DOCSLIB.ORG

Download 1 File

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download 1 File ' ^. .V* V ',• .'.-V ^ *7^ Digitized by tine Internet Arcliive in 2009 witli funding from Ontario Council of University Libraries http://www.arGhive.org/details/isaacpitmansshorOOpitm ISAAC PITMAN'S SHORTHAND INSTRUCTOR A COMPLETE EXPOSITION OF ISAAC PITMAN'S SYSTEM OF PHONOGRAPHY /^. NEW YORK ISAAC PITMAN & SONS, 2 WEST 45th STREET Toronto. Canada The Commercial Text-Book Co. The Copp, Clark Co.. Limited J9W Copyright, 1916, by Isaac Pitman & SoNa Copyright, 1913, by Isaac Pitman & Sons Copyright, 1910, by Isaac Pitman & Sons Copyright, 1905, by Isaac Pitman & Sons Copyright, 1901, by Isaac Pitman & Sons Copyright, 1899, by Isaac Pitman & Sons Copyright, 1893, by Isaac Pitman This new and revised edition op Isaac Pitman's System of Shorthand is the exclusive copyright of Isaac Pitman & Sons, in the United States of America and the British Empire, as well as in all coun- tries INCLUDED IN THE BeRNE CONVENTION, AND IT WILL BE AN INFRINGEMENT OP SUCH COPYRIGHT IF MATTER FROM IT BE REPRODUCED IN ANY PUBLICATION WITHOUT WRITTEN PER- MISSION. The DEVICE which appears on the cover and THE facsimile SIGNATURE ARE THE SUBJECT OP PROTECTION UNDER THE TrADE MaRK Laws of the United States of America ANr THE British Empire. Printed by J. J. Little Sc Ives Co. New York City PREFACE. THE system of shorthand writing presented in the following pages was invented by Sir Isaac Pitman, who in 1837 pubUshed his first treatise on the art. In 1840 the second edition of his work appeared, under the title " Phonogi-aphy, or Writing by Sound, being also a New and Natural System of Shorthand." In the numerous editions of Phonography pubhshed in succeeding years, many improvements were introduced. These were the fruit of long and varied stenographic experiments, and of the valuable criticism and experience of large numbers of expert writers of the system who had applied it to work of every description. No other system of shorthand designed for the EngUsh language has been subjected to tests so prolonged, so diverse, and so severe as those which Pitman's Shorthand—as the system is now generally styled—has undergone during the last seventy-six years, with the result that it has been most successfully adapted to the practical requirements of all classes of shorthand writers. One hundred years have now elapsed since the birth of Sir Isaac Pitman; and in issuing what is thus appro- priately designated a Centenary Edition of his system, advantage has been taken of the opportunity to introduce certain improvements in the rules and arrangement, and in the method of presenting the system to the student, which wiil greatly assist the learner in acquiring the art. The object specially borne in mind in preparing the work has been to render it equally suitable for self- tuition and for individual or class instruction under a VI PREFACE. teacher. No effort has been spared to explain and illustrate the rules in the clearest and simplest manner possible. Although students, as a rule, experience no difficulty in understanding the method here set forth of "writing by sound," it is desirable that they should have, at the beginning of their study, an intelUgent grasp of all that is conveyed by that term. Therefore, before the mastery of the first chapter is attempted, the Introduction which follows this Preface should be thoroughly understood. The advantage of practical ability in the art of short- hand writing is so universally acknowledged in the present day that it is unnecessary to emphasize it. It is obvious, however, that the value of shorthand, whether as a vehicle for private communication or for use in various ways in business or professional Life, would be largely diminished if the same system—and that the best—were not employed. This important fact is now generally recognized; and statistics, the testimony of public men, and general observation, concur in demonstrating that the system which Sir Isaac Pitman invented is taught and used as the shorthand par excellence for all who speak the English language. Further and very significant evidence to the merits of his system is the fact that it has been adapted to no fewer than twenty foreign languages. The Publishers take this opportunity of tendering their sincere thanks to the large number of expert writers and teachers of Phonography who have offered valuable suggestions for the improvement of the present edition. INTRODUCTION. PHONOGRAPHY, the name originally given to Isaac Pitman's Shorthand, has been briefly but accurately defined as "the art of representing spoken sounds by character; a system of shorthand." The first question that will occur to the student will be, what is the funda- mental difference between the shorthand characters and the letters in ordinary writing and printing? To answer this question it is necessary to