DOCSLIB.ORG

Jacob Christopher Me

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jacob Christopher Me THE PHRASE “ALONE TOGETHER,” in the The philosophical, social, and anthropological context of tonight’s program, was coined questions that arise are seemingly endless, in 2010 by MIT professor Sherry Turkle. and we will only be able to explore some of During the 30 or so years prior, she had them in the next 50 minutes. grown concerned with how computers were changing us as people and began to explore But as the second year of the pandemic the ways that scientists, computer owners, looms, it will be even more important and children behaved among their new for us to check in on friends and family “thinking” machines. But as the years passed members. Because while the collective ‘we’ and these devices became smaller, lighter, may present an online persona of happiness and more portable, our detachment and and satisfaction, it’s more likely that each discontent only grew. of us is struggling in some way. This new normal — with its mix of pandemic-induced In 2016, Cantus began developing a show isolation and searching for connection, of that would explore the desire for meaningful doom scrolling and Zoom happy hours — connection in this relatively new Digital Age. gave new urgency to the Alone Together In the United States alone, 96 percent of the theme, prompting us to revisit and recast our population own a cell phone of some kind, program for this complicated moment. and 81 percent own smartphones. How was this changing the way we interacted with Additionally, it isn’t lost on us that we’re people on a day-to-day basis? We could now asking you to watch this concert on a talk with people around the world, follow the computer while hoping you’ll also step lives of friends we hadn’t seen in years, and away from that same device — for a while even find new love matches with the swipe — to reflect on how it might be impeding of a finger. your ability to interact with the physical world. But for now, we’re first and foremost However, it seemed that the connections we thankful that you’re here with us and hope were making were less with the human and that someday very soon, we’ll be back more with the machine. together again to sing for you in person. If I forget my phone at home, my entire day could be disrupted. Emails would go unanswered, text messages missed, and I might even discover that I don’t know where I’m going if I can’t use my GPS to navigate for Jacob Christopher me. Have we become so utterly dependent Artistic Council on these tiny machines that we’ve lost our Tour Manager skills, and perhaps even our sense of self? 2 ALONE TOGETHER | CANTUS ADMINISTRATIVE STAFF ARTISTIC COUNCIL Joseph Heitz Jacob Christopher Executive Director Tour Manager Anne Todey Alberto de la Paz Box Office Coordinator Programming Jacob Christopher Alexander Nishibun Tour Manager Production Samuel Green Education Outreach Coordinator BOARD OF DIRECTORS Jeff Reed, Chair Elizabeth Drotning Hartwell Attorney (retired) Attorney, Best & Flanagan LLP Theresa Gienapp, Vice Chair Paul Johnson Director of Planned Giving Founder & President, Macalester College Creative Fundraising Advisors David Niles, Treasurer Brian Newhouse Vice President, Avant Energy Associate Vice President of Individual Giving, Minnesota Orchestra Beth Anne Thompson, Secretary Associate Director of Alumni and Paul Scholtz Parent Relations, St. Olaf College Tenor, Cantus Alberto de la Paz Craig Shulstad Tenor, Cantus Vice President, General Mills (retired) Bryan Fisher Director of Choral and Vocal Music, Kevin Stocks Minneapolis Southwest High School Executive Director, Twin Cities Gay Mens Chorus PaviElle French Artist; Equity, Youth Outreach Frank Stubbs and Operations Coordinator, AIA Non-Profit Executive (retired) Minnesota Barbara Thomas Nancy Gaschott Senior Program Manager, IT Mergers Consultant to Nonprofit Leaders and Acquisitions, Medtronic Jonathan Guyton Principal, Cornerstone