Thewa1-1.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Word from Régine Chassagne at Montreal’S MTELUS*
Our Philosphy KANPE is a We give the poorest communities in the Central Plateau a voice so that they can express their own needs, priorities, and foundation that goals. Our role is to help these communities to be supported by Haitian organizations who bring the complementary skills, brings support to knowledge, tools, and training necessary to provide guidance some of the most on the path to autonomy. Our Approach vulnerable families Haiti is flled with people who have talents and skills in many areas. We work to fnd the best local Haitian organizations in Haiti to help them and talents who can support these communities in attaining their goals in health, nutrition, education, agriculture, entre- achieve fnancial preneurship, and leadership. As a foundation, we ensure that funds are properly distributed autonomy, so that and that projects are carried out with respect for the goals of the community and according to strict norms of good they can “stand up”. governance and transparency. 2 Where KANPE works Baille Tourible Port-au-Prince 3 Since 2011, using an integrated approach on a focused geographical area, KANPE and its partners in Haiti are able to obtain tangible, sustainable results. Health & Nutrition Agriculture • A medical clinic serving over 11,000 • Distribution of bean seeds to 250 residents. We recorded more than farmers. 43,800 visits since opening in 2011. • Distribution of nearly 3,300 farm • More than 1,700 cases of cholera animals. treated since 2011. • Production of 12,000 fruit and • More than 1,000 Malaria tests are forest seedlings (Reforestation performed each year. -
“Prospect 3: Notes for Now,” Or P.3, The
Bright Prospects Linda Yablonsky October 31, 2014 Artforum International THERE’S ALWAYS A GOOD REASON to be in New Orleans. Last weekend, the draw was “Prospect 3: Notes for Now,” or P.3, the resonant third edition of the international biennial that Dan Cameron created in 2007, two years after Hurricane Katrina doused city and spirit. Under artistic director Franklin Sirmans, P.3 opened with work by fi fty-eight artists from the Americas, Asia, Europe, and the Middle East planted in eighteen venues around town. On Thursday, October 23, a few visiting dealers and collectors joined a veritable congress of American museum curators to track them down. During a press conference at the Ashé Cultural Arts Center, where Sirmans and P.3 executive director Brooke Davis Ander- son introduced the biennial, the fi rst people I saw were the Mu- seum of Modern Art’s Stuart Comer and Thomas Lax. Spread across the room were the Whitney’s Christopher Lew, Andy Warhol Museum director Eric Shiner, Bronx Museum director Holly Block, and Carnegie Museum curator Dan Byers. The Artist Tavares Strachan Speed Museum curator Miranda Lash, ICA Philadelphia exhibi- tion director Ingrid Schaff ner, and Jewish Museum deputy director Jens Hoff mann would soon appear, along with both Rita Gonzalez and Christine Y. Kim of the Los Angeles County Museum of Art, where Sirmans heads the department of contemporary art. All gave the same reason for being there: “Franklin.” Despite the support, Sirmans seemed nervous when he spoke of the anchors for his citywide show: Walker Percy’s 1961 New Orleans novel of displacement, The Moviegoer; a Gaugin-in-Tahiti painting; and the cultural cannibalism of the early twentieth-century, Brazilian Antropofágico movement. -
Annual-Report-2016-2.Pdf
KANPE enables the Our Philosophy most vulnerable The Haitian population, identifying and expressing their own needs, is at the heart of our work. In our Haitian communities role as change agents serving this population, our to achieve financial role is to work with local partners and put in place autonomy so that plans to support their initiatives. they can “stand up”. Our Approach We work with Haitian partner organizations with complementary expertise, each of which brings knowledge, tools, and training necessary to help guide these communities on the path towards autonomy. These organizations have extensive track records and hold a very high level of credibility in their respective fields. Jean-Étienne Pierre and Isaac Pierre, two young members of the marching band, learning their lessons. 