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A History of Mixed-Race Women in the United States During the Early Twentieth Century
Of Double-Blooded Birth: A History of Mixed-Race Women in the United States during the Early Twentieth Century Jemma Grace Carter Thesis submitted for the degree of Doctor of Philosophy in American Studies at the University of East Anglia, School of Arts, Media, and American Studies January 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Often homogenised into broader narratives of African-American history, the historical experience of mixed-race women of black-white descent forms the central research focus of this thesis. Examining the lives of such women offers a valuable insight into how notions of race, class, gender and physical aesthetics were understood, articulated and negotiated throughout the United States during the early-twentieth century. Through an analysis of wide-ranging primary source material, from letters, diaries and autobiographies to advertisements, artwork and unpublished poetry, this thesis provides an interdisciplinary contribution to the field of Critical Mixed Race Studies, and African- American history. It builds on existing interpretations of the Harlem Renaissance by considering the significance of mixed-racial heritage on the formation of literature produced by key individuals over the period. Moreover, this research reveals that many of the visual and literary sources typically studied in isolation in fact informed one another, and had a profound impact on how factors such as beauty, citizenship, and respectability intersected, and specifically influenced the lives of mixed-race women. -
A Word from Régine Chassagne at Montreal’S MTELUS*
Our Philosphy KANPE is a We give the poorest communities in the Central Plateau a voice so that they can express their own needs, priorities, and foundation that goals. Our role is to help these communities to be supported by Haitian organizations who bring the complementary skills, brings support to knowledge, tools, and training necessary to provide guidance some of the most on the path to autonomy. Our Approach vulnerable families Haiti is flled with people who have talents and skills in many areas. We work to fnd the best local Haitian organizations in Haiti to help them and talents who can support these communities in attaining their goals in health, nutrition, education, agriculture, entre- achieve fnancial preneurship, and leadership. As a foundation, we ensure that funds are properly distributed autonomy, so that and that projects are carried out with respect for the goals of the community and according to strict norms of good they can “stand up”. governance and transparency. 2 Where KANPE works Baille Tourible Port-au-Prince 3 Since 2011, using an integrated approach on a focused geographical area, KANPE and its partners in Haiti are able to obtain tangible, sustainable results. Health & Nutrition Agriculture • A medical clinic serving over 11,000 • Distribution of bean seeds to 250 residents. We recorded more than farmers. 43,800 visits since opening in 2011. • Distribution of nearly 3,300 farm • More than 1,700 cases of cholera animals. treated since 2011. • Production of 12,000 fruit and • More than 1,000 Malaria tests are forest seedlings (Reforestation performed each year. -
OCTOBER 2–6, 2018 Co-Presented with the Sony Centre for the Performing Arts
Artistic Director ILTER IBRAHIMOF OCTOBER 2–6, 2018 Co-presented with the Sony Centre for the Performing Arts FFDNORTH.COM 1 “Poetry in motion” ALVIN AILEY CIRCA – THE TIMES AMERICAN DANCE THEATER BALLET BC 440 Locust Street, Burlington “Brilliantly inventive! “Do not miss Gorgeous energy!” Free city parking on NOV this. It’s a – THE GUARDIAN (UK) wow!” EXPERIENCE evenings and weekends! 09 – HUFFINGTON 2018 POST Box Office905.681.6000 RIVETING burlingtonpac.ca FEB MAR Teasing Gravity DANCE CANADIAN 01-02 29-30 CONTEMPORARY 2019 2019 DANCE THEATRE FRI APR 5, 7PM TH HUMANS 60 ANNIVERSARY TOUR MIXED PROGRAMME Featuring street dancer AT BPAC Apolonia Velasquez, Rock Bottom Movement’s Alyssa Martin, Charles Moulton, famed for his ball passing BATSHEVA EIFMAN BALLET ORDER NOW FOR Made in Cuba spectaculars, and DANCE COMPANY ST. PETERSBURG BEST AVAILABILITY LIZT ALFONSO Jennifer Archibald DANCE CUBA “Seductive and beautiful” AND SAVE UP TO THURS FEB 21, 8PM APR – TIME OUT SYDNEY 30% WHEN YOU A love story told 09 PURCHASE ALL through evocative 2019 5 SHOWS! scenes of Cuban life Memory is the “Venezuela is FULL 5-SHOWS FROM $192.50 composed of bold, History of Forgetting powerful scenes FLEX-PACKS FROM $132.00 DREAMWALKER which knock your DANCE CO. insides around!” – THE JERUSALEM POST MAY FLEX-PACKS INCLUDE FRI OCT 26, 7:30PM CIRCA HUMANS, PLUS 2 OR 3 09-11 CO-PRESENTED BY Dancer Andrea Nann 2019 OTHER PERFORMANCES IN and Andy Maize from The Skydiggers bring THE DANCE COLLECTION. a transformative portrait of a profound VENEZUELA TCHAIKOVSKY. -
