Bad Vibes: Britpop and My Part in Its Downfall Free

Total Page:16

File Type:pdf, Size:1020Kb

Bad Vibes: Britpop and My Part in Its Downfall Free FREE BAD VIBES: BRITPOP AND MY PART IN ITS DOWNFALL PDF Luke Haines | 256 pages | 07 Jan 2010 | Cornerstone | 9780099522263 | English | London, United Kingdom Bad Vibes: Britpop and My Part in Its Downfall by Luke Haines Luke Michael Haines born 7 October is an English musician, songwriter and author, who has recorded music under various names and with various bands, including The AuteursBaader Meinhof and Black Box Recorder. Haines formed numerous Bad Vibes: Britpop and My Part in Its Downfall when he was at school. At college he joined The Servants who recorded two commercially unsuccessful albums. It was only when Haines formed The Auteurs with his girlfriend Alice Readman who had also been drafted into The Servants from time to time and Glenn Collins in that he began to achieve some success. They released their first single, "Showgirl" inand their debut album New Wave a month later. Haines was later to claim that this was the album that started Britpopthough he later showed disdain towards the movement, stating in a interview that Britpop consisted of "a bunch of bands who weren't good enough to exist in their own right, like music's Bad Vibes: Britpop and My Part in Its Downfall of the Bloomsbury Group. It is arguable that more commercially successful bands such as Suede owed much to Haines' vision. In any case, the album sold only 12, copies but was nominated for a Mercury Prize although the eventual winners were Suede. Their second album, Now I'm a Cowboyfeatured "Lenny Valentino", one of their most famous songs. By now the band were touring Europe and the States regularly, and were gaining a reputation as one of the best new British bands. However, just as the band looked like achieved mainstream success as other British bands, such as Oasis and Blur were then doingHaines broke both of his ankles, resulting in the cancellation of much of their European tour. At the time he claimed "I jumped off a fifteen-foot wall while touring, It happens. Even bleaker and more introspective than previous Auteurs albums, this was just as English as his previous work but now showed very different influences: the downbeat folk of Richard Thompsonthe aggression of My Bloody Valentinethe pared down experimentalism of Wireand the caustic lyrics of The Fall. The Bad Vibes: Britpop and My Part in Its Downfall recorded a session for John Peel on 20 February At this point, Haines created a solo side project called Baader-Meinhof. Haines released one eponymous album under this moniker inwhich is named after the Baader Meinhof terrorist group. The sound was similar to that of The Auteursbut more sparsely produced and with elements of funk and electronicawith lyrics, typically for the ever-contrary Haines, about terrorism. After this, Haines disbanded the Auteurs, only to bring them back together again for their fourth album How I Learned to Love the Bootboys. This sounds Bad Vibes: Britpop and My Part in Its Downfall an amalgamation of Haines' previous styles: it is electronic, but has the same concern for pop hooks as his first two albums: on the other hand, the lyrics are brooding and obsessive, in a similar way to those on After Murder Park. From this point on, The Auteurs became merely a name for whatever musicians Haines chose to bring together for specific projects. The Facts of Life produced the eponymous single, which has been the biggest hit of Haines' career so far. Director Paul Tickell had originally expressed a wish to license How I Learned to Love the Bootboys as the Soundtrack for the film but couldnt afford the sync rights from Virgin Records which allowed Luke to write a soundtrack more tailored for the film. Unfortunately reception for the film was lacklustre as a result of the film being released post-Twin Towers attack in America, as Luke put it "Back inthis celluloidal genocide just seemed like logical fictitious denouement to a film about a deranged, avenging angel, but in the heightened state of paranoia of the post Twin Towers world, it seems less far-fetched. The upshot of all this is that no distributors will go anywhere [the film]". He has also produced a solo album under his own name, The Oliver Twist Manifesto. After the purchase of Virgin Records by French company FnacHut Records ' The Auteur's erstwhile label boss David Boyd decided before the dissolution of the company he built that Luke should do The Auteurs 'Best of' album ' but gave him a budget to re-record the songs as he saw fit. Luke speculated in his book Post Everything that this was partly as a