Student Life, March 21, 2007
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
OMC | Data Export
Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. -
Winged Migration: Andrew Bird
Illustrated by Slava Triptih Written by Zack Ruskin Andrew Bird is many things: a virtuoso violinist, an the time he was finishing Oh! The Grandeur, the second Bowl of Fire That song began as many songs do for Bird, as an internal debate about.” Bird says the incident is absurd but also pretty funny. impeccable whistler and the man behind more than a dozen albums album, he was already itching to move on. “I was seeing that I was between his intentions and doubts for the piece of music in question. “I’m a bit like that guy,” he concedes. “I’ve got a lot going on in my of music that inventively marry the joyous with the somber. He is also going to be trapped by that if I kept at it for too long. I saw the way While Bird has rarely employed guest vocalists in a featured capacity life, and I’m impatient with some of my own internal indulgences.” never truly alone. that the popularity of music was a fleeting thing, and I didn’t want on his work, he says that in this case it made sense to ascribe one of the Bird’s impatience has also extended to his live performance style, a “There are lots of voices in my head chiming in,” he says. my music to be an accessory to someone’s lifestyle. I had more to song’s points of view to another person. By making that person female, signature of his craft for the past decade. He says he “stumbled into” the Before anyone books him a padded room, it should be noted that say than that.” he saw “Left Handed Kisses” progress into a relationship dynamic. -
A Word from Régine Chassagne at Montreal’S MTELUS*
Our Philosphy KANPE is a We give the poorest communities in the Central Plateau a voice so that they can express their own needs, priorities, and foundation that goals. Our role is to help these communities to be supported by Haitian organizations who bring the complementary skills, brings support to knowledge, tools, and training necessary to provide guidance some of the most on the path to autonomy. Our Approach vulnerable families Haiti is flled with people who have talents and skills in many areas. We work to fnd the best local Haitian organizations in Haiti to help them and talents who can support these communities in attaining their goals in health, nutrition, education, agriculture, entre- achieve fnancial preneurship, and leadership. As a foundation, we ensure that funds are properly distributed autonomy, so that and that projects are carried out with respect for the goals of the community and according to strict norms of good they can “stand up”. governance and transparency. 2 Where KANPE works Baille Tourible Port-au-Prince 3 Since 2011, using an integrated approach on a focused geographical area, KANPE and its partners in Haiti are able to obtain tangible, sustainable results. Health & Nutrition Agriculture • A medical clinic serving over 11,000 • Distribution of bean seeds to 250 residents. We recorded more than farmers. 43,800 visits since opening in 2011. • Distribution of nearly 3,300 farm • More than 1,700 cases of cholera animals. treated since 2011. • Production of 12,000 fruit and • More than 1,000 Malaria tests are forest seedlings (Reforestation performed each year. -
R E G I O N a L C O M P E T I T I
REGIONAL COMPETITION DENVER,CO 2017 Schedule of Competition - Denver, CO Thursday - Sunday February 9-12, 2017 Thursday February 9 Mini, Petite and Junior Small Group and High Point Awards (45 mins) (Buell Theatre) Doors Open At 5:00PM 01:48 PM Petite and Junior Large Group Competition Ages 6-11 5 Minute Intermission 05:15 PM Senior Solo Competition Ages 17-19 06:37 PM Pre-Senior Solo Competition Ages 15-16 5 Minute Intermission 5 Minute Intermission 03:54 PM Petite and Junior Large Group Awards and High Point Winners (40 mins) 04:34 PM Senior Duet/Trio Competition Ages 15 - 19 09:44 PM Adult Solo Competition Age 20 and Older 5 Minute Intermission Pre-Senior and Senior Solo Awards Announcement of Mr./Miss Showbiz, Costume, Photogenic, Icon and High Point Awards 05:48 PM Teen Solo Competition Ages 13 and 14 5 Minute Intermission Friday, February 10 (Ellie Caulkins Opera House) 5 Minute Intermission Doors Open At 9:00AM Teen Solo and Senior Duet/Trio Awards Announcement of Mr./Miss Showbiz, Costume, Photogenic, Icon and High Point Winners 09:48 AM Mini Solo Competition Ages 5 and Under 09:55 AM Petite Solo Competition Ages 6-7 Sunday, February 12 5 Minute Intermission Doors Open at 7:00AM 10:43 AM Pre-Junior Solo Competition Ages 8 and 9 08:00 AM Teen Duet/Trio Competition Ages 12-14 5 Minute Intermission 5 Minute Intermission Mini, Petite and Pre-Junior Solo Awards Announcement of Mr./Miss Showbiz, Costume, 09:55 AM Teen Duet/Trio and High Point Awards (35 mins) Photogenic, Icon and High Point Winners 10:30 AM Teen and Senior Small Group -
