Black Box Recorder
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
16 Lyon Bière Festival
L’HEBDO GRATUIT DES SPECTACLES + SUPPLÉMENT OPÉRA DU 20.04 AU 26.04.16 / N°835 ACTU 2 EXPOS 8 BD 14 LE SONIC CHARLES LOUPOT JOANN SFAR Fermé par la préfecture La réclame faite art S’exprime aux Célestins LE PETIT BULLETIN l a n o i t a N d n a E T A T y h p a r g o t o h P © 6 1 0 2 s i r a P , REGARDE P G A D A / . c n I , s t r A l en sa presence a u s i er V du 13 avril au 1 juin 2016 e h t r o f MOI ! n o i institut-lumiere.org t a d n u o F AUTOPORTRAITS, DE REMBRANDT AU SELFIE AU MUSÉE DES BEAUX*ARTS P3 À LA UNE l o h r a W y d n A ÉDITO e h T PAR SÉBASTIEN BROQUET © r e i p a p r h, ces entrepreneurs... Choyés moins (bien) vu au clair de lune. plus de boucan qu’un train circulant u s d ï o à longueur de journée par un La voici laissée au bon vouloir d’une à quelques mètres de cette péniche r a l o p gratin politique rêvant de les patrouille pour le coup mal lunée : et isolée sur un quai jouxtant Perrache ? e i h p voir porter un pays qu’eux- ce club emblématique, pour une La République de la nuit est fatiguée a r g o t mêmes n’arrivent plus à faire rêver. -
The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
Autechre Confield Mp3, Flac, Wma
Autechre Confield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Confield Country: UK Released: 2001 Style: Abstract, IDM, Experimental MP3 version RAR size: 1635 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1308 mb Rating: 4.3 Votes: 182 Other Formats: AU DXD AC3 MPC MP4 TTA MMF Tracklist 1 VI Scose Poise 6:56 2 Cfern 6:41 3 Pen Expers 7:08 4 Sim Gishel 7:14 5 Parhelic Triangle 6:03 6 Bine 4:41 7 Eidetic Casein 6:12 8 Uviol 8:35 9 Lentic Catachresis 8:30 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Published By – Warp Music Published By – Electric And Musical Industries Made By – Universal M & L, UK Credits Mastered By – Frank Arkwright Producer [AE Production] – Brown*, Booth* Notes Published by Warp Music Electric and Musical Industries p and c 2001 Warp Records Limited Made In England Packaging: White tray jewel case with four page booklet. As with some other Autechre releases on Warp, this album was assigned a catalogue number that was significantly ahead of the normal sequence (i.e. WARPCD127 and WARPCD129 weren't released until February and March 2005 respectively). Some copies came with miniature postcards with a sheet a stickers on the front that say 'autechre' in the Confield font. Barcode and Other Identifiers Barcode (Sticker): 5 021603 128125 Barcode (Printed): 5021603128125 Matrix / Runout (Variant 1 to 3): WARPCD128 03 5 Matrix / Runout (Variant 1 to 3, Etched In Inner Plastic Hub): MADE IN THE UK BY UNIVERSAL M&L Mastering SID Code -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100 -
Conference Program Book
2020 FMEA Professional Development Conference Guide 1 Hit all the high notes Booth #4001 Inspire them to new musical heights! See for Yourself Breezin’ Thru Theory makes learning to read and understand music faster Hands-on Workshop: and easier. And, it’s motivating, so your students quickly build mastery, Fri., Jan. 10 at 11:45 am as well as self-confi dence! Accessed seamlessly online – on any device, (Room TCC 18 & 19) anytime, anywhere – it’s fun and interactive. Kids love it… and so do teachers. With at-a-glance student tracking and automated assessments, it frees up valuable class and marking time, so you can do what you love most – getting kids excited about learning music. BreezinThruTheory.com 1-855-265-3805 [email protected] Grades 4-12 2 2020 FMEA Professional Development Conference Guide 2020 FMEA PROFESSIONAL DEVELOPMENT CONFERENCE Index of Advertisers & ALL-STATE CONCERTS Breezin’ Thru, Inc. ......................IFC Brightspark Travel .......................... 64 DePaul University School of Music ............................... 62 Florida Atlantic University ........................................ 10 Florida Gulf Coast University ........................................ 67 Florida State University ............... 32 Florida State University Summer Camps .............................. 24 LungTrainers, LLC ..................... IBC Manhattan Concert Contents Productions ...................................... 46 Mercer University President’s Message ................................. 5 Concerts ..............................................26-29 -