consider the alphabet of the language. It is obvious that the usual or Romanic alphabet of twenty-six letters cannot represent by distinct characters the thirty-six typical sounds of the English language. As a consequence, many of the letters of that alphabet are of necessity used to represent different sounds. It is manifest, therefore, that any system of shorthand founded on the common alphabet would prove a very imperfect and cumbrous instrument for recording spoken utterances with certainty and speed—the chief object of shorthand. With such an alphabet either a single sign standing for one of the letters would be required to do duty for several sounds, or more than one character would have to be used to represent a single sound, as is done in ordinary spelhng. On the other hand, the three consonants C, Q and X are unnecessary, inasmuch as they represent sounds provided for by other consonants. Two simple illustrations will demonstrate the difference between the ordinary spelling and the phonetic method, which is the distinctive feature of Pitman's Shorthand. The first illustration deals with consonants, and is concerned with the ordinary spelling of the words gaol VIU INTRODUCTION. and gale, in which the sounds of the first consonant are different, although represented in longhand by the same letter. If the common spelling were followed in short- hand, we should have the same shorthand symbols for both words. But the initial sounds in these words are different ; in the first the sound is jay, in the second gay; and for these dissimilar sounds Phonography provides dissimilar shorthand signs. The second illustration deals with vowels, as, for example, in the words tub and tube. If the shorthand symbols were the equivalents of the letters of the common alphabet (the final e of tube being omitted because it is not sounded), the stenographer would be obliged to write both words by precisely the same characters, namely, t-u-b. Phonography, however, provides for the representation of the different sounds u and u heard in the respective words, and these are indicated by different symbols. The phonetic notation of the system of shorthand developed in the present work has been found, after widely extended use, to possess important practical advantages. By the employment of the phonetic alpha- bet, which has been termed the "alphabet of nature," spoken language can be recorded with one-sixth of the trcJuble and time that longhand requires, by those who use Pitman's Shorthand simply as a substitute for the ordinary longhand writing. With the adoption of the systematized methods of abbreviation developed in the more advanced stages, this method of shorthand can be written legibly with the speed of the most rapid distinct articulation, and it may be read with the certainty and ease ot ordinary longhand writing. An explanation on one point, however, is desirable. In the study and use of Phonography, it should be distinctly borne in mind that although the system is phonetic it is not designed to represent or record minute shades of pronunciation. The Pitmanic alphabet, in the INTRODUCTION. IX words of Max-Miiller, "comprehends the thirty-six broad typical sounds of the EngUsh language and assigns to each a definite sign." It does not seek to mark, for example, the thirty or more variations of sound which have been found to exist in the utterance of the twelve simple vowels. The pronunciation of the vowels, as Max- Miiller has shown, varies gi-eatly in different localities and in the various countries of the world in which the English language is spoken, and in which Phonography is taught and used. The standard of pronunciation, as exhibited in printed shorthand, cannot, therefore, be expected to coincide minutely with the pronunciation of English in all parts. Experience has abundantly proved that the representation of the broad tyjaical sounds of English as provided for in Pitman's Shorthand is ample for all stenographic purposes. The pronunciation adopted in Pitman's Shorthand Text-books is based on that given in A New EngUsh Dictionary, edited by Sir James A. H. Murray, LL.D. The presence of r has a modifying effect upon a preceding vowel. The student's attention is, therefore, directed to the following observations with regard to the consonant r, to certain vowels when preceding r, and to a class of vowels which may be described as more or less obscure. (a) With the exception of a few proper names, as Worcester, wherever the consonant r occurs in a word, in Pitman's Shorthand it must be represented as a consonant. (b) In such words as bar, far, mar, tar, jar, the vowel- sign for ah is to be used; but in such words as barrow, Farrow, marry, tarry and Jarroiv, the first vowel-sound is to be represented by the vowel-sign for &. (c) In such words as four, fore, roar, lore, ivore, shore, door, pour, core, gore, tore, sore, the vowel-sign for o is to be used.
