Annual Report 2018 CONTENT OPENING WORD of the DIRECTOR GENERAL 2 MISSION and VISION 4
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Religious Freedom Survey, October 2020
Occasional Papers on Religion in Eastern Europe Volume 40 Issue 8 Article 6 10-2020 Belarus: Religious Freedom Survey, October 2020 Olga Glace Follow this and additional works at: https://digitalcommons.georgefox.edu/ree Part of the Christianity Commons, and the Eastern European Studies Commons Recommended Citation Glace, Olga (2020) "Belarus: Religious Freedom Survey, October 2020," Occasional Papers on Religion in Eastern Europe: Vol. 40 : Iss. 8 , Article 6. Available at: https://digitalcommons.georgefox.edu/ree/vol40/iss8/6 This Article, Exploration, or Report is brought to you for free and open access by Digital Commons @ George Fox University. It has been accepted for inclusion in Occasional Papers on Religion in Eastern Europe by an authorized editor of Digital Commons @ George Fox University. For more information, please contact [email protected]. BELARUS: RELIGIOUS FREEDOM SURVEY, OCTOBER 20201 By Olga Glace, Forum 18 Belarus correspondent Before the UN Human Rights Council Universal Periodic Review (UPR) of Belarus on 2 November, Forum 18 notes continuing violations of freedom of religion and belief and of interlinked freedoms of expression, association, and assembly. These have worsened amid widespread continuing protests against falsified results of the August 2020 presidential election, and against the regime's other serious violations of the human rights of the people it rules. After the regime's falsification of the August 2020 presidential election results and violence against people taking part in the ongoing protests, public events to pray for Belarus and for violence by the regime to end have increased. The regime has increasingly used Administrative Code Article 23.34 ("Violation of the procedure for organizing or conducting a mass event or demonstration") against those taking part in public prayer events. -
Selected References
SELECTED REFERENCES Events and Tours • 2016 Summer Olympic Games, Opening and Closing Ceremonies – Rio, Brasil • 2014 Winter Olympic Games, Opening and Closing Ceremonies - Sochi, Russia • 2012 Summer Olympic Games, Opening and Closing Ceremonies - London, United Kingdom • 2012 Paralympics Opening and Closing Ceremonies - Beijing, China • 2010 Winter Olympic Games, Opening and Closing Ceremonies - Vancouver, BC, Canada • 2008 Summer Olympic Games, Opening and Closing Ceremonies - Beijing, China • 2004 Summer Olympic Games, Opening and Closing Ceremonies - Athens, Greece • 2007 Rugby World Cup Opening Ceremony, Stade de France - Paris, France • 2006 Soccer World Cup Opening Ceremony - Munich, Germany st • 1 European Games 2015 - Baku, Azerbaijan th • 15 Pacific Games 2015 - Papua New Guinea th • 20 World Youth Day - Cologne, Germany th • 28 SEA Games, Opening and Closing Ceremonies, Singapore nd • 32 America’s Cup - Valencia, Spain • Abu Dhabi Classics - Abu Dhabi, United Arab Emirates • ATP Grand Slam US Open Tennis 2013 - New York, USA • ATP Monte-Carlo Tennis Masters - Monaco • Barbra Streisand European Tour • Bastille Day 2015 – Paris, France • Bastille Day Celebration - Le Chateau de Chantilly, France • Billy Joel & Elton John “Face 2 Face” Tour • Björk Tour 2015 • Bob Dylan European Tour • Bon Jovi "The Circle World” Tour • British Summer Time 2014, 2015 - London, UK • Britney Spears “The Circus” Tour • Carnival - Salvador, Brazil • Coldplay “Mylo Xyloto” Tour • Coldplay “Viva la Vida” Tour • Coldpaly “Head Full of Dreams” Tour • -
Should Poland Join the Euro? an Economic and Political Analysis
Should Poland Join the Euro? An Economic and Political Analysis Should Poland Join the Euro? An Economic and Political Analysis Graduate Policy Workshop February 2016 Michael Carlson Conor Carroll Iris Chan Geoff Cooper Vanessa Lehner Kelsey Montgomery Duc Tran Table of Contents Acknowledgements ................................................................................................................................ i About the WWS Graduate Policy Workshop ........................................................................................ ii Executive Summary .............................................................................................................................. 1 1 Introduction ................................................................................................................................. 2 2 The Evolution of Polish Thought on Euro Adoption ................................................................. 5 2.1 Pre-EU membership reforms ...................................................................................................................... 5 2.2 After EU Accession ....................................................................................................................................... 5 2.3 Crisis years ...................................................................................................................................................... 6 2.4 Post-crisis assessment .................................................................................................................................. -