OCTOBER 2–6, 2018 Co-Presented with the Sony Centre for the Performing Arts
Artistic Director ILTER IBRAHIMOF OCTOBER 2–6, 2018 Co-presented with the Sony Centre for the Performing Arts FFDNORTH.COM 1 “Poetry in motion” ALVIN AILEY CIRCA – THE TIMES AMERICAN DANCE THEATER BALLET BC 440 Locust Street, Burlington “Brilliantly inventive! “Do not miss Gorgeous energy!” Free city parking on NOV this. It’s a – THE GUARDIAN (UK) wow!” EXPERIENCE evenings and weekends! 09 – HUFFINGTON 2018 POST Box Office905.681.6000 RIVETING burlingtonpac.ca FEB MAR Teasing Gravity DANCE CANADIAN 01-02 29-30 CONTEMPORARY 2019 2019 DANCE THEATRE FRI APR 5, 7PM TH HUMANS 60 ANNIVERSARY TOUR MIXED PROGRAMME Featuring street dancer AT BPAC Apolonia Velasquez, Rock Bottom Movement’s Alyssa Martin, Charles Moulton, famed for his ball passing BATSHEVA EIFMAN BALLET ORDER NOW FOR Made in Cuba spectaculars, and DANCE COMPANY ST. PETERSBURG BEST AVAILABILITY LIZT ALFONSO Jennifer Archibald DANCE CUBA “Seductive and beautiful” AND SAVE UP TO THURS FEB 21, 8PM APR – TIME OUT SYDNEY 30% WHEN YOU A love story told 09 PURCHASE ALL through evocative 2019 5 SHOWS! scenes of Cuban life Memory is the “Venezuela is FULL 5-SHOWS FROM $192.50 composed of bold, History of Forgetting powerful scenes FLEX-PACKS FROM $132.00 DREAMWALKER which knock your DANCE CO. insides around!” – THE JERUSALEM POST MAY FLEX-PACKS INCLUDE FRI OCT 26, 7:30PM CIRCA HUMANS, PLUS 2 OR 3 09-11 CO-PRESENTED BY Dancer Andrea Nann 2019 OTHER PERFORMANCES IN and Andy Maize from The Skydiggers bring THE DANCE COLLECTION. a transformative portrait of a profound VENEZUELA TCHAIKOVSKY. -
Winter 2021 U.S. Department of the Interior Pmb
JourneysWINTER 2021 U.S. DEPARTMENT OF THE INTERIOR PMB Administrative Services AVSO BAD CADR IBC OFAS OHA Our Vision: To Deliver Outstanding Products and Customer Service While Actively Creating and Sustaining a Respectful Focus Message from the Deputy Assistant Secretary February 2021 Dear Administrative Services Team, I’m delighted to present to you our Winter issue of Journeys. As we move to a quarterly publication schedule, our hope is that Journeys remains an enjoyable and informative oasis, an opportunity to take a few moments to connect with your colleagues in the Department. Here are just a few highlights: • Julie Lucero celebrates DOI’s impressive contributions to the Combined Federal Campaign (page 4) • Justin Wade explains how supply chain security risks can be mitigated (page 6) • In a continuing series focusing on our trust responsibilities to Tribal Nations,Teresa Stella features extraordinary photos from some of our favorite challenges us to consider how we can strengthen our photographers: Daniel J. Boits, Jr., Doug Sanchez, nation-to-nation relationships (pages 7 and 8) Patrick Rodden, Evan Wexler and Kaiulani Rees, whose photos of foxes in the Alaskan wilderness are sure to • Tonianne Baca-Green guides us in finding balance delight. Enjoy! using mindfulness techniques (page 9) The Journeys team welcomes and values your • Shaun House experiments with a gratitude journal suggestions - please don’t hesitate to reach out (page 10) anytime. We look forward to hearing from you. • Gary Bremen shares a story about connecting to As always, stay safe and be well. memories through National Parks (pages 11 and 12) Respectfully, • Abby True reveals how running is her “True North” (page 13) Jacqueline M. -
The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track
The Caravan Playlist 147 Friday, March 18, 2016 Hour 1 Artist Track CD/Source Label Andrew Bird Natural Disaster Noble Beast Fat Possum - c 2009 Lamb Chop I Can Hardly Spell My Name Is A Woman Merge Records - c 2002 David Darling Solitude Cello Blue Hearts of Space - c 2001 Caroline Fenn Monsters Fragile Chances ECR Music Group - c 2012 Erin Mckeown Easy Baby Monday Morning Cold TVP Records - c 1997 Buddy Flett I Got Evil (Don't You Lie To Me) Mississippi Sea Out Of The Past - c 2007 Moby Grape Never Grape Jam Sundazed Music - c 2007 Janis Joplin Ball and Chain Monterey Pop Festival 1967 Rhino - c 1997 Steppenwolf Monster Live Steppenwolf MCA - c 1971 Mammas and Pappas California Dreamin' Monterey Pop Festival 1967 Rhino - c 1997 Janis Joplin Try Woodstock Anniversary Collection Atlantic - c 1994 Hour 2 Artist Track Concert Source Choir Of Young Believers NYE no TRE Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers These Rituals of Mine Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Action/Reaction Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers NYE no ET Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Why Must it Always Be This Way Guitar Showroom at SXSW NPR Music - c 2010 Choir Of Young Believers Hollow Talk Guitar Showroom at SXSW NPR Music - c 2010 Yeah Yeah Yeahs Under The Earth NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Gold Lion NPR Music's SXSW at Stubbs NPR Music - c 2013 Yeah Yeah Yeahs Subway NPR Music's SXSW at Stubbs NPR Music -