Load more

Recommended publications
  • The Vegetarian, a Monthly Magazine Published to Advocate Wholesome
    Southern Adventist University KnowledgeExchange@Southern The oodF ies' Guide to Vegetarian Cookery in 19th 1890-1909 Century America 1896 The egetV arian, A Monthly Magazine published to advocate Wholesome Living. Vol. II. The egetV arian Publishing Company Follow this and additional works at: https://knowledge.e.southern.edu/foodiesguide-1890 Part of the Food Science Commons, and the United States History Commons Recommended Citation The eV getarian Publishing Company, "The eV getarian, A Monthly Magazine published to advocate Wholesome Living. Vol. II." (1896). 1890-1909. 3. https://knowledge.e.southern.edu/foodiesguide-1890/3 This Book is brought to you for free and open access by the The oodF ies' Guide to Vegetarian Cookery in 19th Century America at KnowledgeExchange@Southern. It has been accepted for inclusion in 1890-1909 by an authorized administrator of KnowledgeExchange@Southern. For more information, please contact [email protected]. LIBRARY OF CONGRESS DDD137fl4ET5 LIBRARY OF CONGRESS. (SMITHSONIAN DEPOSIT.) Shelf J-' ^^ UNITED STATES OF AMERICA. ©.^^a? .^*H?0 ^'^±!Z^^\,>^ THK Vegetariain, A Monthly Magazine published to advocate Wholesome Living. VOL. II New York: The Vegetarian Publishing Company, 40 John Street. INDEX. Advance of Civilization, 54. Alleged Divine Permission to Eat Every Moving Thing, 92. Animals, Diseases of Communicable to Man, 97. Best Food for Man, 87. Birds, Plea for Singing, 124. Blackhouse & Taylor's Witness for Christ, 76. Chauncey Roe, 82. Chicago Banquet, 72, 82. Clippings, 75. Diet, Ethics of, 147. Diet and Happiness, i. Diseases of Animals Communicable to Man, 97. Divine Permisson to Eat, Alleged, 92. Drink Crave, How to Cure, 4. Ethics of Diet, 147.
    [Show full text]
  • Novel Addiction: Consuming Popular Novels in Eighteenth-Century Britain By
    Novel Addiction: Consuming Popular Novels in Eighteenth-century Britain by Jayoung Min Department of English Duke University Date:_______________________ Approved: ___________________________ Charlotte Sussman, Supervisor ___________________________ Srinivas Aravamudan ___________________________ Nancy Armstrong ___________________________ Kathy Psomiades Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2011 ABSTRACT Novel Addiction: Consuming Popular Novels in Eighteenth-century Britain by Jayoung Min Department of English Duke University Date:_______________________ Approved: ___________________________ Charlotte Sussman, Supervisor ___________________________ Srinivas Aravamudan ___________________________ Nancy Armstrong ___________________________ Kathy Psomiades An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2011 Copyright by Jayoung Min 2011 ABSTRACT This dissertation explores the ways in which British popular novels of the eighteenth century functioned as commodities. “Novel Addiction”, the title of this dissertation has a double meaning: Addiction was a new conceptual framework developed during the eighteenth century in order to manage the increasing anxiety brought upon the culture of consumption, and the novel, one of the most popular commodities of the same period, was addictive. Both as successful commodities and efficient cultural agents, popular novels that were categorized as the sentimental or the gothic participated in the process of creating and disseminating models of addiction that warranted perpetual discipline. However, this discipline does not aim at preventing or eliminating addiction. It rather manages addiction as “habit” in a way that guarantees proliferation of the market economy.
    [Show full text]
  • A History of Veganism from 1806
    1 World Veganism – past, present, and future By John Davis, former IVU Manager and Historian A collection of blogs © John Davis 2010-12 Introduction This PDF e-book is about 8mb, 219 pages A4, (equivalent to 438 page paperback book), so I strongly recommend that you save a copy to your own disk, then open it in the Adobe Acrobat Reader. That way, you won’t have to download it all again if you want to read more of it sometime later. Creating this as a PDF e-book has several advantages, especially if you are reading this on a device connected to the internet. For example: - in the blog about interviews on SMTV, just click on the links to watch the videos - in the bibliography click to read a complete scan of an original very old book. - on the contents page click a link to go direct to any item, then click ‘back to top’. - you can also, of course, use other features such as search, zoom etc. etc. - a great advance on printed books… It should work on any device, though an ipad/tablet is ideal for this as there are lots of big colour photos, or on smart-phones try rotating for best results, on a larger computer monitor try view/page display/two up, to read it like a book. The blogs were posted weekly from February 2010 to December 2012 and each is self- contained, with the assumption that readers might not have seen any of the others. So feel free to start anywhere, and read them in any order, no need to read from the beginning.
