The Lotte Lenya Competition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Directing and Assisting Credits American Theatre
917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White. -
Broadway Patina Miller Leads a (Mostly) Un-Hollywood Lineup of Stellar Stage Nominees
05.23.13 • backstage.com The Tonys return to Broadway Patina Miller leads a (mostly) un-Hollywood lineup of stellar stage nominees wHo will win—and wHo sHould 0523 COV.indd 1 5/21/13 12:26 PM Be the Master Storyteller Learn to engage in the truth of a story, breathe life into characters, and create powerful moments on camera. Welcome to your craft. acting for film & television Vancouver Film School pureacting.com Vancouver Film Sch_0321_FP.indd 1 3/18/13 11:00 AM CONTENTS vol. 54, no. 21 | 05.23.13 CENTER STAGE COVER STORY Flying High 1 8 s inging, acting, dancing, and trapeze! Patina Miller secures her spot as one of Broadway’s best with her tony-nominated multi- hyphenate performance in “Pippin” FEATURES 17 2013 tony awards 22 smackdown who will—and who should— UPSTAGE take home the tony on June 9 Col a NEWS : Ni 05 take Five hair ipka what to see and where to go r in the week ahead ith DOWNSTAGE D : Ju griffith; 07 top news CASTING D Looking ahead at the 2013–14 27 new York tristate ewelry tv season Notices audition highlights heia; J 08 stage t : the Drama League opens 39 california Ng a new theater center Notices lothi in downtown Manhattan audition highlights illey;Miller: photo: Cha l ayes; C ayes; 10 screen 43 national/regional h ouise l 72 hour shootout 18 Notices gives opportunities audition highlights arah arah s to asian-americans : Chelsea CHARTS ACTOR 101 54 production stylist ; 13 Inside Job L.a.: feature films: N Dogfish accelerator upcoming co-founders James Belfer n.Y.: feature films: k salo ; lilley: Courtesy C N and Michelle soffen upcoming so N 14 the working actor 55 cast away a robi Dealing with unprofessional hey, Beantown! for roy teelu NiN co-stars D MEMBER SPOTLIGHT har C 16 secret agent Man 56 sarah Louise Lilley rit p why you could still lose your “i was once told that my roles ai k pilot job have a theme in common— : characters that are torn oftware; Dogfish: s akeup 17 tech & dIY between two choices, snapseed whether it be two worlds, two e; M N men, two cultures, or two cover photo: chad griffith personalities. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
The James Bond Quiz Eye Spy...Which Bond? 1
THE JAMES BOND QUIZ EYE SPY...WHICH BOND? 1. 3. 2. 4. EYE SPY...WHICH BOND? 5. 6. WHO’S WHO? 1. Who plays Kara Milovy in The Living Daylights? 2. Who makes his final appearance as M in Moonraker? 3. Which Bond character has diamonds embedded in his face? 4. In For Your Eyes Only, which recurring character does not appear for the first time in the series? 5. Who plays Solitaire in Live And Let Die? 6. Which character is painted gold in Goldfinger? 7. In Casino Royale, who is Solange married to? 8. In Skyfall, which character is told to “Think on your sins”? 9. Who plays Q in On Her Majesty’s Secret Service? 10. Name the character who is the head of the Japanese Secret Intelligence Service in You Only Live Twice? EMOJI FILM TITLES 1. 6. 2. 7. ∞ 3. 8. 4. 9. 5. 10. GUESS THE LOCATION 1. Who works here in Spectre? 3. Who lives on this island? 2. Which country is this lake in, as seen in Quantum Of Solace? 4. Patrice dies here in Skyfall. Name the city. GUESS THE LOCATION 5. Which iconic landmark is this? 7. Which country is this volcano situated in? 6. Where is James Bond’s family home? GUESS THE LOCATION 10. In which European country was this iconic 8. Bond and Anya first meet here, but which country is it? scene filmed? 9. In GoldenEye, Bond and Xenia Onatopp race their cars on the way to where? GENERAL KNOWLEDGE 1. In which Bond film did the iconic Aston Martin DB5 first appear? 2. -
Select – 1Er Número – Museos
EDITORIAL e BIENVENIDOS A UNA NUEVA EXPERIENCIA SELECT Con esta edición inauguramos mucho más que una revista: e aquí nace un lugar de encuentro que te brindará información Juan Carlos Chomali A. y oportunidades únicas, un espacio Country Head donde podrás vivir la experiencia Santander Uruguay de ser un cliente Select. Queremos que disfrutes cada una de nuestras entregas, elaboradas de forma exclusiva. Nos ilusiona ser capaces de sumar valor a tu vida. Veremos dónde convergen la genialidad arquitectónica, el arte, el mundo gourmet y todas aquellas cosas que mueven tus sentidos. Es un gran orgullo que seas nuestro cliente y cada día nos elijas. Tu preferencia nos inspira a seguir avanzando en brindarte el servicio que mereces. EDITORIAL e os expresiones con las que nos codeamos con frecuencia en estos tiempos vertigino- sos, como «el tiempo es el nuevo lujo» o «la vida está hechaD de momentos», nos recuerdan que es necesario hacer una pausa para reencontrarnos con lo que realmente disfrutamos, para llenarnos de más momentos que