2 Since 2010, with the support of local partners, KANPE’s work has yielded significant results in the following fields: Health Education • Support for a medical clinic serving over • Financial support to 13 schools 11,000 residents. of Baille Tourible. • More than 1,500 cases of cholera treated. • Construction of 2 permanent shelters to accommodate 2 small schools. • More than 1,120 malaria tests performed. • Teacher training. Housing Leadership • 550 family homes received materials to conduct renovations and construct latrines. • Creation of a marching band for 45 young students from Baille Tourible. • Distribution of a basic water purification system to each family participating in the • Summer camp for 70 teenagers which Integrated Program. included 10 days of workshops and discussions on subjects like deforestation, Agriculture illiteracy, teenage pregnancy, and youth flight from rural areas. • Distribution of 7,500 pounds of bean seeds to 250 farmers. -
College Voice Vol. 31 No. 18
Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 4-6-2007 College Voice Vol. 31 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 18" (2007). 2006-2007. 20. https://digitalcommons.conncoll.edu/ccnews_2006_2007/20 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class • U.S. Postage PAID Permit #35 <- o e e oice New London, CT:' PUBUSflED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUME XXXI· NUMBER 18 FRIDAY, APRIL 6, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT SAC Unveils Floralia Lineup __ OK Go, Girl Talk To Perform BY PAUL DRYDEN ances with the band's signature "geek rock outfits," a&e associate editor The campus is also eagerly anticipating Girl Talk, the stage SAC announced this spring's nanne for Gregg Gillis, who first Floralia lineup during a presentation reached the eyes and ears of Cannels at dinner in Harris this past Sunday with bis electrifying performance on night. Corning more than a month the docks in downtown New London before the actual Floralia date, as part of I Am Festival last Saturday, May 5, the lineup's head- September. Ever since then, Girl liners are some of the most notewor- Talk has been exploding across cann- thy in recent memory. -
2019 年 12 7 放送分 1. Getting Ready for Christmas Day / Paul Simon
2019 年 12 ⽉ 7 ⽇ 放送分 1. Getting Ready for Christmas Day / Paul Simon // So Beautiful Or So What 2. #9 Dream / John Lennon // Power To The People: The Hits 3. Playing Along / Norah Jones & Tarriona Tank Ball 4. Kay Granpa / Lakou Mizik feat. Tank and The Bangas // HaitiaNola 5. Loumandja / Lakou Mizik feat. Jon Cleary // HaitiaNola 6. Iko Kreyòl / Lakou Mizik feat. 79rs Gang & Regine Chassagne & Win Butler & Preservation Hall Jazz Band // HaitiaNola 7. Let's Stay Together / Tina Turner 8. A Change Is Gonna Come / B.E.F. feat. Tina Turner // Music Of Quality And Distinction Volume 2 9. A Song For You / B.E.F. feat. Mavis Staples // Music Of Quality And Distinction Volume 2 10. Money Don't Grow On Trees / Prince // 1999 (Super Deluxe Edition) 11. How Come U Don't Call Me Anymore? (Take 2) / Prince // 1999 (Super Deluxe Edition) 12. Purple Music / Prince // 1999 (Super Deluxe Edition) 13. Wonderful Remark / Van Morrison // At The Movies 14. I Hear You Paint Houses / Robbie Robertson w. Van Morrison // Sinematic 15. Cavan Potholes / Sharon Shannon & Band // Live in Minneapolis 2019 年 12 ⽉ 14 ⽇ 放送分 1. Where The Streets Have No Name (live) / U2 // The Joshua Tree Singles - Remastered and Live 2. Questions / Echo In The Canyon Feat. Jakob Dylan & Eric Clapton // Echo In The Canyon: Original Motion Picture Soundtrack 3. I Just Wasn't Made For These Times / Echo In The Canyon Feat. Jakob Dylan & Neil Young // Echo In The Canyon: Original Motion Picture Soundtrack 4. Sweet Thing / Van Morrison // Astral Weeks 5. Truckin’ / Grateful Dead // American Beauty 6. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Pitchfork Media's Textual and Cultural Impact
CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE A Thesis Presented to the Faculty of the Graduate School at the University of Missouri- Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by EMILY BRASHER Dr. Stephanie Craft, Thesis Supervisor DECEMBER 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Presented by Emily Brasher A candidate for the degree of Master of Arts And hereby certify that in their opinion it is worthy of acceptance. Professor Stephanie Craft Professor Mary Kay Blakely Professor Andrew Hoberek Professor Lynda Kraxberger To my family, for always believing in me. ACKNOWLEDGEMENTS I would like to thank Dr. Stephanie Craft for all of her support and patience though this process. The road was long—there were a few address changes and even a name change along the way—but Dr. Craft spurred me on until the journey reached a happy end. My deepest thanks also to Dr. Mary Kay Blakely, Dr. Andrew Hoberek, and Dr. Lynda Kraxberger, for bearing with me through it all. Thanks to Dr. Betty Winfield for getting me started, and to Ginny Cowell and Martha Pickens for their invaluable advice and help. ii CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Emily Brasher Dr. Stephanie Craft, Thesis Supervisor ABSTRACT The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of media such as websites can have a tangible effect on the content of older forms of media such as print magazines. -
Quadrophonic News Issue 7
Major Album Releases In The Fourth Quarter, 2013: Reflektor -Arcade Fire October 29th, 2013 Artpop -Lady Gaga November 11th, 2013 Live on the BBC Vol. 2 -The Beatles November 11th, 2013 •New -Paul McCartney •Beyoncé -Beyoncé •Matangl -M.I.A. •Because The Internet QUADROPHONIC NEWS •Shangri La -Jake Bugg -Childish Gambino Quadrophonic News December 2013 Issue 7 Female Artists: A Reflection In This Month’s Issue: There's a lot to be said for any vocalist with a truly amazing • Album Reviews: Reflektor, Yeezus, Centipede Hz, voice, but there's undeniably something special about a woman with a MMLP2, Live Through This, Bleach, Night Time, powerful voice and monumental skill in writing. So in this article I hope My Time to pay tribute to some of the best female vocalists/song writers out there. It's a big category so, unfortunately I won't be able to get to every one • Insight On Famous Female Artists I’d like to, but I hope to cover three of my favorites. • December/January Music Event Calendar First up is Patty Griffin. Patty is a powerful song writer from Old Town, Maine. her musical style is hard to pin down but it lands somewhere between folk and rock. Her voice is one of incredible range, Arcade Fire’s Reflektor Review her voice can convey every emotion you can imagine, softly or loudly, Achtung Baby. OK Computer. Sound of Silver. sweetly or harshly, and this amazing voice is accompanied by her Elephant. All of these albums are special. You remember indomitable talent for song writing. -
Student Life, March 21, 2007
ROCKIN’STUDENTCANADIANS I ONE-ON-ONE INTERVIE\\' \YITH ARCADELIFEFIRE I CADENZA. PAGE 10 \—\ THE INDEPENDENT NE“SPAPER OF VIASHINGTON LNI\ER SITY INST IOLIS SINCE lbib VOLUME 128, NO. 62 WEDNESDAY, MARCH 21, 2007 \\'\\‘\\'.STUDLIFE.COM Gunfire exchanged near north end of flWMGESIiEl and drive southbound donn “heterh the guns used “ere DEWSEDITOR Big Bend legally registered. He calledSthe Tuo nof the \ictims fled on nCIdent ual" anrid aid Fo young men leavuig a foo UniIers Ity Cit Po- that “studentsshould not haIc 51110 ' nightclub were shot at liceapprehended the other tIto to worry" about a repeat epi atrthe scene of the shooting. :11 said Beclvt. 0Director of Campus Police. " rc were two or three Dori Stro so emphasized shots that had hit the car door the arbitrary location of the and others hit the \\ll’ld0\‘\ on shooting in regards to the Uni- that sa."lon said Beck who \‘er'ity. went down to speak Iyith police a coincidence tah t once they arriIed. “Other tarih shrot at as theynneared the in that“we didntrea lly see “here section of Forest Park Pkwy things had hit. and BigeBerid Bl ightc.lub located on University CiytyaPolice would Oli\eeStrelegt anrid North Commp- had started someIIhere"else. It's or say ifan resst ton A,\enue is approximately a \ery isolatBed episso.de" made. The shotys were firewdeat 63' milessaway from the inter- l endan McCarthy 2:07 a. In. on March 12 section yihere thcsshooting on was a“ake aBrid doing homework '1 saw awhites.four-door Su- uries hajve been when he heard the squeal of car dan drivingp mowd tires early Mon ing an and maaake U--turn."111said‘Junior niIersiity City Police said saw a Iolley ofshots fired from Erin Beck who saw the incident that the suspects were driIing a the Monte Carlo ‘Initially [was firsthand. -
GRAMMY AWARDS 2013: FULL LIST of WINNERS Record of the Year
GRAMMY AWARDS 2013: FULL LIST OF WINNERS Record of the Year: "Somebody That I Used to Know," Gotye featuring Kimbra Album of the Year: Babel, Mumford & Sons Song of the Year: "We Are Young," fun. featuring Janelle Monáe Best New Artist: fun. Best Pop Solo Performance: "Set Fire to the Rain," Adele Best Pop Duo/Group Performance: "Somebody That I Used to Know," Gotye featuring Kimbra Best Pop Instrumental Album: Impressions, Chris Botti Best Pop Vocal Album: Stronger, Kelly Clarkson Best Dance Recording: Bangarang, Skrillex featuring Sirah Best Dance/Electronica Album: Bangarang, Skrillex Best Traditional Pop Vocal Album: Kisses on the Bottom, Paul McCartney Best Rock Performance: Lonely Boy, The Black Keys Grammys 2013: Arrivals Best Hard Rock/Metal Performance: "Love Bites (So Do I)," Halestrom Best Rock Song: "Lonely Boy," The Black Keys Best Rock Album: El Camino, The Black Keys Best Alternative Music Album: Making Mirrors, Gotye Best R&B Performance: "Climax," Usher Best Traditional R&B Performance: "Love on Top," Beyoncé Best R&B Song: "Adorn," Miguel Best Urban Contemporary Album: Channel Orange, Frank Ocean Taylor Swift talks opening the Grammys Best R&B Album: Black Radio, Robert Glasper Experiment Best Rap Performance: "N****s in Paris," Jay-Z and Kayne West Best Rap/Sung Collaboration: "No Church In The Wild," Jay-Z and Kanye West featuring Frank Ocean and The Dream Best Rap Song: "N****s in Paris," Jay-Z and Kayne West Best Rap Album: Take Care, Drake Best Country Solo Performance: "Blown Away," Carrie Underwood Best Country -
Pioneer 10-26-16
N S THE PIONEER Informing LIU Post for 60 years Volume 60, Issue 7 www.liupostpioneer.com October 26, 2016 A&E SECTION, p 11-12: TWO FALL SPORTS TEAMS remain undefeated. Read the sports section for the most recent updates, and the introduction of Post’s new Age of Elizabeth Bowling team. Pages 14-16 By Jada Butler Staff Writer What does it mean to be a woman? Where and when did the concept of womanhood come to life? The answers to these questions can be found on the stage in PTC’s production, “Age of Elizabeth.” Follow modern Elizabeth and her mother’s story of betrayal and her journey through a timeline of mother-daughter relationships in past generations of her family, and the lessons that were passed down by each; discover how the trials women had faced in the past impact the future and define womanhood. Written and directed by Logan DeWitt, the idea for “Age of Elizabeth” arose from a topic of discussion on nature vs. nurture within DeWitt’s household, where she is the only biological child of seven. DeWitt started to question learned behavior to search for the reasoning behind PHILIP JAMES ANDERSSON womanhood. “ I started writing it about a year ago,” DeWitt said. The script is still changing and transforming as the Little Theatre Building Gasps for Air actors go through the workshop and By Nicole Curcio rehearsal process. Staff Writer The cast consists primarily of women: five Elizabeths, following the The Little Theatre, next to the Theatre, For the talent on stage, overheating is a usually male tradition of passing down Dance, and Arts Management Building, located major issue. -
Ecological Models of Musical Structure in Pop-Rock, 1950–2019
Ecological Models of Musical Structure in Pop-rock, 1950–2019 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas J. Shea, M.A., B.Ed. Graduate Program in Music The Ohio State University 2020 Dissertation Committee: Anna Gawboy, Advisor and Dissertation Co-Advisor Nicole Biamonte, Dissertation Co-Advisor Daniel Shanahan David Clampitt Copyright by Nicholas J. Shea 2020 Abstract This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular- music guitarists. Each offers gestural analyses that provide an alternative to the object- oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between “pop” and “rock” music. ii Dedication To Anna Gawboy, who is always in my corner. iii Acknowledgments Here I face the nearly insurmountable task of thanking those who have helped to develop this research. Even as all written and analytical content in this document is my own, I cannot deny the incredible value collaboration has brought to this inherently interdisciplinary study. I am extremely fortunate to have a small team of individuals on which I can rely for mentorship and support and whose research backgrounds contribute greatly to the domains of this document.