    [Show full text]
  • The Jewish Vegetarian No
    The Jewish Vegetarian No. 146 September 2003 Tishrei 5764 £1.50 Quarterly “...They shall not hurt nor destroy in all my holy mountain” (Isaiah) The Official Journal of the Jewish Vegetarian and Ecological Society Founded by Philip L. Pick Registered Charity No. 258581 (Affiliated to the International Vegetarian Union) Administrative Headquarters: 853/855 Finchley Road, London NW11 8LX, England. Tel: 020 8455 0692 Fax: 020 8455 1465 E-mail: [email protected] Editor: Shirley Labelda The Jerusalem Centre: Rehov Balfour 8, Jerusalem 92102, Israel Tel/Fax: 972-2-561-1114. E-mail: [email protected] Friendship House (Children’s Home): POB 1837, Mevasseret-Zion 90805. Tel: 972-2-5337059 Hon Solicitors for the IJVS Israel: Shine, Hunter, Martin & Co. 119 Rothschild Boulevard. 65271. Tel Aviv Australasia Convener: Dr Myer Samra Victoria Secretary: Stanley Rubens. 12/225 Orrong Road, East St Kilda. Vic 3183. NSW Secretary: Victoria Nadel. 6/3 Ocean St Bondi, 2026, NSW Representation in most Western Countries PATRONS Rabbi Raymond Apple (Australia); Justice Zvi Berenson (Israel); Mordechai Ben Porat (Israel); Chief Rabbi Shear Yashuv Choen (Israel); The Count Gentile, K.O.C., K.O.L., K.S.L. (UK); Rabbanit Goren (Israel); Prof Alex Hershaft (USA); Dr Michael Klaper (USA); Prof Richard Schwartz (USA); Roberta Kalechofsky (USA); Rt Hon The Lord Weatherill P.C., D.L. (UK): Prof Louis Berman (USA). Honorary President for the Americas: Shirley Labelda Dr David Alkalay Honorary Auditors: Honorary President, Israel: Michael Scott & Co
    [Show full text]
  • The Government Machine a Revolutionary History of the Computer
    The Government Machine History of Computing I. Bernard Cohen and William Aspray, editors Jon Agar, The Government Machine: A Revolutionary History of the Computer William Aspray, John von Neumann and the Origins of Modern Computing Charles J. Bashe, Lyle R. Johnson, John H. Palmer, and Emerson W. Pugh, IBM’s Early Computers Martin Campbell-Kelly, From Airline Reservations to Sonic the Hedgehog: A History of the Software Industry Paul E. Ceruzzi, A History of Modern Computing I. Bernard Cohen, Howard Aiken: Portrait of a Computer Pioneer I. Bernard Cohen and Gregory W. Welch, editors, Makin’ Numbers: Howard Aiken and the Computer John Hendry, Innovating for Failure: Government Policy and the Early British Computer Industry Michael Lindgren, Glory and Failure: The Difference Engines of Johann Müller, Charles Babbage, and Georg and Edvard Scheutz David E. Lundstrom, A Few Good Men from Univac René Moreau, The Computer Comes of Age: The People, the Hardware, and the Software Emerson W. Pugh, Building IBM: Shaping an Industry and Its Technology Emerson W. Pugh, Memories That Shaped an Industry Emerson W. Pugh, Lyle R. Johnson, and John H. Palmer, IBM’s 360 and Early 370 Systems Kent C. Redmond and Thomas M. Smith, From Whirlwind to MITRE: The R&D Story of the SAGE Air Defense Computer Raúl Rojas and Ulf Hashagen, editors, The First Computers—History and Architectures Dorothy Stein, Ada: A Life and a Legacy John N. Vardalas, The Computer Revolution in Canada: Building National Technological Competence Maurice V. Wilkes, Memoirs of a Computer Pioneer The Government Machine A Revolutionary History of the Computer Jon Agar The MIT Press Cambridge, Massachusetts London, England © 2003 Massachusetts Institute of Technology All rights reserved.