nos den felicidad. A partir de hoy, The Select Experience Magazine es una invitación a en- contrarnos con los placeres de la vida, a explorar y reconectarnos con nuestros cinco sentidos. Una invitación a llenarnos de vida, gracias a per- sonas, actividades, lugares y experiencias con alma. Será un lugar de encuentro bimestral, en el que proponemos diferentes opciones para que inviertan el tiempo en el arte del saber vivir. El recorrido de la revista se propone como un viaje por diferentes ter- renos: la moda, un estilo de vida saludable, el placer de viajar, la sen- e sibilidad por el arte, el dinamismo de la tecnología, el entretenimiento que nos emociona, los temas de actualidad y las tendencias, que nos permiten entender mejor el presente y el futuro, y las historias de vida de Cecilia Camors personajes fascinantes. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Frauenleben in Magenza
www.mainz.de/frauenbuero Frauenleben in Magenza Porträts jüdischer Frauen und Mädchen aus dem Mainzer Frauenkalender seit 1991 und Texte zur Frauengeschichte im jüdischen Mainz Frauenleben in Magenza Frauenleben in Magenza Die Porträts jüdischer Frauen und Mädchen aus dem Mainzer Frauenkalender und Texte zur Frauengeschichte im jüdischen Mainz 3 Frauenleben in Magenza Impressum Herausgeberin: Frauenbüro Landeshauptstadt Mainz Stadthaus Große Bleiche Große Bleiche 46/Löwenhofstraße 1 55116 Mainz Tel. 06131 12-2175 Fax 06131 12-2707 [email protected] www.mainz.de/frauenbuero Konzept, Redaktion, Gestaltung: Eva Weickart, Frauenbüro Namenskürzel der AutorInnen: Reinhard Frenzel (RF) Martina Trojanowski (MT) Eva Weickart (EW) Mechthild Czarnowski (MC) Bildrechte wie angegeben bei den Abbildungen Titelbild: Schülerinnen der Bondi-Schule. Privatbesitz C. Lebrecht Druck: Hausdruckerei 5. überarbeitete und erweiterte Auflage Mainz 2021 4 Frauenleben in Magenza Vorwort des Oberbürgermeisters Die Geschichte jüdischen Lebens und Gemein- Erstmals erschienen ist »Frauenleben in Magen- delebens in Mainz reicht weit zurück in das 10. za« aus Anlass der Eröffnung der Neuen Syna- Jahrhundert, sie ist damit auch die Geschichte goge im Jahr 2010. Weitere Auflagen erschienen der jüdischen Frauen dieser Stadt. 2014 und 2015. Doch in vielen historischen Betrachtungen von Magenza, dem jüdischen Mainz, ist nur selten Die Veröffentlichung basiert auf den Porträts die Rede vom Leben und Schicksal jüdischer jüdischer Frauen und Mädchen und auf den Frauen und Mädchen. Texten zu Einrichtungen jüdischer Frauen und Dabei haben sie ebenso wie die Männer zu al- Mädchen, die seit 1991 im Kalender »Blick auf len Zeiten in der Stadt gelebt, sie haben gelernt, Mainzer Frauengeschichte« des Frauenbüros gearbeitet und den Alltag gemeistert. -
The 2009 Lotte Lenya Competition First Round
The 2009 Lotte Lenya Competition Lauren Worsham’s recent credits include Sophie in Master Class (Pa- permill Playhouse), Clara in The Light in the Piazza (Chamber Version - Kilbourn Hall, Eastman School of Music Weston Playhouse), Cunegonde in Candide (New York City Opera), Jerry Springer: The Opera (Carnegie Hall), Olive in The 25th Annual Putnam Saturday, 18 April 2009 County Spelling Bee (First National Tour). New York workshops/readings: Mermaid in a Jar, Le Fou at New Georges, The Chemist's Wife at Tisch, Mir- ror, Mirror at Playwright's Horizons, and Now I Ask You at Provincetown First Round Playhouse. Graduate of Yale University, 2005. Thanks for all the love and support from Bryan and Management 101. Most importantly, I owe it all to my amazing family. Proud member AEA! www.laurenworsham.com The Kurt Weill Foundation for Music, Inc. administers, promotes, and perpetuates the legacies of Kurt Weill and Lotte Lenya. It encourages broad dissemination and appreciation of Weill’s music through support of performances, productions, recordings, and scholarship; it fosters understanding of Weill’s and Lenya’s lives and work within diverse cultural contexts; and, building upon the legacies of both, it nurtures talent, particularly in the creation, performance, and study of musical theater in its various manifestations and media. Established in 1998 by the Kurt Weill Foundation for Music, the Lotte Lenya Competition provides a unique opportunity for talented young singer/actors to show their versatility in musical theater repertoire ranging from opera/operetta to contemporary Broadway, with Competition Administration, for the Kurt Weill Foundation: a focus on the varied works of Kurt Weill. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Time to Bond
