A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414
JULY / AUGUST 2011 VOL. 27 NO. 4 Preview Next Season at Sundin—and Beyond!
Preview of the Sundin Hall Series by Paul Hintz ere in the middle of Minnesota’s all-too-short summer, feeling of knowing you’re helping support the MGS. Members guitar concerts (and other less pleasant cold weather make the music happen! Now, let’s introduce the 2011–12 Sundin activities) seem a long way away. But here at the vast Music Hall concert series artists. Hcomplex that is Minnesota Guitar Society Headquarters, mem- Edel Muñoz on Sat. Sept. 17th bers of your board work feverishly to prepare the most exciting Edel Muñoz began his guitar studies at age 7 and graduated in season in our nearly-three-decade history. Building on last sea- 1994 from the National School of Music of Havana. His teachers son’s success presenting concerts outside the Twin Cities, dur- were Arsenio Diaz, Maria Victoria Oliver, Martha Cuervo, Victor ing 2011–12 we will partner with organizations in Fergus Falls, Pellegrini, Jesús Cantero, Isaac Nicola, and Leo Brouwer. He later Zumbrota, and Rochester to present performances by performers took courses in Argentina with Eduardo Isaac, in Chile with Luis from Cuba, Spain, Greece, and the US, all of whom will also be Orlandini, and in Spain with Alex Garrobé. He also performed featured on our Sundin Music Hall series. Future issues of the in masterclasses for some of the greatest guitarists of the day. He newsletter will profile in depth each artist, and give complete was only 20 years old when he won First Prize at the prestigious information about additional concerts, workshops, or master- International Competition and Festival de Guitarra de La Habana classes most will give. To be sure you get a copy, join the MGS presided over by Leo Brouwer. As a concert artist, Edel has per- today! You’ll get each issue delivered to you, a great deal on the price of concert tickets, and that warm, summer-all-year-long continued on page 2
Also in this issue: Mark Hanson on Walking Bass Lines; Joe Hagedorn on Scordatura; Guitar Summit in Fergus Falls; News and Notes. Sundin Hall Concert Series
Preview of the Sundin Hall Series, ing, so he and a partner started Accent On Minnesota continued from p. 1 Music and published his first book,The Art Guitar Society of Contemporary Travis Picking, in 1985. Merle formed in major theaters and recital halls Travis himself graciously consented to the use throughout Latin America, North America, of his name in the title. Mark began writing BOARD OFFICERS: and Europe as solo recitalist, chamber musi- for Frets magazine, and became an assistant PRESIDENT cian, and soloist with orchestras such as the editor in 1986. That position trained him to Joe Haus Barcelona Sinfonietta, Miami Symphony write clearly, provided an insider’s view of VICE-PRESIDENT Orchestra, and Cuba’s National Symphony the publishing business, and gave him a great Joanne Backer Orchestra. In 2004, Edel Muñoz and Walfrido Rolodex. He interviewed and wrote cover sto- Domminguez founded Habana Duet because ARTISTIC DIRECTOR ries on many luminaries in the acoustic guitar of their mutual interest in sharing and spread- field. His monthly column featured tran- Joe Hagedorn ing Cuban music as well as their own music. scriptions and compositions for fingerstyle TREASURER They performed in Berlin, Madrid, Barcelona, guitarists. When Frets ended in 1989, Hanson Gigi Voegeli Paris, and elsewhere in Europe. Edel has continued Accent On Music, which had pub- MANAGING DIRECTOR been invited to such music festivals as the lished his second ‘Travis Picking’ book, The Paul Hintz Liege Guitar Festival in Belgium, Guitars of Art of Solo Fingerpicking. He has since authored the Worlds Festival in Argentina, Augusts’ many books, videos, and DVDs, and contin- SECRETARY Festival in Venezuela, the International Guitar ues to produce new materials, including two Position Open Festival of Barcelona, Paracho’s Guitar Festival recent solo CDs for Solid Air Records. Hanson in Mexico, and Havana’s International Guitar hosts an annual summer seminar in Portland, BOARD MEMBERS: festival. He has won numerous first prizes Oregon, and presents concerts and workshops Kristian Anderson and other awards at competitions through- around the country. In 2005, Mark was includ- Christopher Becknell out the world over the last 17 years. Edel is ed in the Grammy-winning Henry Mancini— Mark Bussey currently on the faculty of the University of Pink Guitar CD from Solid Air Records. James Flegel Wisconsin—Milwaukee. Duo Melis on Sat. Nov. 5th Steve Kakos Mark Hanson on Fri. Oct. 14th The Spaniard Susana Prieto and the Greek Christopher Olson As a youngster in Minnesota, Hanson Alexis Muzurakis made their debut as Duo Brent Weaver studied piano and clarinet, and sang with his Melis in 1999 at the International Guitar family and in choirs. Playing instruments and TECHNOLOGY GURU Festival of Volos (Greece). Since then they have singing provided performance experience, Jim Campbell performed in such prestigious halls as the exposure to great repertoire, and a training Philharmonie in Berlin, the Concertgebouw in ground for learning to speak and read the lan- Amsterdam, the Tchaikovsky Hall in Moscow, Newsletter guage of music. He started