Ethan Gruska Unveils Music Video for “Reoccurring Dream” to Join Agnes Obel on Tour New Album Slowmotionary out This Friday on Sire Records
For Immediate Release March 1, 2017 ETHAN GRUSKA UNVEILS MUSIC VIDEO FOR “REOCCURRING DREAM” TO JOIN AGNES OBEL ON TOUR NEW ALBUM SLOWMOTIONARY OUT THIS FRIDAY ON SIRE RECORDS The official music video for Ethan Gruska’s “Reoccurring Dream” is premiering today and can now be shared/watched HERE. Of the video, Gruska shares: “I never met my grandmother. She died when my mom was 16. At this point she's been gone for longer than she was alive. What little I knew was that she was a successful supporting actress in the movies. I knew she was beautiful, funny, eccentric, and the life of the party. However, these desirable traits are often paired with their opposites, as we all have seen. I've only really been able to speculate on how dynamic a person she might have been...until now. Because she died at such a young age--leaving her family behind—I could only imagine her through the filter of her children--my family-- and because of their loss, her life has always been tinged with sadness in my mind. I was never fully able to comprehend the range of who she might have been. Last month, when my uncle handed me this Super 8 footage of my grandma (with her mother and her father) taken between the 1940's and the 1970's, I was completely blown away. I was finally able to see her in action and watching this footage was like meeting her for the first time. I saw my mother in her. I saw my uncles in her, my sister, and myself. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
The Social Work of Music a Musician's Path to Change
ALUMNI GAZETTE The Social Work of Music Jazz composer and pianist Darrell Grant ’84E measures his success not only by how his music sounds, but also by what it does. b y Karen McCally ’02 (PhD) Darrell Grant ’84E has been a celebrat- ed jazz composer and pianist since early in his career, when his first solo project, Black Art (Criss Cross), was named by the New York Times as one of the top 10 jazz recordings of 1994. In 1997, he took an unusual step for a ris- ing jazz artist. He moved out of New York City to Portland, Oregon, a place much less known for its jazz scene. Grant and his wife, Anne McFall ’85E, who studied viola at Eastman, were eager to start a new life there. Yet it was also a place Grant felt would allow him, to a far greater extent than in New York City, to form meaningful connections with audi- ences and with his community. “One of the things I was interested in was the idea of doing well by doing good,” says Grant, who teaches at Portland State University. “If you’re going to create some- thing, you get to determine the measures for success. And something I always want- ed to figure out was ways to connect my musical projects to something broader in VaLuE(S)-aDDED: In a variety of projects, Grant seeks to integrate his music with his values. the community.” ESSAY This past fall, Grant contributed an es- say for a special edition of Chamber Mu- sic magazine (see “A Musician’s Path to A Musician’s Path to Change Change”). -
“Prospect 3: Notes for Now,” Or P.3, The
Bright Prospects Linda Yablonsky October 31, 2014 Artforum International THERE’S ALWAYS A GOOD REASON to be in New Orleans. Last weekend, the draw was “Prospect 3: Notes for Now,” or P.3, the resonant third edition of the international biennial that Dan Cameron created in 2007, two years after Hurricane Katrina doused city and spirit. Under artistic director Franklin Sirmans, P.3 opened with work by fi fty-eight artists from the Americas, Asia, Europe, and the Middle East planted in eighteen venues around town. On Thursday, October 23, a few visiting dealers and collectors joined a veritable congress of American museum curators to track them down. During a press conference at the Ashé Cultural Arts Center, where Sirmans and P.3 executive director Brooke Davis Ander- son introduced the biennial, the fi rst people I saw were the Mu- seum of Modern Art’s Stuart Comer and Thomas Lax. Spread across the room were the Whitney’s Christopher Lew, Andy Warhol Museum director Eric Shiner, Bronx Museum director Holly Block, and Carnegie Museum curator Dan Byers. The Artist Tavares Strachan Speed Museum curator Miranda Lash, ICA Philadelphia exhibi- tion director Ingrid Schaff ner, and Jewish Museum deputy director Jens Hoff mann would soon appear, along with both Rita Gonzalez and Christine Y. Kim of the Los Angeles County Museum of Art, where Sirmans heads the department of contemporary art. All gave the same reason for being there: “Franklin.” Despite the support, Sirmans seemed nervous when he spoke of the anchors for his citywide show: Walker Percy’s 1961 New Orleans novel of displacement, The Moviegoer; a Gaugin-in-Tahiti painting; and the cultural cannibalism of the early twentieth-century, Brazilian Antropofágico movement.