thanks to Luke but primarily a parting shot at Fnac for dissolving the company he'd built up for over ten years. Das Capital: The Song Writing Genius of Luke Haines consisted mostly of Auteurs songs rerecorded by Luke most notably with the inclusion of a string quartet and a couple of new original songs thrown in. In Haines called for a "National Pop Strike". A box set covering his career to date, Luke Haines is Dead, was issued inand two new albums were expected Bad Vibes: Britpop and My Part in Its Downfall 'Off My Rocker at the Art School Bop', and the soundtrack to the abandoned musical 'Property', which like his Black Box Recorder work, also features Sarah Nixey. Haines toured the UK and Ireland during November John Moore guested on bowed saw and backing vocals at some gigs. During an interview on the same show Haines said that he may play some gigs in early in support of a E. The refrain "The North! The North! The phrase "The North! Where we do what we want! Where we do what we like" is also a quote from a character in the Red Riding Quartet. Haines and Peter Buck formerly of R. In issue four of the comic book PhonogramHaines appears as a spirit guide leading the main character through a metaphorical land representing Britpop. It was subsequently announced on Luke Haines' web site that the band would play their first headlining gig for five years at The LuminaireKilburn, London in February The book covers Haines' experiences during the Britpop era to It was also shown at the Barcelona, Copenhagen and Cork film festivals. From Wikipedia, the free encyclopedia. This Bad Vibes: Britpop and My Part in Its Downfall of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful. Luke Haines, performing at the Summer Sundae. Retrieved 7 August Bad Vibes: Britpop and My Part in Its Downfall Archived from the original on 28 December Irish Times. Retrieved 15 March The Quietus. Digital Spy. Cherry Red Records. Archived from the original on 24 February Retrieved 20 March This article's use of external links may not follow Wikipedia's policies or guidelines. Please Bad Vibes: Britpop and My Part in Its Downfall this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. August Learn how and when to remove this template message. The Auteurs. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Alternative rockelectronica. Wikiquote has quotations related to: Luke Haines. Luke Haines – Bad Vibes: Britpop And My Part In Its Downfall But despite the image forming sub-title, Haines points out early on that the book is written not necessarily in retrospect but very much from the perspective of how he felt as the false idols mounted around him and took what he saw as his rightful position in the mainstream, and perhaps such cold water pouring is necessary. The prologue features him being attacked on stage in Strasbourg by a dwarf. Evidently, it happens. Not being blindly ambitious, he ends up outside the Cool Britannia party, having been living in Camden just as everyone appeared in town, much to his annoyance. Eventually, tormented by voices and apparitions, he goes for the big leap. Not one for sensible career management, Haines. Having reasserted his own desire to do something against the grain, a magnificently farcical US tour which ends up comprising one gig takes place. The idea Haines had any part in the downfall of Britpop is wilfully misrepresenting his own part in the wider world. Luke Haines Official Website. Subscribe for news and competitions Email:. Album Bad Vibes: Britpop and My Part in Its Downfall. Valentino’s Day – Plain Or Pan As Luke Haines' Bad Vibes sours the nation's bookshelves, Jimmy Martin gives the affable writer a call to work out if Bad Vibes: Britpop and My Part in Its Downfall was anything worth celebrating about Britpop. Or in the public eye", chuckles Luke Haines down the phone line. One might be forgiven for being slightly surprised by such a display of humility from a man who subtitled his first record with 'The songwriting genius of Luke Haines And The Auteurs' just as he proclaimed it "Best debut album of the 90s, no contest". Given his perceived status as a hideously underrated nearly-man who's a grouchy malcontent possessed of monumental hubris, you might be surprised to learn that Luke Haines is a perfectly affable conversationalist. Reason for this, one might fancifully suggest, may be the purging release of Bad Vibeshis fresh-on-the-racks book on his dealings with the fickle mistress of fame in the mids. For all those who've thrilled to Luke Haines' dry musing on the perils of showbusiness and his endearingly misanthropic worldview over the years, this book comes as something of a tonic.