guitar by borrow- the Megaron in Athens, and the Merkin EDITOR ing his sister’s Sears Silvertone acoustic and Concert Hall in New York. They have been Paul Hintz imitating sixties folk music records. He also invited to play concerts and give masterclasses played guitar with the kid who lived over the PRODUCTION at international guitar festivals in Europe and back fence, performing for hospital patients i draw the line, inc. America. They have won numerous prizes, and church groups. When the Beatles arrived, David’s Print Shop both individually and together. In 1999, as a guitar became his main non-basketball focus. duo, they won first prize at the International DISTRIBUTION The duo became a junior high rock band, in Guitar Duo Competition of Frechen James Falbo which he learned to play barre chords and (Germany). The next year they won the presti- Chris Moody keep a steady tempo. Acoustic pop players gious Guitar Duo Competition of Montelimar Ben Woolman such as Paul Simon, Stephen Stills, and James (France) as well as the 21st International Guitar Taylor led to British greats John Renbourn Duo Competition “Mauro Giuliani” (Italy). Web Site Production and Bert Jansch, Chicago blues icon Big Bill In 2001 they captured the Duo/Ensemble Amy Lytton Broonzy, and eventually a lasting apprecia- prize at the Chamber Music Competition tion for jazz virtuoso Joe Pass. He received of Leipzig (Germany) and the same year a music degree were the winners at the International Guitar Sundin Hall is on Hamline U. Campus from Stanford in Duo Competition of Paris (France). In 2003 at 1536 Hewitt Ave. in St. Paul. the mid-seventies. they recorded their first CD after winning Directions: from I-94, head north on Years of private the recording prize “Citta di Verona” at the Snelling Ave. in St. Paul, past University teaching refined his International Chamber Music Competition Ave. to Hewitt Ave. Turn right, Sundin method for teach- “Gaetano Zinetti” (Italy). In 2005 they Hall is on your left, a half-block east of Snelling. Free ing alternating- successfully auditioned for the Yehudi parking is available one block past the hall, in lots off thumb fingerpick- Hewitt (on your right) or off Pascal (1 block north). Series Preview, continued on p. 3 Light rail construction along University Ave. of St. Paul may affect traffic at the cross streets. You can still get to Sundin Music Hall!!! Visit the Metropolitan Council’s website:
2 guitarist Sundin Hall Concert Series
Preview of the Sundin Hall Series, continued from p. 2 competitions than any other guitarist in the world. He has been a featured soloist in more than 30 countries on five continents, in Menuhin Society Live Music Now. Duo Melis has collaborated such important concert halls such as the Het Concertgebouw in with international orchestras like the Berliner Symphoniker, Amsterdam, Teatre de la Monnaie in Brussels, Maison de Radio the Neubrandenburger Philharmonie, the Bayerische France in Paris, The National Art Gallery in Ottawa, the Luis Kammerphilharmonie, the Radio Orchestra of Bucharest and the Angel Arango hall in Bogota, and the Çemal Resit Rey in Istanbul. National Orchestra of Thessaloniki conducted by Leo Brouwer. He is regularly invited to give masterclasses in international Their wide repertoire spans from Baroque-era music to the music festivals and often appears as a featured soloist with orchestras of Astor Piazzolla and Alberto Ginastera, and includes concertos all over the world. Dukić is also a very active chamber music per- for two guitars and orchestra by Rodrigo, Castelnuovo-Tedesco, former and a founding member of the guitar trio Trio de Cologne. and Vivaldi as well as a newly composed concerto by Marek He has recorded for labels in Germany, Spain, and Belgium. He Pasieczny that is dedicated to Duo Melis. Their performances currently teaches at the Royal Conservatory of Music in The in the US include the Guitar Foundation of America’s annual Hague, Holland, Hochschule für Musik in Aachen, Germany, and convention, and recitals in Chicago, St. Louis, Austin, Scranton, at the Escuela Superior de Musica de Barcelona, Spain. College Station, Houston, Brownsville, and Detroit. They have Beijing Guitar Duo on Sat. Feb. 18th appeared twice for both OMNI Concerts in San Francisco and the The members of the Beijing Guitar Duo, Meng Su and Yameng Cleveland Classical Guitar Weekend. They were featured artists Wang, first met at the Central Conservatory in Beijing, China. The at the Bethlehem Guitar Festival in Pennsylvania. In Europe they Duo was formally established at the Peabody Conservatory of have presented recitals in Italy, Greece, Germany, Poland, Russia, Music in Baltimore in 2008 at the encouragement of their mentor, Spain, Rumania, Holland, the Czech Republic, Austria, Norway, Sweden, and France. Since 2006, both members of the duo, Susana Series Preview, continued on p. 6 Prieto and Alexis Muzurakis, have taught at the Conservatoire National de Strasbourg in France. Clip & Save Acoustic Guitarathon on Fri. Dec. 2nd Sundin Season at a Glance! Last season’s return of the “acoustic” guitarathon to our sea- son showcased some of the region’s finest steel-string artists. But Edel Muñoz - Sat., Sept. 17 there’s plenty more where they came from! Join us this night to Mark Hanson - Fri., Oct. 