The Kanpe Foundation's Manifesto
THE KANPE FOUNDATION’S MANIFESTO - ON THE EVE OF THE 10TH ANNIVERSARY OF THE EARTHQUAKE IN HAITI. January 8th, 2020 (MONTREAL): Every January 12th, for the past 9 years, critiques of the mismanagement of funds allocated to earthquake relief reappear in the news cycle. The Haitian government, NGOs and international actors have been singled out for their inability to efficiently collaborate in crisis management, relocation of displaced citizens or reconstruction of devastated areas. As an organization aiming to help the less fortunate, KANPE has chosen - since its inception - to look beyond specific failures or crises and focus instead on potential successes, by supporting rural communities and accompanying them on their journey towards autonomy. While we recognize the numerous challenges that Haitians still face, we also bear witness to many success stories that go unreported in the media. These significant results are often submerged in unfairly critical coverage of Haiti, as the international community can have a tendency to ignore the country’s rich culture and history. We have made it our priority to share these achievements. And, to celebrate Haiti’s culture while also highlighting the country’s strengths and wealth. The last decade reminded us of the will, courage and determination of Haitians. At KANPE, we work with Haitian communities, partners and experts along with Canadian and American collaborators and donors who, like us, do not give up on seeking out and implementing solutions, despite the crises and injustices affecting the country. Ann vanse! Signatories Dominique Anglade and Régine Chassagne, co-founders of KANPE along with current and former members of its Board of Trustees with friends and collaborators from Canada, the United States and Haiti. -
Grand Onstage 2018-2019 Season Brochure
18 / 19 Cirque Éloize Saloon + SERENA RYDER ROBERT CRAY JEREMY HOTZ THE CELTIC TENORS & MUCH MORE SUBSCRIPTIONS ON SALE NOW! REGULAR TICKETS GO ON SALE AUGUST 13 19 12 SERENA RYDER & INDIANS COTTAGERS CIRQUE ÉLOIZE – SALOON 13 DJUKI MALA 31 JESSE COOK 42 Table of Contents 11 2 018/ 19 Grand OnStage Welcomes You 2 Messages from the Cultural Director & the Mayor of Kingston 3 Subscription Benefits 4 Early Bird Prizes for Subscribing 5 Ways to Save 6 Season Pricing 7 2018/19 Season Calendar 9 Our Sponsors 49 Our Foundation 50 Our Policies 52 Seating Chart 53 Grand Theatre Box Office CALL. 613.530.2050 CLICK. KingstonGrand.ca VISIT. 218 Princess St. Kingston Graphic Design By: 1dea Design + Media Inc. MS. LISA FISCHER & GRAND BATON 48 2 SEASON SEASON 9 2018/1 Welcomes You As Performing Arts Manager for the City of Kingston, I would like to welcome you to the 11th season of the Grand OnStage (GO) presenting program. As the person responsible for Grand OnStage programming, I am often asked about the new and unique performances that will be offered each season, so here are a few of my highlights for 2018-2019. The blues are back in a big way with Grammy award winner Robert Cray on the main stage in March and Juno award winner Steve Strongman in the Baby Grand in November. This intimate acoustic performance will have limited cabaret seating and will be a hot ticket for blues and guitar enthusiasts alike. Also, Juno blues winner Derek Jayson Duggan Miller will be appearing as part of “Rumble The Concert” in February. -
Freier Download BA 73 Als
BAD 73 ALCHEMY gebt mir nur ein bisschen brot egal gebt mir nur statt wein das wasser egal gebt mir nur vergilbte luft egal gebt mir nur statt licht die lüge egal gebt mir nur von allem mehr egal gebt mir nur statt wert den glit ter egal gebt und nehmt und nehmt und nehmt egal Apropos Lesen. Als Lektüren zu BA 73 liefen im Hintergrund mit Tibor Déry - Der unvollendete Satz Helmut Krausser - Fette Welt Jonathan Meese - Diktatur der Kunst Walter E. Richartz - Reiters Westliche Wissenschaft Schuiten / Peeters - Das Stadtecho Jeff VanderMeer - Die Stadt der Heiligen und Verrückten In 'Klassentreffen' (2004) von Jonathan Coe fand ich folgende nicht alltägliche Passage, die 2003 in der Lobby des Hotel Adlon spielt: "Mir ist eingefallen", sagte er... "dass ich mir mal eine Platte von Henry Cow gekauft habe... Und darauf gab es ein Stück mit dem Titel Upon Entering Hotel Adlon. Es beginnt mit einem Trommelwirbel und einer Art Urschrei, und dann bearbeiten die Musiker fünf Minuten lang wie die Verrückten ihre Instrumente. Das war die Art von Musik, die wir damals gehört haben." Damals, das ist die Zeit 20 Jahre zuvor, die Coe bereits in 'The Rotters Club' (2001, dt. 'Erste Riten') geschildert hat. Letztlich benannt nach einem Album von Hatfield and the North, war der Arbeitstitel 'Half Asleep, Half Awake' gewesen, ein weiteres Stück von Henry Cows 'Unrest'. 'Unrest' wiederum ist der Titel eines Work in progress, an dem einer der Protagonisten von 'Klassentreffen' schreibt. Von Coe hat Henry Cow die schöne Beschreibung "The Yardbirds getting into bed with Ligeti, then driving through the ruins of a divided Berlin" verpasst bekommen. -
