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Arsu and ‘Azizu a Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk by Finn Ove Hvidberg-Hansen
’Arsu and ‘Azizu A Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk By Finn Ove Hvidberg-Hansen Historiske-filosofiske Meddelelser 97 Det Kongelige Danske Videnskabernes Selskab The Royal Danish Academy of Sciences and Letters DET KONGELIGE DANSKE VIDENSKABERNES SELSKAB udgiver følgende publikationsrækker: THE ROYAL DANISH ACADEMY OF SCIENCES AND LETTERS issues the following series of publications: Authorized Abbreviations Historisk-filosofiske Meddelelser, 8° Hist.Fil.Medd.Dan.Vid.Selsk. (printed area 1 75 x 104 mm, 2700 units) Historisk-filosofiske Skrifter, 4° Hist.Filos.Skr.Dan.Vid.Selsk. (History, Philosophy, Philology, (printed area 2 columns, Archaeology, Art History) each 199 x 77 mm, 2100 units) Matematisk-fysiske Meddelelser, 8° Mat.Fys.Medd.Dan.Vid.Selsk. (Mathematics, Physics, (printed area 180 x 126 mm, 3360 units) Chemistry, Astronomy, Geology) Biologiske Skrifter, 4° Biol.Skr. Dan. Vid.Selsk. (Botany, Zoology, Palaeontology, (printed area 2 columns, General Biology) each 199 x 77 mm, 2100 units) Oversigt, Annual Report, 8° Overs. Dan.Vid.Selsk. General guidelines The Academy invites original papers that contribute significantly to research carried on in Denmark. Foreign contributions are accepted from temporary residents in Den mark, participants in a joint project involving Danish researchers, or those in discussion with Danish contributors. Instructions to authors Manuscripts from contributors who are not members of the Academy will be refereed by two members of the Academy. Authors of papers accepted for publication will re ceive galley proofs and page proofs; these should be returned promptly to the editor. Corrections other than of printer's errors will be charged to the author(s) insofar as the costs exceed 15% of the cost of typesetting. -
The Relationship of Yahweh and El: a Study of Two Cults and Their Related Mythology
Wyatt, Nicolas (1976) The relationship of Yahweh and El: a study of two cults and their related mythology. PhD thesis. http://theses.gla.ac.uk/2160/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] .. ýýý,. The relationship of Yahweh and Ell. a study of two cults and their related mythology. Nicolas Wyatt ý; ý. A thesis submitted for the Degree of Doctor of Philosophy rin the " ®artänont of Ssbrwr and Semitic languages in the University of Glasgow. October 1976. ý ý . u.: ý. _, ý 1 I 'Preface .. tee.. This thesis is the result of work done in the Department of Hebrew and ': eraitia Langusgee, under the supervision of Professor John rdacdonald, during the period 1970-1976. No and part of It was done in collaboration, the views expressed are entirely my own. r. .e I should like to express my thanks to the followings Professor John Macdonald, for his assistance and encouragement; Dr. John Frye of the Univeritty`of the"Witwatersrandy who read parts of the thesis and offered comments and criticism; in and to my wife, whose task was hardest of all, that she typed the thesis, coping with the peculiarities of both my style and my handwriting. -
Who Were the Daughters of Allah?
