Boyhood and Youth
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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Anior Pro ., Biei Umark Acti've Wyeeken
0 a 0 A41,45 60-A 1= L- I O 6 I 4 ) I 11 I rotest remains peaceful;l Bow director speaks YAProunter-emonpeace s at Kresge colloquium; OYAF counter-demonstrates$ Deansdiscugs attc Fears of violence proved unfounded as the SDS and Held yesterday in Kresge Audi- the Committee to End the War in Vietnam sponsored torium, an open forumn met to a peaceful protest against a recruiter from the Dow discuss social responsibilities, in Chemical Company yesterday morning. particular the use of napalm in The protesters assembled at 9 am in front of the Student Center the Vietnam war. The forum was where they held a rally to seek further publicity for their cause- sponsored by an ad hoc faculty Dow's production of napalm for the Vietnam war. After the rally, committee, chaired by Professor the protesters, numbering about 70, headed to the Ford Building for Murray Eden of the Electrical a 10 am confrontation with the recruiter in the Placement Bureau. Enginreering department. The top- Fill hallway ic under discussion was "Napalm, University." They continued to the fourth floor of the building, where they Vietnam and the was scattered throughout the hallway, since there was not enough room The purpose of the colloquim objective for all of them in the entry to the Placement Bureau. There they to hold an organized, issue. awaited the arrival' of the Dow recruiter. discussion of the napalm this open forum Once in the Ford Building, the protesters did not physically pre- Speakers at John- vent any students from entering the Placement Bureau. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Джоñ€Ð´Ð¶ Кñžðºð¾ñ€ Филм ÑпиÑÑšðº (ФÐ
Джордж Кюкор Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Susan and God https://bg.listvote.com/lists/film/movies/susan-and-god-2061328/actors Romeo and Juliet on screen https://bg.listvote.com/lists/film/movies/romeo-and-juliet-on-screen-4010240/actors Tarnished Lady https://bg.listvote.com/lists/film/movies/tarnished-lady-3794581/actors Girls About Town https://bg.listvote.com/lists/film/movies/girls-about-town-1504117/actors Grumpy https://bg.listvote.com/lists/film/movies/grumpy-3777253/actors Romeo and Juliet https://bg.listvote.com/lists/film/movies/romeo-and-juliet-1081181/actors No More Ladies https://bg.listvote.com/lists/film/movies/no-more-ladies-116349/actors David Copperfield https://bg.listvote.com/lists/film/movies/david-copperfield-1174069/actors The Blue Bird https://bg.listvote.com/lists/film/movies/the-blue-bird-1198394/actors Desire Me https://bg.listvote.com/lists/film/movies/desire-me-1200732/actors A Double Life https://bg.listvote.com/lists/film/movies/a-double-life-1232912/actors Edward, My Son https://bg.listvote.com/lists/film/movies/edward%2C-my-son-1291456/actors One Hour with You https://bg.listvote.com/lists/film/movies/one-hour-with-you-1306660/actors Let's Make Love https://bg.listvote.com/lists/film/movies/let%27s-make-love-1348409/actors The Actress https://bg.listvote.com/lists/film/movies/the-actress-1373591/actors Lust for Life https://bg.listvote.com/lists/film/movies/lust-for-life-1423854/actors The Animal Kingdom https://bg.listvote.com/lists/film/movies/the-animal-kingdom-1514624/actors -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
