Italian Bee Gees Concerts 2021

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ITALIAN BEE GEES CONCERTS 2021 Concert plans and dates are subject to change also depending on the Covid virus situation at that time.!! Belgium 'LEGACY, The Bee Gees Music Celebration' January 14. 2021 / 20.00 / Antwerp / Stadsschouwburg Robin John Gibb, Italian Bee Gees, Blue Weaver and others, celebrate the music of The Gibb Brothers. Due to Covid: this show will get another date, more info when available More Legacy Concerts when confirmed. MASSACHUSETTS TOUR 2021 Italian Bee Gees with special guests Vince Melouney and.... Blue Weaver again!! and during the first 6 shows special performance by Aurora Egiziano! TICKETS/INFO: https://resetproduction.wlec.ag/massachusetts-tickets-5.html#!#tour9 https://www.bestgermantickets.de/tickets_massachusetts_das_bee_gees_musical .php https://www.eventim.de/artist/massachusetts-das-bee-gees-musical/ due to Covid many of the Massachusetts concerts are being re-scheduled Below the new dates so far. October 16. 2021 / 20.00 / Ingolstadt: Saturn Arena. October 17. 2021 / 20.00 / Chemnitz: Stadthalle, Grosser Saal. October 20. 2021 / 20.00 / Leipzig: Quarterback immobilien Arena. October 21. 2021 / 20.00 / Erfurt: Messehalle. October 22. 2021 / 20.00 / Magdeburg: Stadthalle October 24. 2021 / 20.00 / Zwickau: Stadthalle. October 27. 2021 / 20.00 / Ludwigshafen: Friedrich-Ebert-Halle. October 29. 2021 / 19.00 / Fulda: Esperantohalle. October 30. 2021 / 20.00 / Karlsruhe: Konzerthaus. October 31. 2021 / 20.00 / Baden Baden: Kurhaus, Benazet Saal . November 2. 2021 / 20.00 / Limburg: Josef-Kohlmaier Halle November 3. 2021 / 20.00 / Suhl: Congress Centrum. November 4. 2021 / 20.00 / Dresden: Messe Dresden, Halle 1. November 8. 2021 / 20.00 / Neu-Isenburg: Hugenottenhalle. November 10. 2021 / 20.00 / Dortmund: Westfalenhalle, Halle 2. November 12. 2021 / 20.00 / Duisburg: Mercatorhalle, Grosser Saal November 15. 2021 / 20.00 / Lubeck: MUK November 16. 2021 / 20.00 / Hannover: Theater am Aegi. November 17. 2021 / 20.00 / Rostock: Stadt Halle. November 19. 2021 / 20.00 / Hannover: Theater am Aegi. DATES ARE SUBJECT TO CHANGE .

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Anior Pro ., Biei Umark Acti've Wyeeken
0 a 0 A41,45 60-A 1= L- I O 6 I 4 ) I 11 I rotest remains peaceful;l Bow director speaks YAProunter-emonpeace s at Kresge colloquium; OYAF counter-demonstrates$ Deansdiscugs attc Fears of violence proved unfounded as the SDS and Held yesterday in Kresge Audi- the Committee to End the War in Vietnam sponsored torium, an open forumn met to a peaceful protest against a recruiter from the Dow discuss social responsibilities, in Chemical Company yesterday morning. particular the use of napalm in The protesters assembled at 9 am in front of the Student Center the Vietnam war. The forum was where they held a rally to seek further publicity for their cause- sponsored by an ad hoc faculty Dow's production of napalm for the Vietnam war. After the rally, committee, chaired by Professor the protesters, numbering about 70, headed to the Ford Building for Murray Eden of the Electrical a 10 am confrontation with the recruiter in the Placement Bureau. Enginreering department. The top- Fill hallway ic under discussion was "Napalm, University." They continued to the fourth floor of the building, where they Vietnam and the was scattered throughout the hallway, since there was not enough room The purpose of the colloquim objective for all of them in the entry to the Placement Bureau. There they to hold an organized, issue. awaited the arrival' of the Dow recruiter. discussion of the napalm this open forum Once in the Ford Building, the protesters did not physically pre- Speakers at John- vent any students from entering the Placement Bureau.