Select – 1Er Número – Museos
EDITORIAL e BIENVENIDOS A UNA NUEVA EXPERIENCIA SELECT Con esta edición inauguramos mucho más que una revista: e aquí nace un lugar de encuentro que te brindará información Juan Carlos Chomali A. y oportunidades únicas, un espacio Country Head donde podrás vivir la experiencia Santander Uruguay de ser un cliente Select. Queremos que disfrutes cada una de nuestras entregas, elaboradas de forma exclusiva. Nos ilusiona ser capaces de sumar valor a tu vida. Veremos dónde convergen la genialidad arquitectónica, el arte, el mundo gourmet y todas aquellas cosas que mueven tus sentidos. Es un gran orgullo que seas nuestro cliente y cada día nos elijas. Tu preferencia nos inspira a seguir avanzando en brindarte el servicio que mereces. EDITORIAL e os expresiones con las que nos codeamos con frecuencia en estos tiempos vertigino- sos, como «el tiempo es el nuevo lujo» o «la vida está hechaD de momentos», nos recuerdan que es necesario hacer una pausa para reencontrarnos con lo que realmente disfrutamos, para llenarnos de más momentos que nos den felicidad. A partir de hoy, The Select Experience Magazine es una invitación a en- contrarnos con los placeres de la vida, a explorar y reconectarnos con nuestros cinco sentidos. Una invitación a llenarnos de vida, gracias a per- sonas, actividades, lugares y experiencias con alma. Será un lugar de encuentro bimestral, en el que proponemos diferentes opciones para que inviertan el tiempo en el arte del saber vivir. El recorrido de la revista se propone como un viaje por diferentes ter- renos: la moda, un estilo de vida saludable, el placer de viajar, la sen- e sibilidad por el arte, el dinamismo de la tecnología, el entretenimiento que nos emociona, los temas de actualidad y las tendencias, que nos permiten entender mejor el presente y el futuro, y las historias de vida de Cecilia Camors personajes fascinantes. -
The Daily Egyptian, April 19, 2000
Southern Illinois University Carbondale OpenSIUC April 2000 Daily Egyptian 2000 4-19-2000 The Daily Egyptian, April 19, 2000 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_April2000 Volume 85, Issue 134 This Article is brought to you for free and open access by the Daily Egyptian 2000 at OpenSIUC. It has been accepted for inclusion in April 2000 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. dailytg}l>tian.com ~ THEWHEELS •:se::E! ON THE BUS: \, ,1 Mayor Neil Dillard rS&Rikii ''I smiles while rtding r;;;:;:--...,.... a,4 the Saluki Express ~ Monday morning. ~ Dillard, interim ~NJ@• Chancellor John ~ Jackson, Vice P"""":"----, Chancellor for t::::::- Student Affairs Larry ~ Dietz, and Vice r ~~ Chancellor for ~i~ Administration Glenn Poshard all ~ took an hour-long ~ trip on the bus to ---, promote Altern2:ive ~Pififfii4 Transportation Day. p#i\½9ij \ii5• M INSOOK PARK ~ 0.,L• EG>P,,AN ~ -Fi-re-sa-fe-ty-sti-.1-1on minds of: o · dais ~g ~~ Newest project will bring been in place since the 195Gs. in uni,-ersitv res-idencc halls. the ==ii hundn:d sun-e,-s they passed out ~ ai "The old ones are just pull stations," A Jam~· fire at New Jersey's Seton rerurned an opposite response from stu updatedfire alarms Stine said. "The new ones haw smoke Hall Univer;ity claimed national anention dents. -ii:...I to Thompon Point detector; and heat detectors." after it took the lives of three students. "The SUI''e}'S \\'ere a complete flip -= \ Vhile this summer will see onh· four of SJUC was dr.unaticalh- awakened to the flop," said Piet, a junior in aviation mainte the 11 residence halls in Thomrs:,n Point issue just 18 days later, ·when an unanend nance fiom Carol Stream. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
