riding Hood and Bluebeard For heroines of the ‘innocent slandered maiden’ type we can expect a murder attempt, but the tale does not really centre on the murder episode as such, and the heroine for her part does not do a great deal to avert her fate, although she may show considerable initiative in variants where she is disguised as a man. Other tale-plots are, however, considerably more inclined to indulge an appetite for ghoulish horror, at times apparently for its own sake, and the ‘compassionate executioner’ is not likely to be on standby either. Tales of plucky young girls who elude being devoured or murdered by an animal or human predator are well entrenched in the modern repertoire. The best known are Little Red Riding Hood (Little Redcap) and Bluebeard; both are often felt to be tales of relatively limited distribution and obscure early history. Once more there is a great deal of further exploration still to be done. Red Riding Hood (AT Type 333)1 The Perrault version of Little Red Riding Hood is the first available example of the modern tale, and also the best known: The girl in the red cape has to cross the wood on an errand to her grandmother. In conversation the wolf elicits details of her errand, comes to the grandmother’s house by a different route, and swallows both. Not until the Grimms does there appear to be a happy ending, in which the wolf is forced to disgorge the victims still alive and is then himself killed by having his belly weighted with stones; a second wolf in a clumsy doublet attack is then drowned in a water butt. -
Myth and Origins: Men Want to Know
Journal of Literature and Art Studies, October 2015, Vol. 5, No. 10, 930-945 doi: 10.17265/2159-5836/2015.10.013 D DAVID PUBLISHING Myth and Origins: Men Want to Know José Manuel Losada Université Complutense, Madrid, Spain Starting with a personal definition of “myth”, this paper seeks to substantiate the claim that every myth is essentially etiological, in the sense that myths somehow express a cosmogony or an eschatology, whether particular or universal. In order to do that, this study reassesses Classical and Judeo-Christian mythologies to revisit and contrast the narratives of origin—of the cosmos, of the gods and of men—found in ancient polytheism and in Judeo-Christian monotheism. Taking into consideration how these general and particular cosmogonies convey a specific understanding of the passage of time, this article does not merely recount the cosmogonies, theogonies, and anthropogonies found in the Bible and in the works of authors from Classical Antiquity, but it also incorporates a critical commentary on pieces of art and literature that have reinterpreted such mythical tales in more recent times. The result of the research is the disclosure of a sort of universal etiology that may be found in mythology which, as argued, explains the origins of the world, of the gods, and of men so as to satisfy humankind’s ambition to unveil the mysteries of the cosmos. Myth thus functions in these cases as a vehicle that makes it possible for man to return the fullness of a primordial age, abandoning the fleeting time that entraps him and entering a time still absolute. -
New Latin Grammar
NEW LATIN GRAMMAR BY CHARLES E. BENNETT Goldwin Smith Professor of Latin in Cornell University Quicquid praecipies, esto brevis, ut cito dicta Percipiant animi dociles teneantque fideles: Omne supervacuum pleno de pectore manat. —HORACE, Ars Poetica. COPYRIGHT, 1895; 1908; 1918 BY CHARLES E. BENNETT PREFACE. The present work is a revision of that published in 1908. No radical alterations have been introduced, although a number of minor changes will be noted. I have added an Introduction on the origin and development of the Latin language, which it is hoped will prove interesting and instructive to the more ambitious pupil. At the end of the book will be found an Index to the Sources of the Illustrative Examples cited in the Syntax. C.E.B. ITHACA, NEW YORK, May 4, 1918 PREFACE TO THE SECOND EDITION. The present book is a revision of my Latin Grammar originally published in 1895. Wherever greater accuracy or precision of statement seemed possible, I have endeavored to secure this. The rules for syllable division have been changed and made to conform to the prevailing practice of the Romans themselves. In the Perfect Subjunctive Active, the endings -īs, -īmus, -ītis are now marked long. The theory of vowel length before the suffixes -gnus, -gna, -gnum, and also before j, has been discarded. In the Syntax I have recognized a special category of Ablative of Association, and have abandoned the original doctrine as to the force of tenses in the Prohibitive. Apart from the foregoing, only minor and unessential modifications have been introduced. In its main lines the work remains unchanged. -
Zeus in the Greek Mysteries) and Was Thought of As the Personification of Cyclic Law, the Causal Power of Expansion, and the Angel of Miracles
Ζεύς The Angel of Cycles and Solutions will help us get back on track. In the old schools this angel was known as Jupiter (Zeus in the Greek Mysteries) and was thought of as the personification of cyclic law, the Causal Power of expansion, and the angel of miracles. Price, John Randolph (2010-11-24). Angels Within Us: A Spiritual Guide to the Twenty-Two Angels That Govern Our Everyday Lives (p. 151). Random House Publishing Group. Kindle Edition. Zeus 1 Zeus For other uses, see Zeus (disambiguation). Zeus God of the sky, lightning, thunder, law, order, justice [1] The Jupiter de Smyrne, discovered in Smyrna in 1680 Abode Mount Olympus Symbol Thunderbolt, eagle, bull, and oak Consort Hera and various others Parents Cronus and Rhea Siblings Hestia, Hades, Hera, Poseidon, Demeter Children Aeacus, Ares, Athena, Apollo, Artemis, Aphrodite, Dardanus, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces [2] Roman equivalent Jupiter Zeus (Ancient Greek: Ζεύς, Zeús; Modern Greek: Δίας, Días; English pronunciation /ˈzjuːs/[3] or /ˈzuːs/) is the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε, patḕr andrōn te theōn te)[4] who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[5] He is known for his erotic escapades. -