1920 New South Wales Institution for the Deaf and Dumb and Thelbllnd
’ t Wzth the S ecret ary s Complimen s. P L EAS E EX C HAN G E. ARTHU R H . LOVE, Ho n . Se c . , TO N S D EY N . S W ClTY RO AD . DARLING , Y N . In f orwardin g this rep ort t o the sub scribers t h e Direct ors take t he opp ortun ity of expressi n g th eir than k s f or t he liberal supp ort r ur a ar an d e r t o n e S e a a en on acco ded d in g th e p st ye , d si e i vit p ci l tt ti t o th fin an cial n ee s of t h e In s u on ere is s i a e on e d tit ti , Th tll d bt t h e Buildin g Fund of an d on e on t h e Gen eral Fund orf Th e exi sten ce of these t w o debt s is a so urce of m uch er r earn es a a is n ow m a f or s e a anx i ety , th ef o e an t pp e l de p ci l dona on s t o e n u s em ti xti g i h th . WIL L THE FRIENDS OF THE INSTIT U TION KINDLY MAKE A N OTE OF THIS AN D DO WHAT THEY CAN T O ASS IS T ? S u bscribers are respectfu lly warn ed again st giv in g their con tri u on s t o un au or se o e ors Ou r re resen a e is Mrs b ti th i d c ll ct . -
George Cukor
FİI~M YÖNETMENLERİ İLE SÖYLEŞİLER Çeviren: Andrew SARRIS İng. Ok. A. Fikret IŞIKYAKAR GEORGE CUKOR George Cukor: Biliyorsunuz, özür dilemekten daha kötü bir şey yok. Örneğin, bir film iyi olmadığı, ya da kötü biçimde eleş tirildiğiniz zaman, bunun hatası, şunun hatası yüzünden oldu demek çok kötü bir şey. Benim yaptığım sadece açık konuşmak: şansımız yaver gitmedi, bunu unutalım demek tir. Ama, mademki konunun detayına iniyorsunuz, size bu konuda bir şey söyliyelim. Gariptir ki, bir şeyler ortaya koy mak istediğim en iyi sahnelerin bazıları başarılı olamamış filmler içinde yer almaktadır. Bu, çok gariptir. Ama, Öykü• nün ana hatları böyle sahneleri içeriyor ise, o zaman, fil min sahneleri gerçekten bir şey ifade etmez. Ben, öykünün çok önemli olduğu kanısındayım. Kısaca öykünün anlatımı. Belki de öykü olmaksızın en iyi yapımı gerçekleştirebilir, rolü en güzel biçimde oynayabilirsiniz... ama, hepsi başa rısız olur, çünkü, izleyicinin dikkatini çekemezsiniz. 136 Richard Overstreet: Bu açıdan, The Chapman Report'un (Şehvet li Kadınlar) başarılı olduğu kanısında mısınız? GC: Onun ile ilgili olarak size bazı şeyler söylemeliyim. O, üç kadın ve bu kadınların sorunları ile ilgili bir öykü idi. Jane Fonda'nın sorunu, soğukluk (frigidity) idi... Temel sorun, kitabın oldukça coşturucu olması idi. Kanımca kitabın ya zarı, bir süre sonra, yayın evinin ricası üzerine, kitabın ge nel havasını gözden geçirdi. Böylece tüm sonuç, hummalı bir hastalıktan sonra meydana çıkmış gibi oldu. Mamafih, kitap çok hoşuma gitti. RO Bu kitabı, sizden film yapmanız isterimeden önce, okumuş muydunuz? GC Kitabı daha önce okudum... ve bir şeyden etkilendiğimi söy• leyebilirim: Fox şirketi ile sözleşmem vardı. Beni mahke meye vermeyi, ya da buna benzer bir iş yapmayı planlıyor yorlardı. -