WHO WERE THE DAUGHTERS OF ALLAH? By DONNA RANDSALU B.A., University of British Columbia,1982. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (RELIGIOUS STUDIES) We accept this thesis—as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1988 © Donna Kristin Randsalu, 1988 V In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of £gLlfr/OU^ £TUO>eS> The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date Per- n} DE-6(3/81) ABSTRACT Who were the Daughters of Allah, the three Arabian goddesses mentioned in the Qur'an and venerated by the pagan Arabs prior to the rise of Islam, and who since have vanished into obscurity? Can we reconstruct information about these goddesses by reference to earlier goddesses of the Near East? It is our intention to explore this possibility through an examination of their predecessors in view of the links between the Fertile Crescent and the Arabian Peninsula. Moving back in time from the seventh century A.D. (Arabia) through the Hellenistic Period (Syro/Phoenicia 300 B.C.-A.D. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
Canaanite Pantheon ADON: (Adonis) the God of Youth, Beauty and Regeneration
Canaanite Pantheon ADON: (Adonis) The god of youth, beauty and regeneration. His death happens arou nd the love affair between him and the goddess Ashtarte which another god envied . He, in the form of a wild boar, attacks and kills Adonis and where his blood f ell there grows red poppies every year. However, as Ashtarte weaps for his loss, she promises to bring him back to life every spring. AKLM: Creatures who attacked Baal in the desert. Some say these creatures are gr asshopper-like. ANATH: This was a Love and War Goddess, the Venus star. She is also known for sl aying the enimies of her brother Baal much in the same way Hathor slaughtered mu ch of mankind (Anath is heavily related to Hathor). After the Defeat of Mavet an d Yam, a feast was thrown for Baal. Anath locked everyone inside, and proceeded to slay everyone (as they had all been fickle toward Baal with both Mavet and Ya m, as well as Ashtar). Baal stopped her and conveinced her that a reign of peace is what was needed. She also has confronted Mavet and was responsible for Baal' s liberation from the underworld. She is the twin sister of Marah. Daughter of A sherah. She is also known as Rahmay- "The Merciful", and as Astarte. Astarte is the Canaanite Name of Ishtar; just as Ishtar is the Babylonian Name of Inanna. I n all cases the Name means, simply, "Goddess" or "She of the Womb". ARSAY: She of the Earth. Daughter of Baal. An underworld Goddess. -
Canaanite/Ugaritic Mythology
Canaanite/Ugaritic Mythology I. Who do we mean by 'Canaanites'? Linguistically, the ancient Semites have been broadly classified into Eastern and Western groups. The Eastern group is represented most prominently by Akkadian, the language of the Assyrians and Babylonians, who inhabited the Tigris and Euphrates river valleys. The Western group is further broken down into the Southern and Northern groups. The South Western Semites inhabited Arabia and Ethiopia while the North Western Semites occupied the Levant - the regions that used to be Palestine as well as what is now Syria, Israel and Lebanon, the regions often referred to in the Bible as Canaan. Recent archaeological finds indicate that the inhabitants of the region themselves referred to the land as 'ca-na-na-um' as early as the mid-third millennium B.C.E. (Aubet p. 9) Variations on that name in reference to the country and its inhabitants continue through the first millennium B.C.E. The word appears to have two etymologies. On one end, represented by the Hebrew cana'ani the word meant merchant, an occupation for which the Canaanites were well known. On the other end, as represented by the Akkadian kinahhu, the word referred to the red-colored wool which was a key export of the region. When the Greeks encountered the Canaanites, it may have been this aspect of the term which they latched onto as they renamed the Canaanites the Phoenikes or Phoenicians, which may derive from a word meaning red or purple, and descriptive of the cloth for which the Greeks too traded. -
Islamic Art and Its Spiritual Message