Money Atters
The University of Surrey Students’ Union Newspaper issue 1049 www.ussu.co.uk THURSDAY 6 FEBRUARY 2003 free DON’T FORGET!! GU2 are broad- casting on ignites for UniS 107.3fm until 18.02. Why not have a look at the schedule and see what entrepreneurs you fancy? | page 19 FUSE, OR FEDERAL University of Surrey BY ANDY BLAIR ALL ABOUT THE Entrepreneurs, launches this coming week MARKETING & STUDENT GOLDEN SCREEN and is the first joint amenity for students SERVICES MGR. USSU Another two pages run under federal banner. Led by The of film for you as University of Surrey Students’ Union and UniSdirect (at Surrey) and Roehampton University. Irrespective barearts takes a Students’ Union and Roehampton Direct (at of what your interest is in look at Catch Me If Roehampton), it heralds a new avenue for becoming an entrepreneur You Can and About students to access the best the federation has – if you have an interest, Schmidt (right) with to offer in supporting students who have an chances are that FUSE Jack Nicholson | entrepreneurial streak. will be able to provide pages 11 & 12 The idea behind the amenity is for FUSE to avenues through which to act as a conduit through which students can move your ideas towards access training, information and experienced reality. IN THIS WEEK’S PAPER advice on all aspects of setting themselves During the course up as entrepreneurs. of the academic year, The accommodation issue Whether a student is interested in the FUSE aims to provide Above: Colin Howard, the Dean of Students, finds himself locked in the specifics of becoming a sole trader, buying information about activities centre in order to raise money for RAG. -
'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
Download Spring 2015
LAUREN ACAMPORA CHARLES BRACELEN FLOOD JOHN LeFEVRE BELINDA BAUER ROBERT GODDARD DONNA LEON MARK BILLINGHAM FRANCISCO GOLDMAN VAL McDERMID BEN BLATT & LEE HALL with TERRENCE McNALLY ERIC BREWSTER TOM STOPPARD & ELIZABETH MITCHELL MARK BOWDEN MARC NORMAN VIET THANH NGUYEN CHRISTOPHER BROOKMYRE WILL HARLAN JOYCE CAROL OATES MALCOLM BROOKS MO HAYDER P. J. O’ROURKE KEN BRUEN SUE HENRY DAVID PAYNE TIM BUTCHER MARY-BETH HUGHES LACHLAN SMITH ANEESH CHOPRA STEVE KETTMANN MARK HASKELL SMITH BRYAN DENSON LILY KING ANDY WARHOL J. P. DONLEAVY JAMES HOWARD KUNSTLER KENT WASCOM GWEN EDELMAN ALICE LaPLANTE JOSH WEIL MIKE LAWSON Grove Atlantic, 154 West 14th Street, 12 FL, New York, New York 10011 GROVE PRESS Hardcovers APRIL A startling debut novel from a powerful new voice featuring one of the most remarkable narrators of recent fiction: a conflicted subversive and idealist working as a double agent in the aftermath of the Vietnam War The Sympathizer Viet Thanh Nguyen MARKETING Nguyen is an award-winning short story “Magisterial. A disturbing, fascinating and darkly comic take on the fall of writer—his story “The Other Woman” Saigon and its aftermath and a powerful examination of guilt and betrayal. The won the 2007 Gulf Coast Barthelme Prize Sympathizer is destined to become a classic and redefine the way we think about for Short Prose the Vietnam War and what it means to win and to lose.” —T. C. Boyle Nguyen is codirector of the Diasporic Vietnamese Artists Network and edits a profound, startling, and beautifully crafted debut novel, The Sympathizer blog on Vietnamese arts and culture is the story of a man of two minds, someone whose political beliefs Published to coincide with the fortieth A clash with his individual loyalties.