FELIX Imperial College Issue 1053 March 8Th 1996
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'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
In “Love” Jukebox Memoir
in “Love” Jukebox Memoir (release date: 2/25/14) After recording 2012’s Domestic Disturbances, I realized I’d been struggling on the last couple of records to assimilate some of our many influences into what could be described as “The Jet Age sound.” Thus the concept for this album: To “own” the music that inspired us, without worrying about appearances. Of course, we didn’t want to sound like a wedding band, so if a song didn’t make sense to a player, if it didn’t resonate, it wasn’t gonna happen. A few songs didn’t make the cut (notably my ABBA homage—seriously), but once we’d gotten those missteps out of the way, these tracks quickly fell into place: 1. I Can’t Turn Around – Deliberately written as a state-of-the-art Jet Age song, this track brings our memoir up- to-date. I’d initially attributed the extended outro to our stint opening for The Wedding Present during 2011’s Bizarro tour, but I realized we’d been doing stuff like this since our debut, 2005’s Breathless. 2. Come Lie Down – A dream come true for me as Swervedriver’s Adam Franklin and Ride’s Mark Gardener join me on vocals. When I first started making music, Ride really showed me how guys who sing like girls could rock like The Who, while Swervedriver gave me guitar heroics to aspire to. I also cribbed from Spiritualized’s take on the Troggs’ “Anyway That You Want Me” and The Wedding Present’s “Dalliance,” which is ironic, since the latter inspired me to pare back some of my shoegazing tendencies. -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
Public Enemy Suede Underworld Non Phixion Mando Diao
Nummer 6 • 2002 Sveriges största musiktidning Death in Vegas Public Enemy Suede Underworld Non Phixion Mando Diao Chilly & Leafy • S.I. Futures • Moldy Peaches • Ex-girl • Steve Shelley Groove 6 • 2002 Ledare Omslag Death in Vegas av Johannes Giotas Groove Storleken har Box 112 91 Ex-girl sidan 5 404 26 Göteborg Tre frågor till Steve Shelley sidan 5 Telefon 031–833 855 Lätt att vara DJ sidan 5 visst betydelse Elpost [email protected] S.I. Futures sidan 6 http://www.groove.st Som vilken frisk sjuåring som att lägga ut låtar med demoband Allt är NME:s fel sidan 6 helst så växer Groove på höjden, vi tycker förtjänar fler lyssnare, en Chefredaktör & ansvarig utgivare Chilly & Leafy sidan 7 närmare bestämt 5,5 centimeter. unik chans att få höra ny och Gary Andersson, [email protected] Vi har så mycket material och spännande svensk musik. Och Ett subjektivt alfabet sidan 7 idéer att vi inte får plats i den snart levererar vi även konsert- Skivredaktör kvadratiska kostymen – dags att recensioner på hemsidan, något vi Björn Magnusson, [email protected] Mando Diao sidan 8 byta upp sig helt enkelt. Detta märkt att ni, våra läsare, vill ha. Mediaredaktör innebär utöver att våra artiklar Allt detta är, som man säger, Public Enemy sidan 10 Dan Andresson, [email protected] blir fylligare att antalet recensio- under uppbyggnad. Magisk dag i Suede sidan 13 ner ökar rejält (och ändå hittar du veckan kommer att bli måndagar, Layout Non Phixion sidan 14 ytterligare cirka 100 stycken på då släpps alltid någonting nytt. Henrik Strömberg, [email protected] vår hemsida www.groove.st). -
Mark Gardener Live @ the Knitting Factory, New York City Mp3, Flac, Wma
Mark Gardener Live @ The Knitting Factory, New York City mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live @ The Knitting Factory, New York City Country: UK Released: 2003 Style: Indie Rock, Shoegaze MP3 version RAR size: 1370 mb FLAC version RAR size: 1205 mb WMA version RAR size: 1712 mb Rating: 4.1 Votes: 293 Other Formats: APE MP1 VOX DXD ADX AC3 MP2 Tracklist Hide Credits 1 Intro 1:12 What You Get 2 3:47 Written-By – Phillips*, Gardener* Beautiful Ghosts 3 5:14 Written-By – Phillips*, Gardener* From Time To Time 4 3:50 Written-By – Gardener* Chrome Waves 5 4:16 Written-By – Ride Magdalen Sky 6 3:37 Written-By – Phillips*, Gardener* Vapour Trail 7 3:26 Written-By – Ride Twisterella 8 3:39 Written-By – Ride To Get Me Through 9 4:40 Written-By – Phillips*, Gardener* Dreams Burn Down 10 5:03 Written-By – Ride Snow In Mexico 11 3:44 Written-By – Gardener* Drive Blind 12 5:21 Written-By – Ride 13 Interlude 2:28 Turn 14 4:01 Written-By – Phillips*, Gardener* In A Different Place 15 5:14 Written-By – Ride Leave Them All Behind 16 6:27 Written-By – Ride Companies, etc. Manufactured By – DOCdata UK Phonographic Copyright (p) – Mark Gardener Copyright (c) – Mark Gardener Published By – Copyright Control Published By – Damaged Pop Music Published By – Creation Songs Ltd. Published By – MCA Music Recorded At – The Knitting Factory Credits Engineer – Alex Gordon Mastered By – Richard Simpson Mixed By – Alex Gordon , Mark Gardener, Rob Campenella Producer – Mark Gardener Recorded By – Jason Tubbs Notes Issued in a Digipak. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