Etc. Etc. Etc. “I’ve always wanted to play a spy, because it is the ultimate acting exercise. You are never what you seem.” Benedict Cumberbatch Life Imitates Art: The CIA Favored James Bond In his article, “Ian Fleming and the Public Profile of the Time CIA,” published this year in the Journal of Cold War Studies, Christopher Moran, a professor at the University of Warwick, to Bond contends that the CIA attempted to recreate spy gadgets from n recognition of the Bond the James Bond films Goldfinger and From Russia, With Love. Ifranchise’s 50th year in 2012, To write the article, Moran studied declassified letters, Time compiled a list, “James media reports and interviews from the 1950s and 1960s. Bond, Declassified: 50 Things “There was a surprising two-way influence between the CIA You Didn’t Know About 007.” and the James Bond novels during the Cold War, stemming Here are a few highlights: from the mutual admiration between [then CIA director] Al- •In an interview with Life len Dulles and [Bond author] Ian Fleming,” Moran explains. Magazine, John F. Kennedy After meeting Fleming in London in 1959, Dulles tasked listed From Russia, With agency staff to copy Bond gadgets, such as Rosa Klebb’s Love as one of his favorite spring-loaded poison knife shoe used in From Russia, With novels. It’s been reported Love and the homing beacon device used in Goldfinger. that this influenced the Moran also found that Dulles encouraged Fleming to portray filmmakers to select this the agency positively. “For a long time, the James Bond book to be the basis for books had a monopoly on the CIA’s public image and the the second Bond movie, agency used this to its advantage.” ScienceDaily SETRESET following Dr. -
Transcript Released 4/22/2021 CHRIS LARGENT: Hey There, Let Me Take You Off This Busy Main Road of Van Ness Avenue, Follow Me Through This Parklet
North Stage Door - Episode 1 Transcript Released 4/22/2021 CHRIS LARGENT: Hey there, let me take you off this busy main road of Van Ness Avenue, follow me through this parklet. I’m going to bring you into the secret world - not accessible to the general public...The North Stage Door! Welcome to San Francisco Opera's new podcast! I'm your host, Chris Largent and I'm delighted to sweep you into this massive hive of creativity, stagecraft and performance at one of opera’s most exciting companies. Along the way, we’ll meet singers, directors, designers -- and some surprise guests; like Pixar’s Chief Creative Officer and Academy Award Winning Director Pete Docter, and internationally acclaimed opera star Patricia Racette. In normal times, walking around backstage, there would be a flurry of activity. But, it's not really happening like that this year...our stage has been dark. Our season? Canceled. This moment of social distancing has given us time to reflect -- how can this venerable artform that is entirely dependent on precision planning, hundreds and hundreds of people from different disciplines collaborating behind the scenes, and thousands in the audience --- how might this artform of opera adapt to a different reality, yet still adhere to restrictions necessary to keep everyone safe? How can we satisfy the craving we’re all feeling... to experience opera live and come together as a community again? Luckily, San Francisco Opera is in the process of answering this question with a production of Barber of Seville that is unlike any other --and is taking shape as I speak. -
West Side Story
West Side Story West Side Story is an American musical with a book rary musical adaptation of Romeo and Juliet . He prpro-o- byby Arthur Laurents, mmususiic bbyy Leonard Bernstein,, posed that the plot focus on the conflict between an Irish libretto/lyrics by Stephen Sondheim, and conception and Catholic family and a Jewish family living on the Lower choreography byby Jerome Robbins..[1] It was inspired by East Side ofof Manhattan,,[6] during the Easter–Passover William Shakespeare's play Romeo and Juliet .. season. The girl has survivvived the Holocaust and emi- The story is set in the Upper West Side neighborhood grated from Israel; the conflict was to be centered around in New York City in the mid-1950s, an ethnic, blue- anti-Semitism of the Catholic “Jets” towards the Jewish “Emeralds” (a name that made its way into the script as collar ne neighighborhood. (In the early 1960s much of thethe [7] neineighborhood would be clecleared in anan urban renewal a reference). Eager to write his first musical, Laurents project for the Lincoln Center, changing the neighbor- immediately agreed. Bernstein wanted to present the ma- hood’s character.)[2][3] The musical explores the rivalry terial in operatic form, but Robbins and Laurents resisted between the Jets and the Sharks, two teenage street gangs the suggestion. They described the project as “lyric the- of different ethnic backgrounds. The members of the ater”, and Laurents wrote a first draft he called East Side Sharks, from Puerto Rico, are taunted by the Jets, a Story. Only after he completed it did the group realize it white gang.[4] The young protagonist, Tony, a former was little more than a musicalization of themes that had member of the Jets and best friend of the gang leader, alreadybeencoveredinin plaplaysys liklikee Abie’s Irish Rose.