Wealth Advisors, Inc. missionCantus engages audiences in a meaningful music experience and ensures the future of ensemble singing by mentoring young singers and educators. Cantus was founded on the ideals of collaborative music-making: visionCantus gives voice to shared artists and staff work together to reach new levels of artistic human experiences. excellence, innovation and audience engagement. CANTUS | ALONE TOGETHER 3 Now in its 26th season, the “engaging” with other performing arts organizations, (New Yorker) men’s vocal ensemble Cantus including the Minnesota Orchestra, Saint is widely known for its trademark warmth Paul Chamber Orchestra, Boston Pops, and blend, innovative programming and Chanticleer, and Sweet Honey in the Rock. riveting performances of music ranging from the Renaissance to the 21st century. The ensemble is heard frequently on The Washington Post has hailed the Cantus classical public radio nationwide and on sound as having both “exalting finesse” and SiriusXM Satellite Radio. Cantus has released “expressive power” and the Philadelphia 18 recordings on the group’s self-titled Inquirer called the group nothing short of label and has recently signed with British “exquisite.” record label Signum to release the COVID-19 Sessions as a live album. As one of the nation’s few full-time vocal ensembles, Cantus has grown in prominence The ensemble actively commissions new with its distinctive approach to music- music and seeks to unearth rarely performed making. Working without a conductor, the repertoire for men’s voices, having received members of Cantus rehearse and perform as commissioning grants from New Music USA, chamber musicians, each contributing to the the National Endowment for the Arts, Chorus entirety of the artistic process. America, American Composers Forum, and Chamber Music America. In a typical year, Cantus performs more than 60 concerts both in national and Integral to the Cantus mission is its international touring, and in its home of commitment to preserve and deepen music Minneapolis-St. Paul, Minnesota. Cantus has education in the schools. In a typical year, performed at the Kennedy Center, Lincoln Cantus works with more than 5,000 students Center, UCLA, San Francisco Performances, each year in master class and workshop and Bravo! Vail Valley Music Festival. settings across the country. Cantus has a rich history of collaborations 4 ALONE TOGETHER | CANTUS JACOB CHRISTOPHER, TENOR SAMUEL GREEN, BASS* A native of Chippewa Falls, Wisconsin, Jacob Prior to joining Cantus, Samuel was a sought- Christopher began his career as a chorister after musician in the thriving Kansas City arts with the Lyric Opera of Chicago (2010–2012) scene, lending his voice to several ensembles before moving to New York where he including the GRAMMY Award-winning appeared in Ragtime at Lincoln Center, Disney’s Kansas City Chorale under the direction of The Hunchback of Notre Dame (Paper Mill Charles Bruffy, the Simon Carrington Chamber Playhouse, Studio Cast Recording), and, in Singers, and Kantorei of Kansas City. In 2016, made his Carnegie Hall debut with the addition to chorister experience, Samuel New York City Chamber Orchestra. A graduate of Luther College, Jacob has taken the stage performing jazz, barbershop, southern gospel, has also performed backup vocals for Ben Folds and The Judds. and country music as a soloist and ensemble musician, and is also a voiceover artist. ALBERTO DE LA PAZ, TENOR ALEXANDER NISHIBUN, TENOR Born and raised in Guadalajara, Mexico, Prior to joining Cantus, Alex performed as Alberto’s early choral music experience a soloist and chamber musician with such consisted of arrangements from diverse renowned groups as the Skylark Vocal varieties and styles of Latin American music. Ensemble, Handel & Haydn Society, Blue Heron Alberto graduated with high honors from the Renaissance Choir, and Ensemble Origo. Boston University of Illinois at Urbana-Champaign, Classical Review praised