14 hear them. Duo Melis - Sat., Nov. 5 Zoran Dukić on Sat. Jan. 21st Acoustic Guitarathon - Fri., Dec. 2 Zoran Dukić - Sat., Jan. 21 Zoran Dukić was born in 1969 in Zagreb, Croatia where he start- Beijing Guitar Duo - Sat., Feb. 18 ed to play the guitar at the age of six. He graduated from the Music Johannes Möller (GFA winner) - Sat., Mar. 10 Academy of Zagreb with Darko Petrinjak and completed his stud- Yamandú Costa - Fri., Apr. 27 ies with Hubert Käppel at the Hochschule für Musik in Cologne. Classical Guitarathon - Sat., May 26 Dukić is the only guitarist to have won both Andrés Segovia com- petitions, in Granada and in Palma de Mallorca. He has also won Visit our website for more information, and competitions dedicated to Fernando Sor, Manuel Ponce, Manuel watch for articles in our newsletter on all the de Falla, and Francisco Tárrega, among others. In the greatest performers on our series. Spanish guitar competition in Madrid, patronized by the royal family, he was awarded, in addition to the first prize, the special prize for the best interpretation of Spanish music. His programs MGS on the Road! include works by Takemitsu, Henze, Carter, and Gubaidulina, along with many others. Dukić has also toured with programs Edel Muñoz - Fri., Sept 16 at the Crossings in Zumbrota devoted entirely to Bach. He has a special affinity for Spanish Mark Hanson - Sat., Oct 15, details TBA and South American musical idioms, from Sor to Albéniz, from Mark Hanson - Sun., Oct 16 at A Center for Performing Tárrega to Villa-Lobos. Dukić has won more international guitar Arts in Fergus Falls Duo Melis - Fri., Nov. 4 in Rochester, details TBA Johannes Möller (GFA winner) - Fri., Mar. 9 at A Center The Minnesota Guitar Society concert season is co-sponsored by Sundin for Performing Arts in Fergus Falls Hall. The Minnesota Guitar Society is a fiscal year 2011 recipient of Yamandú Costa, Thurs Apr 26 at A Center for an Arts Tour Minnesota grant from the Minnesota State Arts Board. Performing Arts in Fergus Falls This activity is funded, in part, by the Minnesota arts and cultural Visit our website for more information, and watch for heritage fund as appropriated by articles in our newsletter on each of these artists. the Minnesota State Legislature with money from the vote of the people of Minnesota on November To reserve tickets for any 4, 2008. Matching funds have been Sundin Hall concert, please provided by General Mills, AT&T, call our phone line at 612-677-1151. and Ameriprise Financial.
july / august 3 Special Feature Play “Koyunbaba” Anytime, Anywhere— or, Scordatura Made Easy! – by Joe Hagedorn
his article has sat half-written in my computer for some Equipped with a basic understanding of the properties of guitar time, but I was finally persuaded to finish it after reading strings and a few simple tuning formulas, a guitarist should never Andrew Hull’s article about the 2009 Parkening Competition again have to fear tuning while on stage. T(Soundboard Vol. XXXV, No. 4) in which Andrew describes the While working on this article, I made some small effort to competitors’ various tuning difficulties. As a member of the have the properties of guitar strings explained to me by a phys- Minneapolis Guitar Quartet, I’ve had occasion to explore and deal ics professor, but I quickly realized that I was not equipped to with tuning challenges far more than the typical classical guitar- understand, much less explain in an article, the science behind ist has. In my arrangements for the MGQ, I always opt for alter- this easily observed phenomenon. I will limit my discussion here nate tunings of six-string guitars over the use of extra-string gui- to the purely practical. If tightened strings will go flat and loos- tars if possible. Of course, I love extra-string guitars and the MGQ ened strings will go sharp, then it is easy to imagine using these does use an 8-string for some pieces, but I do not love traveling opposing tendencies to neutralize each other. Obviously, the most with two guitars! I have learned to tune my 6th string accurately desired outcome of any tuning operation for a guitarist is for the and quickly to any pitch from standard E down to G. My concert string to arrive at exactly the desired pitch and remain at that guitar is a 1992 Stephen Kakos and my 6th string for quartet play- pitch with no drifting. ing is a D’Addario NYL050W or NYL052W. These big strings work For all of my tuning formulas, I turn the gears at a moderately nicely for me all the way down to G. I prefer the NYL052W, but at fast pace. If a formula involves resting before turning the oppo- the standard E pitch, this string is quite tight and a few have bro- site direction, I count at the same pace as the turns of the gear. ken on me over the years. My intention is to perform this sort of tuning routine in the least Several years ago, I watched a Minnesota Guitar Society con- distracting way possible. I count as my crowning achievement of cert during which Paulo Bellinati performed a lengthy set of tuning facility the time that an audience member asked me after a songs with singer Monica Salmaso. In this performance, Paulo Minneapolis Guitar Quartet program featuring extensive scorda- made quick and smooth transitions between movements with tura if we ever use alternate