Recommended publications
  • 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit".
    [Show full text]
  • Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
    CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates.
    [Show full text]
  • Online Music Magazine FEBBRAIO N
    SENTIREASCOLTARE online music magazine FEBBRAIO N. 28 Of Montreal Takagi Masakatsu Benjy Ferree David Kitt P.G. Six Bobby Conn Rafter Polvo Wallace Records Third Eye Foun- dation / Matt Elliott Charles Ives Patrick Wolfs e n t i r e a s c o l t a r e sommario 4 News 8 The Lights On Rafter, P.G. Six, David Kitt, The Good The Bad And The Queen 2 Speciali Benjy Ferree, Wallace Records, Takagi Masakatsu, Bobby Conn, Of Montreal, Patrick Wolf 33 Recensioni Apples In Stereo, Bloc Party, The Earlies, Kristin Hersh, Joakim, The High 0 Llamas, Uncode Duello, Clap Your Hands Say Yeah, Sophia, Trans Am... 7 Rubriche (Gi)Ant Steps Max Roach We Are Demo Classic Third Eye Foundation / Matt Elliott, Polvo Cinema Binder, Bass, Cooper Apocalypto, The Prestige, Il grande 6 capo, L’arte del sogno… I cosiddetti contemporanei Charles Ives Direttore Edoardo Bridda Coordinamento Antonio Puglia Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco 4 Hanno collaborato Gianni Avella, Davide Brace, Marco Braggion, Gaspare Caliri, Roberto Canella, Paolo Grava, Manfredi Lamar- tina, Emmanuele Margiotta, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Vincenzo Santarcangelo, Michele Saran, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano 84 in copertina Patrick Wolf SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco In arrivo il 15 maggio su Nonesuch Sky Blue Sky dei Wilco, annunciato da Jeff Tweedy nel corso di un concerto solista a Nashville settimana scorsa; l’album sarà missato da Jim O’ Rourke.
    [Show full text]
  • Richard X Songwriter/Producer/Mixer/Remixer
    Richard X Songwriter/Producer/Mixer/Remixer Gaining attention for his early pioneering “mashups” as Girls On Top, and producing and writing for the likes of Sugababes “Freak Like Me” (UK No.1), Rachel Stevens “Some Girls” (UK No.2) and Liberty X “Being Nobody” (UK No.3), Richard X has since written and produced with a whole host of artists from M.I.A and Goldfrapp, to Will Young (Echoes LP UK No.1), and Saint Etienne. King Of The Apocalypse Forthcoming Album Tracks Write / Prod Cowboy Rhythmbox Mechanique Sauvage / EP Write / Prod / Mix Fantasma / EP Write / Prod / Mix We Got The Box / Rattle EP Write / Prod / Mix Shake / Single Write / Prod / Mix M.I.A Ali R U Ok? / Single Write / Prod / Mix Amazon / Album track Write / Prod / Mix Hombre / Album track Write / Prod / Mix Teen Dollar / Album track Write / Prod / Mix New Order People On The High Line / 12” Remix Remix / Prod / Mix Complete Music 6 tracks / Album Remix / Prod / Mix Tutti Frutti / Single Remix Tour music programming Prod Plastic / Album track Prod / Mix Bizarre Love Triangle / Single Remix Jetstream / Single Remix Lee Walker ft. Katy B Freak Like Me / Single Write Little Boots Staring At The Sun / Single Write / Prod Nina Beyond Memory / Single Prod / Mix Philip George ft. Dragonette Feel This Way / Single Write The Knocks ft. Carly Rae Jepsen Love Me Like That / Single Write Annie Endless Vacation / EP Write / Prod / Mix Anthonio (Berlin Breakdown) / Single Write / Prod / Mix Russian Kiss / Single Write / Prod / Mix The A&R / EP Write / Prod / Mix Me Plus One / Album track
    [Show full text]
  • Richard X Complete CV
    Richard X Songwriter/Producer/Mixer/Remixer Gaining attention for his early pioneering “mashups” as Girls On Top, and producing and writing for the likes of Sugababes “Freak Like Me” (UK No.1), Rachel Stevens “Some Girls” (UK No.2) and Liberty X “Being Nobody” (UK No.3), Richard X has since written and produced with a whole host of artists from M.I.A and Goldfrapp, to Will Young (Echoes LP UK No.1), and Saint Etienne. Band Of Skulls ‘Love Is All You Love’ / Album Co-Write / Prod / Mix Will Young ‘Lexicon’ / Album Prod / Mix I Just Want A Lover / Single Prod / Mix Losing Myself / Single Prod / Mix Come On / Single Prod / Mix Echoes / Album Prod / Mix Jealousy / Single Prod / Mix King Of The Apocalypse Forthcoming Album Tracks Write / Prod Cowboy Rhythmbox Mechanique Sauvage / EP Write / Prod / Mix Fantasma / EP Write / Prod / Mix We Got The Box / Rattle EP Write / Prod / Mix Shake / Single Write / Prod / Mix M.I.A Ali R U Ok? / Single Write / Prod / Mix Amazon / Album track Write / Prod / Mix Hombre / Album track Write / Prod / Mix Teen Dollar / Album track Write / Prod / Mix New Order People On The High Line / 12” Remix Remix / Prod / Mix Complete Music 6 tracks / Album Remix / Prod / Mix Tutti Frutti / Single Remix Tour music programming Prod Plastic / Album track Prod / Mix Bizarre Love Triangle / Single Remix Jetstream / Single Remix Lee Walker ft. Katy B Freak Like Me / Single Write Little Boots Staring At The Sun / Single Write / Prod Nina Beyond Memory / Single Prod / Mix Philip George ft. Dragonette Feel This Way / Single Write The Knocks ft.
    [Show full text]
  • Bad Vibes: Britpop and My Part in Its Downfall Free Ebook
    FREEBAD VIBES: BRITPOP AND MY PART IN ITS DOWNFALL EBOOK Luke Haines | 256 pages | 07 Jan 2010 | Cornerstone | 9780099522263 | English | London, United Kingdom Bad Vibes: Britprop and my part in its downfall I've been re-reading Luke Haines' very entertaining Bad Vibes: Britpop, And My Part In Its Downfall - a memoir? an autobiography? a study of a time and place? - and despite having read it at least twice since it was published a decade or so ago, it's still fantastic reading. Haines was the driving force behind The. Bad Vibes Britpop and My Part in Its Downfall PDF/EPUB ☆ Bad Vibes ePUB µ Britpop and eBook ↠ Britpop and My Part MOBI:↠ Vibes Britpop and PDF/EPUB ¿ Vibes Britpop and My Part eBook ì First you fail After four years of gigs no one attends songs no one hears perfect haircuts no one sees London in the late eighties where the pubs still close in the afternoon. Luke Haines: Bad Vibes – Britpop and My Part in Its Downfall (Heinemann). By Robert Sandall, Sunday Times, The, 4 Jan Part of Rock's Backpages, The ultimate library of rock music writing and journalism. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late s to the present day. Luke Haines – Bad Vibes: Britpop And My Part In Its Downfall Therefore "Bad Vibes" is a splendid trip to the underbelly of British pop music world circ. 's But saying that there were some great bands that came out of it, who without a doubt is Pulp.