his “smooth-toned then participated in the Young Artist Program voice (of) spring-water clarity.” Alex is from at Illinois Bach Academy. Following graduation Kentucky and is a graduate of New England he served as choral director at Leyden High School in Chicago. When Conservatory of Music and Huntingdon College. Alberto isn’t busy singing, he enjoys reading a good novel or salsa dancing. CHRIS FOSS, BASS PAUL SCHOLTZ, TENOR A graduate of Millikin University and the When not performing with Cantus, Paul University of Nebraska, Chris grew up in enjoys engagements as a concert soloist southwest Iowa. In addition to his experience and appearances with Bach Vespers at The as a soloist and ensemble singer, Chris brings Evangelical Lutheran Church of the Holy Trinity his choral conducting and award-winning in New York City. A recent highlight was a arranging experience to Cantus. When Chris performance of Handel’s Messiah with the late isn’t singing, you might find him playing one J. Reilly Lewis of the Washington Bach Consort. of his favorite guitars or trying to stop his Paul is a native of northeast Iowa and received dogs from jumping out of the canoe. his B.A. in English from Luther College. ADAM REINWALD, BARITONE JEREMY WONG, BARITONE Nationally recognized vocal chamber artist Jeremy enjoys a wonderfully varied career and conductor, Adam is in demand as a coach as a singer, conductor, and voice teacher and strategist for small- to mid-sized arts who has performed on both the international organizations, focusing on new media and virtual/ and U.S. stages with focuses in oratorio, art digital branding. Adam combines artistic and song, and ensemble singing. Born and raised administrative leadership from over two decades in Honolulu, Hawai‘i, past seasons have seen of experience in the nonprofit arts sector. Adam performed with Cantus from 1998-2014, and him premiering solo roles in major choral oversaw programming and Board development compositions that honor the culture and during a 17 year tenure. Adam held the position history of the islands. He is passionate about of Assistant Conductor/Community Engagement Manager with the National collaborative music making, and is thrilled to create music at a high Lutheran Choir, based in Minneapolis, from 2014-2020.
Load more

Recommended publications
  • A Word from Régine Chassagne at Montreal’S MTELUS*
    Our Philosphy KANPE is a We give the poorest communities in the Central Plateau a voice so that they can express their own needs, priorities, and foundation that goals. Our role is to help these communities to be supported by Haitian organizations who bring the complementary skills, brings support to knowledge, tools, and training necessary to provide guidance some of the most on the path to autonomy. Our Approach vulnerable families Haiti is flled with people who have talents and skills in many areas. We work to fnd the best local Haitian organizations in Haiti to help them and talents who can support these communities in attaining their goals in health, nutrition, education, agriculture, entre- achieve fnancial preneurship, and leadership. As a foundation, we ensure that funds are properly distributed autonomy, so that and that projects are carried out with respect for the goals of the community and according to strict norms of good they can “stand up”. governance and transparency. 2 Where KANPE works Baille Tourible Port-au-Prince 3 Since 2011, using an integrated approach on a focused geographical area, KANPE and its partners in Haiti are able to obtain tangible, sustainable results. Health & Nutrition Agriculture • A medical clinic serving over 11,000 • Distribution of bean seeds to 250 residents. We recorded more than farmers. 43,800 visits since opening in 2011. • Distribution of nearly 3,300 farm • More than 1,700 cases of cholera animals. treated since 2011. • Production of 12,000 fruit and • More than 1,000 Malaria tests are forest seedlings (Reforestation performed each year.