tunings! radically different tunings, all the while remaining perfectly in Now for some real-life prescriptions. To best understand these tune throughout the performance. I mentioned to him after the examples and be able to develop your own formulas, keep in performance that I found this feat very impressive and his reply mind that the two primary variables that determine where the was that he had “practiced” the tuning. He then made it clear that pitch of the string will settle are 1) how much the pitch of the he had devised specific tuning formulas for this particular set of string has been changed and 2) how long the string rests before pieces. Since I had been experimenting with these sorts of situa- tuning in the opposite direction. tions around the same time, I was inspired to experiment further Beginning with the most common scordatura for classical gui- and find practical solutions to the tuning challenges all guitarists tarists, here are two formulas for tuning the sixth string from E to face to some degree. D. The numbers “Down” and “Up” describe how many turns of Tuning a classical guitar and performing in tune are made dif- the wrist (each turn of the wrist equals one half turn of the button). ficult by the property of the strings that causes tightened strings In this first example, I have estimated the time to perform each to go flat and loosened strings to go sharp. One frequently wit- formula to give an indication of how quickly the turns are made. nesses performers in concert struggle with intonation because Please understand that these formulas do not necessarily bring of something as routine as changing the sixth string from E to D. the string to the exact pitch desired, but you will be close enough that only a small adjustment is required. Do not play the string until you finish the formula; your audience will much appreciate this and you will be less likely to lose your count! To tune from D back to E, simply use an inversion of the same formula. Formula No. 1—6th string from E to D: Down 10, Up 7 (12 seconds total) Now back—6th string from D to E: Up 10, Down 7 Formula No. 2—6th string from E to D: Down 7, (Count to 10), Up 4 (18 seconds total) Now back—6th string from D to E: Up 7, (Count to 10), Down 4 For this tuning, I prefer the first formula. It is more reliably accurate and takes less time. However, in some situations waiting is a neces- continued on p. 5
4 guitarist Special Feature
Special Feature, continued from p. 4 once in tune, the guitar will actually stay in tune! To get back to standard pitch, invert the formula by following the same order of sary part of a workable tuning formula because, without waiting, strings and changing all ups to downs and vice versa. the string would have to be tuned so high that there would be a Formula No. 1 for Standard Formula No. 2 for Standard risk of breaking the string. tuning to “Koyunbaba” tuning tuning to “Koyunbaba” tuning Now here’s a formula for another common guitar retuning: (C-sharp minor) (C-sharp minor) 3rd string from G to F-sharp. Down 5, Up 4 2nd string—Up 5 2nd string—Up 4 Now back—3rd string from F-sharp to G. Up 5, Down 4 3rd string—Up 4 3rd string—Up 3 4th string—Down 4 4th string—Down 3 As I write this article, I am preparing a Minneapolis Guitar 5th string—Down 4 5th string—Down 3 Quartet program involving several interesting tuning challenges. 6th string—Down 11 6th string—Down 8 If I perform with music, I write these directions on page one of 6th string—Up 6 (Count to 15) each piece. If I play from memory, I have to also memorize the 5th string—Up 2 6th string—Up 3 formula! 4th string—Up 2 5th string—Up 1 Complete tuning routine for all nine works on our MGQ 3rd string—Down 3 4th string—Up 1 program: 2nd string—Down 2 3rd string—Down 2 1. Start with 6th string in A 2nd string—Down 1 2. No change 3. Change 6th string to D (Up 15, Down 6) Finally, it’s possible that different strings and/or guitars may 4. Change 6th string to B (Down 12, Up 7) lead to slightly different results, but these examples will provide 5. Change 6th string to E (Up 13, Count to 17, Down 4) a basic understanding through which a guitarist may develop a Intermission tuning formula for every contingency. 6. No change [Ed. note: Joe Hagedorn, Artistic Director of the Minnesota 7. No change Guitar Society, has won First Prize in the Guitar Foundation of 8. Change 6th string to A (Down 22, Up 7) America international competition. He concertizes as a member of 9. a. Change 6th string to B-flat (Up 5, Down 4) the Minneapolis Guitar Quartet, as a soloist, in duo with violinist 9. b. Change 6th string to A (Down 5, Up 4) Leslie Shank of the St Paul Chamber Orchestra, and with others— Now, as promised in the title of this article, I will offer two dif- and always in tune!] ferent tuning formulas that should allow guitarists to perform Carlo Domeniconi’s “Koyunbaba” anywhere in a recital program without the usual problems we’ve all experienced or witnessed. I Classical Guitar Instruction beginning/advanced think I prefer the first formula, because I have less experience with formulas that involve waiting. However, both formulas still make use of the time variable by going around the gears and back again Joseph rather than tuning one string at a time. I believe it is necessary to Hagedorn use the time variable for this piece because a formula for tuning University of River Falls, WI Faculty Member the second string to C-sharp without waiting would require a dan- 6 1 2 • 3 7 4 • 4 6 8 1 gerously high pitch before turning back down. Once again, after completing the formula, it will still be necessary to fine-tune, but