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT TITEL DER DIPLOMARBEIT „GIB MIR EIN T-SHIRT MIT ANDREAS BAADER DRAUF!“ DIE REZEPTION DER ROTEN ARMEE FRAKTION IN DER MUSIK VON 1971 BIS HEUTE Verfasser Bernhard Mandl angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, im Oktober 2009 Studienkennzahl laut Studienblatt: A 190 313 353 Studienrichtung laut Studienblatt Lehramtsstudium für die Unterrichtsfächer Geschichte, Sozialkunde, Politische Bildung und Spanisch Betreuer: Doz. Dr. Hans Safrian Danksagung Ich bedanke mich bei meinem Betreuer Doz. Dr. Hans Safrian für die intensive Unterstützung und Kooperation beim Erstellen meiner Arbeit. Mein weiterer Dank gilt allen Bands und Musikern, die mir Texte und zusätzliches Informationsmaterial geschickt oder sich für ein Interview Zeit genommen haben. Wien, Oktober 2009 Inhaltsverzeichnis Vorwort............................................................................................... - 1 - 1. „Aber ist die RAF nicht selbst Pop gewesen?“.......................... - 5 - 1.1 Mode ............................................................................................................. - 6 - 1.2 Verwendung des Logos ................................................................................ - 9 - 1.2.1 Rote Gourmet Fraktion ....................................................................................................- 12 - 1.2.2 Chaos Computer Club (CCC)..........................................................................................-
    [Show full text]
  • Danny Carey Fearless Jerry Roe Nashville Firebrand
    TAMA STARCLASSIC REVIEWED IN VEGAS THE WORLD’S #1 DRUM MAGAZINE TOOL’S DANNY CAREY FEARLESS JERRY ROE NASHVILLE FIREBRAND SECURITY WIN A $12,000+ PROJECT’S DW JERRY MAROTTA PACKAGE! + DECEMBER 2019 “FIFTY WAYS” REBOOT • MANU KATCHÉ: SOLO ALBUM CHARLIE WATTS: NEW BIOGRAPHY LINDA PITMON: BASEBALL PROJECT/THE MINUS 5 An Icon for an Icon. DW is proud to present the long-awaited Collector’s Series® Jim Keltner Icon Snare Drum. Precise, laser-cut wood inlays are meticulously applied over an all-maple 11-ply VLT shell. A collectible meets highly-playable instrument that will always endure. Legendary, timeless, iconic. To experience more, visit dwdrums.com. ©2019 DRUM WORKSHOP, INC. ALL RIGHTS RESERVED. 12 Modern Drummer June 2014 June 2013 Modern Drummer 1 CONTENTS Volume 43 • Number 12 CONTENTS Cover and contents photos by Travis Shinn 12 AEROSMITH IN VEGAS We check in with drummer Joey Kramer and percussionist Colin Douglas as the band attacks its current Deuces Are Wild Las Vegas residency. 42 SECURITY PROJECT’S JERRY MAROTTA Recreating the sounds and grooves he conceived with Peter Gabriel—and reminding us just how shockingly satisfying they were. by Ken Micallef 48 JERRY ROE By day he makes hits with country-music superstars. By night he pounds it out with his raging rock band. by Jeff Potter 54 LINDA PITMON The drummer at the legendary Peter Buck/ ON THE COVER Steve Wynn/Scott McCaughey axis. by Adam Budofsky 30 TOOL’S DANNY CAREY On the highly anticipated new album, Fear Inoculum, his 60 MANU KATCHÉ thunderous tribal tom grooves and mind-bending odd-meter Avoiding the obvious, ignoring the plaudits, and patterns have never sounded so right.