    [Show full text]
  • OCTOBER 2–6, 2018 Co-Presented with the Sony Centre for the Performing Arts
    Artistic Director ILTER IBRAHIMOF OCTOBER 2–6, 2018 Co-presented with the Sony Centre for the Performing Arts FFDNORTH.COM 1 “Poetry in motion” ALVIN AILEY CIRCA – THE TIMES AMERICAN DANCE THEATER BALLET BC 440 Locust Street, Burlington “Brilliantly inventive! “Do not miss Gorgeous energy!” Free city parking on NOV this. It’s a – THE GUARDIAN (UK) wow!” EXPERIENCE evenings and weekends! 09 – HUFFINGTON 2018 POST Box Office905.681.6000 RIVETING burlingtonpac.ca FEB MAR Teasing Gravity DANCE CANADIAN 01-02 29-30 CONTEMPORARY 2019 2019 DANCE THEATRE FRI APR 5, 7PM TH HUMANS 60 ANNIVERSARY TOUR MIXED PROGRAMME Featuring street dancer AT BPAC Apolonia Velasquez, Rock Bottom Movement’s Alyssa Martin, Charles Moulton, famed for his ball passing BATSHEVA EIFMAN BALLET ORDER NOW FOR Made in Cuba spectaculars, and DANCE COMPANY ST. PETERSBURG BEST AVAILABILITY LIZT ALFONSO Jennifer Archibald DANCE CUBA “Seductive and beautiful” AND SAVE UP TO THURS FEB 21, 8PM APR – TIME OUT SYDNEY 30% WHEN YOU A love story told 09 PURCHASE ALL through evocative 2019 5 SHOWS! scenes of Cuban life Memory is the “Venezuela is FULL 5-SHOWS FROM $192.50 composed of bold, History of Forgetting powerful scenes FLEX-PACKS FROM $132.00 DREAMWALKER which knock your DANCE CO. insides around!” – THE JERUSALEM POST MAY FLEX-PACKS INCLUDE FRI OCT 26, 7:30PM CIRCA HUMANS, PLUS 2 OR 3 09-11 CO-PRESENTED BY Dancer Andrea Nann 2019 OTHER PERFORMANCES IN and Andy Maize from The Skydiggers bring THE DANCE COLLECTION. a transformative portrait of a profound VENEZUELA TCHAIKOVSKY.
    [Show full text]
  • “Prospect 3: Notes for Now,” Or P.3, The
    Bright Prospects Linda Yablonsky October 31, 2014 Artforum International THERE’S ALWAYS A GOOD REASON to be in New Orleans. Last weekend, the draw was “Prospect 3: Notes for Now,” or P.3, the resonant third edition of the international biennial that Dan Cameron created in 2007, two years after Hurricane Katrina doused city and spirit. Under artistic director Franklin Sirmans, P.3 opened with work by fi fty-eight artists from the Americas, Asia, Europe, and the Middle East planted in eighteen venues around town. On Thursday, October 23, a few visiting dealers and collectors joined a veritable congress of American museum curators to track them down. During a press conference at the Ashé Cultural Arts Center, where Sirmans and P.3 executive director Brooke Davis Ander- son introduced the biennial, the fi rst people I saw were the Mu- seum of Modern Art’s Stuart Comer and Thomas Lax. Spread across the room were the Whitney’s Christopher Lew, Andy Warhol Museum director Eric Shiner, Bronx Museum director Holly Block, and Carnegie Museum curator Dan Byers. The Artist Tavares Strachan Speed Museum curator Miranda Lash, ICA Philadelphia exhibi- tion director Ingrid Schaff ner, and Jewish Museum deputy director Jens Hoff mann would soon appear, along with both Rita Gonzalez and Christine Y. Kim of the Los Angeles County Museum of Art, where Sirmans heads the department of contemporary art. All gave the same reason for being there: “Franklin.” Despite the support, Sirmans seemed nervous when he spoke of the anchors for his citywide show: Walker Percy’s 1961 New Orleans novel of displacement, The Moviegoer; a Gaugin-in-Tahiti painting; and the cultural cannibalism of the early twentieth-century, Brazilian Antropofágico movement.
