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16 Lyon Bière Festival
L’HEBDO GRATUIT DES SPECTACLES + SUPPLÉMENT OPÉRA DU 20.04 AU 26.04.16 / N°835 ACTU 2 EXPOS 8 BD 14 LE SONIC CHARLES LOUPOT JOANN SFAR Fermé par la préfecture La réclame faite art S’exprime aux Célestins LE PETIT BULLETIN l a n o i t a N d n a E T A T y h p a r g o t o h P © 6 1 0 2 s i r a P , REGARDE P G A D A / . c n I , s t r A l en sa presence a u s i er V du 13 avril au 1 juin 2016 e h t r o f MOI ! n o i institut-lumiere.org t a d n u o F AUTOPORTRAITS, DE REMBRANDT AU SELFIE AU MUSÉE DES BEAUX*ARTS P3 À LA UNE l o h r a W y d n A ÉDITO e h T PAR SÉBASTIEN BROQUET © r e i p a p r h, ces entrepreneurs... Choyés moins (bien) vu au clair de lune. plus de boucan qu’un train circulant u s d ï o à longueur de journée par un La voici laissée au bon vouloir d’une à quelques mètres de cette péniche r a l o p gratin politique rêvant de les patrouille pour le coup mal lunée : et isolée sur un quai jouxtant Perrache ? e i h p voir porter un pays qu’eux- ce club emblématique, pour une La République de la nuit est fatiguée a r g o t mêmes n’arrivent plus à faire rêver. -
The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
Conference Program Book
2020 FMEA Professional Development Conference Guide 1 Hit all the high notes Booth #4001 Inspire them to new musical heights! See for Yourself Breezin’ Thru Theory makes learning to read and understand music faster Hands-on Workshop: and easier. And, it’s motivating, so your students quickly build mastery, Fri., Jan. 10 at 11:45 am as well as self-confi dence! Accessed seamlessly online – on any device, (Room TCC 18 & 19) anytime, anywhere – it’s fun and interactive. Kids love it… and so do teachers. With at-a-glance student tracking and automated assessments, it frees up valuable class and marking time, so you can do what you love most – getting kids excited about learning music. BreezinThruTheory.com 1-855-265-3805 [email protected] Grades 4-12 2 2020 FMEA Professional Development Conference Guide 2020 FMEA PROFESSIONAL DEVELOPMENT CONFERENCE Index of Advertisers & ALL-STATE CONCERTS Breezin’ Thru, Inc. ......................IFC Brightspark Travel .......................... 64 DePaul University School of Music ............................... 62 Florida Atlantic University ........................................ 10 Florida Gulf Coast University ........................................ 67 Florida State University ............... 32 Florida State University Summer Camps .............................. 24 LungTrainers, LLC ..................... IBC Manhattan Concert Contents Productions ...................................... 46 Mercer University President’s Message ................................. 5 Concerts ..............................................26-29 -
Northside Kan Nu Løfte Sløret for Yderligere Fire Navne På Årets Program. Navnene Tæller En Enkelt Live-Veteran Og Tre Nyer
NORTHSIDE KAN NU LØFTE SLØRET FOR YDERLIGERE FIRE NAVNE PÅ ÅRETS PROGRAM. NAVNENE TÆLLER EN ENKELT LIVE-VETERAN OG TRE NYERE NAVNE, DER INDENFOR HVER SIN GENRE ER GODT PÅ VEJ TIL AT BIDE SKEER MED DE STORE… Ben Howard katapulterede sig selv op blandt singer-songwriternes største, da han i 2011 udsendte sit debutalbum Every Kingdom på Island Records. Albummet solgte til platin og blev nomineret til en Mercury Award. Albummet kombinerede på smukkeste vis melankolske melodier, ekvilibristisk guitarspil og temposkift, som tog lytteren med på en musikalsk færd med tydelige hilsner til klassiske sangskrivere som Tim Buckley og Nick Drake, men samtidig bød på en støvet, moderne og upbeat lyd. De sidste par år har Ben Howard spillet på en lang række scener i både Europa og USA, og scenerne er blevet større og større. I 2013 spillede han på Glastonburys hovedscene. Samme år blev Howard hædret med to Brit Awards. I efteråret 2014 udkom Howards andet album, I forget where we were, som både i udlandet og herhjemme har fået særdeles rosende ord med på vejen af anmelderne. I næsten tyve år, på