july / august 5 Special Feature
Time to Take a Walk! - by Mark Hanson ere is a portion of my arrangement of “Oh! Susannah” the “swing” rhythm of “Blue Moon” or the Beatles’ “Yellow from my recent How to Arrange Fingerstyle Guitar Solos Submarine” and you’ve got it. DVD. [Ed. note: See music on opposite page.] The main You may have to work out the fretting-hand fingering to keep Hfeature of this version is the walking bass line. The bass line con- from tying your fingers in knots! sists largely of quarter notes, moving stepwise up or down in the Good luck, and have fun! scale. But to make it jazzy and really swing, chromatic movement Copyright © 2011 Accent On Music LLC and Mark D. Hanson. All Rights Reserved. is added, and the bass notes (and melody notes!) are often played Used by Permission. an eighth note before the beat. Bio note: Fingerstyle guitarist and author Mark Hanson won a Make sure that you play these eighth notes as jazz players Grammy in 2005 for his contributions to the Henry Mancini—Pink do—as triplets. That is, the first of a pair of bracketed eighth Guitar CD. He has written more than 30 guitar instruction manu- notes receives two-thirds of the beat, and the second eighth note als, including two books on Leo Kottke. In 2009, Mark played receives one-third of the beat. If you are accustomed to reading for President Barack Obama in San Francisco. Mark is a native eighths in the traditional classical manner (each eighth receives Minnesotan who now resides in Portland, Oregon. one-half of the beat), this may take a little getting used to. [Ed. note: For more information about this DVD, and Mark’s To notate this exactly as played, it would be written in 12/8 other products, visit his website at
Preview of the Sundin Hall Series, continued from p. 3 Watercolor,” in a new version for two guitars, arranged specifi- cally for the duo. Their first duo recording,Maracaípe (released guitar virtuoso Manuel Barrueco. As recipients of the Solomon in 2009) album features the world-premiere recording of H. Snyder Award, the Beijing Guitar Duo made their New York “Maracaípe,” written by Sergio Assad and dedicated to them for debut at Carnegie Hall’s Weill Recital Hall in April 2010. Other this recording. performances have included recitals in Europe, China, and else- Born in Qingdao, China, in 1988, Meng Su demonstrated where in the US. They are dedicated to developing and explor- artistic gifts at an early age. One of the outstanding guitarists ing new repertoire. In April 2010 they joined Manuel Barrueco of her generation, Su began her training with China’s leading in premiering a new guitar trio written for them by renowned guitar teacher, Chen Zhi, at age 9, and quickly attracted attention guitarist and composer Sergio Assad called “Enchanted Island.” as a remarkable young talent. Before graduating from the High In addition, the duo will premiere Tan Dun’s “Eight Memories in School of the Central Conservatory of Music of China in 2006, Su had already won awards at international competitions in Austria, Germany, Japan, and the US. As a performing artist, she has performed solo, duo, and quartet concerts throughout Asia, Paul Hintz North America, and Europe, impressing audiences with artistry jazz guitarist that exceeds her years. Su recently obtained her Performer’s Certificate from Peabody, and continues her studies there with www.paulhintz.com Manuel Barrueco in the Graduate Performance Diploma pro- gram. Her discography includes a live CD and DVD release of a 651 699 6827 2005 guitar concert in Korea as well as a release of Four Angels. Also born in Qingdao (in 1981), Yameng Wang fell in love with the classical guitar at a young age and began studying with professor Chen Zhi when she was 10 years old. She became the youngest-ever winner of the annual Tokyo International Guitar Competition at age 12, won second prize in the 28th “Michele Pittaluga” International Guitar Competition in Italy at age 13, at age 14 was invited by Radio France to perform at the 27th Paris International Guitar Art Week, and won second prize in La Infanta Doña Cristina International Guitar Competition in Spain. After graduating from the Central Conservatory of Music of China in 2006, Wang enrolled at Peabody Conservatory. There, she finished her Masters of Music in 2008 and is currently in the Graduate Performance Diploma program, studying with Manuel Barrueco. Wang has given acclaimed recitals across the US, Europe, Australia, Japan, and Malaysia both as a soloist and Series Preview, continued on p. 8
6 guitarist Oh! Susannah - Walking Bass