    [Show full text]
  • The Kanpe Foundation's Manifesto
    THE KANPE FOUNDATION’S MANIFESTO - ON THE EVE OF THE 10TH ANNIVERSARY OF THE EARTHQUAKE IN HAITI. January 8th, 2020 (MONTREAL): Every January 12th, for the past 9 years, critiques of the mismanagement of funds allocated to earthquake relief reappear in the news cycle. The Haitian government, NGOs and international actors have been singled out for their inability to efficiently collaborate in crisis management, relocation of displaced citizens or reconstruction of devastated areas. As an organization aiming to help the less fortunate, KANPE has chosen - since its inception - to look beyond specific failures or crises and focus instead on potential successes, by supporting rural communities and accompanying them on their journey towards autonomy. While we recognize the numerous challenges that Haitians still face, we also bear witness to many success stories that go unreported in the media. These significant results are often submerged in unfairly critical coverage of Haiti, as the international community can have a tendency to ignore the country’s rich culture and history. We have made it our priority to share these achievements. And, to celebrate Haiti’s culture while also highlighting the country’s strengths and wealth. The last decade reminded us of the will, courage and determination of Haitians. At KANPE, we work with Haitian communities, partners and experts along with Canadian and American collaborators and donors who, like us, do not give up on seeking out and implementing solutions, despite the crises and injustices affecting the country. Ann vanse! Signatories Dominique Anglade and Régine Chassagne, co-founders of KANPE along with current and former members of its Board of Trustees with friends and collaborators from Canada, the United States and Haiti.
    [Show full text]
  • Grand Onstage 2018-2019 Season Brochure
    18 / 19 Cirque Éloize Saloon + SERENA RYDER ROBERT CRAY JEREMY HOTZ THE CELTIC TENORS & MUCH MORE SUBSCRIPTIONS ON SALE NOW! REGULAR TICKETS GO ON SALE AUGUST 13 19 12 SERENA RYDER & INDIANS COTTAGERS CIRQUE ÉLOIZE – SALOON 13 DJUKI MALA 31 JESSE COOK 42 Table of Contents 11 2 018/ 19 Grand OnStage Welcomes You 2 Messages from the Cultural Director & the Mayor of Kingston 3 Subscription Benefits 4 Early Bird Prizes for Subscribing 5 Ways to Save 6 Season Pricing 7 2018/19 Season Calendar 9 Our Sponsors 49 Our Foundation 50 Our Policies 52 Seating Chart 53 Grand Theatre Box Office CALL. 613.530.2050 CLICK. KingstonGrand.ca VISIT. 218 Princess St. Kingston Graphic Design By: 1dea Design + Media Inc. MS. LISA FISCHER & GRAND BATON 48 2 SEASON SEASON 9 2018/1 Welcomes You As Performing Arts Manager for the City of Kingston, I would like to welcome you to the 11th season of the Grand OnStage (GO) presenting program. As the person responsible for Grand OnStage programming, I am often asked about the new and unique performances that will be offered each season, so here are a few of my highlights for 2018-2019. The blues are back in a big way with Grammy award winner Robert Cray on the main stage in March and Juno award winner Steve Strongman in the Baby Grand in November. This intimate acoustic performance will have limited cabaret seating and will be a hot ticket for blues and guitar enthusiasts alike. Also, Juno blues winner Derek Jayson Duggan Miller will be appearing as part of “Rumble The Concert” in February.
    [Show full text]
  • Freier Download BA 73 Als
    BAD 73 ALCHEMY gebt mir nur ein bisschen brot egal gebt mir nur statt wein das wasser egal gebt mir nur vergilbte luft egal gebt mir nur statt licht die lüge egal gebt mir nur von allem mehr egal gebt mir nur statt wert den glit ter egal gebt und nehmt und nehmt und nehmt egal Apropos Lesen. Als Lektüren zu BA 73 liefen im Hintergrund mit Tibor Déry - Der unvollendete Satz Helmut Krausser - Fette Welt Jonathan Meese - Diktatur der Kunst Walter E. Richartz - Reiters Westliche Wissenschaft Schuiten / Peeters - Das Stadtecho Jeff VanderMeer - Die Stadt der Heiligen und Verrückten In 'Klassentreffen' (2004) von Jonathan Coe fand ich folgende nicht alltägliche Passage, die 2003 in der Lobby des Hotel Adlon spielt: "Mir ist eingefallen", sagte er... "dass ich mir mal eine Platte von Henry Cow gekauft habe... Und darauf gab es ein Stück mit dem Titel Upon Entering Hotel Adlon. Es beginnt mit einem Trommelwirbel und einer Art Urschrei, und dann bearbeiten die Musiker fünf Minuten lang wie die Verrückten ihre Instrumente. Das war die Art von Musik, die wir damals gehört haben." Damals, das ist die Zeit 20 Jahre zuvor, die Coe bereits in 'The Rotters Club' (2001, dt. 'Erste Riten') geschildert hat. Letztlich benannt nach einem Album von Hatfield and the North, war der Arbeitstitel 'Half Asleep, Half Awake' gewesen, ein weiteres Stück von Henry Cows 'Unrest'. 'Unrest' wiederum ist der Titel eines Work in progress, an dem einer der Protagonisten von 'Klassentreffen' schreibt. Von Coe hat Henry Cow die schöne Beschreibung "The Yardbirds getting into bed with Ligeti, then driving through the ruins of a divided Berlin" verpasst bekommen.