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Police Close in on Prime Cudgen Land
THE TWEED Volume 2 #43 Thursday, July 8, 2010 Page Advertising and news enquiries: 10 Phone: (02) 6672 2280 [email protected] [email protected] www.tweedecho.com.au LOCAL & INDEPENDENT Police close in on prime Cudgen land Ken Sapwell exhibition until July 14, is expected to trigger a swag of objections from The NSW Police Force is seeking to community and environmental exploit a loophole in planning laws groups who have been involved in a to establish a new police station on long-running battle to save the red- protected farm land at Cudgen. soil plateau from development. The move is the first serious chal- It’s also being watched closely by lenge to the Cudgen plateau’s unique other emergency service agencies who agricultural status since the Anglican have been searching for a flood-free Church lost a court battle to build a site to consolidate their operations in school on another nearby parcel of a so-called super-centre close to the prime farming land about 12 years ago geographic centre of the shire. (see panel, page 2). Former long-serving Mayor Max Senior police say the station is an Boyd, who was part of a 10-man study Karen Oliver as Eliza Doolittle in her Ascot finery.Photo supplied emergency facility which can be built team which resulted in the govern- on the site without the consent of ment classifying the plateau as agri- Tweed council or the government if cultural land of State significance, says Karen’s Directed by respected Gold Coast erful voices on the Tweed Coast, they can convince them that no other he’s confident the government will show producer Tracey Kriz and co- this production is a nice piece of suitable sites are available.
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BEE GEES Bee Gees: the Studio Albums 1967-1968 Bee Gees’ 1St Horizontal Idea
BEE GEES Bee Gees: The Studio Albums 1967-1968 Bee Gees’ 1st Horizontal Idea Reprise’s Restoration Of The Bee Gees’ Legendary Catalog Begins With A 6-Disc Limited-Edition Boxed Set Housing Expanded & Remastered 2-CD Reissues Of Their First Three Hit Records! Featuring The Original Albums In Stereo & Mono, Plus A Full Disc Each Of Rare & Previously Unreleased Tracks! BACKGROUND: One of the most popular and influential groups in popular music, The Bee Gees’ career spanned five decades, five GRAMMY®s and eight platinum albums—but until now, the group’s extraordinary catalog has never been upgraded. Reprise begins its complete restoration of their repertoire with 2-CD expanded remasters of their first three internationally released albums. THE STUDIO ALBUMS 1967-1968 is the definitive overview of the 5-piece Bee Gees line-up that shot to stardom in the late ’60s: harmonizing brothers Barry, Robin, and Maurice Gibb, and Australian musicians Vince Melouney and Colin Petersen. The revitalization of these three early albums marks the first time the group has opened their extensive tape vaults for archival mining. On BEES GEES’ 1ST, HORIZONtal and IDEA, the musical genius of the Bee Gees now sounds better than ever. Album Facts c Each reissue features the original album remastered in stereo and mono, plus a second disc of rare and unreleased tracks pulled for the first time ever from the Bee Gees’ tape vaults. c In-depth liner notes featuring brand-new interviews from Barry and Robin Gibb. c Booklets also feature rare and previously unseen photos. c Deluxe gatefold digipaks in individually-numbered limited-edition slipcase.
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Some Back Ground Info
Some back ground info (source: The internet). Dennis Bryon and Blue Weaver first met in the mid sixties in a group called Brother John & The Witnesses. In 1966 Blue Weaver and Dennis Bryon joined a group from Cardif called Amen Corner. This septet, complete with saxes, was led by Andy Fairweather-Low, who at that time was only 16 years old. The group got a recording contract with Deram Records in 1966 and had many big hits during the next four years. These included "Gin House Blues," "Bend Me, Shape Me," and "High In The Sky" for Deram, after signing with Immediate Records they had further hits such as "(If Paradise Is) Half As Nice". During the four years of their existance they recorded three albums. After the end of Amen Corner, Andy Fairweather-Low founded a new, more progressive group, which he simply called Fairweather. The musicians of the new group were the same musicians that made up Amen Corner except for the horn section, which was missing. The first single release "Natural Sinner" was a big hit. After only one year the group broke up in 1971. After the failure of "Life In A Tin Can" the Bee Gees started to restructure the group and their sound. At first they found a new drummer. Dennis Bryon had previously played with Amen Corner and now joined the group. The next step for the Bee Gees was to find a new sound. Together with Atlantic producer Arif Mardin they worked on a modern form of rhythm'n'blues music. At first they added more rock'n'roll to their music.
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Boyhood and Youth
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D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.