Standard Tuning Stephen Foster Triplet Eighths Arrangement: Mark Hanson « « « « Guitar # # « « « « « ˆ«« « « « « « 3 « « « « « « « « « « # c « ˆ« jˆ«« ˆ«. ˆ« jˆ« ˆ«« « « ˆ«« ˆ«« ˆ«« ˆ« ˆ« « ˆ« ˙« jˆ«« ‰ «ˆ «ˆ ======l & «ˆ “{ œ» l jˆ« ˆ« l ˆ« l « l ŒŒ _»_œ »œ_» _»œ » »œ_» _œ» _ _œ» _»_œ _ _ _»_œ _»œ _ _ _ _œ» ‰ l “ » » » » l » » _»»œ » l » »œ _»»œ » l » _nœ»œ _» _»œJ » l 0 0 2 0 » » » » » » » » » T 0 2 2 2 2 2 0 0 0 l 2 “ l 2 4 l 2 l 2 l A 0 l B “ 0 4 2 l 4 l 0 0 l 2 l l “{ l 4 2 4 l 4 2 l 2 1 0 4 l 1. « # # « « « ˆ«« « « « « « « « « « « « # jˆ«« ˆ«. ˆ« ˆ« ˆ« « « ˆ«« jˆ«« ˆ««. ˆ« ˆ« « « « « « ‰ « ˆ« l======& œ» #œ» l œ» ˆ« ˆ« l ˆ« ˆ« l ˆ« ˆ«« jˆ«« ˆ« ”{ _»_œ »œ_ »œ » » » _ _ œ_» nœ_» _»œ _ _ _ _œ» _»_œ _ _ _ _œ» ‰ l » » » » » l nœ_»» #_»» œ » » l » _»œ nœ_» _»œ » l » »œ _»œ _»œ » ” 0 0 2 0 » » » » » » » » » » T 2 2 0 2 2 2 0 0 l l 2 l 2 2 l 2 ” A 0 1 2 4 2 l B 0 4 l 4 3l 2 l 0 ” l l 1 2 l 2 1 0 4 l 4 2 0 4 {” 2. « « « « ˆ_««. « ### « . ˙« ˆ«« jˆ« Œ ˆ« ======l & ˆ« Ó l Œ l nœ»J #œ» . l _»œ _»œ _œ» nœ_»» #» œ_» »œ» »œ_» _œ» _»_œ »œ» »œ» » » l » » » » » l » » » » l » » l 2 5 2 T 3 3 l 2 l l l A 0 0 2 3 4 l B 0 0 2 3 4 l 4 2 0 l l l l l l « « « « « # # « ˆ«« « « « « « « « « « « ˆ«« # œ»ˆ« ˆ« ˆ« « «˙ jˆ«« ‰ « ˆ« jˆ«« ˆ«. ˆ« ======l & » »œ» »œ» œ»ˆ« l ˙« ˆ« l l » » » » #œ»» _ _ _ _œ» ‰ _»_œ »œ_ _»œ _œ» »œ» l l » _»œ nœ_» _»œJ » l » » » » » l 0 0 » » » » 0 0 2 T 2 0 0 0 2 l 2 1 2 l 2 2 l l A 4 2 1 0 l B l l 0 4 2 l l l 2 1 0 4 l l U # « « « « « « « « « « « ## jˆ« ˆ«« « « «. jˆ«« ˆ««. «ˆ « « « « «ˆ «ˆ ======l & jˆ« j ˆ« ˆ« l «ˆ «ˆ «ˆ l ˆ« ˆ«« ˆ«« ” »œ_» nœ_» _ nœ_»» _œ» _ _ _ _ _»_œJ _»_œ _»_œJ _»_œ l » » _»»œ » l » _»œ nœ_» _»œ »œ l » » » » ” 0 » » » » » » u T 2 0 2 2 2 0 3 2 l 2 l 2 2 l ” A 4 2 l B 4 3 l 2 l 0 0 0 ” l 3 2 l 2 1 0 4 l ” From: "How to Arrange Fingerstyle Guitar Solos" DVD - Copyright © 2011 Accent On Music LLC and Mark D. Hanson. All Rights Reserved. Used By Permission.
© Publisher july / august 7 Special Feature
Preview of the Sundin Hall Series, continued from p. 6 be seen in the Concertgebouw in Amsterdam. He also became the first guitarist ever to win the Ljunggrenska Competition in chamber music settings. Her first album,Caprice , was recorded (Sweden) in 2007. In 2005, he became the first guitarist to win The when she was 16. A Very Special Album was released in 1999, and in Bromsgrove Festival International Young Musicians Platform 2003 she contributed to GHA’s album, The Best of Classical Guitar. In (England). Johannes earned a Bachelor of Music with Honours 2005, she released Classic Guitar–Aquarelle, Un Sueño en la Floresta. from the Royal College of Music in London, where he studied Johannes Möller on Sat. March 10th guitar with Gary Ryan and Carlos Bonell. He received a masters degree from the Royal Conservatoire in The Hague, where he Swedish guitarist and composer Johannes Möller has cap- studied with Zoran Dukić. He also received a scholarship from tivated audiences throughout the world with charismatic and the Royal Conservatoire that allowed him to study privately with soulful performances. He played his first public concerts when Pavel Steidl in the Republic. He completed a second masters he was 13 years old. Since then he has found time for more than degree at the Conservatoire in Amsterdam, where he studied with 500 appearances in Europe, Asia, and South and North America. Lex Eisenhardt. In 2010 he was awarded first prize in the Guitar Foundation of America Concert Artist Competition, which is often considered Yamandú Costa on Fri. April 27th the most prestigious guitar competition in the world. As part of Yamandú Costa was born in Passo Fundo, Rio Grande do this prize, he will perform over 50 concerts throughout the US, Sul, Brazil, where he began his guitar studies with his father Canada, Mexico, South America, and China, including a Carnegie Algacir Costa, band leader of “Os Fronteiriços,” when he was Hall debut (Weill Recital Hall). He will also record a CD on the 7 years old. Later, he perfected his technique with Lúcio Yanel, Naxos label. As a performer, Johannes’s artistry has reached well Argentine virtuoso who was then settled in Brazil. Until the age beyond the usual guitar circles—a fact confirmed in March 2008 of 15, Yamandú´s only music school was the folk music from the when he won the Dutch Vriendenkrans Concours, competing south of Brazil, Argentina, and Uruguay. Nevertheless, after he against performers in all of the instrumental categories. As a part heard Radamés Gnatalli´s work, he decided to get in contact with of this award, his name was engraved on a metal plate that can the music of other renowned Brazilian musicians, such as Baden Powell, Tom Jobim, and Raphael Rabello. When he was 17, he played for the first time in São Paulo at the Circuito Cultural Banco Guitar Instruction do Brasil (BB Cultural Tour). The event was produced by “Estúdio All styles & ages Tom Brazil” (Tom Brazil studio), and from then on he was recog- nized as one of the most gifted guitar players of Brazil. Yamandú is a guitar player, composer, and arranger Jeff Lambert who does not fit into a single music style, D.M., M.M. - Northwestern yet he creates his own when he combines University Stephen Kakos all of them playing his 7-string guitar. Member: Minneapolis Guitar Classic Guitars One of the greatest geniuses of Brazilian Quartet music of all times, young Yamandú ancient & modern deserves the highest praise. Whenever he is on stage, he fills with joy every mem- repair restoration ber of the audience, since his impressive 952-546-1429 performance shows the deep intimacy www.jeffguitar.com 952 . 472. 