    [Show full text]
  • Annual-Report-2016-2.Pdf
    KANPE enables the Our Philosophy most vulnerable The Haitian population, identifying and expressing their own needs, is at the heart of our work. In our Haitian communities role as change agents serving this population, our to achieve financial role is to work with local partners and put in place autonomy so that plans to support their initiatives. they can “stand up”. Our Approach We work with Haitian partner organizations with complementary expertise, each of which brings knowledge, tools, and training necessary to help guide these communities on the path towards autonomy. These organizations have extensive track records and hold a very high level of credibility in their respective fields. Jean-Étienne Pierre and Isaac Pierre, two young members of the marching band, learning their lessons. 2 Since 2010, with the support of local partners, KANPE’s work has yielded significant results in the following fields: Health Education • Support for a medical clinic serving over • Financial support to 13 schools 11,000 residents. of Baille Tourible. • More than 1,500 cases of cholera treated. • Construction of 2 permanent shelters to accommodate 2 small schools. • More than 1,120 malaria tests performed. • Teacher training. Housing Leadership • 550 family homes received materials to conduct renovations and construct latrines. • Creation of a marching band for 45 young students from Baille Tourible. • Distribution of a basic water purification system to each family participating in the • Summer camp for 70 teenagers which Integrated Program. included 10 days of workshops and discussions on subjects like deforestation, Agriculture illiteracy, teenage pregnancy, and youth flight from rural areas. • Distribution of 7,500 pounds of bean seeds to 250 farmers.
    [Show full text]
  • College Voice Vol. 31 No. 18
    Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 4-6-2007 College Voice Vol. 31 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 18" (2007). 2006-2007. 20. https://digitalcommons.conncoll.edu/ccnews_2006_2007/20 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class • U.S. Postage PAID Permit #35 <- o e e oice New London, CT:' PUBUSflED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUME XXXI· NUMBER 18 FRIDAY, APRIL 6, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT SAC Unveils Floralia Lineup __ OK Go, Girl Talk To Perform BY PAUL DRYDEN ances with the band's signature "geek rock outfits," a&e associate editor The campus is also eagerly anticipating Girl Talk, the stage SAC announced this spring's nanne for Gregg Gillis, who first Floralia lineup during a presentation reached the eyes and ears of Cannels at dinner in Harris this past Sunday with bis electrifying performance on night. Corning more than a month the docks in downtown New London before the actual Floralia date, as part of I Am Festival last Saturday, May 5, the lineup's head- September. Ever since then, Girl liners are some of the most notewor- Talk has been exploding across cann- thy in recent memory.