    [Show full text]
  • History of Williamsburg Church, and Is a Most Treasured Volume in Many Public and Private Libra Ries
    HISTORY OF WILLIAMSBURG Something A hout the People oi William sburg County, ^ til Carolina, from the First Settle ment bu Europeans About 1705 until 1923. BY WILLIAM W ILLIS BODDIE COLUMBIA, S . C. THE STATE COMPANY 1923 COPYRIGHT, 1 823. BY WILLIAM WILLIS DODDIE ^£?S I NTRODUCTION Preparing w hat I have called the History of Williams burg has given me great pleasure. It was designed to give statements of fact to one who cares simply for such, as well as to lure the student who wants to learn something of Williamsburg's place in the world. Prac tically everything herein contained is based on ancient documents or official records. mI a very grateful to Mr. A. S. Salley, Jr., Secretary of the Historical Commission of South Carolina, for his sympathetic patience with me while gathering material from his office and for much aid given me; and, likewise, to the authorities in the office of the Secretary of State and the Charleston Library. Miss Mabel L. Webber, Secretary of the South Carolina Historical Society, gave me many helpful suggestions. Judge of Probate W. E. Snowden and Clerk of the Court John D. Britton, of Williamsburg, Judge of Probate Frank M. Bryan, of Charleston, and Judge of Probate Thomas E. Richardson, of Sumter, were always very kind and helpful when I worked in their offices. .Mr. B E. Clarkson allowed me the use of the Confed erate War Diary of his late father, William J. Clarkson; Mr. E. C. Epps furnished me a copy of the Retaliation War Prison Diary of his father, the venerable William Epps; and Mrs.
    [Show full text]
  • Curriculum & Syllabus
    B.Tech in Mechanical Engineering Faculty of Engineering Revised in June 2015 1 TABLE OF CONTENTS Contents Page No. VISION AND MISSION OF THE INSTITUTE 3 VISION AND MISSION OF THE DEPARTMENT 4 PROGRAM EDUCATIONAL OBJECTIVES 5 PROGRAM SPECIFIC OUTCOMES 5 PROGRAM OUTCOMES 5 CURRICULUM STRUCTURE 7 EVALUATION SCHEME AND GRADING SYSTEM 16 PROGRAMME ARTICULATION MATRIX 18 SYLLABUS AND COURSE OUTCOMES 30 2 Vision of the Institute To be a global leader in the delivery of engineering education, transforming individuals to become creative, innovative, and socially responsible contributors in their professions. Mission of the Institute: To provide best-in-class infrastructure and resources to achieve excellence in technical education, To promote knowledge development in thematic research areas that have a positive impact on society, both nationally and globally, To design and maintain the highest quality education through active engagement with all stakeholders –students, faculty, industry, alumni and reputed academic institutions, To contribute to the quality enhancement of the local and global education ecosystem, To promote a culture of collaboration that allows creativity, innovation, and entrepreneurship to flourish, and To practice and promote high standards of professional ethics, transparency, and accountability. 3 Vision of the Department To transform our students into outstanding mechanical engineers with strong domain knowledge and skills, society- centric research intent, and exemplary ethical values, making them the most desired professionals by research institutions, industry, and society. Mission of the Department • To develop in each student, a profound understanding of fundamentals, motivation for continuous learning, and practical problem-solving skills for building a successful career. • To create and share technical knowledge and collaborate with Industry and Institutions for the betterment of Society.
    [Show full text]
  • Guide to Instrumentation Literature
    Instrumentation Literature United States Department of Commerce National Bureau of Standards Miscellaneous Publication 271 THE NATIONAL BUREAU OF STANDARDS The National Bureau of Standards is a principal focal point in the Federal Government for assuring maximum application of the physical and engineering sciences to the advancement of technology in industry and commerce. Its responsibilities include development and maintenance of the national stand- ards of measurement, and the provisions of means for making measurements consistent with those standards; determination of physical constants and properties of materials; development of methods for testing materials, mechanisms, and structures, and making such tests as may be necessary, particu- larly for government agencies; cooperation in the establishment of standard practices for incorpora- tion in codes and specifications; advisory service to government agencies on scientific and technical problems; invention and development of devices to serve special needs of the Government; assistance to industry, business, and consumers in the development and acceptance of commercial standards and simplified trade practice recommendations; administration of programs in cooperation with United States business groups and standards organizations for the development of international standards of practice; and maintenance of a clearinghouse for the collection and dissemination of scientific, tech- nical, and engineering information. The scope of the Bureau's activities is suggested in the following listing of its four Institutes and their organizational units. Institute for Basic Standards. Applied Mathematics. Electricity. Metrology. Mechanics. Heat. Atomic Physics. Physical Chemistry. Laboratory Astrophysics.* Radiation Physics. Radio Standards Laboratory:* Radio Standards Physics; Radio Standards Engineering. Office of Standard Reference Data. Institute for Materials Research. Analytical Chemistry. Polymers.