The Cremator (Modern Czech Classics)
Karolinum Press ABOUT THE AUTHOR Ladislav Fuks (1923–1994) was a Czech writer known for his brilliant psychological novels. The son of a police officer, Fuks was born and raised in Prague—the capital of the newly independent Czechoslovakia, yet he turned fifteen only days before the Munich Conference and the subsequent Nazi occupation of his country. The deportation of his Jewish classmates (coinciding with a homosexual awakening that could have landed him in a concentration camp) profoundly affected Fuks. After the war, Fuks enrolled in Charles University where he studied Art History, Philosophy and Psychology. His first novel, Mr. Theodore Mundstock (1963; English, 1969), a schizophrenic masterpiece that Life magazine described as a “minor miracle,” explores the anxiety of a Jewish man as he tries to steel himself for life in the concentration camps. The Cremator (1966), was adapted in 1969 into the acclaimed film, which Virginie Sélavy describes as “disorientating, disquieting and darkly humorous . one of the most richly resonant celluloid nightmares,” while Of Mice and Mooshaber (1970; English, 2014) combines dystopian science fiction with elements of the fantastic and grotesque. A prolific author who expertly employed disparate styles, Ladislav Fuks remains one of the finest writers to portray the psychological fragility of those living under totalitarianism. MODERN CZECH CLASSICS The Cremator Ladislav Fuks Translated from the Czech by Eva M. Kandler Afterword by Rajendra Chitnis KAROLINUM PRESS 2016 KAROLINUM PRESS Karolinum Press is a publishing department of Charles University Ovocný trh 5/560, 116 36 Prague 1 Czech Republic www.karolinum.cz Text © 2016 by Ladislav Fuks – heirs, c/o Dilia Translation © 2016 by Eva M. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque A Dissertation Presented by Lilla T!ke to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University May 2010 Copyright by Lilla T!ke 2010 Stony Brook University The Graduate School Lilla T!ke We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, English and Comparative Literary and Cultural Studies, Dissertation Director Krin Gabbard, Professor, Comparative Literary and Cultural Studies, Chairperson of Defense Robert Harvey, Professor, Comparative Literary and Cultural Studies and European Languages Sandy Petrey, Professor, Comparative Literary and Cultural Studies and European Languages Katie Trumpener, Professor, Comparative Literature and English, Yale University Outside Reader This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque by Lilla T!ke Doctor of Philosophy in Comparative Literature Stony Brook University 2010 The dissertation examines the legacies of grotesque comedy in the cinemas of Eastern Europe. The absolute non-seriousness that characterized grotesque realism became a successful and relatively safe way to talk about the absurdities and the failures of the communist system. This modality, however, was not exclusive to the communist era but stretched back to the Austro-Hungarian era and forward into the Postcommunist times. -
Surrealism in and out of the Czechoslovak New Wave
Introduction Surrealism In and Out of the Czechoslovak New Wave Figure I.1 A poet’s execution. A Case for the Young Hangman (Případ pro začínajícího kata, Pavel Juráček, 1969) ©Ateliéry Bonton Zlín, reproduced by courtesy of Bonton Film. 2 | Avant-Garde to New Wave The abrupt, rebellious flowering of cinematic accomplishment in the Czechoslovakia of the 1960s was described at the time as the ‘Czech film miracle’. If the term ‘miracle’ referred here to the very existence of that audacious new cinema, it could perhaps also be applied to much of its content: the miraculous and marvellous are integral to the revelations of Surrealism, a movement that claimed the attention of numerous 1960s filmmakers. As we shall see, Surrealism was by no means the only avant-garde tradition to make a significant impact on this cinema. But it did have the most pervasive influence. This is hardly surprising, as Surrealism has been the dominant mode of the Czech avant-garde during the twentieth century, even if at certain periods that avant-garde has not explicitly identified its work as Surrealist. Moreover, the very environment of the Czech capital of Prague has sometimes been considered one in which Surrealism was virtually predestined to take root. The official founder of the Surrealist movement, André Breton, lent his imprimatur to the founding of a Czech Surrealist group when he remarked on the sublimely conducive locality of the capital, which Breton describes as ‘one of those cities that electively pin down poetic thought’ and ‘the magic capital of old Europe’.1 Indeed, it would seem a given that Czech cinema should evince a strong Surrealist tendency, especially when we consider the Surrealists’ own long-standing passion for this most oneiric of art forms. -