    [Show full text]
  • 2019 年 12 7 放送分 1. Getting Ready for Christmas Day / Paul Simon
    2019 年 12 ⽉ 7 ⽇ 放送分 1. Getting Ready for Christmas Day / Paul Simon // So Beautiful Or So What 2. #9 Dream / John Lennon // Power To The People: The Hits 3. Playing Along / Norah Jones & Tarriona Tank Ball 4. Kay Granpa / Lakou Mizik feat. Tank and The Bangas // HaitiaNola 5. Loumandja / Lakou Mizik feat. Jon Cleary // HaitiaNola 6. Iko Kreyòl / Lakou Mizik feat. 79rs Gang & Regine Chassagne & Win Butler & Preservation Hall Jazz Band // HaitiaNola 7. Let's Stay Together / Tina Turner 8. A Change Is Gonna Come / B.E.F. feat. Tina Turner // Music Of Quality And Distinction Volume 2 9. A Song For You / B.E.F. feat. Mavis Staples // Music Of Quality And Distinction Volume 2 10. Money Don't Grow On Trees / Prince // 1999 (Super Deluxe Edition) 11. How Come U Don't Call Me Anymore? (Take 2) / Prince // 1999 (Super Deluxe Edition） 12. Purple Music / Prince // 1999 (Super Deluxe Edition) 13. Wonderful Remark / Van Morrison // At The Movies 14. I Hear You Paint Houses / Robbie Robertson w. Van Morrison // Sinematic 15. Cavan Potholes / Sharon Shannon & Band // Live in Minneapolis 2019 年 12 ⽉ 14 ⽇ 放送分 1. Where The Streets Have No Name (live) / U2 // The Joshua Tree Singles - Remastered and Live 2. Questions / Echo In The Canyon Feat. Jakob Dylan & Eric Clapton // Echo In The Canyon: Original Motion Picture Soundtrack 3. I Just Wasn't Made For These Times / Echo In The Canyon Feat. Jakob Dylan & Neil Young // Echo In The Canyon: Original Motion Picture Soundtrack 4. Sweet Thing / Van Morrison // Astral Weeks 5. Truckin’ / Grateful Dead // American Beauty 6.
    [Show full text]
  • Edited by Darren Cronshaw and Rosemary Dewerse
    Edited by Darren Cronshaw and Rosemary Dewerse © UNOH Publishing, 2015 Published 2015 by UNOH Publishing 2/6–12 Airlie Avenue, Dandenong Victoria 3175, Australia www.unoh.org/publishing National Library of Australia Cataloguing-in-Publication entry (pbk) Creator: AAMS Conference (2014: Adelaide, S Aust.) Title: We are pilgrims: mission from, in and with the margins of our diverse world / Darren Cronshaw, Rosemary Dewerse, editors. ISBN: 9780994202345 (paperback) Subjects: Missions--Congresses Evangelistic work--Congresses. Other Creators/Contributors: Cronshaw, Darren, editor. Dewerse, Rosemary, editor. Australian Association of Mission Studies. Dewey Number: 266.023 Editors: Darren Cronshaw and Rosemary Dewerse Design: Les Colston at Urban Zeal 3 Appreciation to CBM Australia We appreciate the generous sponsorship of CBM Australia of this book, and of the fourth annual Australian Association for Mission Studies conference, October 2014, which inspired and gave content for the book. Formerly known as Christian Blind Mission, over time CBM’s work has widened from serving just people with vision impairment to giving all people with disabilities access to basic healthcare services and restoring life. !ey are also involved in providing immediate aid in times of emergency, long-term support where needed, and advocacy, all in partnership with local organisations, governments and agencies. Today CBM is the world’s largest Christian organisation working in over 70 countries with people with disabilities in the most marginalised places. Committed also to working with Australian local churches and other Christian organisations interested in ministry on the margins and with people of diverse abilities, CBM’s sponsorship of this volume is a logical and welcomed partnership.