    [Show full text]
  • Edinburgh Research Explorer
    Edinburgh Research Explorer The Library of Charles Areskine (1680-1763) Citation for published version: Baston, K 2012, 'The Library of Charles Areskine (1680-1763): Scottish Lawyers and Book Collecting, 1700- 1760', Ph.D.. <https://www.era.lib.ed.ac.uk/handle/1842/6417> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Publisher Rights Statement: © Baston, K. (2012). The Library of Charles Areskine (1680-1763): Scottish Lawyers and Book Collecting, 1700- 1760 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge.
    [Show full text]
  • Paradise in a Breakfast Bowl: Albert Webster Edgerly and The
    1 Paradise in a Breakfast Bowl Albert Webster Edgerly and the Gospel of Glame John Benedict Buescher Imagine a man struggling for years in obscurity—suddenly finding himself popular, dominating, successful! Imagine yourself suddenly discovering a strange, new power that enables you to attract new friends, new achievements! Picture everyone’s amazement if you unexpectedly changed your entire personality, banished self- consciousness and became instead a vibrant, fascinating, magnetic person! A thrilling experience! Yet it can be yours—and I’ll prove it.1 But first, eat your cereal. Try Instant Ralston. It will make a New Man out of you. So saith Dr. Ralston. Pre-processed, dry breakfast cereal was invented by American health reformers who wished to create a food that was convenient, healthy, and tasty, but who also believed that such a food would regenerate mankind in a spiritual sense. They wished to remake Man into a “New Man,” to reunite the human spirit and body, and to bring humans back to the original state in which they lived in the Garden of Eden. This is one of the keys to understanding the health and food reforms in nineteenth- century America. Some of the deepest roots of health food reform are ultimately traceable back to the Hermetic Revival of the Renaissance, with its vision of a spiritual and moral regeneration of Man through a deliberately induced physical process of inner alchemy and a close attention to the Doctrine of Signatures. Those roots certainly can be thereby traced through the speculations and experimental efforts of German Pietists influenced by the mystical writings of Jacob Boehme, and reinforced by the Gnostic sensibility animating the Calvinist search for evidences of divine election scattered about in the fallen world of matter.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. THE LIBRARY OF CHARLES ARESKINE (1680-1763): SCOTTISH LAWYERS AND BOOK COLLECTING, 1700-1760 Karen Grudzien Baston PhD The University of Edinburgh 2011 Abstract The thesis uses the study of an individual’s book collection to examine wider themes in eighteenth century Scottish legal, social, political, and intellectual history. Charles Areskine’s library was made up of the books he needed as an advocate and judge, the texts he wanted to use to better understand the law and its history, and the books he used to enhance his ability to participate in the intellectual milieu of early eighteenth century Britain. Charles Areskine of Alva, Lord Tinwald (1680-1763) was an important Scottish lawyer and judge. Following a legal education in the Netherlands, he became an advocate and was called to the Bar in 1711.
    [Show full text]
  • Picturing Music in Victorian England Suzanne Fagence Cooper
    Picturing Music in Victorian England A Thesis submitted for the Degree of Doctor of Philosophy By Suzanne Fagence Cooper Volume 1 Faculty of Design Buckinghamshire Chilterns University College Brunei University November 2005 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author under the terms of the United Kingdom Copyright Acts. No quotation from the thesis and no information derived from it may be published without proper acknowledgement. Abstract This thesis analyses musical imagery created by Victorian artists. It considers paintings, decorative arts and photography, as well as contemporary art criticism and poetry. Focusing on artists associated with Pre-Raphaelitism and a~stheticism, it shows how they used musical subjects to sidestep narrative conventions and concentrate instead on explorations of femininity, colour, mood and sensuality. This thesis begins by considering the musical experience of four artists - Frederic Leighton, Dante Gabriel Rossetti, Edward Burne-Jones and James Whistler - and the influence of personal taste on their musical subjects. It then looks at the depiction of non-Western performance, including images of dancing girls. The third chapter explores the links between music and worship, and the subversion of traditional religious iconography by aestheticist artists. Chapter four analyses images of musical weimen, and especially the late-Victorian interest in mermaids and sirens. The theme of sensuality continues with an investigation of the connections between music and colour, by assessing the influence of Renaissance Venice, Wagner and French theories of synaesthesia on the Victorian art-world. The final chapter looks at the interconnectedness of music, nostalgia and bereavement in aestheticist painting.
    [Show full text]