otte albums og på talløse turnéer på tværs af kloden, har det Arizona- baserede band Calexico krydset genrer og stilarter, varieret instrumenter og besætning og ladet sig inspirere fra nær og fjern på en musikalsk rejse, der sideløbende har indtaget uberørt terræn og omfavnet mere velkendte landskaber. Calexico blander folk og Americana med latin-inspireret musik og tex-mex folklore. Bandets navn er da også en sammentrækning af Californien og Mexico. Calexico udsender helt nyt album, Edge of the Sun, i april 2015, og selv om Calexico er kendt for at invitere gæster med på deres udgivelser, overgår de denne gang sig selv, idet der ifølge bandet er en ny gæst med på stort set hvert eneste nummer på albummet, bl.a. -
Violin Makers Flournal
rhf ViolinMakers flournal OCT OBE R - NOVEMBE R, 1961 THE. OFFICIAL PUBLICATION. OF THE VIOLIN MAKERS ASSOCIATION OF BRITISH COLUMBIA ''THE MADONNA" Superb Wood Carving by Clifford Hoing (see story, page 1) Issued as an Educational Feature to encourage and develop the art of violin making. • Eudoxa Flexocor Complete line of Violinists &: Makers Supplies. Send for Art Catalogue. Distributors of Pirastro Wondertone StrJngs in Canada George Heinl, Toronto- James Croft &: Son, Winnipeg Peate Music Supplies, '�ontreal Landers Distributors Ltd., Vancouver, B. C. 1JttaH lmfort Comfan( 5948 iltlantic Blv�. + m�(U?OO�t Calif. .. 1l.S.JI. Strinsed Instruments and Accessories + Old roaster '.Bows + Violins + Violas + Celli .. 'Rare �ks Write for Catalogue and Price List. Discount to Maker and Musicians. OLD ITALIAN CREMONA VARNISH FOR VIOLINS Keep in Contact with the Players, Fillers for Tone Stain for Shading Easily Applied They are Your Customers Made from Fossil Resins The American String Teachers Association is a non-profit ALL COLORS INCLUDING NATURAL musical and educational organization established in 1946. Oil or Spirit It serves string and orchestra teachers and students. Promotes and encourages professional and amateur string Prices Postpaid oz. 2 $1.50 and orchestra study and performance. 4 oz. $2.50 8 oz. $4.50 The American String Teachers Association has'a develop S. KUJAWA ment and progressive program which includes: 1958 East Hawthorne St. Paul Minn., U.S.A. 1. Summer Workshops for string teachers and amateur 19, ' chamber music players. 1960 conferences were held at Colorado Springs, Gettysburg, Pennsylvania, Put- In-Bay, Ohio and Interlochen Michigan. 2. Publications. A newsletter STRING TALK is published four times each ,Year. -
25Th Super Bock Super Rock 18 – 19 – 20 JULY Meco Beach, Sesimbra – South of Lisbon, Portugal
25th Super Bock Super Rock 18 – 19 – 20 JULY Meco Beach, Sesimbra – South of Lisbon, Portugal New line-up announcement: Calexico and Iron & Wine 19 July, EDP Stage 18-19-20 July Herdade do Cabeço da Flauta, Meco - Sesimbra The countdown for the 25th edition of Super Bock Super Rock has officially started and we have a new name on the line-up: Calexico and Iron & Wire are back together for the first time in 14 years and their reunion will happen in Portugal, on July 19, on the EDP Stage. They will play songs from “In the Reins”, released in 2005 and some new songs that were born from this collaboration and of course, some of Calexico and Iron & Wine’s repertoire. CALEXICO AND IRON & WINE Sam Beam is better known by his stage and recording name, Iron & Wine. His intimate indie has conquered the most sensitive souls with his introspective lyrics and his shaky voice giving body to that atmosphere. His first album, “The Creek Drank the Cradle”, released in 2002, quickly became a lo-fi classic. Sam Beam’s music is influenced and has been compared to artists such as Nick Drake, Simon & Garfunkel, Elliott Smith or Neil Young but no one questions his original South Carolina signature. On the other side, Calexico are named after a city on the border between Mexico and California and somehow that makes perfect sense when we listen to Joey Burns and John Convertino’s music. Influenced by some westerns’ soundtracks, Mariachi music and even jazz, Calexico’s proposal is unique, without an equivalent in the American rock scene. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