Online Music Magazine FEBBRAIO N
SENTIREASCOLTARE online music magazine FEBBRAIO N. 28 Of Montreal Takagi Masakatsu Benjy Ferree David Kitt P.G. Six Bobby Conn Rafter Polvo Wallace Records Third Eye Foun- dation / Matt Elliott Charles Ives Patrick Wolfs e n t i r e a s c o l t a r e sommario 4 News 8 The Lights On Rafter, P.G. Six, David Kitt, The Good The Bad And The Queen 2 Speciali Benjy Ferree, Wallace Records, Takagi Masakatsu, Bobby Conn, Of Montreal, Patrick Wolf 33 Recensioni Apples In Stereo, Bloc Party, The Earlies, Kristin Hersh, Joakim, The High 0 Llamas, Uncode Duello, Clap Your Hands Say Yeah, Sophia, Trans Am... 7 Rubriche (Gi)Ant Steps Max Roach We Are Demo Classic Third Eye Foundation / Matt Elliott, Polvo Cinema Binder, Bass, Cooper Apocalypto, The Prestige, Il grande 6 capo, L’arte del sogno… I cosiddetti contemporanei Charles Ives Direttore Edoardo Bridda Coordinamento Antonio Puglia Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco 4 Hanno collaborato Gianni Avella, Davide Brace, Marco Braggion, Gaspare Caliri, Roberto Canella, Paolo Grava, Manfredi Lamar- tina, Emmanuele Margiotta, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Vincenzo Santarcangelo, Michele Saran, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano 84 in copertina Patrick Wolf SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco In arrivo il 15 maggio su Nonesuch Sky Blue Sky dei Wilco, annunciato da Jeff Tweedy nel corso di un concerto solista a Nashville settimana scorsa; l’album sarà missato da Jim O’ Rourke. -
Jul - Aug 2016 “That Scrappy Magazine from Citr101.9FM” “House of Glass," and “Acidic.” This Lends Some Confident Sentence
Jul - Aug 2016 “that scrappy magazine from CiTR101.9FM” “House of Glass," and “Acidic.” This lends some confident sentence. Sean Mallion and the rest repetition, but is not a major detriment. of the ADSR team are devoted to supporting “Shivering” is the best track on the album. non-mainstream electro-music artists, mani- There is also an addition of a choir halfway festing in multiple events, extensive blogging, through the song that, while unexpected from and the recent launch of the ADSR music label. Holy Fuck, fits in the context. The track then It is already sunrise in the land of the Korean transitions into a calm instrumental break before producer Honbul. In “Asura Break,” spirits sing building up to a climax with distorted guitars join- away the night. Their loose ribbons dance in ing the rest of the instruments in conclusion. the air producing modern trip-hop waves which The album’s only issue is that it is not cohe- crush upon ancient percussions of Buddhist sive. Of course there are many tracks here that monks. In “Shake,” elements of glitch, chill explore the same sounds and instruments, but beats and downtempo, temperamental drums they do not add anything to the album on top and earthly voices chase each other in a joyful of one another. For instance, “Tom Tom” is game of life — Honbul is a good example of merely an instrumental electro pop track with how to master electronica’s chi. a steady beat, a repetitive distorted vocal mel- This set atmosphere follows Tokiomi Tsuta ody and bassline that never evolves into some- with “Coelacanth and “Night time in Tofino,” thing more. -
14Th Symposium Proceedings
