Canaanite/Ugaritic Mythology
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The Relationship of Yahweh and El: a Study of Two Cults and Their Related Mythology
Wyatt, Nicolas (1976) The relationship of Yahweh and El: a study of two cults and their related mythology. PhD thesis. http://theses.gla.ac.uk/2160/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] .. ýýý,. The relationship of Yahweh and Ell. a study of two cults and their related mythology. Nicolas Wyatt ý; ý. A thesis submitted for the Degree of Doctor of Philosophy rin the " ®artänont of Ssbrwr and Semitic languages in the University of Glasgow. October 1976. ý ý . u.: ý. _, ý 1 I 'Preface .. tee.. This thesis is the result of work done in the Department of Hebrew and ': eraitia Langusgee, under the supervision of Professor John rdacdonald, during the period 1970-1976. No and part of It was done in collaboration, the views expressed are entirely my own. r. .e I should like to express my thanks to the followings Professor John Macdonald, for his assistance and encouragement; Dr. John Frye of the Univeritty`of the"Witwatersrandy who read parts of the thesis and offered comments and criticism; in and to my wife, whose task was hardest of all, that she typed the thesis, coping with the peculiarities of both my style and my handwriting. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
Copyright © 2019 Kenneth William Lovett All Rights Reserved. The
Copyright © 2019 Kenneth William Lovett All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. THE NEGATIVE MOTIF OF THE SEA IN THE OLD TESTAMENT __________________ A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary __________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________ by Kenneth William Lovett May 2019 APPROVAL SHEET THE NEGATIVE MOTIF OF THE SEA IN THE OLD TESTAMENT Kenneth William Lovett Read and Approved by: __________________________________________ Terry J. Betts (Chair) __________________________________________ Duane A. Garrett __________________________________________ Russell T. Fuller Date ______________________________ For the glory of God. TABLE OF CONTENTS Page PREFACE ..................................................................... vi Chapter 1. INTRODUCTION AND METHODOLOGY . 1 Thesis ................................................................ 2 Outline ............................................................... 4 Methodology . 5 2. HERMANN GUNKEL . 7 Significant Works . 9 Challenges ........................................................... 24 Conclusion . 28 3. HISTORY OF SCHOLARSHIP . 29 Significant Contributors .. 30 Conclusion . 48 4. THE NEGATIVE MOTIF OF THE SEA IN ANE LITERATURE ................................................ -
Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood
The Proceedings of the International Conference on Creationism Volume 7 Article 36 2013 Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood Gavin M. Cox Follow this and additional works at: https://digitalcommons.cedarville.edu/icc_proceedings DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Browse the contents of this volume of The Proceedings of the International Conference on Creationism. Recommended Citation Cox, Gavin M. (2013) "Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood," The Proceedings of the International Conference on Creationism: Vol. 7 , Article 36. Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol7/iss1/36 Proceedings of the Seventh International Conference on Creationism. Pittsburgh, PA: Creation Science Fellowship EGYPT'S HIEROGLYPHS CONTAIN CULTURAL MEMORIES OF CREATION AND NOAH'S FLOOD Gavin M. Cox, BA Hons (Theology, LBC). 26 The Firs Park, Bakers Hill, Exeter, Devon, UK, EX2 9TD. KEYWORDS: Flood, onomatology, eponym, Hermopolitan Ogdoad, Edfu, Heliopolis, Memphis, Hermopolis, Ennead, determinative, ideograph, hieroglyphic, Documentary Hypothesis (DH). ABSTRACT A survey of standard Egyptian Encyclopedias and earliest mythology demonstrates Egyptian knowledge of Creation and the Flood consistent with the Genesis account. -
Canaanite Pantheon ADON: (Adonis) the God of Youth, Beauty and Regeneration