The Lotte Lenya Competition
Cover photos (left to right): Nine-time Competition judge Teresa Stratas; 2012 winners Matthew Grills, Jacob Keith Watson, Justin Hopkins, and Megan Marino; 2009 judge Ted Chapin with winners Lauren Worsham, Ginger Costa-Jackson, Yannick-Muriel Noah, and Zachary James. THE LOTTE LENYA COMPETITION PAST WINNERS AND JUDGES 2012 2007 2002 First Prize: Matthew Grills First Prize: James Benjamin First Prize: Lisa Conlon Second Prize: Justin Hopkins, Rodgers Second Prize: Kyle Barisich, Jacob Keith Watson Second Prize: Analisa Leaming Ethan Watermeier Third Prize: Megan Marino Third Prize: Leena Chopra, Lys Symonette Awards: Nicole Lys Symonette Awards: Natalie Christopher Herbert Cabell, Lucas Meachem, Amy Ballenger, Maria Failla Lys Symonette Awards: Paul Van Looy Judges: Rob Berman, Theodore Corona, Jeanine De Bique, Brian Judges: Eric Stern, Teresa Stratas, S. Chapin, Rebecca Luker Charles Rooney Stanley Walden Judges: Theodore S. Chapin, Ted 2011 2001 Sperling, Teresa Stratas First Prize: Caitlin Mathes First Prize: Jennifer Dyan Goode Three equal runner-up prizes: 2006 Second Prize: Jacob Langfelder, Jing Lin, Emma Sewell, Jacob First Prize: Justin Welsh Raquela Sheeran Lewis Smith Second Prize: Justin Lee Miller, Lys Symonette Awards: Noah Lys Symonette Awards: Daniel Rodell Aure Rosel Stewart, Misty Ann Castleberry Schwait, John Viscardi, Jorell Third Prize: Sarah Blaskowsky, Sturm Williams Hallie Silverston Judges: André Bishop, Welz Judges: Rob Berman, Rebecca Lys Symonette Awards: Meredith Kauffman, Teresa Stratas Luker, Michael Kaufmann Arwady, Karim Sulayman, Bray 2000 Wilkins 2010 Two special competitions were First Prize: Rebekah Camm Judges: Theodore S. Chapin, held in Germany, one for students James Holmes, Teresa Stratas and one for young professionals. -
A Performer's Guide to the American Theater Songs of Kurt Weill
A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
What It Takes to Be a Successful Concert Artist: Conversations with World Renowned Musicians by Rebecca Jackson
What it Takes to be a Successful Concert Artist: Conversations with World Renowned Musicians By Rebecca Jackson Introduction How does one become a successful concert artist? During my twenty one years of studying and performing as a violinist I continue to witness many like myself spend tireless hours trying to master the great works. Besides the obvious requirement of work on your craft I have always been curious of other factors present in the journey musicians take to establish their success. Why become a classical musician in the first place? Odds don't seem to be stacked in our favor. At first glance, what you see on stage may seem glamorous. Hundreds of people flock to watch and listen to beautiful music performed effortlessly. Paganini, Liszt, Heifetz, and Horowitz are some of the legendary performers that come to mind. Despite the initial attraction, the life of a musician is strewn with difficulties and unpredictabilities. Leila Josefowicz said, “The lifestyle of this whole business is awful. I'll not mince words about that.”1 The unattractive aspects I have observed create a substantial list: (1) It is a life led in solitude within the four walls of a practice room. While I was studying at Juilliard the average daily practice session was between five and eight hours. And this is a ritual that begins very early in life. (2) Musicians spend equal if not more time studying than doctors and yet “starving artist” depicts the characteristically little money we earn. (3) One endures constant scrutiny. Even the note-perfect Heifetz made Dallas front-page news, “HEIFETZ FORGETS,” when music came to a stop during the Sibelius Violin Concerto.2 (4) Perfectionism is a common trait making it rare to feel completely satisfied with one's performance. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures.