King Dasharatha Found Dead
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(Phase-II), Bihar Under RAY 1: Name of Slum:- New Ambedkar Colony
DPR for construction of 1061 DUs at Patna (Phase-II), Bihar under RAY 1: Name of Slum:- New Ambedkar Colony (Sandalpur) Sr.No Name Of Beneficiary Father/Husband's name 1 Manorma Devi Hari Manjhi 2 Manju Devi Bhunesabar Das 3 Mala Devi Hemnt Ram 4 Lalati Devi Mukundas Ravi Das 5 Rajani Devi Sajay Prasad 6 Sumitra Devi Jagdesh Chaudhari 7 Punam Devi Surendra Ram 8 Chonhi Maham Sattan 9 Hema Devi Shiv Ram 10 Sona Devi Raju Chaudhari 11 Sushila Devi Vipin Rout 12 Poonam Devi Rajesh Ram 13 Shyamsundri Devi Kalichran 14 Renu Devi Late Ajay Chaudhari 15 Pinki Devi Bikki Chaudhari 16 Shakuntala Devi Tuntun Ram 17 Rinki Devi Jay Kumar 18 Kiran Devi Santosh Ram 19 Mamta Devi Ashok Das 20 Gunja Devi Prem Ram 21 Anisha Khatoon Late Md Shafique 22 Sangeeta Devi Kundan Ram 23 Chanda Devi Munna Chaudhari 24 Kiran Devi Surendra Rout 25 Amna Khatoon Md. Shamim 26 Babita Devi Sunil Kumar 27 Shila Devi Late Khagri Ram 28 Runi Devi Sanju Manjhi 29 Rina Devi Rajendra Sahani 30 Gulawasa Khatoon Md. Shahid 31 Salma Khatoon Md. Eadu 32 Sapana Devi Ravi Ram 33 Sabina Khatoon Md. Samsulak 34 Sakhandra Devi Late Ramchandra Das 35 Mariyam Khatoon Md. Golden 36 Sunita Devi Ganesh Ram 37 Amna Khatoon Md. Aslam 38 Soni Khatoon Md. Sahid 39 Fula Pati Devi Rambadan Das 40 Sakuntala Devi Ganesh Das 41 Neha Devi Raj Kumar Chaudhary 42 Nitu Devi Dilip Ram 43 Girish Devi Late Swaminath Raut 44 Pinki Devi Ranjit Ram 45 Bina Devi Binay Prasad 46 Mina Devi Ramanand Ram 47 Nilam Devi Suresh Ram 48 Gita Devi Late Santosh Ram 49 Reena Devi Rajesh Ram 50 Jully Devi Sambho Ram 51 Binita Devi Binod Kumar 52 Sumitra Devi Bindeshi Das 53 Laxmi Devi Shukhdeo Das 54 Asha Devi Suresh Ram 55 Radha Kumari Sanjay Kumar 56 Anita Kumari Deepu Kumar 57 Lalmuni Devi Late Raja Ram 58 Tarnnum Khatoon Md. -
CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana
CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana 1.2 Valmiki Ramayana‘s Importance – In The Words Of Valmiki 1.3 Need for selecting the problem from the point of view of Educational Leadership 1.4 Leadership Lessons from Valmiki Ramayana 1.5 Morality of Leaders in Valmiki Ramayana 1.6 Rationale of the Study 1.7 Statement of the Study 1.8 Objective of the Study 1.9 Explanation of the terms 1.10 Approach and Methodology 1.11 Scheme of Chapterization 1.12 Implications of the study CHAPTER – I INTRODUCTION Introduction ―The art of education would never attain clearness in itself without philosophy, there is an interaction between the two and either without the other is incomplete and unserviceable.‖ Fitche. The most sacred of all creations of God in the human life and it has two aspects- one biological and other sociological. If nutrition and reproduction maintain and transmit the biological aspect, the sociological aspect is transmitted by education. Man is primarily distinguishable from the animals because of power of reasoning. Man is endowed with intelligence, remains active, original and energetic. Man lives in accordance with his philosophy of life and his conception of the world. Human life is a priceless gift of God. But we have become sheer materialistic and we live animal life. It is said that man is a rational animal; but our intellect is fully preoccupied in pursuit of materialistic life and worldly pleasures. Our senses and objects of pleasure are also created by God, hence without discarding or condemning them, we have to develop ( Bhav Jeevan) and devotion along with them. -
A Case of the Possession Type in India with Evidence of Paranormal Knowledge