International Journal of Humanities and Social Science Vol. 1 No. 2; February 2011 Islamic Art and Its Spiritual Message Dr. Khawaja Muhammad Saeed Department of Philosophy University of the Punjab, Lahore-54590, Pakistan [email protected] E-mail: [email protected] Abstract Islamic Art is the art of civilization based on Islamic religion. Moreover, it not only concerned with particular region or particular people rather it is a combination of different civilizations and historical circumstances as painted with Islamic weltanschauung. The Arab civilization is probably more important. Although the Arabs have little art and even then, they developed Islamic art with spiritual characteristics. They were expert in mathematics and geometry and applied their knowledge to formulation of Islamic decoration. Turkish also played important role in Islamic art and its spiritual message. They ruled for a long period upon large part of Islamic world from 10th to 19th century. The Persian art and literature emerged as the main sources of the development of Muslim art of painting, architecture and various forms of Islamic decorative arts. The spiritual aspect remained the dominant factor in all art and thought of Islamic World. In subcontinent, Mughals rulers contributed much to the various Islamic art-forms such as architecture (both sacred and public), miniature art, decorative arts and landscape paintings. 1. Introduction Art moves human beings and satisfies their emotional dimensions. Artistic emotional response inspires a man to shed light on the profundities of human existence as well as facial appearance of the universe. One universal explanation on the subject of art that has been acknowledged by all thinkers and aestheticians of all the times is „that “art, a creative course of action is the expression of frame of mind, feeling or spirit.1 In the entire expansion of art the space-time aspect plays an crucial character. -
Afghanistan Bibliography 2019
Afghanistan Analyst Bibliography 2019 Compiled by Christian Bleuer Afghanistan Analysts Network Kabul 3 Afghanistan Analyst Bibliography 2019 Afghanistan Analysts Network (AAN), Kabul, Afghanistan This work is licensed under this creative commons license: Attribution-NonCommercial-NoDerivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode The Afghanistan Analysts Network (AAN) is a non-profit, independent policy research organisation. It aims to bring together the knowledge, experience and drive of a large number of experts to better inform policy and to increase the understanding of Afghan realities. It is driven by engagement and curiosity and is committed to producing independent, high quality and research-based analysis on developments in Afghanistan. The institutional structure of AAN includes a core team of analysts and a network of contributors with expertise in the fields of Afghan politics, governance, rule of law, security, and regional affairs. AAN publishes regular in-depth thematic reports, policy briefings and comments. The main channel for dissemination of these publications is the AAN web site: https://www.afghanistan-analysts.org/ Cover illustration: “City of Kandahar, with main bazaar and citadel, Afghanistan.” Lithograph by Lieutenant James Rattray, c. 1847. Coloured by R. Carrick. TABLE OF CONTENTS Bibliography Introduction and Guide ..................................................................... 6 1. Ethnic Groups ................................................................................................... -
Echoes of Ancient Mesopotamia & Canaan
ECHOES OF ANCIENT MESOPOTAMIA & CANAAN This album is my mostly historically inspired evocation, of the lost music of ancient Mesopotamia & Canaan; but as the final track, this release also features my most recent arrangement of the reconstructed melody of an actual bronze age Hurrian Hymn to Nikkal; the oldest notated fragment of music which can still be interpreted and performed today; performed this time, on a replica of an actual surviving bronze age lyre! For most of the tracks, I play this fascinating replica of an actual, typical bronze age Canaanite form of asymmetric lyre; custom-made for me by Luthieros. The design of this lyre was based on the same proportions of a Canaanite form of lyre found in Egypt, dating to circa 1,500 BCE and which is preserved in Leiden: These types of lyres were almost certainly introduced into Egypt during the reign of the Canaanite Hyksos kings, that ruled northern Egypt as the 15th dynasty, c.1630–1523 BCE. The exotic, sitar-like tone of the bass strings of this lyre, are due to the flat- topped, groove-less bridge. As almost all the lyres still played throughout the African continent today still retain this distinctive buzzing timbre (particularly the Ethiopian begena), since the lyre originally probably came to Africa via ancient trade routes between the ancient Near East and Egypt, it is indeed far more likely, that this buzzing timbre of the lyre was much closer to the original timbre of the ancient near eastern/middle eastern lyres of antiquity. For some of the tracks, I also use the more sinister, darker timbre of my tenor register 10-string lyre - ideal for evoking the mystery of the long-forgotten pantheon of ancient Mesopotamian & Canaanite gods! THE TRACKS 1. -