New Solar Research Yukon's CKRW Is 50 Uganda
December 2019 Volume 65 No. 7 . New solar research . Yukon’s CKRW is 50 . Uganda: African monitor . Cape Greco goes silent . Radio art sells for $52m . Overseas Russian radio . Oban, Sheigra DXpeditions Hon. President* Bernard Brown, 130 Ashland Road West, Sutton-in-Ashfield, Notts. NG17 2HS Secretary* Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Treasurer* Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] MWN General Steve Whitt, Landsvale, High Catton, Yorkshire YO41 1EH Editor* 01759-373704 [email protected] (editorial & stop press news) Membership Paul Crankshaw, 3 North Neuk, Troon, Ayrshire KA10 6TT Secretary 01292-316008 [email protected] (all changes of name or address) MWN Despatch Peter Wells, 9 Hadlow Way, Lancing, Sussex BN15 9DE 01903 851517 [email protected] (printing/ despatch enquiries) Publisher VACANCY [email protected] (all orders for club publications & CDs) MWN Contributing Editors (* = MWC Officer; all addresses are UK unless indicated) DX Loggings Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] Mailbag Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Home Front John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB 01442-408567 [email protected] Eurolog John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB World News Ton Timmerman, H. Heijermanspln 10, 2024 JJ Haarlem, The Netherlands [email protected] Beacons/Utility Desk VACANCY [email protected] Central American Tore Larsson, Frejagatan 14A, SE-521 43 Falköping, Sweden Desk +-46-515-13702 fax: 00-46-515-723519 [email protected] S. -
Annual Report 2017 CONTENT DIRECTOR GENERAL’S FOREWORD 3 CZECH RADIO’S MISSION and VISION 4
Annual Report 2017 CONTENT DIRECTOR GENERAL’S FOREWORD 3 CZECH RADIO’S MISSION AND VISION 4 PROJECTS AND EVENTS 8 Give Blood with Czech Radio 10 Water Week 12 Jesus’ Grandkids 14 Czech Radio Ball 16 Open Doors Day + Prague Museum Night 18 Vinohradská 12 Gallery 20 EBU Radio Assembly in Pilsen 22 Euroradio Folk Festival in Český Krumlov 24 Art Is Not Dead! 26 Summer with Sherlock Holmes 28 A Day with Anthropoid 30 Green Wave: We know the right route 32 Karlovy Vary International Film Festival 34 Gourmet Year 36 Audioport in Tugendhat Villa 38 Czeching Showcase 40 Debates on Czech Radio Plus 42 4th Anniversary of Radio Junior 44 ON AIR 46 News, Current Affairs and Sports 48 Music, Art and Culture 51 Science, Technology, Educational Content 55 Society and Lifestyle, Programmes for Minorities 56 Entertainment 60 Production for Children and Young Adults 61 Regional Broadcasting 62 International Broadcasting 65 Internet and Multimedia 66 Archive 69 OFF AIR 70 Artistic Ensembles 73 Festivals and Contests 79 Communication and Marketing 80 International Relations 84 Radioservis 87 Czech Radio Foundation 91 ORGANISATION AND MANAGEMENT 93 Technology 94 Finance 96 Listenership 100 Czech Radio Management 102 Organisational Chart 104 Czech Radio Council and Supervisory Committee 103 Czech Radio Headquarters – Atrium DIRECTOR GENERAL’S FOREWORD Dear readers and fans of Czech Radio, I am delighted to inform you that 2017 was another successful year in the history of Czech Radio. Our service fulfilled its informative cultural, entertainment Last but not least, our special projects are also worth mention‑ and educational roles. -
Organizer of the 54Th Karlovy Vary IFF 2019: Film Servis Festival Karlovy Vary, A.S
Organizer of the 54th Karlovy Vary IFF 2019: Film Servis Festival Karlovy Vary, a.s. Organizers of the 54th Karlovy Vary IFF thank to all partners which help to organize the festival. 54th Karlovy Vary IFF is supported by: Ministry of Culture Czech Republic Main partners: Vodafone Czech Republic a.s. innogy MALL.cz Accolade City of Karlovy Vary Karlovy Vary Region Partners: UniCredit Bank Czech Republic and Slovakia, a.s. UNIPETROL SAZKA Group the Europe’s largest lottery company DHL Express (Czech Republic), s.r.o. Philip Morris ČR, a.s. CZECH FUND – Czech investment funds Official car: BMW Official fashion partner: Pietro Filipi Official coffee: Nespresso Supported by: CZ - Česká zbrojovka a.s. Supported by: construction group EUROVIA CS Supported by: CZECHOSLOVAK GROUP Partner of the People Next Door section: Sirius Foundation Official non-profit partner: Patron dětí Film Servis Festival Karlovy Vary, Panská 1, 110 00 Praha 1, Czech Republic Tel. +420 221 411 011, 221 411 022 www.kviff.com Official beverage: Karlovarská Korunní Official beauty partner: Dermacol Official champagne: Moët & Chandon Official beer: Pilsner Urquell Official drink: Becherovka Main media partners: Czech Television Czech Radio Radiožurnál PRÁVO Novinky.cz REFLEX Media partners: BigBoard Praha PLC ELLE Magazine magazine TV Star Festival awards supplier: Moser Glassworks Software solutions: Microsoft Consumer electronics supplier: LG Electronics Partner of the festival Instagram: PROFIMED Main hotel partners: SPA HOTEL THERMAL Grandhotel Pupp Four Seasons Hotel Prague Partner of the No Barriers Project: innogy Energie Wine supplier: Víno Marcinčák Mikulov - organic winery GPS technology supplier: ECS Invention spol. s r.o. -