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OCT14 Copy.Indd
Circulation 1800 plus online visits Issue No 135 October 2014 Olga Masters Comes Home to Cobargo ‘Coming Home’, the Olga Masters Festival, celebrates an esteemed local author “All my writing is about human will discuss Olga’s place in Australian behaviour. There’s not much drama, no literature. great happenings in it. No violence. It’s Sunday afternoon at the Bermagui about the violence that’s inside the human Hotel will see ‘Roy Masters Live’, a heart, I think, more than anything else,” fundraising event for CRABS. said Olga Masters. Well Thumbed Books was inspired The inaugural Olga Masters Festival to hold this festival to shine a light on will be held at venues in Cobargo and Olga Masters and to encourage wider Bermagui during the second weekend recognition and appreciation for her of October. significant contribution to literature and On Friday 10 October at 4pm, women and to the understanding of poverty the Bermagui Library will host the and life. Also to celebrate her life; she is announcement of the winners of the Cobargo’s own and is famous and she gives Olga Masters Short Story Award. There us a sense of place and history. will be a discussion ‘What publishers Olga Masters (nee Lawler) was born are looking for’ with Craig Munro, UQP, in Pambula, the second of eight children. Mary Cunnane and Geordie Williamson In around 1928 the family moved to – the Literary Editor at The Australian. Cobargo. She was first published at the age There will also be a screening by local of 15 in the Cobargo Chronicle, a weekly writer and director Lee Chiddick of his newspaper serving the south coast area new film based on one of Olga Masters’ between Bega and Moruya.
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BEE GEES Live on Air 1967-1968
DESCRIPTION The Bee Gees , live on air 1967-1968. The Brothers Gibb arrived in the UK in February 1967, virtually penniless. They promptly signed with Robert Stigwood and -- together with bandmates Vince Melouney and Colin Petersen -- soon became the hottest new property in pop, fueled by their own unique songs. They performed their first BBC session that April, with several following over the next year, broadcast on BBC radio. These are gathered here, together with background notes and images, offering a remarkable glimpse into one of the most legendary acts in pop history at its outset. Digitally remastered. 180 gram, orange color vinyl; includes insert; hand-numbered. TRACKLISTING Saturday Club (April 22nd 1967): A1. In My Own Time (2:12) A2. Interview with Robin Gibb (0:51) A3. New York Mining Disaster 1941 (2:11) A4. One Minute Woman (2:27) A5. Cucumber Castle (2:04) Saturday Club (July 1st 1967): A6. I Can't See Nobody (3:50) BEE GEES A7. Interview with Robin Gibb (0:59) A8. To Love Somebody (3:15) Live On Air 1967-1968 A9. In My Own Time (2:33) A10. Holiday (3:14) Label Easy Beat (September 13th 1967): LONDON CALLING A11. Massachusetts (2:41) Top Gear (October 15th 1967): Format A12. Mrs. Gillespies Refrigerator 3.08 LP Catalog Number Side Two LCLPC 5019LP Top Gear (October 15th 1967): B1. I Close My Eyes (2:09) EAN B2. Interview with Robin Gibb (0:53) 5053792501939 B3. Cucumber Castle (2:05) Top Of The Pops (October 13th u(0FD79C*PKLTNT( 1967): Store Price B4.
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The History of Rock – September 2015
1967 ER OCTOBER – DECEMB “Ninety per cent of it is telepathy… They are Mancunian expats who magically write hits while walking down the street. But THE BEE GEES’ Gibb brothers are also deep young men: religious, political, and spiritualist, receiving career advice at séances from a man called Noel. “Another time,” says Maurice, “we contacted a German baron…” TONY GALE/PICTORIAL PRESS/ALAMY GALE/PICTORIAL TONY 128 | HISTORY OF ROCK 1967 THE BEE GEES Beads here now: The Bee Gees in ’67 – (l–r) Robin and Barry Gibb, Colin Petersen, Maurice Gibb and Vince Melouney HISTORY OF ROCK 1967 | 129 1967 ER OCTOBER – DECEMB — NME NOVEMBER 25 — emigrating to Australia, he remembers he didn’t ITTLE BARRY GIBB had really worry about butterflies dancing about in his leaving his friends and stomach the day he stepped out the neighbourhood on to the stage of Manchester he knew. Gaumont, pulling his six-year old “I just accepted it,” says twin brothers behind him and Barry. “It was like a big Lclutching tight to the guitar his dad had bought adventure going halfway him for Christmas. The audience smiled and around the world. I was 12 muttered appreciatively; the lights went down; when we got to Melbourne, the butterflies danced some more; and then Little I left school at 13, and after that BG and the twins plunged headlong into their I didn’t have an education. I don’t interpretation of Paul Anka’s “I Love You Baby” and really know that much at all. All I can Tommy Steele’s “Wedding Bells”.