Conference of the Birds by Faridudin Attar
THE CONFERENCE OF THE BIRDS Farid ud-din Attar Translated by Afham Darbandi and Dick Davis London: Penguin, 1984 (~1177) INTRODUCTION [A biographical index follows the poem – KA] The Conference of the Birds (Manteq at-Tair) is the best-known work of Farid ud-Din Attar, a Persian poet who was born at some time during the twelfth century in Neishapour (where Omar Khayyam had also been born), in north-east Iran, and died in the same city early in the thirteenth century. His name, Attar, is a form of the word from which we get the ‘attar’ of ‘attar of roses’ and it indicates a perfume seller or druggist. Attar wrote that he composed his poems in his daru-khané, a word which in modern Persian means a chemist’s shop or drug-store, but which has suggestions of a dispensary or even a doctor’s surgery; and it is probable that he combined the selling of drugs and perfumes with the practice of medicine. His date of birth is given by different authorities at various times between 1120 and 1157; modern writers have inclined towards the earlier date. Two manuscript copies of The Conference of the Birds give the date of its completion as 1177, and on internal evidence one would judge it to be the work of a writer well past his youth; this also suggests that a birth-date closer to 1120 than 1157 is likely. He is said to have spent much of his childhood being educated at the theological school attached to the shrine of Imam Reza at Mashhad (the largest town in north-eastern Iran and a major centre of pilgrimage), and later to have travelled to Rey (the ancient Raghes, near modern Tehran), Egypt, Damascus, Mecca, Turkistan (southern Russia) and India. -
A Shelflist of Islamic Medical Manuscripts at the National Library of Medicine
A Shelflist of Islamic Medical Manuscripts at the National Library of Medicine U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service | National Institutes of Health History of Medicine Division | National Library of Medicine Bethesda, Maryland 1996 Single copies of this booklet are available without charge by writing: Chief, History of Medicine Division National Library of Medicine 8600 Rockville Pike Bethesda, MD 20894 A Shelflist of Islamic Medical Manuscripts at the National Library of Medicine U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service | National Institutes of Health History of Medicine Division | National Library of Medicine Bethesda, Maryland 1996 Preface In 1994, to celebrate the 900th anniversary of the oldest Arabic medical manuscript in its collection, the History of Medicine Division of the National Library of Medicine mounted an exhibit entitled "Islamic Culture and the Medical Arts." Showcasing the library's rich holdings in this area, the exhibit was very well received -so much so that there has been a scholarly demand for the library to issue a catalogue of its holdings. This shelflist serves as an interim guide to the collection. It was made possible by the splendid work of Emilie Savage-Smith of Oxford University. Over the past few years, Dr. Savage-Smith has lent her time and her considerable expertise to the cataloguing of these manuscripts, examining every volume, providing much new information on authorship, contents, provenance, etc., superseding the earlier cataloguing by Francis E. Sommer, originally published in Dorothy M. Schullian and Francis E. Sommer, A Catalogue of Incunabula and Manuscripts in the Army Medical Library in 1950. -
Dictionary of Gods and Goddesses.Pdf
denisbul denisbul dictionary of GODS AND GODDESSES second edition denisbulmichael jordan For Beatrice Elizabeth Jordan Dictionary of Gods and Goddesses, Second Edition Copyright © 2004, 1993 by Michael Jordan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data denisbulJordan, Michael, 1941– Dictionary of gods and godesses / Michael Jordan.– 2nd ed. p. cm. Rev. ed. of: Encyclopedia of gods. c1993. Includes bibliographical references and index. ISBN 0-8160-5923-3 1. Gods–Dictionaries. 2. Goddesses–Dictionaries. I. Jordan, Michael, 1941– Encyclopedia of gods. II. Title. BL473.J67 2004 202'.11'03–dc22 2004013028 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by David Strelecky Cover design by Cathy Rincon Printed in the United States of America VBFOF10987654321 This book is printed on acid-free paper. CONTENTS 6 PREFACE TO THE SECOND EDITION v INTRODUCTION TO THE FIRST EDITION vii CHRONOLOGY OF THE PRINCIPAL RELIGIONS AND CULTURES COVERED IN THIS BOOK xiii DICTIONARY OF GODS AND GODDESSES denisbul1 BIBLIOGRAPHY 361 INDEX 367 denisbul PREFACE TO THE SECOND EDITION 6 It is explained in the introduction to this volume and the Maori.