Journal o[Scic.icwt~fic.Explorulion. Vol. 3, No. I, pp. 8 1 - 10 1, 1989 0892-33 10189 $3.00+.00 Pergamon Press plc. Printed in the USA. 01989 Society for Scientific Exploration A Case of the Possession Type in India With Evidence of Paranormal Knowledge Department of Behavioral Medicine and Psychiatry, University of Virginia, Charlottesvill~:VA 22908 Department of Clinical Psychology, National Institute of Mental Health and Neurosciences (NIMHANS), Bangalore, India 5epartment of Behavioral Medicine and Psychiatry, Universily of Virginia, Charlottesville, VA 22908 Abstract-A young married woman, Sumitra, in a village of northern India, apparently died and then revived. After a period of confusion she stated that she was one Shiva who had been murdered in another village. She gave enough details to permit verification of her statements, which corresponded to facts in the life of another young married woman called Shiva. Shiva had lived in a place about 100 km away, and she had died violently there-either by suicide or murder-about two months before Sumitra's apparent death and revival. Subsequently, Sumitra recognized 23 persons (in person or in photographs) known to Shiva. She also showed in several respects new behavior that accorded with Shiva's personality and attainments. For example, Shiva's family were Brahmins (high caste), whereas Sumitra's were Thakurs (second caste); after the change in her personality Sumitra showed Brahmin habits that were strange in her fam- ily. Extensive interviews with 53 informants satisfied the investigators that the families concerned had been, as they claimed, completely unknown to each other before the case developed and that Sumitra had had no normal knowledge of the people and events in Shiva's life. -
Sita Locked out a Telugu Women’S Song of Sita V
Sita Locked Out A Telugu Women’s Song of Sita V. Narayana Rao She is born of Earth and raised by a belt of gold with bells on it, Rama says, Janaka. bracelets with sapphires inlaid, “If you lose sleep, what do I care! She serves her in-laws with devotion. and a necklace of precious stones. The lamp standing here keeps me Her loving husband calls her, but she She brushes kohl along her lashes company. does not come. and looks at herself in the life-size If you stand out there, what do I care! Flowers in his hair, perfume on his mirror. Flowers and bukka scents keep me body, her husband is in a joyous mood. Pleased with herself, the woman smiles. company. Looking for her, he waits and waits. She eats her dinner – If you stand out there, what do I He is impatient at the time she takes. five different courses, sweets and all – care! “Why doesn’t she come, what is taking then washes her hands. Sandal and musk keep me company. her so long?” She covers herself in a golden shawl, If you stand out there, what do I The solar hero1 is upset with her. takes water to drink in a jug of gold; care! He closes the door and bolts it. betel leaves, areca nuts, perfumes, The mattress and pillows keep me “You and your chores, Daughter of sandal paste, jasmine water, company.” Earth! fruits and snacks on a platter of gold. Upset at Rama’s words, Sita quickly You have grown too proud,” he says She wears jasmine and jaji flowers in runs to her mother-in-law’s house. -
Hindu Students Organization Sanātana Dharma Saṅgha
Hindu Students Organization Sanātana Dharma Saṅgha Table of Contents About HSO 1 Food for Thought 2 Pronunciation Guide 3 Opening Prayers 4 Gaṇesh Bhajans 6 Guru and Bhagavān Bhajans 9 Nārāyaṇa Bhajans 11 Krishṇa Bhajans 13 Rāma Bhajans 23 Devī Bhajans 27 Shiva Bhajans 32 Subramaṇyam Bhajans 37 Sarva Dharma Bhajans 38 Traditional Songs 40 Aartīs 53 Closing Prayers 58 Index 59 About HSO Columbia University’s Hindu Students Organization welcomes you. The Hindu Students Organization (HSO) is a faith-based group founded in 1992 with the intent of raising awareness of Hindu philosophies, customs, and traditions at Columbia University. HSO's major goals are