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Iai – Naginata
Editor: Well House, 13 Keere Street, Lewes, East Sussex, England No. 303 Spring 2015 Editorial It has been a year or so since the last Journal appeared, so apologies are in order. We think most members are aware of the number of domestic problems that interfered with the continuity, but pressure being brought to bear, here is a renewed effort. One of the chief duties of any proper Renmei is to encourage the members, old or new, with sound information in order to 'feed' their interest Since we cover a reasonably wide range of entities within the Bugei traditions – Kendō, Iai-jutsu, Naginata, occasionally Sō-jutsu, and general or specific historical subjects – it is a pretty broad mandate and we try our best despite sidetracking by the Internet and deep-rooted popular misconceptions deriving there from. Accordingly, we propose to use some material that has been written over the past few months on subjects that we normally wouldn't have covered only broadly. The first of these will examine the subjects of Kakegoe and Kiai, both of great importance in all the classical weaponed disciplines. We have tended in the past to slightly neglect Iai-jutsu but the subject, in itself, tends to be 'inward looking' as we are, within this Renmei, mostly concerned with one of the oldest transmissions, the Hasegawa Eishin-ryū, and not the modern popular forms of the Settai Iai-dō. We may touch on the background reasons for this at some point but, nonetheless, parts of what we might discuss will apply whether the Iai is old or modern. -
Oda Nobunaga in Japanese Videogames the Case of Nobunaga’S Ambition: Sphere of Influence (Koei, 2013)
Trabajo Fin de Máster Oda Nobunaga en los videojuegos japoneses El caso de Nobunaga’s Ambition: Sphere of Influence (Koei, 2013) Oda Nobunaga in Japanese videogames The case of Nobunaga’s Ambition: Sphere of Influence (Koei, 2013) Autora Claudia Bonillo Fernández Directoras Elena Barlés Báguena Amparo Martínez Herranz Facultad de Filosofía y Letras/ Departamento de Historia del Arte Curso 2017-2018 2 ÍNDICE I. PRESENTACIÓN DEL TRABAJO .......................................................................................................................... 3 1. Delimitación del tema y causas de su elección ..................................................................................................... 3 2. Estado de la cuestión ............................................................................................................................................. 5 3. Objetivos del trabajo ............................................................................................................................................. 9 4. Metodología .......................................................................................................................................................... 9 4.1. Búsqueda, recopilación, lectura y análisis de material bibliográfico ........................................................... 10 4.2. Búsqueda, recopilación, lectura y análisis de material documental ............................................................. 11 4.3. Trabajo de campo ........................................................................................................................................ -
8123 Gekokujo.Pdf
Le Japon a été unifié dès l’Antiquité sous l’autorité de L’anarchie règne donc et la guerre impose partout sa loi. Pour l’empereur qui réside à Kyoto. Pourtant depuis des siècles, le cette raison, on appelle le XVIe siècle, l’Ère des Royaumes souverain n’exerce plus la réalité du pouvoir et est surtout une figure Combattants, le Sengoku jidai. religieuse : il faut davantage penser à lui comme au pape que comme à l’empereur romain. HISTOIRE RECENTE e Depuis la fin du XII siècle, le vrai pouvoir est aux mains du chef de la caste des guerriers, le shôgun. Mais, à son tour l’autorité L’évolution politique des dernières années a été marquée par e de ce dernier s’est effondrée à la fin du XV siècle : une guerre civile l’ascension fulgurante d’un petit seigneur provincial : Oda Nobunaga. éclate entre ses grands vassaux. Ces derniers s’entretuent autour de En moins de dix ans, celui-ci a établi son contrôle sur les provinces la capitale et s’affaiblissent tellement qu’ils perdent le contrôlent des d’Owari et de Mino. Enfin, en 1568, il a répondu à l’appel du shôgun provinces dont ils étaient les gouverneurs. en titre, Ashikaga Yoshiaki, et a lancé ses armées contre la capitale. On assiste en effet à une série de véritables coups d’États Au terme d’une campagne éclair, il s’est imposé comme le nouveau dans les provinces, qui donnent naissance à de petits États fortement maître de Kyoto, détenant la réalité du pouvoir derrière Yoshiaki. -
Swordsmanship and a Medieval Text in Early Modern Japan Michael Wert Marquette University, [email protected]