Dining Hall Adds Low Calorie Options B1 Block Party Features Guster
the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 45 : Issue 5 Monday, August 30, 2010 ndsmcobserver.com University responds to contract lawsuitPolice Administration claims former professor used grant money to take pornographic photographs arrest 23 By LAURA McCRYSTAL News Editor students The University claimed for- mer Notre Dame professor Oliver Collins was fired at party because he used $190,000 of grant and University money to purchase equipment that he Observer Staff Report used to take pornographic photographs in a recently filed Twenty-three students were legal response a breach of arrested for minor consumption of contract lawsuit filed by alcohol at an off-campus party Collins. Friday night. Collins became a tenured South Bend police received a call electrical engineering profes- of a noise complaint at the 1300 sor at Notre Dame in 1995, Block of North St. Joseph St., the was officially dismissed in police report said. When police June 2010 and filed a lawsuit arrived, those attending the party began to flee the premises. see COLLINS/page 5 BLAIR CHEMIDLIN | The Observer “As officers were pulling up, a bunch of people went tearing out of the house, out the back door,” Sgt. Anne Schellinger said. Police entered the house and Dining Hall adds low calorie options allowed those who could prove they were at least 21 years old to leave the party. Those who were By SARA FELSENSTEIN think we’ve addressed a lot of underage were asked to take a News Writer those issues in the changes we portable breathalyzer test. -
VIEW LIVE MUSIC INDEX EMAIL [email protected] DEADLINE: Monday at 4Pm ABSINTHE 38 KING WILLIAM 905.529.0349 COPPER KETTLE 312 DUNDAS ST
GREATER HAMILTON’S INDEPENDENT VOICE FEBRUARY 14 — 20, 2019 VOL. 25 NO. 7 COMPLETE ENTERTAINMENTENTERTAINMENT FREEFREELISTINGS EVERY THURSDAY Over Time THE LEGO MOVIE 2 • PETE & KAY • DIGGING INTO DEVELOPMENT CHARGES • FREE WILL ASTROLOGY • REAL ESTATE 2 FEBRUARY 14 — 20, 2019 VIEW VIEW FEBRUARY 14 — 20, 2019 3 THEATRE 06 FROST BITES photo by: INSIDEGeorge Qua-Enoo THIS ISSUE FEBRUARY 14 — 20, 2019 06 COVER FROST BITES Cover Photo: George Qua-Enoo FORUM MUSIC 05 CATCH Growth Costs 08 Hamilton Music Notes 05 PERSPECTIVE Racism in Politics 12 Live Music Listing SCENE MOVIES 06 THEATRE The Day They Shot 16 REVIEW The Lego Movie 2 John Lennon 17 Movie Showtimes 06 THEATRE Frost Bites 07 THEATRE Drury Lane Music Hall ETC. 18 General Classifieds FOOD 19 Free Will Astrology 10 Dining Guide 19 Adult Classifieds 11 REVIEW Pete & Kay 370 MAIN STREET WEST, HAMILTON, ONTARIO L8P 1K2 HAMILTON 905.527.3343 FAX 905.527.3721 VIEW FOR ADVERTISING INQUIRIES: 905.527.3343 X102 EDITOR IN CHIEF Ron Kilpatrick x109 [email protected] OPERATIONS DIRECTOR CLASSIFIED ADVERTISING ACCOUNTING PUBLISHER Marcus Rosen x101 Liz Kay x100 Roxanne Green x103 Sean Rosen x102 [email protected] 1.866.527.3343 [email protected] [email protected] [email protected] ADVERTISING DEPT DISTRIBUTION CONTRIBUTORS LISTINGS EDITOR RandA distribution Rob Breszny • Gregory SENIOR CORPORATE Alison Kilpatrick x100 Owner:Alissa Ann latour Cruikshank • Sara Cymbalisty • REPRESENTATIVE [email protected] Manager:Luc Hetu Albert DeSantis • Darrin Ian Wallace x107 905-531-5564 DeRoches • Daniel Gariépy • amara [email protected] HAMILTON MUSIC NOTES [email protected] Allison M. Jones • T Kamermans • Michael Ric Taylor Klimowicz • Don McLean ADVERTISING [email protected] PRINTING • Brian Morton • Ric Taylor • REPRESENTATIVE Ricter Web Printing Michael Terry Al Corbeil x105 PRODUCTION [email protected] [email protected] PUBLICATION MAIL AGREEMENT NO. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Pitchfork Media's Textual and Cultural Impact
CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE A Thesis Presented to the Faculty of the Graduate School at the University of Missouri- Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by EMILY BRASHER Dr. Stephanie Craft, Thesis Supervisor DECEMBER 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Presented by Emily Brasher A candidate for the degree of Master of Arts And hereby certify that in their opinion it is worthy of acceptance. Professor Stephanie Craft Professor Mary Kay Blakely Professor Andrew Hoberek Professor Lynda Kraxberger To my family, for always believing in me. ACKNOWLEDGEMENTS I would like to thank Dr. Stephanie Craft for all of her support and patience though this process. The road was long—there were a few address changes and even a name change along the way—but Dr. Craft spurred me on until the journey reached a happy end. My deepest thanks also to Dr. Mary Kay Blakely, Dr. Andrew Hoberek, and Dr. Lynda Kraxberger, for bearing with me through it all. Thanks to Dr. Betty Winfield for getting me started, and to Ginny Cowell and Martha Pickens for their invaluable advice and help. ii CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Emily Brasher Dr. Stephanie Craft, Thesis Supervisor ABSTRACT The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of media such as websites can have a tangible effect on the content of older forms of media such as print magazines. -
Whiteness As Audition and Blackness As Performance: Status Protest from the Margin
Washington University Journal of Law & Policy Volume 18 Whiteness: Some Critical Perspectives January 2005 Whiteness As Audition and Blackness As Performance: Status Protest from the Margin John O. Calmore University of North Carolina at Chapel Hill Follow this and additional works at: https://openscholarship.wustl.edu/law_journal_law_policy Part of the Law and Society Commons Recommended Citation John O. Calmore, Whiteness As Audition and Blackness As Performance: Status Protest from the Margin, 18 WASH. U. J. L. & POL’Y 99 (2005), https://openscholarship.wustl.edu/law_journal_law_policy/vol18/iss1/6 This Essay is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Journal of Law & Policy by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Whiteness as Audition and Blackness as Performance: Status Protest from the Margin * John O. Calmore Most talk by whites about equal opportunity seems to me now to be about equal opportunity to try to get into a position of dominance while denying that systems of dominance exist. —Peggy McIntosh1 If race is something about which we dare not speak in polite social company, the same cannot be said of the viewing of race. How, or whether, blacks are seen depends upon a dynamic of display that ricochets between hypervisibility and oblivion. If, moreover, the real lives of real blacks unfold outside the view of many whites, the fantasy of black life as a theatrical enterprise is an almost obsessive indulgence. 2 —Patricia Williams * Reef C. -
Dan Țăranu1 the AVATARS of the MARGINAL
Dan Țăranu1 THE AVATARS OF THE MARGINAL MAN Abstract: At present, terms such as “margin”, “marginal” and “marginality” are part of a lexical series fuelled by ideological tension. A structure of partisan walls has been built around the concept of marginal, one which enables the perpetuation and acknowledgement of difference and, last but not least, which allows us to unmask the – ubiquitous – mechanisms through which marginalisation is established. Although I do not set out to prove that these strategies of recovering the marginal are provincially dogmatic and revengeful, it must be noted that they do treat a long line of sociological traditions on the marginal man superficially. Rooted in Simmel’s essay on the stranger and redefined by Robert E. Park and Everett Stonequist, this direction of analysis2 is rarely the object of serious interest in cultural studies. In most approaches, marginal occurs in free variation with marginalised, and what promises to be the analytical fruitfulness, recovery and understanding of difference, is often converted into a relationship that is unilaterally determined and imitates the form, but not always the subtlety of Hegel’s master-slave dialectic. The term “marginal”, as it is used in classical sociology - difficult, diffuse and hard to manipulate, centred on filtering a cultural situation through the conscience, emotions and intellect of an actor is substituted with a passive entity that is (directly or insidiously) rejected by an agent (sketchily presented). Keywords: marginality, literary canon, cultural studies, biculturalism, in-betweenness state. I will start with a rather trivial quote that claims to be a mission statement for the project of cultural studies: “Cultural studies assume that capitalist industrial societies are societies divided unequally along ethnic, gender, generational and class lines.