Opening Pandora's
Opening Pandora’s Box: From Ancient Sacrifice to Family Secrets April 12, 2008 2:30 PM The Philoctetes Center Levy: Francis Levy Nersessian: Edward Nersessian Blum: Harold Blum Branham: Joan Branham Braverman: Lois Braverman Harrison: Kathryn Harrison Pedrick: Victoria Pedrick A: Speaker from audience Levy: I’m Francis Levy. I’m co-director of the Philoctetes Center. Ed Nersessian is the other co- director. And welcome to Opening Pandora’s Box. The art you see on the walls here is from a show called Self-Reflection: The True Mirror that was curated by Hallie Cohen, who is the Chairman of the Art Department at Marymount Manhattan College. The title of this show refers actually to a true mirror which exists in the annex outside. This is an object where if you look into it you see yourself the way others see you. I’ve said this before, but I just have to say it again: I looked into it and I just wasn’t happy with what I saw. I promise I won’t say that again. I’m now pleased to introduce Harold Blum. Harold Blum is a Clinical Professor of Psychiatry and a training analyst at the New York University School of Medicine. Currently, he serves as Executive Director of the Sigmund Freud Archives and is a distinguished fellow at the American Psychiatric Association. He is past President of the Psychoanalytic Research and Development fund, past Vice President of the International Psychoanalytical Association, and former editor-in- chief of the Journal of the American Psychoanalytic Association. He is the author of several books and more than 150 psychoanalytic papers, so watch out. -
Recapturing a Homeric Legacy
Hellenic Studies 35 Recapturing a Homeric Legacy Images and Insights From the Venetus A Manuscript of the Iliad Other Titles in the Hellenic Studies Series Plato’s Rhapsody and Homer’s Music The Poetics of the Panathenaic Festival in Classical Athens Labored in Papyrus Leaves Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309) Helots and Their Masters in Laconia and Messenia Histories, Ideologies, Structures Recapturing a Archilochos Heros The Cult of Poets in the Greek Polis Master of the Game Competition and Performance in Greek Poetry Homeric Legacy Greek Ritual Poetics edited by Casey Dué Black Doves Speak Herodotus and the Languages of Barbarians Pointing at the Past From Formula to Performance in Homeric Poetics Homeric Conversation The Life and Miracles of Thekla Victim of the Muses Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History Amphoterōglossia A Poetics of the Twelfth Century Medieval Greek Novel Priene (second edition) Plato’s Symposium Issues in Interpretation and Reception Poetic and Performative Memory in Ancient Greece Heroic Reference and Ritual Gestures in Time and Space http://chs.harvard.edu/chs/publications Center for Hellenic Studies Trustees for Harvard University Washington, D.C. Distributed by Harvard University Press Cambridge, Massachusetts, and London, England 2009 Recapturing a Homeric Legacy : Images and Insights From the Venetus A Manuscript of the Iliad Edited by Casey Dué Copyright © 2009 Center for Hellenic Studies, Trustees for Harvard University All Rights Reserved. Published by Center for Hellenic Studies, Trustees for Harvard University, Washington, D.C. Distributed by Harvard University Press, Cambridge, Massachusetts and London, England Printed in Ann Arbor, MI by Edwards Brothers, Inc. -
Elena Franchi, Genealogies and Violence. Central Greece in the Making
The Dancing Floor of Ares Local Conflict and Regional Violence in Central Greece Edited by Fabienne Marchand and Hans Beck ANCIENT HISTORY BULLETIN Supplemental Volume 1 (2020) ISSN 0835-3638 Edited by: Edward Anson, Catalina Balmaceda, Monica D’Agostini, Andrea Gatzke, Alex McAuley, Sabine Müller, Nadini Pandey, John Vanderspoel, Connor Whatley, Pat Wheatley Senior Editor: Timothy Howe Assistant Editor: Charlotte Dunn Contents 1 Hans Beck and Fabienne Marchand, Preface 2 Chandra Giroux, Mythologizing Conflict: Memory and the Minyae 21 Laetitia Phialon, The End of a World: Local Conflict and Regional Violence in Mycenaean Boeotia? 46 Hans Beck, From Regional Rivalry to Federalism: Revisiting the Battle of Koroneia (447 BCE) 63 Salvatore Tufano, The Liberation of Thebes (379 BC) as a Theban Revolution. Three Case Studies in Theban Prosopography 86 Alex McAuley, Kai polemou kai eirenes: Military Magistrates at War and at Peace in Hellenistic Boiotia 109 Roy van Wijk, The centrality of Boiotia to Athenian defensive strategy 138 Elena Franchi, Genealogies and Violence. Central Greece in the Making 168 Fabienne Marchand, The Making of a Fetter of Greece: Chalcis in the Hellenistic Period 189 Marcel Piérart, La guerre ou la paix? Deux notes sur les relations entre les Confédérations achaienne et béotienne (224-180 a.C.) Preface The present collection of papers stems from two one-day workshops, the first at McGill University on November 9, 2017, followed by another at the Université de Fribourg on May 24, 2018. Both meetings were part of a wider international collaboration between two projects, the Parochial Polis directed by Hans Beck in Montreal and now at Westfälische Wilhelms-Universität Münster, and Fabienne Marchand’s Swiss National Science Foundation Old and New Powers: Boiotian International Relations from Philip II to Augustus.