Marquette University e-Publications@Marquette History Faculty Research and Publications History, Department of 11-1-2014 ‘The iM litary Mirror of Kai’: Swordsmanship and a Medieval Text in Early Modern Japan Michael Wert Marquette University, [email protected] Published version. Das Mittelalter, Vol. 19, No. 2 (November 2014): 407-419. DOI. © 2014 Walter de Gruyter. Used with permission. Das Mittelalter 2014; 19(2): 407-419 .~ i chael Wert rThe Military Mirror of Kai': Swordsmanship an d a Medieval Text in Early Modern Japan Abslrlct: word man htp emE.'rgt•d a~ .1 new field of knowledge in early modern I J-1868), a tlmt• of relame peace. During the most violent periods of history, the lattt>r half of the medieval period (1185- 1600), samurai "' rf r mostly on hor eback. ustng the bow and arrow, or by lead- ma \'t armt filled w llh soldwr~ who used ptkes, halberds, and even fire arms. In th paper. I wtll trace thl' origins of early modern swordsmanship to the late 16th century dunng the transition between the medieval and early modem riod , wh n teach •r of swordsmanship and their sword 'styles' first ipptarl!d In te 1 • Of th • u~'ts I \\Ill focus on 'The Military Mirror of Kai', purportedly \\TIIten dunng thl' late 16th century. and a widely-read text among sa:nurai of th arty modern period. A m1x of fact and fi ction, the 'Mirror' be came a source of fantasr and msp1ratton for samurai and non-samurai alike. It is also the earli t source of w ntmg ,tbout swordsmanship, which was influ mred by. -
Some Thoughts on the Emergence and 'Aesthetic Asceticism' of Ryūha
國士舘大學 武德紀要 第 26 号 引用・参考文献 Some Thoughts on the Emergence and ‘Aesthetic Asceticism’ of Ryūha-bugei 「武」の漢字「文」の漢字 藤堂 明保 武道秘伝書 吉田 豊 Alexander Bennett 宮本武蔵五輪書 徳間書店 武道初心集 大道寺 友山 武道論十五講 杉山 重利編著 This essay will investigate the enigmatic symbolic reverence attached to the sword katana( ) 武道の神髄 佐藤道次・鷹尾敏文 in medieval and early-modern Japan, and the genesis of ‘schools’ dedicated to the study and 中学校保健体育における武道の指導法 国際武道大学付属武道スポーツ科学研究所 refinement of its techniques. 月刊武道 福永 哲夫 To this day, many scholars still take it for granted that the katana was the primary 禅と武士道 横尾 賢宗 or preferred weapon of the bushi. However, for most of bushi history the sword was but an auxiliary weapon. Because of its fragile nature, its practical use in the thick of battle was perceivably somewhat limited. Nevertheless, from the fifteenth century onwards, we see the gradual rise of specialist martial art schools (ryūha-bugei) in which the sword became the predominant weapon despite the introduction of more devastating arms, namely firearms in 1543. This trend seems to be at stark odds with the reality of the era, where warlords daimyō( ) vied to crush each other to gain suzerainty over the country, and begs the question as to why schools dedicated to swordsmanship arose in the first place. Obviously, training in systemised composite martial arts had important practical applications, and in this sense specialist martial art schools which evolved in the late medieval period (from around 1400–1600) provided an important route for the professional warrior. Even so, it is difficult to ignore the ostensibly ‘devolutionary’ mind-set from a practical perspective with regards to the fundamental weapon involved—the sword. -
The Socio-Historical Evolution of Japanese Swordsmanship and Its Correlation with Cultural Nationalism
The Cultural Politics of Proprietorship: The Socio-historical Evolution of Japanese Swordsmanship and its Correlation with Cultural Nationalism Alexander C. Bennett Ph.D. Dissertation (Senior Supervisor – Dr. Kenneth Henshall) University of Canterbury School of Languages, Cultures and Linguistics (JAPA) 2012 i ii COPYRIGHT Alexander C. Bennett 2012 iii iv Acknowledgements Although I started writing this thesis six years ago, I have been involved in kendō itself for over two decades. Guidance from the many wonderful teachers and friends I have met on this journey provided me with the knowledge to undertake the project. There are far too many people to name here, but I would like to especially thank the following people and organisations for their assistance and support. First, Professor Kenneth Henshall has been an incredibly patient supervisor, and has always given me wonderful advice enabling me to overcome many hurdles along the way. I feel greatly honoured to have had such an illustrious scholar as him for my supervisor. Professor Edwina Palmer was also involved at the start of my studies, but has since taken up a position outside the University of Canterbury. Her comments were invaluable in the completion of my earlier chapters. I am also indebted to Dr. Chigusa Kimura-Steven, and the other staff members in the School of Languages, Cultures and Linguistics (Japanese) at the University of Canterbury. I would also like to thank the Nippon Budokan and the All Japan Kendo Federation for their on-going support and willingness to provide me with many of the documents quoted in this thesis. I have also had considerable help from Professor Uozumi Takashi at the International Budo University, Professor Nakajima Takeshi of Kokushikan University, and numerous tantalising conversations about the state of kendō today with Professor Sakudō Masao and Professor Kanzaki Hiroshi at the Osaka University for Sport and Health Science. -
The Intangible Warrior Culture of Japan: Bodily Practices, Mental Attitudes, and Values of the Two-Sworded Men from the Fifteenth to the Twenty-First Centuries
The Intangible Warrior Culture of Japan: Bodily Practices, Mental Attitudes, and Values of the Two-sworded Men from the Fifteenth to the Twenty-first Centuries. Anatoliy Anshin Ph.D. Dissertation UNSW@ADFA 2009 ACKNOWLEDGEMENTS This thesis would not have seen the light without the help of more people than I can name individually. I am particularly grateful to Professor Stewart Lone, UNSW@ADFA, and Professor Sandra Wilson, Murdoch University, for their guidance and support while supervising my Ph.D. project. All of their comments and remarks helped enormously in making this a better thesis. A number of people in Japan contributed significantly to producing this work. I am indebted to Ōtake Risuke, master teacher of Tenshinshō-den Katori Shintō-ryū, and Kondō Katsuyuki, director of the Main Line Daitō-ryū Aikijūjutsu, for granting interviews and sharing a wealth of valuable material during my research. I thank Professor Shima Yoshitaka, Waseda University, for his generous help and advice. I would like to express my infinite thankfulness to my wife, Yoo Sun Young, for her devotion and patience during the years it took to complete this work. As for the contribution of my mother, Margarita Anshina, no words shall convey the depth of my gratitude to her. 1 CONTENTS Acknowledgements…………..…………………………………………………….……1 Contents…………………………..……………………………………………………...2 List of Illustrations……………………………………………………………………….5 Conventions……………………………………………………………………………...6 List of Author’s Publications…………………………………………………………….8 INTRODUCTION……………………………………………………………………….9 -
The Truth of the Ancient Ways: a Critical Biography of The
Copyright © 2012 Anatoliy Anshin All rights reserved. ISBN: 0984012907 ISBN-13: 9780984012909 Library of Congress Control Number: 2011938616 Published by Kodenkan Institute, New York, NY. Printed in the United States of America. No part of this book may be used or reproduced in any form, in whole or in part, without written permission from the publisher (except as permitted by US Copyright Law, Section 107, “fair use” in teaching or research; Section 108, certain library copying, or in published media by reviewers in limited excerpts). No part of this book may be stored in a retrieval system or transmitted in any form or by any means, including but not limited to electronic, electrostatic, mechanical, magnetic tape, photocopying, recording, scanning, or by any means hereafter invented, without prior permission in writing from the publisher. Limit of Liability/Disclaimer of Warranty: While both publisher and author took utmost care preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or sales materials in any form. Neither the publisher nor the author shall be liable for any loss of profit or any other damages, including but not limited to special, incidental, or consequential damage. General enquiries: [email protected] http://www.tesshu.info Cover design is based on a color woodblock print triptych copied by famous Ukiyoe artist Tsukioka Yoshitoshi in 1877 (the name of the original author is unknown). -
THE SHAMANIC and ESOTERIC ORIGINS of the JAPANESE MARTIAL ARTS Tengu and a Buddhist Monk, by Kawanabe Kyo¯ Sai
TENGU THE SHAMANIC AND ESOTERIC ORIGINS OF THE JAPANESE MARTIAL ARTS Tengu and a Buddhist monk, by Kawanabe Kyo¯ sai. The tengu wears the cap and pom-pommed sash of a follower of Shugendo¯ . Now is the time to show the world those arts of war that I have rehearsed for many months and years upon the Mountain of Kurama _________ Words spoken by the Chorus in the No play ‘Eboshi-ori’ by Miyamasu (sixteenth century) They refer to the tengu training given to Ushiwaka Who later became the famous young general, Minamoto-no-Yoshitsune T E N G U The Shamanic and Esoteric Origins of the Japanese Martial Arts By ROALD KNUTSEN TENGU The Shamanic and Esoteric Origins of the Japanese Martial Arts By Roald Knutsen First published 2011 by GLOBAL ORIENTAL PO Box 219 Folkestone Kent CT20 2WP UK Global Oriental is an imprint of Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints BRILL, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. www.brill.nl/globaloriental © Roald Knutsen 2011 ISBN 978-1-906876-24-1 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the publishers. Set in Bembo 11 on 12 by Dataworks, Chennai, India Printed and bound in England by CPI Antony Rowe, Chippenham, Wilts This book is dedicated to Patricia for always being with me Contents Plate section facing page 132 Foreword xi List of Figures xix List of Plates xxii List of Maps xxiv 1. -
JAPÃO & ARTES MARCIAIS História E Filosofia
Centro Filosófico do Kung Fu - Internacional JAPÃO & ARTES MARCIAIS História e Filosofia Volume 2 www.centrofilosoficodokungfu.com.br “Se atravessarmos a vida convencidos de que a nossa é a única maneira de pensar que existe, vamos acabar perdendo todas as oportunidades que surgem a cada dia” (Akio Morita) Editorial Esta publicação é o 2° volume da coletânea “História e Filosofia das Artes Marciais”, selecionada para cada país que teve destaque na sua formação. Aqui o foco é o Japão. Todo conteúdo é original da “Wikipédia”, editado e fornecido gratuitamente pelo Centro Filosófico do Kung Fu - Internacional. É muito importante divulgar esta coletânea no meio das artes marciais, independente do praticante; pois estaremos contribuindo para a formação de uma classe de artistas marciais de melhor nível que, com certeza, nosso meio estará se enriquecendo. Bom trabalho ! JAPÃO & ARTES MARCIAIS Filosofia e História Conteúdo 1 História do Japão 1 1.1 Periodização ............................................. 2 1.1.1 Eras do Japão ......................................... 2 1.2 História ................................................ 2 1.2.1 Período paleolítico japonês .................................. 2 1.2.2 Período Jomon ........................................ 2 1.2.3 Período Yayoi ........................................ 3 1.2.4 Período Kofun ........................................ 3 1.2.5 Período Asuka ........................................ 4 1.2.6 Período Hakuhō ....................................... 5 1.2.7 Período Nara ........................................ -
Version 1.11/// ///Disclaimer/// While I Have Tried to Keep This Walkthrough As Mild As Possible, Sengoku Rance Is an Adult-R
///Version 1.11/// ///Disclaimer/// While I have tried to keep this walkthrough as mild as possible, Sengoku Rance is an adult-rated game. As such, those not of sufficient age or offended by such material should not read this walkthrough. ///Copyright/// This walkthrough is copyright 2009 by Nalmar. It was written specificly for www.gamefaqs.com. Please do not post it elsewhere. ///Table of contents/// Search for the code listed after a section to jump to it: 1. Version History................ [VH01] 2. Introduction................... [IN01] 3. Important Notes................ [IM01] 4. General Notes.................. [GN01] 5. First time player walkthrough.. [WTH01] 6. 2nd+ game plater walkthrough... [WTH02] 7. CG Listing..................... [CG01] [VH01] ///Version History/// Version 1.11: Added a CG listing and requirements to unlock them to the end of the walkthrough. Version 1.1: Substantial update. The first time play and 2nd+ game play walkthroughs were separated due to conflicts in events. The first time play walkthrough has been re-worked to be substantially easier. Ending turn count has been reduced for a higher ending score. Some early events in the 2nd+ game walkthrough have been shifted to make the start easier. A reworking of the 2nd+ game will be done on the next update to decrease its difficulty overall. Version 1.0: Initial walkthrough release. [IN01] ///Introduction/// This is a True History Route walkthrough for the unofficial v1.0 English patch of Alice Soft's Sengoku Rance (Rance 7). The first time player walkthrough has been separated from the 2nd+ play walkthrough in this revision. The first time play walkthrough will appear first. -
The Art of Killing Swordsmanship in Medieval Japan
c h a p t e r 1 The Art of Killing swordsmanship in medieval japan whence they came To the samurai, martial ability was an expression of individual strength and valor, symbolizing their distinctive subculture as specialist men-at-arms. Starting in the ninth century (or arguably even earlier), Japanese warriors developed and cultivated an idiosyncratic culture based largely on their abil- ity to utilize violence. Warrior ideals evolved over many centuries and were imbued with idioms of honor, such as the bonds of loyalty forged between retainer and lord, for whom—as the classic war tales frequently inform us— the warrior would gladly forfeit his life. But how accurate is our understanding of the origin of samurai culture? It seems that Japanese and Westerners alike maintain a distorted, often- romanticized view of the samurai. For example, the long-held interpretation in the West of the so-called emergence of the samurai was largely based on an economic thesis put forth by Asakawa Kan’ichi,1 whose ideas were subse- quently propagated by early generations of highly influential Western schol- ars of Japanese history and culture such as George Sansom and E. O. Reischauer. In simple terms, the traditional view presents an unambiguous interpreta- tion of the events that led to the appearance of powerful provincial warrior families in the late Heian period (794–1185). In Sansom’s classic three-volume treatise of Japanese history, The History of Japan to 1334, he states that “the gradual collapse of the civil power after the decline of the Fujiwara dictators was accompanied by a rise in the influence of warrior clans.”2 Oppressed by high taxes, many peasants deserted their fields for other occupations, adversely impacting the Heian government’s income and influ- 26 Bennett - 9780520284371.indd 26 04/03/15 7:31 PM ence.