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DISCOTHEQUE CAESUG CAMPUS CATALOGUE DES DISQUES COMPACTS J A Z Z CLASSEMENT PAR ORDRE ALPHABETIQUE ABERCROMBIE John : A - Anachronic J 37 * Gateway ABOU-KHALIL Rabib : J 240 * Al-Jadida J 453 * The cactus of knowledge J 474 * Il sospiro J 638 * Journey to the centre of an egg avec Joachim Kühn J 322 * The Sultan's Picnic J 498 * Yara (Musique du film) ACHIARY Benat : J 227 * Lili Purprea ACOUSTIC ALCHEMY : J 451 * Arcan'um ADDERLEY Cannonball : J 68 * Somethin' else AGOSSI Mina : J 646 * Well you needn't ALLEN Geri : J 128 * In the year of the dragon ALLISON Luther : J 234 * Hand me dowm my moonshine V 143 * Here I come J 594 * Richman AMSALLEM Franck : J 527 * Summertimes ANACHRONIC JAZZ BAND : J 220-1 * Enregistrements complets ANDERSON Ernestine : Anderson - A J 450 * Live from Concord to London ARIOLI Susie : J 681 * Live au festival de Montréal (avec DVD) ARMSTRONG Louis : J 226 * Ella and Louis J 1 * Ella and Louis again J 230 * The Hot Fives J 551 * Hot Five and Hot Seven J 228 * Louis and the Good Book J 53 * New Orleans J 22 * Porgy and Bess J 185 * Année 1923 ART ENSEMBLE OF CHICAGO : J 591 * 1969 – 1970 J 38 * Full force AVITABILE Franck : J 675 * Short stories AZZOLA Marcel : J 683 * 3 temps pour bien faire (avec Marc Fosset & Patrice Caratini BAKER Chet : B - Bibb J 118) * Broken Wing J 160-1 * Le dernier grand concert J 595 * Peace J 74 * The touch of your lips BARBER Chris : J 181 * Fifty cents.(avec Louis Jordan) BARBER Patricia : J 672 * Mythologies BARBIERI Gato : J 596 * Apasionado BARRON Kenny : J 625 * Kenny Barron trio live at Bradley's J 214 * Scratch J 585 * avec Stan Getz : Voyage BASIE Count : J 539 * Atomic Basie J 597 * The best of Basie J 232 * Count Basie at Newport J 25 * Shiny stockings BATTISTA Stefano DI : J 441 * Stefano Di Battista BECHET Sydney : J 19 * Petite fleur J 184 * Année 1923 BECK Gordon : J 73 * Round about midnight BEIDERBECKE Bix : J 598 * Great original performances 1924 - 1930 BEKUMMERNIS : J 13 * Le cercle de pierres BEUF Sylvain : J 463 * [trio] J 458 * Soul notes BIBB Eric : J 666 * Diamond days J 522 * Friends BLAKEY Art : Blakey - Bley J 75 * Angel eyes J 599 * Art Blakey with the original Jazz Messengers J 263 * Concert à New York ( avec H. Silver) J 169 * Concord Jazz J 586 * Monk's music (avec Thelonious Monk, Coleman Hawkins, John Coltrane) J 4 * Mosaïc J 68 * Somethin' else BLANCHARD Pierre : J 544 * Bass ans bosses (avec Pierre Michelot) J 114 * Music for string quartet, jazz trio and violin BLEY Carla : J 600 * The very big Carla Bley band J 87 * Duets (avec Steve Swallow) J 601 * Fleur carnivore J 86 * Social studies BLEY Paul : J 455 * Annette (avec Gary Peacock) J 268 * In the Evenings out there (avec Gary Peacock) J 229 * Fly away little bird (avec St. Swallow,J. Giuffre ) J 165 * The life of a trio : Sunday (avec St. Swallow,J. Giuffre ) J 705 * Complete live at the Hillcrest Club (avec Ornette Coleman & Don Cherry) J 289 * The Montreal tapes (avec Charlie Haden,Paul Motian) J 35 * Open to love BLUES : Blues J 234 *.Luther ALLISON : Hand me dowm my moonshine J 594 * Luther ALLISON : Richman J 522 * Eric BIBB : Friends J 157-8 * Black & Blues (divers chanteurs de blues) J 631-2 * The last and lost blues survivors J 12 * Big Bill BRONZY : Big Bill Blues J 113 * Big Bill BRONZY : Feelin' low down J 326 * Charles BROWN : Honey Dripper J 351 * Popa CHUBBY: One million broken guitars J 589 * Popa CHUBBY : Brooklyn basement blues J 223 * Harry CONNICK Jr : Blue Light J 572 * Harry CONNICK Jr.: France, I wish you love J 481 * Shemekia COPELAND : Talking to strangers J 43 * Miles DAVIS : Kind of blue J 110 * Champion Jack DUPREE : I had a dream J 204 * CLEMENTINE :Mes nuits,mes jours V 983 * ELLING Kurt : Close your eyes J 69 * Gil EVANS & Helen MERRIL : Collaboration J 151 * Jan GARBAREK : I took up the runes J 245 * Buddy GUY : Buddy Guy and Junior Wells play the blues J 170-1 * Billie HOLIDAY: Le blues de Billie Holyday J 166 * John Lee HOOKER, Miles DAVIS: Musique du film The Hot Spot J 210 * John Lee HOOKER : Half a stranger J 590 * John Lee HOOKER : Shake it baby J 183 * Mr Lucky J 111 * Lightnin' HOPKINS : Blue in the bottle J 249 * Shirley HORN : A Tribute to Ray Charles V 985 * KEB' MO' J 212 * A. KING : Blues for Elvis J 417 * B.B. KING : Let the good times roll J 127 * B. B. KING : The best of B. B. KING J 238 * B. B. KING : Blues is King J 477 * Magic SLIM : Blue Magic J 363 * Freddie KING : This is the blues 461 * John MAYALL : The best of John Mayall and the bluesbrakers J 446 * John MAYALL : Jazz blues fusion J 634 * John MAYALL : Crusade J 206 * Helen MERRILL : Out of this world J 414 * Jean-Jacques MILTEAU : Bastille blues J 124 * Jean-Jacques MILTEAU : Blues harp J 209 * Gary MOORE : After Hours J 284 * Lucky PETERSON : Beyond Cool J 236 * Diana ROSS : Stolen moments J 211 * Rhoda SCOTT : Frame for the blues J 11 * Memphis SLIM : All kinds of blues J 116 * Memphis SLIM : I guess I'm a fool J 251 * Roosevelt SYKES: The return of Roosevelt Sykes J 179 * Big Mama THORNTON : Ball N'Chain J 153 * Sarah VAUGHAN : Les chefs d'oeuvre J 112 * Muddy WATERS : Baby please don't go J 117 * Sonny Boy WILLIAMSON : Stop crying LE BOCAL : Le Bocal - Buble J 521 * Franck Zappa memorial barbecue (big band savoyard) BOLLING Claude : J 28 * 2° Suite pour flûte et trio jazz (avec J.P. Rampal) BOWIE Lester : J 384 * The odyssey of funk and popular music BRAFF Malcolm : J 413 * Together BRAHEM Anouar: J 438 * Astrakan café J 475 * Le pas du chat noir J 386 * Thimar (avec Dave Holland) J 669 * Le voyage de Sahar BRANDT Dollar : * second nom de Abdullah Ibrahim (voir à ce nom) BRECKER Michael : J 403 * Tales from the Hudson BRIDGEWATER Dee Dee : J 162 * Dee Dee Bridgewater in Montreux J 549 * Love and peace, a tribute to Horace Silver J 691 * Red earth, a malian journey V 336 * Victim of love Attention BRONZY Big Bill : J 12 * Big Bill blues J 113 * Feelin' low down BROWN Charles : J 326 * Honey Dripper BROWN Jery : J 331 * A Timeless Place avec Jimmy Rowles BROWN Ray : J 325 * For musicians only avec D. Gillespie S. Getz H. Ellis BRUBECK Dave : J 8 * Take five BUBLE Michael : J 639 * It's time BUCKNER Teddy : Buckner - B J 82 * Martinique BUNNETT Jane : J 466 * Chamalongo BURREL Kenny : J 102 * Guitar forms (arrangé et dirigé par Gill Evans) CAINE Uri : C - Charlier J 520 Gustav Mahler : Dark flame J 530 *Live at the village vanguard CARATINI Patrice : J 683 * 3 temps pour bien faire (avec Marcel Azzola et Marc Fosset) J 534 * From the ground J 139 * Half Nelson (avec Marc Fosset) J 106 * Viens Dimanche CARLTON Larry : J 485 * Fingerprints J 513 * Sapphire blue CARROTHERS Bill : J 535-6 * Armistice 1918 J 415 * Duets with Bill Stewart CARTER Betty : J 294 * Feed the fire CARTER James : J296 * JC on the set J 316 * The real quietstorm CARTER Ron : J 320 * The Quintet CATHERINE Philip : J 146 * Oscar CECCARELLI André : J 517-8 * Carte blanche J 330 * From the Heart J 374 * West Side Story CHAHINE Khalil : J 408 * Mektoub CHAMBERLAIN Matt : J 693 * Floratone (avec Bill Frisell) CHARLES Jean-Paul : J 141 * Tido swing CHARLIER André : J 682 * Héritage (avec Benoît Sourisse) CHARQUET & CO : Chrquet - Coleman J 222 * Charquet & Co CHASSY Guillaume de : J 486 * Vue du phare CHAURASIA Hariprasad : J 40 * Making music (avec Z. Hussain, J. Mc Laughlin) J 392-3 * Remember Shakti (avec Z. Hussain, J. Mc Laughlin) CHAUTEMPS J. L. : J 557 * J. L. Chautemps (avec A. Ceccarelli, K. Wheeler, M. Solal) Cherry Don : J 705 * Complete live at the Hillcrest Club (avec Paul Bley & Ornette Coleman) CHUBBY Popa : J 589 * Brooklyn basement blues J 351 * One million broken guitars CINCOTTI Peter : J 511 * I changed the rules J 701 * On the moon CLARKE Kenny : J 254 * Kenny Clarke's Sextet plays Andre Hodeir CLAYTON Buck : J 337 * At Newport CLEMENTINE : J 204 * Mes nuits, mes jours COLE Nat King : J 101 * After Midniht COLEMAN Ornette : J 705 * Complete live at the Hillcrest Club (avec Paul Bley & Don Cherry) J 602 * Virgin beauty COLEMAN Steve :- J 333 * Def trance Beat J 334 * The Sign and the Seal J 259 * The Tao of mad Phat COLTRANE John : Coltrane - C J 345-6 *The complete Africa/Brass Sessions J 45 * Giant steps J 603 * John Coltrane master tapes J 202-3 * Live in Japan J 50-1 * Live in Stockholm 1960 J 637 * Thelonious Monk with John Coltrane J 586 * avec Thelonious Monk, Coleman Hawkins, Art Blakey : Monk's music J 5 * The best of CONNICK Jr. Harry : J 223 * Blue Light J 572 * France, I wish you love J 174 * Lofty's Roach Soufflé COPELAND Shemekia : J 481 * Talking to strangers COPLAND Marc : J 532 * What it says (avec Gary Peacock) COQ Laurent : J 684 * Blowing trio COREA Chick : J 568 * avec Herbie Hancock : Gershwin's world J 577 * Inside out J 77 * Trio music live in Europe CRISPELL Marilyn : J 457 * Amaryllis (avec G. Peacock et P. Motian) J 372-3 * Nothing ever was, anyway (avec G. Peacock et P. Motian) CROLLA Henri : J 655 *Begin the beguine DAVIS Miles : D - Divers J 262 * Concert à New York avec G.Coleman,H.
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    BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca.
  • Ortad. Y Indice

    Ortad. Y Indice

    a c i s ú m e d s a r o d a e r c creado ras de úsic a www.migualdad.es/mujer creadoras de úsic a © Instituto de la Mujer (Ministerio de Igualdad) Edita: Instituto de la Mujer (Ministerio de Igualdad) Condesa de Venadito, 34 28027 Madrid www.inmujer.migualdad.es/mujer e-mail: [email protected] Idea original de cubierta: María José Fernández Riestra Diseño cubierta: Luis Hernáiz Ballesteros Diseño y maquetación: Charo Villa Imprime: Gráficas Monterreina, S. A. Cabo de Gata, 1-3 – 28320 Pinto (Madrid) Impreso en papel reciclado libre de cloro Nipo: 803-10-015-2 ISBN: 978-84-692-7881-9 Dep. Legal: M-51959-2009 Índice INTRODUCCIÓN 9 EDAD MEDIA: MÚSICA, AMOR, LIBERTAD 13 Blanca Aller Nalda DAMAS Y REINAS: MUSICAS EN LA CORTE. RENACIMIENTO 29 Mª Jesús Gurbindo Lambán LABERINTOS BARROCOS 41 Virginia Florentín Gimeno MÚSICA, AL SALÓN. CLASICISMO 55 María José Fernández Riestra “COMO PRUEBA DE MI TALENTO”. COMPOSITORAS DEL SIGLO XIX 69 María Jesús Fernández Sinde TIEMPOS DE VANGUARDIA, AIRES DE LIBERTAD. LAS COMPOSITORAS DE LA PRIMERA MITAD DEL SIGLO XX 89 Gemma Solache Vilela COMPONIENDO EL PRESENTE. SONIDOS FEMENINOS SIN FRONTERAS 107 Ana Alfonsel Gómez Bibliografía y Discografía 125 Libreto 151 7 Introducción En el curso académico 2006-2007, siete profesoras de Música de Educación Secun- daria llevaron a cabo un proyecto que, tanto por su planteamiento pedagógico y didáctico como por su rigor, belleza e interés, llamó la atención del Instituto de la Mujer. Algunas de estas profesoras, que habían coincidido en un Tribunal de Oposiciones al Cuerpo de Profesorado de Enseñanza Secundaria por la especialidad de música, for - maron un Grupo de Trabajo para que el alumnado investigara la composición musi - cal también como obra femenina.