    [Show full text]
  • Dining Hall Adds Low Calorie Options B1 Block Party Features Guster
    the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 45 : Issue 5 Monday, August 30, 2010 ndsmcobserver.com University responds to contract lawsuitPolice Administration claims former professor used grant money to take pornographic photographs arrest 23 By LAURA McCRYSTAL News Editor students The University claimed for- mer Notre Dame professor Oliver Collins was fired at party because he used $190,000 of grant and University money to purchase equipment that he Observer Staff Report used to take pornographic photographs in a recently filed Twenty-three students were legal response a breach of arrested for minor consumption of contract lawsuit filed by alcohol at an off-campus party Collins. Friday night. Collins became a tenured South Bend police received a call electrical engineering profes- of a noise complaint at the 1300 sor at Notre Dame in 1995, Block of North St. Joseph St., the was officially dismissed in police report said. When police June 2010 and filed a lawsuit arrived, those attending the party began to flee the premises. see COLLINS/page 5 BLAIR CHEMIDLIN | The Observer “As officers were pulling up, a bunch of people went tearing out of the house, out the back door,” Sgt. Anne Schellinger said. Police entered the house and Dining Hall adds low calorie options allowed those who could prove they were at least 21 years old to leave the party. Those who were By SARA FELSENSTEIN think we’ve addressed a lot of underage were asked to take a News Writer those issues in the changes we portable breathalyzer test.
    [Show full text]
  • VIEW LIVE MUSIC INDEX EMAIL [email protected] DEADLINE: Monday at 4Pm ABSINTHE 38 KING WILLIAM 905.529.0349 COPPER KETTLE 312 DUNDAS ST
    GREATER HAMILTON’S INDEPENDENT VOICE FEBRUARY 14 — 20, 2019 VOL. 25 NO. 7 COMPLETE ENTERTAINMENTENTERTAINMENT FREEFREELISTINGS EVERY THURSDAY Over Time THE LEGO MOVIE 2 • PETE & KAY • DIGGING INTO DEVELOPMENT CHARGES • FREE WILL ASTROLOGY • REAL ESTATE 2 FEBRUARY 14 — 20, 2019 VIEW VIEW FEBRUARY 14 — 20, 2019 3 THEATRE 06 FROST BITES photo by: INSIDEGeorge Qua-Enoo THIS ISSUE FEBRUARY 14 — 20, 2019 06 COVER FROST BITES Cover Photo: George Qua-Enoo FORUM MUSIC 05 CATCH Growth Costs 08 Hamilton Music Notes 05 PERSPECTIVE Racism in Politics 12 Live Music Listing SCENE MOVIES 06 THEATRE The Day They Shot 16 REVIEW The Lego Movie 2 John Lennon 17 Movie Showtimes 06 THEATRE Frost Bites 07 THEATRE Drury Lane Music Hall ETC. 18 General Classifieds FOOD 19 Free Will Astrology 10 Dining Guide 19 Adult Classifieds 11 REVIEW Pete & Kay 370 MAIN STREET WEST, HAMILTON, ONTARIO L8P 1K2 HAMILTON 905.527.3343 FAX 905.527.3721 VIEW FOR ADVERTISING INQUIRIES: 905.527.3343 X102 EDITOR IN CHIEF Ron Kilpatrick x109 [email protected] OPERATIONS DIRECTOR CLASSIFIED ADVERTISING ACCOUNTING PUBLISHER Marcus Rosen x101 Liz Kay x100 Roxanne Green x103 Sean Rosen x102 [email protected] 1.866.527.3343 [email protected] [email protected] [email protected] ADVERTISING DEPT DISTRIBUTION CONTRIBUTORS LISTINGS EDITOR RandA distribution Rob Breszny • Gregory SENIOR CORPORATE Alison Kilpatrick x100 Owner:Alissa Ann latour Cruikshank • Sara Cymbalisty • REPRESENTATIVE [email protected] Manager:Luc Hetu Albert DeSantis • Darrin Ian Wallace x107 905-531-5564 DeRoches • Daniel Gariépy • amara [email protected] HAMILTON MUSIC NOTES [email protected] Allison M. Jones • T Kamermans • Michael Ric Taylor Klimowicz • Don McLean ADVERTISING [email protected] PRINTING • Brian Morton • Ric Taylor • REPRESENTATIVE Ricter Web Printing Michael Terry Al Corbeil x105 PRODUCTION [email protected] [email protected] PUBLICATION MAIL AGREEMENT NO.
    [Show full text]