    [Show full text]
  • The Exchange Mike Marsh Mastering Discography to December 2020
    The Exchange Mike Marsh Mastering Discography to December 2020 ARTIST TITLE RECORD LABEL FORMAT YEAR FRANKIE GOES TO HOLLYWOOD RELAX (12" SEX MIX) ISLAND / ZTT NEW 12" LACQUERS 1988 JOCEYLYN BROWN SOMEBODY ELSES GUY ISLAND / 4TH & BROADWAY NEW 12" LACQUERS 1988 SHRIEKBACK GO BANG! ISLAND LP LACQUERS 1988 BEATMASTERS BURN IT UP (ACID REMIX) RHYTHM KING 12" SINGLE 1988 SPECIAL A.K.A. FREE NELSON MANDELA CHRYSALIS 12" SINGLE 1988 MICA PARIS SO GOOD ISLAND / 4TH & BROADWAY LP LACQUERS 1988 JELLYBEAN COMING BACK FOR MORE CHRYSALIS 12" SINGLE 1988 ERASURE A LITTLE RESPECT MUTE 12" / 7" SINGLE 1988 OUTLAW POSSE THE * PARTY / OUTLAWS IN EFFECT GEE STREET 12" SINGLE 1988 BRANDON COOKE & ROXANNE SHANTE SHARP AS A KNIFE PHONOGRAM 12" / 7" SINGLE 1988 U2 WITH OR WITHOUT YOU ISLAND NEW 7" LACQUERS 1988 JUDI TZUKE COMPILATION ALBUM CHRYSALIS DOUBLE LP LACQUERS 1988 NAPALM DEATH FROM ENSLAVEMENT TO OBLITERATION EARACHE / REVOLVER LP LACQUERS 1988 TOOTS HIBBERT IN MEMPHIS ISLAND MANGO LP LACQUERS 1988 REGGAE PHILHARMONIC ORCHESTRA MINNIE THE MOOCHER ISLAND 12" SINGLE 1988 JUNGLE BROTHERS STRAIGHT OUT THE JUNGLE GEE STREET LP LACQUERS 1988 LEVEL 42 HEAVEN IN MY HANDS POLYDOR 7" SINGLE 1988 JUNGLE BROTHERS I'LL HOUSE YOU (GEE ST. RECONSTRUCTION) GEE STREET 12" / 7" SINGLE 1988 MICA PARIS BREATHE LIFE INTO ME ISLAND / 4TH & BROADWAY 12" / 7" SINGLE 1988 BLOW MONKEYS IT PAYS TO BE TWELVE RCA 12" SINGLE 1988 STEVEN DANTE IMAGINATION CHRYSALIS COOLTEMPO 12" SINGLE 1988 TANITA TIKARAM TWIST IN MY SOBRIETY WEA 10" SINGLE 1988 RICHIE RICH MY D.J. (PUMP IT UP SOME) GEE STREET 12" SINGLE 1988 TODD TERRY WEEKEND SLEEPING BAG UK 12" / 7" SINGLE 1988 TRAVELING WILBURYS HANDLE WITH CARE WEA 12" / 7" SINGLE 1988 YOUNG M.C.
    [Show full text]
  • Phil King Interview
    Ace Of Bass …Phil King Interview vonpipmusicalexpress.wordpress.com /2008/07/03/ace-of-bass-phil-king-interview/ by Andy Von 7/3/2008 Pip We conclude our Lush trilogy with an interview with Phil King, former bassist with Lush and member of the Jesus and Mary Chain. Phil replaced original Lush bassist Steve Rippon, who left the band in 1992 after developing a phobia of sitting in inordinately large trees playing “air bass” for video shoots. We asked Phil about his time in Lush, life with the Mary Chain, and found to our surprise that Ricky Gervais may well have based elements of 1/7 “Extras” on Phil’s own life “Extras” on Phil’s own life VP : Looking back what were your personal highlights of your time in Lush ? PHIL: For me I guess it would have been the Spooky world tour in 1992: Over 120 shows in a year. Ireland, the UK, the USA, the Continent, Japan, Israel and Australia. In the past I´d played around the UK with various bands – The Servants, Felt, Biff BangPow!, See See Rider – and even been to the Continent on various Creation package tours, albeit crammed in a minibus and occasionally sharing beds; but this was on a whole different level.. Touring America that year was the most amazing thing for me. We had a tour bus, great audiences, and drove the length and breadth of the country. I could see why Lush had built up such a good following in such a short time as we worked hard doing any press,TV, radio or in-stores that came our way and always made a point of being friendly to the fans.