to encourage dialogue about Hinduism and to provide a forum for students to practice the faith. HSO works with closely with other organizations to host joint events in an effort to educate the general public and the Columbia community. To pursue these goals, HSO engages in educational discussions, takes part in community service, and coordinates religious and cultural events including the following: Be the Change Day Navaratri Diwali Saraswati/Ganesh Puja Study Breaks Lecture Events Shruti: A Classical Night Holi Weekly Bhajans and Discussion Circle/Bhajans Workshop Interfaith Events Interviews to become a part of HSO’s planning board take place at the start of the fall semester. If you are interested in joining our mailing list or if you would like to get in touch with us, email us at [email protected] or visit us at http://www.columbia.edu/cu/hso/! 1 Food For Thought Om - “OM - This Imperishable Word is the whole of this visible universe. -
Sita Ram Baba
सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu. -
Ramakatha Rasavahini I Chapter 3
Chapter 3. Curse of No Progeny for Dasaratha The envy of Ravana ithin a short time, Dasaratha’s fame illumined all quarters, like the rays of the rising sun. He had the intre- Wpidity and skill of ten charioteers rolled into one, so the name Dasa-ratha (the ten-chariot hero) was found appropriate. No one could stand up against the onrush of his mighty chariot! Every contemporary ruler, mortally afraid of his prowess, paid homage to his throne. The world extolled him as a hero without equal, a paragon of virtue, a statesman of highest stature. Ravana, the demon (rakshasa) King of Lanka, heard of Dasaratha and his fame. He was so envious that he determined on a sure plan to destroy him, by means fair or foul. Ravana sought for an excuse to provoke Dasaratha into a fight; one day, he sent word through a messenger that unless tribute was paid to him, he would have to meet Ravana on the battlefield and demonstrate his superior might in war. This call was against international morality, but what morality did a demon respect? When Dasaratha heard the messenger, he laughed outright, in derision. Even while the messenger was look- ing on, he shot sharp deadly arrows, which reached Lanka itself and fastened the gates of that city! Addressing the envoys, Dasaratha said, “Well, Sirs! I have now made fast the doors of your fortress city. Prema Vahini Your master cannot open them, however hard he may try. That is the ‘tribute’ I pay to your impertinent lord.” When the envoys returned and informed Ravana of this, he was shocked to find all the doors closed fast. -
Samoohika Bhajans.Pdf
Gajaananam Bhootha Ganaadhi Sevitham Kapittha Jamboo phalasaara bhakshitham Umaasutham Shoka Vinaasha Kaaranam Namaami Vigneshwara Paadha Pankajam Paahi Paahi Gajaanana Paarvathi Puthra Gajaanana Mooshika Vaahana Gajaanana Modaka Hastha Gajaanana Chaamara Karna Gajaanana Vilambitha Suthra Gajaanana Vaamana Roopa Gajaanana Maheshwara Puthra Gajaanana Vighna Vinaashaka Gajaanana Paada Namasthey Gajaanana Raadhe Raadhe Raadhe Raadhe Raadhe Raadhe Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Nandakumaara Navanitha Chora Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Puraana Purusha Punya Shloka Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Pandarinaatha Paanduranga Raadhe Govinda Brindaavana Chanda, Anaathanaatha Deenabandhu Raadhe Govinda Bhakthavathsala Bhagavathapriya Raadhe Govinda Brindaavana Chanda Anaathanaatha Deenabandhu Raadhe Govinda Jai Jai Vittala Jaya Hari Vittala Raadhe Govinda Brindaavana Chanda, Anaathanaatha Deenabandhu Raadhe Govinda Shivaaya Parameshwaraaya Shivaaya Parameshwaraaya Jagadeeshwaraaya Shashishekharaaya Nama Om Bhavaaya Guna sambhavaaya shiva thaandavaaya nama om Om Namah Shivaaya Om Namah Shivaaya Shivaaya Nama Om Om Namah Haraaya Om Namah Haraaya Haraaya Nama Om- Shivaaya…….. Shiva Shiva Sharavana Bhavaaya Nama Om Hara Hara Shanmukha Guhaaya Nama Om - Shivaaya……. Shiva Shiva Shiva Shiva Shivaaya Nama Om Hara Hara Hara Hara Haraaya Nama Om - Shivaaya……. Raghupathi Raaghava Raghupathi Raaghava Raajaa Raam Pathitha Paavana -