Canaanite Pantheon ADON: (Adonis) The god of youth, beauty and regeneration. His death happens arou nd the love affair between him and the goddess Ashtarte which another god envied . He, in the form of a wild boar, attacks and kills Adonis and where his blood f ell there grows red poppies every year. However, as Ashtarte weaps for his loss, she promises to bring him back to life every spring. AKLM: Creatures who attacked Baal in the desert. Some say these creatures are gr asshopper-like. ANATH: This was a Love and War Goddess, the Venus star. She is also known for sl aying the enimies of her brother Baal much in the same way Hathor slaughtered mu ch of mankind (Anath is heavily related to Hathor). After the Defeat of Mavet an d Yam, a feast was thrown for Baal. Anath locked everyone inside, and proceeded to slay everyone (as they had all been fickle toward Baal with both Mavet and Ya m, as well as Ashtar). Baal stopped her and conveinced her that a reign of peace is what was needed. She also has confronted Mavet and was responsible for Baal' s liberation from the underworld. She is the twin sister of Marah. Daughter of A sherah. She is also known as Rahmay- "The Merciful", and as Astarte. Astarte is the Canaanite Name of Ishtar; just as Ishtar is the Babylonian Name of Inanna. I n all cases the Name means, simply, "Goddess" or "She of the Womb". ARSAY: She of the Earth. Daughter of Baal. An underworld Goddess. -
Issaries, Inc and Moon Design LLC Page 1 the Book of Heortling Mythology the Stafford Library: Volume XI
The Stafford Library Series The Stafford Library – Volume XI – By Greg Stafford – 3001 – King of Sartar of Central Genertela. Each section of the book provides the core King of Sartar is a compilation of myths, stories and colorful mythologies of these powerful and important cultures, accompanied background for the Hero Wars. It consists of a series of Gloranthan by Godtime maps from the culture’s point of view. Each mythology documents including: the Annotated Argrath’s Saga, The Zin Letters, is also accompanied by a glossary of the culture’s important divinities, Orlanthi Mythology, The Composite History of Dragon Pass, The places, events, and philosophies. The Book of Argrath Book (documents about the Lightbringers Quest), the EWF, and Jalk’s Book (Data on the Colymar Tribe, Boldhome, and the 3007 – Arcane Lore Grazers). Arcane Lore reveals a vast treasure trove about Heroquesting. Collected from almost 30 years of questing, this book explores 3002 – The Glorious Reascent of Yelm the philosophy, mechanics, and practice of Heroquesting from a Heortling The Glorious Reascent of Yelm is the foundation document for multitude of viewpoints and angles. Although much of the material modern Dara Happa, written in the Dara Happan year of 111,221 was written for the old RuneQuest game, and other parts were used (221 S.T.) to commemorate the accession of Khordavu the Exalted. in the development of Hero Wars and HeroQuest, all of it is useful It sets forth the basic mythology of Yelm and his pantheon from the in understanding heroquesting and developing your own Heroquests. Mythology beginning of Time, through the Great Darkness of the Kazkurtum, to the return of Antirius and Yelm. -
Echoes of Ancient Mesopotamia & Canaan
ECHOES OF ANCIENT MESOPOTAMIA & CANAAN This album is my mostly historically inspired evocation, of the lost music of ancient Mesopotamia & Canaan; but as the final track, this release also features my most recent arrangement of the reconstructed melody of an actual bronze age Hurrian Hymn to Nikkal; the oldest notated fragment of music which can still be interpreted and performed today; performed this time, on a replica of an actual surviving bronze age lyre! For most of the tracks, I play this fascinating replica of an actual, typical bronze age Canaanite form of asymmetric lyre; custom-made for me by Luthieros. The design of this lyre was based on the same proportions of a Canaanite form of lyre found in Egypt, dating to circa 1,500 BCE and which is preserved in Leiden: These types of lyres were almost certainly introduced into Egypt during the reign of the Canaanite Hyksos kings, that ruled northern Egypt as the 15th dynasty, c.1630–1523 BCE. The exotic, sitar-like tone of the bass strings of this lyre, are due to the flat- topped, groove-less bridge. As almost all the lyres still played throughout the African continent today still retain this distinctive buzzing timbre (particularly the Ethiopian begena), since the lyre originally probably came to Africa via ancient trade routes between the ancient Near East and Egypt, it is indeed far more likely, that this buzzing timbre of the lyre was much closer to the original timbre of the ancient near eastern/middle eastern lyres of antiquity. For some of the tracks, I also use the more sinister, darker timbre of my tenor register 10-string lyre - ideal for evoking the mystery of the long-forgotten pantheon of ancient Mesopotamian & Canaanite gods! THE TRACKS 1. -