    [Show full text]
  • Black Box Recorder
    “My job consists of basically masking my contempt...” 20th March 2003 CRASH LANDING The Edge gets the lowdown on Britain’s sickest popstars, Black BOX RecOrder Kinesis... The Kills... Scarlet Soho... Brick Awards Results... Har Mar Superstar 20th March 2003 EDITORIAL Oh dear - it looks like the dem- THE EDGE ocratic process has been hijacked yet again, and no I’m not talking about the recent Student Union elections which I have no doubt were run in an entirely fair, uncorrupt and TOP unbiased manner. At least, that’s what I’ve been told to say by my lawyers. No, I am referring of course to the 10 annual Edge Brick Awards. Of NEWS with EDGE 3am Girl Rich Heap ANSWERS TO course The Edge did receive Porcelain-faced bassist he’s America’s lapdog, just like and roll record ever made.” Jack thousands upon thousands of HILLARY WOODS has left JJ72, everyone else... White has always refused to com- QUESTIONS IN votes for your favourite bands, which kind of means that no-one And on that subject, EMILY EAVIS ment on the spat that started SONG TITLES will be that interested in them (daughter of Glastonbury dictator when Adams covered White’s singers, films and all the rest of 1. WHO’S AFRAID OF THE BIG it, it turns out that all of them anymore. Apparently her decision and beard-no-moustache wearer songs, changing some of the lyr- had been filled in by young to quit was something to do with Michael) has put on a ‘One Big No’ ics, and, when Jack complained, BAD WOLF? - Unknown Mainly small mammals and Rich’s team of electoral cam- MARK GREANEY not being inter- protest gig, against the forthcom- called him “a little girl.” Ooooh..
    [Show full text]
  • Mike Marsh Discography
    Mike Marsh Discography ARTIST TITLE RECORD LABEL FORMAT YEAR 02:54 SUGAR POLYDOR / FICTION DOWNLOAD SINGLE 2012 1789 CA IRA MON AMOUR UNIVERSAL MERCURY FRANCE CD SINGLE / DOWNLOAD 2011 0 8 0 0 1 VORAGINE WORKING PROGRESS CD ALBUM 2007 18 WHEELER THE HOURS AND THE TIMES CREATION CD SINGLE / 12" SINGLE 1996 18 WHEELER YEAR ZERO CREATION CD ALBUM / LP LACQUERS 1996 49ERS GOT TO BE FREE ISLAND / 4TH & BROADWAY CD SINGLE / 12" / 7" SINGLE 1992 4GOTTEN FLOOR THE FORGOTTEN FLOOR JATO MUSIC CD ALBUM 2008 808 STATE DON SOLARIS ZTT CD ALBUM / LP LACQUERS 1996 808 STATE BOND ZTT CD SINGLE / 12" / 10" SINGLE 1996 808 STATE LOPEZ ZTT CD SINGLE / 12" SINGLE 1996 AARON BIRDS IN THE STORM WAGRAM / CINQ 7 CD ALBUM / DOWNLOAD 2010 ABC GREATEST HITS PHONOGRAM CD PRE-MASTERING 1990 ADAM CLAYTON & LARRY MULLEN MISSION : IMPOSSIBLE MOTHER 7" SINGLE 1996 ADAM KESHER CHALLENGING NATURE DISQUE PRIMEUR CD ALBUM / DOWNLOAD 2010 ADD N TO (X) AVANT HARD MUTE CD ALBUM / LP LACQUERS 1998 ADD N TO (X) REVENGE OF THE BLACK REGENT MUTE CD SINGLE / 12" / 7" SINGLE 1999 ADD N TO (X) LOUD LIKE NATURE MUTE CD ALBUM / LP LACQUERS 2002 ADDIE BRIK LOVED HUNGRY BREAKIN' BEATS CD ALBUM 2003 ADDIE BRIK STRIKE THE TENT ADDIE BRIK CD ALBUM 2008 ADELE SET FIRE TO THE RAIN (THOMAS GOLD REMIX) XL RECORDINGS CD SINGLE / DOWNLOAD 2011 ADRENALIN JUNKIES ADRENALIN JUNKIES LA PLAGE CD ALBUM 2008 ADSTEDT DREAMING WIDE AWAKE VERATONE SWITZERLAND DOWNLOAD SINGLE 2012 AFTERGLOW NEVER GROW OLD EP JACK McDONALD DOWNLOAD SINGLE 2012 AGENT PROVOCATEUR RED TAPE EPIC CD SINGLE / 12" / 7" SINGLE 1996
    [Show full text]