Rajaji-Mahabharata.Pdf
MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73. -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
Ramayana: a Divine Drama Actors in the Divine Play As Scripted by Bhagawan Sri Sathya Sai Baba
Ramayana: A Divine Drama Actors in the Divine Play as scripted by Bhagawan Sri Sathya Sai Baba Volume I Compiled by Tumuluru Krishna Murty Edited by Desaraju Sri Sai Lakshmi © Tumuluru Krishna Murty ‘Anasuya’ C-66 Durgabai Deshmukh Colony Ahobil Mutt Road Hyderabad 500007 Ph: +91 (40) 2742 7083/ 8904 Typeset and formatted by: Desaraju Sri Sai Lakshmi Cover Designed by: Insty Print 2B, Ganesh Chandra Avenue Kolkata - 700013 Website: www.instyprint.in VOLUME I No one can shake truth; no one can install untruth. No one can understand My mystery. The best you can do is get immersed in it. The mysterious, indescribable power has come within the reach of all. No one is born and allowed to live for the sake of others. Each has their own burden to carry and lay down. - Bhagawan Sri Sathya Sai Baba Put all your burdens on Me. I have come to bear it, so that you can devote yourselves to Sadhana TABLE OF CONTENTS FOR VOLUME I PRAYERS 11 1. SAMARPANAM 17 2. EDITORIAL COMMENTS 27 3. THE ESSENCE OF RAMAYANA 31 4. IKSHVAKU DYNASTY-THE IMPERIAL LINE 81 5. DASARATHA AND HIS CONSORTS 117 118 5.1 DASARATHA 119 5.2 KAUSALYA 197 5.3 SUMITRA 239 5.4 KAIKEYI 261 INDEX 321 LIST OF ILLUSTRATIONS FIGURE 1: DESCENT OF GANGA 113 FIGURE 2: PUTHRAKAMESHTI YAGA 139 FIGURE 3: RAMA TAKING LEAVE OF DASARATHA 181 FIGURE 4: DASARATHA SEES THE FATALLY INJURED SRAVANA 191 PRAYERS Vaamaankasthitha Jaanaki parilasat kodanda dandaamkare Chakram Chordhva karena bahu yugale samkham saram Dakshine Bibranam Jalajadi patri nayanam Bhadradri muurdhin sthitham Keyuradi vibhushitham Raghupathim Soumitri Yuktham Bhaje!! - Adi Sankara. -
Bala Bhavan Bhajans Contents
Bala Bhavan Bhajans 9252, Miramar Road, San Diego, CA 92126 www.vcscsd.org Bala Bhavan Bhajans Contents GANESHA BHAJANS .................................................................................................. 5 1. Ganesha Sharanam, Sharanam Ganesha ............................................................ 5 2. Gauree Nandana Gajaanana ............................................................................... 5 3. Paahi Paahi Gajaanana Raga: Abheri .......................................... 5 4. Shuklambaradharam ........................................................................................... 5 5. Ganeshwara Gajamukeshwara ........................................................................... 6 6. Gajavadana ......................................................................................................... 6 7. Gajanana ............................................................................................................. 6 8. Ga-yi-yeh Ganapathi Raga: Mohana ........................................ 6 9. Gananatham Gananatham .................................................................................. 7 10. Jaya Ganesha ...................................................................................................... 7 11. Jaya Jaya Girija Bala .......................................................................................... 7 12. Jaya Ganesha ...................................................................................................... 8 13. Sri Maha Ganapathe ..........................................................................................