4732 between Yamandú and his guitar. The recognition he has earned throughout the world reveals what he can offer—re- creation of the magic of music—since David’s Print Shop from his fingers the music he plays travels through his body and soul and is almost miraculously transformed. • Newsletters Yamandú fully deserves his beautiful • Brochures • Letterheads, envelopes, name, which in tupi-guarani, the native business cards language of Brazilian Indians, means • Bar/Bat Mitzvah invitations “the precursor of the waters of the • We do printing in ,hkdbtu ,hrcg world.” Joseph Hagedorn • Shaun Koelsch Classical Guitarathon on David (“Duvidl”) has been doing Guitar Instructors fine printing since 1969 and Sat. May 26th has owned his own print shop at the corner of University & Yeah, that’s Memorial Day weekend. Prior since 1991. But wait another week to go up to the Roseville, MN (651) 639-8911 540 North Prior Ave. lake. Instead, take an auditory swim in www.metromusicroseville.com Saint Paul, MN 55104 the coolest classical guitar music to be Phone: 651-644-8262 heard anywhere, played by some of the Fax: 651-647-9473 www.davidsprintshop.com best, from this very area! It’s an annual season-ending tradition. Don’t miss it.
8 guitarist Special Feature Midwest International Guitar Summit in Fergus Falls by Kristen Fondriest
[Ed. note: This article is an update to a feature we ran in the last Showcase” featuring David Stoddard, Anthony Miltich, Ann issue. In addition to cosponsoring this Summit with the fine folks Reed, and Claudia Schmidt. Friday, September 16, the concert is in Fergus Falls, we at the MGS are honored to co-present a series called “Gypsy Jam” and will feature Joan Griffith, Sam Miltich, of three concerts there in connection with the outreach portion of Nick Fryer, and Michael Hauser. The closing night concert on our Sundin Music Hall concert series in 2011–12. See the lead arti- Saturday, September 17, hosted by the one and only Tim Sparks cle in this issue for more information, with details in is called “A World On A String” and will feature upcoming issues and on our website.] the amazing line-up of Billy McLaughlin, Dean ttention all guitar players, teachers, enthu- McGraw, Dakota Dave Hull, and Phil Heywood. siasts, fans, and audiences! A Center for the And if you stick around on Sunday, September Arts and M State Fergus Falls are thrilled 18, the Minneapolis Guitar Quartet will play a toA announce the return of the Midwest concert that afternoon at A Center for International Guitar Summit (formerly the Arts to kick-off our Chamber Music known as the West Central Area Guitar Series! Participants who purchase the full Summit)—an entire weekend of eclectic weekend pass will get a free ticket to the guitar music and education held in Fergus Minneapolis Guitar Quartet on Sunday Falls, MN, September 15 through 18, 2011. afternoon. We are excited to once again be partner- Both Friday and Saturday will be ing with and receiving support from the packed with great workshops, demonstra- Minnesota Guitar Society, the Minnesota tions, and mini-performances. Friday will Bluegrass and Old Time Music Association, take place in downtown Fergus Falls and and M State Fergus Falls, as well as Otter focus more on lectures, demonstrations, Tail Corporation and other business spon- and performance-based workshops. All sors to bring you this incredible event. the workshops on Saturday will take place Notice that this year it has a new name that on the campus of M State Fergus Falls and reflects not only the caliber of guitarists will be more hands-on and participatory. who perform and present at the Summit, Maybe you’re a professional guitarist but also the range of people who attend the making a living playing guitar. Maybe Summit. And the name isn’t the only thing you’ve been playing the guitar for several that’s new this year! years. Maybe you’ve only been playing The original “G 7” will return, but we have added the guitar for a couple of months. Maybe you want six new guitarists to the mix as well. Featured to play the guitar some day. Maybe you don’t ever guitarists, who will be presenting workshops and want to play the guitar at all, but you are fascinated performing throughout the weekend, include: Ann by the many styles and levels of accomplishment Reed, Anthony Miltich, Billy McLaughlin, Claudia achieved with this instrument. The Midwest Schmidt, Dakota Dave Hull, David Stoddard, Dean Magraw, Joan International Guitar Summit is appropriate for all levels of inter- Griffith, Nick Fryer, Michael Hauser, Phil Heywood, Tim Sparks, ests and abilities. There will be something for everyone! and Sam Miltich. At the Midwest International Guitar Summit, participants will A Center for the Arts, and the guitarists involved in last year’s have an opportunity to interact with incredibly talented guitar- Summit, have worked very hard to make improvements based on ists and musicians. This is a unique opportunity to learn together, all the feedback that was received by participants from last year. play together, jam together, as well as witness improvisational With all the constructive criticism, suggestions, and praise we and collaborative playing. It is also a great networking opportu- received, we believe we have created an even better Summit for nity for musicians, presenters, and audiences. The best part is that this year! More space and