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I Started a Joke Suicide Squad
I started a joke suicide squad Continue I Started a Joke Single bee Geesfrom the album IdeaB-sideKilburn TowersSwan Song (France)Released21 December 1968[1]Recorded20 June 1968 IBC Studios, LondonGenrePop,[2] soft rock[3]Length3:05LabelPolydor (United Kingdom) Atco (United States)Songwriter(s)Barry, Robin and Maurice GibbProducer(s)Robert Stigwood, Bee GeesBee Gees Chronology Singles I've Gotta Get a Message to You (1968) I Started a Joke (1968) First of May (1969) Audio SampleI Started A JokefilehelpIdea Track Auction12 Tracks Side one Let one There Be Love Kitty Can In the summer of his years Indian Gin and Whisky Dry Down to Earth Such a Shame (British version) I've Gotta Get a Message to You (American version) Page two Idea When the Swallows Fly I Have Decided to Join the Airforce I Started a Joke Kilburn Towers Swan Song Alternative coverFrench edition picture sleeve I Started a Joke to bee gees song from their 1968 album Idea , which was released as a single in December this year. It was not released as a single in the UK, where buyers who could not afford the album had to settle for heath Hampstead's Polydor version. It is the last Bee Gees single to feature Vince Melouney's guitar since he left the band in early December after releasing the song as a single. The B-side of the song was Kilburn Towers, except for France, where Swan Song was used. I Started a Joke was written by Barry, Robin and Maurice Gibb and produced by the Bee Gees with Robert Stigwood.
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4.13 Download
THE TWEED www.tweedecho.com.au Volume 4 #13 Thursday, November 24, 2011 Advertising and news enquiries: TWEED’S BEST Phone: (02) 6672 2280 ENTERTAINMENT GUIDE [email protected] [email protected] PAGES 14 - 18 CAB 21,000 copies every week AUDIT LOCAL & INDEPENDENT 7 Bid to stop rule-breaking mansion fails pushed through Tweed Council. It’s believed ‘ ey have existing use rights. It’s not a de- the home’s rst oor is referred to on planning molition, it is a redevelopment of an existing Council de es Hastings Point DCP documents as a ‘boat shed’. building,’ he said. Ironically, it was that home which helped Cr Skinner said property owners had origi- Steve Spencer an overdevelopment which breaches too many spark the community’s decade-long campaign nally been allowed to build three-storey homes rules. for a DCP to ban similar structures from the along the beachfront. A last-ditch stand to stop a controversial beach- Locals now fear the approval will lead to an village. ‘I don’t think there would have been many front mansion at Hastings Point failed during an avalanche of similar bids to build big homes While Cr Skinner didn’t speak during the property owners who would have liked to have extraordinary meeting of Tweed councillors on along the foreshore, forever changing Hasting debate, he told ABC Radio yesterday that the seen their existing rights taken away. You will Tuesday, sparking a community outcry. Point’s village atmosphere. Hasting Point DCP was ‘just a guide’. probably see more applications for similar types Several councillors hoped to persuade Cr Dot e rescission motion, moved by Crs Joan ‘I never supported the Hastings Point DCP of things.’ Holdom to change her mind for the rescission van Lieshout and Katie Milne and supported and I still don’t support it,’ said Cr Skinner.
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Billboard-1968-08-24
COIN MACHINE AUGUST 24, 1968 SEVENTY-FOURTH YEAR $1.00 PAGES 45 TO 50 The W045601BDG0029G*OFAUG AP70 01 BOB BADGLEY TRICOUTNY VENDING International 29HURONRD CHILLICOTHE OH 45601 Music -Record Newsweekly 111111111111111111111111111111111111111111111111111111111111111111111111111M11111111111 Classical 45's Enter R&B 'FAME' NATRAAsks Equality As Films Open Door SETS ATT'Y NEW YORK-Florynce Ken- In Radio & Records By FREDKIRBY nedy has been set as legal coun- By PAUL ACKERMAN selfor the Rhythm and Blues MIAMI - NATRA leaders, Using the phrase asa con- NEW YORK - The classical Madigan" and "2001." Hall of Fame. Miss Kennedy single is back and films can be DeutscheGrammophon is gathered at the Sheraton Four vention slogan,Shieldsampli- given a lion's share of the credit has served as attorney for many fied: "We all have a stake in servicing easy listening, Top 40, music business activities includ- Ambassadors Hotel here for the fortheirreturn. A Deutsche and progressiverockstations biggest conventioninthe or- this country, and NATRA peo- Grammophon singleuses ing the estates of Billie Holiday ple have a stake in two indus- the with a single pairing the An- andCharlieParker. A non- ganization's 13 -year history, original version of material from dantefromMozart's"Piano flatly stated that NATRA mem- tries . we are not begging "ElviraMadigan,"while profit corporation is now being the record companies or station Co- Concerto No. 21," the version set up in which monies earned bers must have a fairer share in lumbia plans a disk with music featuredin managers for anything . but "Elvira Madigan," from projected record sales and two key industries-records and from "2001: A Space Odyssey." andChopin's"GrandPolo- radio.
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