Shortwave Radio Today
SPEEDX AWARDS UPDATE Harold Woering 913 Campbell Dr Easthampton, MA 01027-2729 Hello again! By the looks of the awards and upgrades I sent out, Mark andRichard have kept me quite busy. Congrats to all who received awards. Thanksto Richard who featured me as the 'Maytag Repairman' for Ute hunters In the Utility Notescolumn. It's true,I get few requests for utility awards and, in my opinion, if youlisten in the right bands you get quite a few stations. Check out the Utilities and UtilityNotes columns. There Is a great deal of information there. Well, here we go with thelist of folks we have received awards or upgrades: ASIA: Mark Humenyk - 50 AFRICAN: Mark Humenyk - 50 UTILITY: Richard Baker - 100 USSR: Mark Humenyk - 20 VOA: Richard Hankison -I 5 CRUISE SHIPS: Richard Baker -15 Mark Humenyk -I 0 ARMED FORCES: Richard Baker - 75 MARS: Richard Baker - 50 EXPEDITIONIST: Mark Humenyk WAYDOWNUNDER: Richard Baker 360: Mark Humenyk - 100 EUROPEAN: Mark Humenyk - 50 Andrew Steinberg - 75 MIDDLE EAST: Mark Humenyk - 5 ORIENT: Mark Humenyk - 20 AMERICAS: Mark Humenyk - 50 By the way. for those interested, I am now on CompuServe72764.3003 For a copy of the Awards Pamphlet, drop me a note along with acheck madeout to me for US $2.00 or 4 !RC's. Initial awards are $1.00 andupgrade stickers are available for an SASE. 73's and good DX, Harold SHORTWAVE RADIO TODAY SEPTEMBER,I 993 Volume 22, Number 9 2. THE DXPERIENCE, Dan Brame 6. TRASH AND TREASURE, Donald J. Weber 7. WHAT'S ON, Daniel Sampson B. -
Poland Energy Transition: the Path to Sustainability in the Electricity and Heating Sector
The Path to Sustainability in the Electricity and Heating Sector The Path to Sustainability in the Electricity and Heating Sector © 2018 International Bank for Reconstruction and Development / The World Bank 1818 H Street NW Washington DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org This work is a product of the staff of The World Bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors, or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Rights and Permissions The material in this work is subject to copyright. Because The World Bank encourages dissemination of its knowledge, this work may be reproduced, in whole or in part, for noncommercial purposes as long as full attribution to this work is given. Any queries on rights and licenses, including subsidiary rights, should be addressed to World Bank Publications, The World Bank Group, 1818 H Street NW, Washington, DC 20433, USA; fax: 202-522-2625; e-mail: [email protected]. CONTENTS vi Foreword vii Acknowledgements viii Acronyms and Abbreviations ix Abstract 1 Executive Summary 9 Introduction Setting the Stage: Impressive Achievements -
Imagining the Worst: Ladislav Fuks' Contributions to Holocaust Fiction
Imagining the Worst: Ladislav Fuks' Contributions to Holocaust Fiction Michael Lautenschlager Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In English Christine Kiebuzinska Shoshana Knapp Benjamin Sax April 26, 2011 Blacksburg, Virginia Keywords: Fuks, Appelfeld, Grossman, Herz, Czechoslovakia, Czech Literature, Czech Cinema, Holocaust Literature, Literature of Atrocity, Comparative Literature Imagining the Worst: Ladislav Fuks' Contributions to Holocaust Fiction Michael Lautenschlager Abstract: Ladislav Fuks' works are under-recognized in English-speaking academic discourse. He is a valuable contributor not only to the Holocaust Literature genre, but also to film and literature in general. His two English-translated works, Mr. Theodore Mundstock and The Cremator, as well as the film adaptation of The Cremator, examine the role imagination can play in art that addresses atrocity, allowing for a heightened subjective impact on the audience. I critically and comparatively examine Fuks' work to establish his value to literature and Holocaust art. In the first chapter, I frame my argument with questions of art's abilities to represent atrocity and provide relevant background information relating to Fuks' and his experience in wartime Prague. In Chapter Two, I closely read Mr. Theodore Mundstock, concentrating specifically on Fuks' use of metaphor, presentation of incredulity, and commentary on the imagination's capabilities in confronting terror. Chapter Three compares Mr. Theodore Mundstock to the “Momik” section of David Grossman's See Under: Love, focusing on similarities between the title characters. Chapter Four examines Fuks' use of the grotesque in The Cremator and its film adaptation.