time has been built into the schedule A Center for the Arts is offering all of this for an extremely afford- to encourage and foster greater networking opportunities, as able rate, especially for students. well as provide time for switching gears or visiting the exhibit The various ticket prices are: area. We will be offering Beginner, Intermediate, and Advanced Weekend-Long Pass: $100 (8 workshops and 4 concerts) workshops to accommodate all skill levels and reach a broader Daily Pass: $50 (4 workshops and 1 concert) audience of people interested in guitar. And we have added some Individual Workshops: $10 adults; $5 students/children interesting new features such as “Meet The Artist” live perfor- Individual Concerts: $15 adults; $5 students/children mance/interview sessions, performance-based workshops fea- For more information, please contact A Center for the Arts, 124 turing multiple guitarists, plus more workshops on songwriting W. Lincoln Ave, Fergus Falls, MN 56537 at 218-736-5453 or visit and electric guitar! our website at
Composer Seeks Guitarists! a Music Theory and Composition/Jounalism degree in 2000. He Robert Maderich’s new work, “Five Duets for Flute and Guitar” has studied guitar building with Jim Olson, Bryan Galloup, Sam premiered at the Classical Guitarathon last May. He has other Guidry, Charlie Hoffman, and Brian Applegate. Todd teaches gui- self-published (Butchers Son Music) works available for guitar tar construction and design courses in his Andover shop, and is a with other instruments. If you are interested in seeing scores, regular contributor to Fretboard Journal. Check out his web site to please contact him, Robert J. Maderich II, at robertmaderich69@ see his custom guitar designs:
10 guitarist Meet the MGS
here have been many changes for the Minnesota Guitar with his wife and enjoys a thriving career as a freelance guitar- Society over the years, but three things have stayed much ist, performing approximately 400 shows a year as a Twin Cities the same—the central purpose of the Society is presenting theater musician. He also heads guitar studies at North Hennepin greatT guitarists in concert for a dedicated Society membership Community College in Brooklyn Park, and can be found Sunday that loves great guitar playing; the Society depends on dedicated afternoons teaching at MacPhail Center for Music in Minneapolis. volunteers to get things done; and many of our most dedicated It’s also worth noting that Kristian does not sleep very much. volunteers serve on the MGS board. We’d like to let our read- Mark Bussey has been an MGS board ers, friends and members of the MGS, get to know the board a member since 2008. He is an avid classical little better. In the coming months, we’ll be running short bios guitarist who lives and plays in the Twin of some of the fine folks who serve us all by serving on the MGS Cities. He’s a pretty heavy technology geek board. This issue, let’s meet Kris Anderson, Mark Bussey, and and his day job involves technology and Christopher Olson. software projects for a major local electron- Kristian Anderson is an accomplished ics retailer. His undergraduate degree is in concert guitarist who has performed through- Mathematics and English, but he’s currently out North America and Europe. He has been pursing a Master’s in Music Education at the University of St. an MGS board member since 2009. His major Thomas. Mark regularly hosts the MGS OpenStage and is a fer- teachers include esteemed pedagogues Bruce vent believer that making music makes the world a better place. Holzman, Frank Koonce, Tom Johnson, and Christopher Olson has been an MGS Alan Johnston. He has also performed in the board member since 2008. He teaches gui- masterclasses of Oscar Ghiglia, Leo Brouwer, tar and music theory and directs ensem- Roland Dyens, Odair Assad, and many others. After winning bles at McNally Smith College of Music. First Prize at several U.S. solo guitar competitions, he turned During the summer, he teaches jazz and his attention to his doctoral studies at Florida State University guitar camps at the Shell Lake Arts Center and founded the acclaimed guitar ensemble Tantalus Quartet. in Wisconsin. After receiving his Masters Since he received his doctorate in 2008, Tantalus has performed in Jazz Studies from the University of at Carnegie Hall, the Guitar Foundation of America Festival, North Texas, Chris performed throughout the Midwest and the Iserlohn Guitar Symposium, the New York Guitar Seminar, taught at several schools in Wisconsin and Minnesota. He cur- Brownsville Guitar Festival, and for many other societies and rently plays with the finest musicians at the best jazz venues festivals around the globe. The quartet has commissioned and in the Twin Cities. Chris has been featured on the MGS’s Local premiered several new works from today’s leading composers, Artist Series, and has performed on the Classical Guitarathon including Grammy-nominated Apostolos Paraskevas, whose and on numerous Jazz Guitarathons. He also contributes articles concerto “The Feast” was premiered by Tantalus with the Albany to the MGS newsletter, featuring many of the materials he has Symphony Orchestra. Kristian currently lives in Minneapolis developed as an educator.
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