PROCEEDINGS OF THE 14TH SYMPOSIUM ON THE NATURAL HISTORY OF LOWER TENNESSEE AND CUMBERLAND RIVER VALLEYS BRANDON SPRING GROUP CAMP LAND BETWEEN THE LAKES MARCH 25 AND 26, 2011 SPONS0RED BY AUSTIN PEAY STATE UNIVERSITY THE CENTER OF EXCELLENCE FOR FIELD BIOLOGY AND MURRAY STATE UNIVERSITY WATERSHED STUDIES INSTITUTE AND U.S. DEPARTMENT OF AGRICULTURE, FOREST SERVICE LAND BETWEEN THE LAKES NATIONAL RECREATION AREA Austin Peay State University does not discriminate on the basis of race, color, national origin, sex, disability, or age in its programs and activities. The Director of Affirmative Action has been designated to handle inquiries regarding the non-discrimination policies and can be reached at 601 College Street, Browning Bldg. Room 7A, Clarksville, TN 37044, 931-221-7178, [email protected]. (AP33/7-13/100) TH PROCEEDINGS OF THE 14 SYMPOSIUM ON THE NATURAL HISTORY OF LOWER TENNESSEE AND CUMBERLAND RIVER VALLEYS HELD AT BRANDON SPRING GROUP CAMP LAND BETWEEN THE LAKES MARCH 25 AND 26, 2011 Sponsored by: The Center of Excellence for Field Biology Austin Peay State University, Clarksville, Tennessee and Watershed Studies Institute Murray State University, Murray, Kentucky and U.S. Department of Agriculture, Forest Service Land Between The Lakes National Recreation Area Golden Pond, Kentucky ******* EDITED BY: Rebecca Johansen, L. Dwayne Estes, Steven W. Hamilton, and Andrew N. Barrass Published by and available from: The Center of Excellence for Field Biology Austin Peay State University, Clarksville, Tennessee 37044 Price: $5.00 SUGGESTED CITATION Johansen, R., L.D.Austin Estes, PeayS.W. Hamilton,State Universit and A.N.y, Clarksville, Barrass (Editors). Tennessee 2013. -
Richard X Songwriter/Producer/Mixer/Remixer
Richard X Songwriter/Producer/Mixer/Remixer Gaining attention for his early pioneering “mashups” as Girls On Top, and producing and writing for the likes of Sugababes “Freak Like Me” (UK No.1), Rachel Stevens “Some Girls” (UK No.2) and Liberty X “Being Nobody” (UK No.3), Richard X has since written and produced with a whole host of artists from M.I.A and Goldfrapp, to Will Young (Echoes LP UK No.1), and Saint Etienne. King Of The Apocalypse Forthcoming Album Tracks Write / Prod Cowboy Rhythmbox Mechanique Sauvage / EP Write / Prod / Mix Fantasma / EP Write / Prod / Mix We Got The Box / Rattle EP Write / Prod / Mix Shake / Single Write / Prod / Mix M.I.A Ali R U Ok? / Single Write / Prod / Mix Amazon / Album track Write / Prod / Mix Hombre / Album track Write / Prod / Mix Teen Dollar / Album track Write / Prod / Mix New Order People On The High Line / 12” Remix Remix / Prod / Mix Complete Music 6 tracks / Album Remix / Prod / Mix Tutti Frutti / Single Remix Tour music programming Prod Plastic / Album track Prod / Mix Bizarre Love Triangle / Single Remix Jetstream / Single Remix Lee Walker ft. Katy B Freak Like Me / Single Write Little Boots Staring At The Sun / Single Write / Prod Nina Beyond Memory / Single Prod / Mix Philip George ft. Dragonette Feel This Way / Single Write The Knocks ft. Carly Rae Jepsen Love Me Like That / Single Write Annie Endless Vacation / EP Write / Prod / Mix Anthonio (Berlin Breakdown) / Single Write / Prod / Mix Russian Kiss / Single Write / Prod / Mix The A&R / EP Write / Prod / Mix Me Plus One / Album track -
Dirty Projectors Serj Tankian
HAPPY ISSUE 420. REAlly HAPPY. HAPPY AND hungry. free SHIT WORTH DOING ted dirty projectors serj tankian 11 - 17 JUL 2012 . NZ’S ONLY FREE WEEKLY STREET PRESS . ISSUE 420 . GROOVEGUIDE.CO.NZ A Live Planetarium Experience (Under License) Early-bird tickets Exclusively at: Experience the iconic musical through live singing and immersive animation in the planetarium dome. $45 for a limited time! 1 NOV 16 DEC 2012 I wotwnz.com STARDOME presents Je Wayne’s Musical Version of “THE WAR OF THE WORLDS” UNDER LICENSE. Written by Doreen Wayne. Adapted from H. G. Wells’ classic science fiction story. Music by Je Wayne. Lyrics by Gary Osborne except ‘Forever Autumn’ by Gary Osborne and Paul Vigrass, and ‘The Eve of The War’ by Je Wayne. Produced by arrangement with Ollie Record Productions & Je Wayne Music (Publishing) Limited. © Copyright 1976-2013 Ollie Record Productions & Je Wayne Music (Publishing) Limited. All rights reserved. 144 parnell road Every Wednesday from 9pm SHIT WOrth KNOwing grooveguide.co.nz NEWS MATARIKI ON THE MOVE Matariki is taking over Auckland’s Silo Park on Saturday 21 July. The Maori New Year festivities will be more than the usual couple of bands playing down at the waterfront venue, with interactive displays and performances throughout the day. Light installations Our and a video projection mapping from Lakshman pick Anandanayagam, Angus Muir, Jon Baxter and Michael Hodgson will be heightening and enlightening your senses along with music from Anika Moa, Ria Hall, Anna Coddington and DJs. There’s a food special with Scan the QR code with your the Maori night markets and if you’re really feeling smartphone to go to Groove Guide’s spaced, you can check out the stardome telescopes mobile website for breaking news, and get all existential and whatnot.