My Narekatsi
Samvel Poghosyan My Narekatsi Mystery of Grigor Narekatsi’s Trial His Philosophical Teaching The Concept of the Man 1 Samvel Poghosyan My Narekatsi Yerevan 2013 2 Poghosyan Samvel My Narekatsi Samvel Poghosyan’s book “My Narekatsi” is devoted to the mystery of the tenth-century genius poet and philosopher Grigor Narekatsi’s trial and his philosophical teaching. The monograph covers the author’s research carried out in 1970-80-ies. 3 Assuming that Nikolas of Cusa is regarded as the forefather of the European science, Grigor Narekatsi is undoubtedly its founder-father. S. Poghosyan Introduction The end of the first and the beginning of the second millennia A.D. witnessed momentous changes in the Armenian homeland. They were great progressive changes, important developments towards national independence and social progress. It was a period of transition from Early Feudalism to Late Feudalism, and, as any transitional period, it was also an era of utmost aggravation of social-political, social-economic conflicts, ideological clashes, reconsideration of the foundations of dominant ideologies, reevaluation and reinterpretation of cultural values. And though the statehood was restored in Armenia, in parallel with the external threat, the problems of national independence, the establishment and sustention of a united and centralized state kept on being unsolved; continuous discords between separate feudal formations decomposed and tortured the country and prevented the achievement of a national unity. On the one hand, feudal relations strengthened, underwent automatic development and were improved (bondage of a great number of peasants in the result of the intensification of feudal exploitation, pressure apparatuses structure strengthening of secular and religious authorities, economic and military reinforcement, the great center-cities of feudal formations flourishedcrafts and trades were developed), on the other hand, the resistance of the exploited stiffened too; class struggle escalated. -
Dictionary of Gods and Goddesses.Pdf
denisbul denisbul dictionary of GODS AND GODDESSES second edition denisbulmichael jordan For Beatrice Elizabeth Jordan Dictionary of Gods and Goddesses, Second Edition Copyright © 2004, 1993 by Michael Jordan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data denisbulJordan, Michael, 1941– Dictionary of gods and godesses / Michael Jordan.– 2nd ed. p. cm. Rev. ed. of: Encyclopedia of gods. c1993. Includes bibliographical references and index. ISBN 0-8160-5923-3 1. Gods–Dictionaries. 2. Goddesses–Dictionaries. I. Jordan, Michael, 1941– Encyclopedia of gods. II. Title. BL473.J67 2004 202'.11'03–dc22 2004013028 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by David Strelecky Cover design by Cathy Rincon Printed in the United States of America VBFOF10987654321 This book is printed on acid-free paper. CONTENTS 6 PREFACE TO THE SECOND EDITION v INTRODUCTION TO THE FIRST EDITION vii CHRONOLOGY OF THE PRINCIPAL RELIGIONS AND CULTURES COVERED IN THIS BOOK xiii DICTIONARY OF GODS AND GODDESSES denisbul1 BIBLIOGRAPHY 361 INDEX 367 denisbul PREFACE TO THE SECOND EDITION 6 It is explained in the introduction to this volume and the Maori. -
Abhiyoga Jain Gods
A babylonian goddess of the moon A-a mesopotamian sun goddess A’as hittite god of wisdom Aabit egyptian goddess of song Aakuluujjusi inuit creator goddess Aasith egyptian goddess of the hunt Aataentsic iriquois goddess Aatxe basque bull god Ab Kin Xoc mayan god of war Aba Khatun Baikal siberian goddess of the sea Abaangui guarani god Abaasy yakut underworld gods Abandinus romano-celtic god Abarta irish god Abeguwo melansian rain goddess Abellio gallic tree god Abeona roman goddess of passage Abere melanisian goddess of evil Abgal arabian god Abhijit hindu goddess of fortune Abhijnaraja tibetan physician god Abhimukhi buddhist goddess Abhiyoga jain gods Abonba romano-celtic forest goddess Abonsam west african malicious god Abora polynesian supreme god Abowie west african god Abu sumerian vegetation god Abuk dinkan goddess of women and gardens Abundantia roman fertility goddess Anzu mesopotamian god of deep water Ac Yanto mayan god of white men Acacila peruvian weather god Acala buddhist goddess Acan mayan god of wine Acat mayan god of tattoo artists Acaviser etruscan goddess Acca Larentia roman mother goddess Acchupta jain goddess of learning Accasbel irish god of wine Acco greek goddess of evil Achiyalatopa zuni monster god Acolmitztli aztec god of the underworld Acolnahuacatl aztec god of the underworld Adad mesopotamian weather god Adamas gnostic christian creator god Adekagagwaa iroquois god Adeona roman goddess of passage Adhimukticarya buddhist goddess Adhimuktivasita buddhist goddess Adibuddha buddhist god Adidharma buddhist goddess -
Warriorsof Chaos
WARRIORS OF CHAOS WARSCROLLS COMPENDIUM INTRODUCTION The mortal worshippers of Chaos rule the Mortal Realms with an iron gather together in warbands mighty The warscrolls in this compendium fist, they are bound to higher powers enough to conquer entire nations. allow you to use your Citadel in their turn. In truth, every murderer, Though the tyrannical lords that Miniatures collection in fantastical monster and mutant in their armies is lead the armoured hordes believe battle, whether telling epic stories set but a slave to darkness and a puppet of themselves to be warrior kings born to during the Age of Sigmar, or recreating the Dark Gods. the wars of the world-that-was. WARSCROLL KEY 1.Title: The name of the model that the warscroll describes. 1 WULFRIK THE WANDERER 2 MOVE S 5" D S N A U V MELEE WEAPONS E O 5 4+ W Range Attacks Worldwalker’s Longsword To Hit To Wound Rend B 7 1" Damage 2.Characteristics: Each warscroll has a set of RAVERY 5 3+ 3+ - 1 DESCRIPTION characteristics that tell you how fast, powerful and Wulfrik the Wanderer is a single model. 3 He wields the Worldwalker’s Longsword Th e Gift of Tongues: At the start of and carries a Chaos Runeshield. the combat phase, Wulfrik can issue an Seafang: Instead of setting up Wulfrik indelicate challenge in his foe’s tongue ABILITIES on the battlefi eld, you can place him to brave the model is, and how effective its weapons are. if there is an enemy Hero within 3". one side, along with up to one unit of Roll a dice each time Chaos Runeshield: Issue your opponent with a challenge Marauders of Chaos Wulfrik suff ers a mortal wound. -
The Oldest Song Score in the Newest Notation: the Hurrian Hymn to Nikkal As Linked Data
The Oldest Song Score in the Newest Notation: The Hurrian Hymn to Nikkal as Linked Data Introduction The Web can constitute a natural medium for the publication and discovery of historical evidence, their related resources, and descriptive metadata. Increasingly, but steadily, more and more historical artifacts make their way from archaeological sites to musea, libraries, digital archives1, and also the Web of data [12], besides their traditional proliferation to the wider public through books [1]. The discovery and retrieval of historical digital objects and their descriptive metadata on the open data space of the Web are challenging tasks [12]. For example, “What is the oldest music score known?” is a relevant question of interest to art historians, music historians, musicologists, and the wider public. Web search can lead users to at least a partial answer to this question; as it turns out, the oldest song known left to present in written form is a Sumerian Hymn written 3,400 years ago2. Part of the Hurrian songs, the Hurrian Hymn to Nikkal (also known as h.6) is the oldest substantially complete work of notated music in the world, inscribed in cuneiform on clay tablets and excavated from the ancient city of Ugarit (today northern Syria) and dated 1400 BC [2]. The work of a number of historians has allowed for these inscriptions to be transcribed in modern Western notation [3], ultimately leading to the possibility of being played in a modern lyre,3 which resembles ancient Sumerian instruments.4 The provenance trail of this unprecedented discovery of musical culture is complex, and this complexity manifests on the Web in the form of variety and heterogeneity.