2014 U N D E R G R a D U a T E M a T R Ic U L a T Io N , O C T O B E R 2 0 14
28 JET Photographic undergraduate matriculation, october 2014 S.G.Adeniyan J.Arnett G.M.S.Ash S.L.Bannister F.B.Behrens-Ramberg I. Berzal Ayuso J.Binder S.P.Borgeaud dit Avocat J.L.Bradley E.N.Bray M.A.Brown T.Callender J.A.Cant H.Cavender-Dare S.S.E.Chandrasekara Mudiyanselage M.A.Charlton S.N.Chng J.O.Chong J.M.T.Christofi P.W.Chua E.Clark F.R.Clark R.G.Clarke A.Cleak N.Clegg L.H.Cole S.Collins K.P.J.Colston C.A.Crawshaw-Brown M.L.Croci N.J.Dailly K.S.Dhillon J.S.H.Dilley Y.Dong A.L.Dowler S.H.D’Souza J.A.M.Duffield T.E.Dunn-Massey C.C.Ebenezer M.Erdos A.Faulkner H.A.Fishwick S.Flick-Reid R.P.K.Folkes Y.K.Foong T.D.S.Franks-Moore S.Fulton H.Gillie X.Gu H.Gudelis K.K.M.Hai N.R.G.Hammond P.J.Harlow B.J.Haythornthwaite M.J.L.Herinckx A.E.Hobson R.J.Hunter J.Hussain D.Jaques I.Jarratt Barnham O.Jenkins F.C.C.Johnson K.Johnson I.D.M.Jones F.Keevil V.N.Kewenig S.Khan G.C.Lapedus P.H.Law Z.Lawton M.W.L.Lee T.A.Lee K.C.Lei H.S.Lewis C.H.Lien D.Little Z.Ma H.Mahmood J.T.G.P.Maloney W.R.T.Manson R.Marchant C.A.G.Martland C.Matache A.M.Matchett E.L.Matthews M.I.Meju C.Mellor C.P.Monighan Z.I.Moore C.Nabeta A.B.B.Nash N.H.M.Ng A.T.A.Odusanwo K.Opara J.O’Sullivan H.Oxlade M.O.Paine N.Patel J.D.Philipsborn I.M.Phillips C.S.R.Philps S.Porter K.K.Purohit S.S.Rai B.J.L.Rossington C.Rusli P.Rutzler R.A.Sale E.L.Sanderson M.Sergent Q.Shan D.J.F.Smallbone A.G.Spyrou T.Stewart-Walvin V.Stott Morrison N.P.S.Stride A.Sylolypavan A.R.Thomas M.Tkocz K.Toh G.Venu 2014 D.J.Wagstaff R.A.Walsh Y.Wan R.Wang J.Waugh S.S.Welgama L.M.D.Wenger E.L.Whitlock N.Whittaker A.Williams I.S.Yep Manzano P.T.Hart (JMA President) A.Milne (Domestic Bursar) M.B.Wingate (Tutor) J.A.Elliott (Tutor) H.Canuto (Tutor) J.Eisold (Head Porter) S.Owen (Tutor) P.A.Chirico (Senior Tutor) N.M.Padfield (Master) R.A.Powell (Bursar) S.Holly (Dean) H.Bettinson (Development Office) K.Parton (Director of Music) F.Knights (Tutor) H.Arnold (Chaplain) S.Larsen (Tutor) A.Yeung C.W.C.Yong undergraduate matriculation, october 2014 S.G.Adeniyan J.Arnett G.M.S.Ash S.L.Bannister F.B.Behrens-Ramberg I. -
Base Ball, Trap Shooting and General Sports
•x ^iw^^<KgK«^trat..:^^ BASE BALL, TRAP SHOOTING AND GENERAL SPORTS. Volume 45 No. 3- Philadelphia, April I, 1905. Price, Five Cents. THE EMPIRE STATE THE NATIONALS. 99 THE TITLE OF A JUST STARTED SUCH IS NOW THE TITLE OF THE NEW YORK LEAGUE. WASHINGTON^ Six Towns in the Central Part of By Popular Vote the Washington the State in the Circuit An Or Club is Directed to Discard the ganization Effected, Constitution Hoodoo Title, Senators, and Re Adopted and Directors Chosen. sume the Time-Honored Name. SPECIAL TO SPORTING LIFE. SPECIAL TO SPORTING LIFB. Syracuse, N. Y., March 28. The new Washington, D. C., March 29. Hereafter baseball combination, to include thriving the Washington base ball team will be towns iu Central New York, has been known as "the Nationals." The committee christened the Empire State of local newspaper men ap League, its name being de pointed to select a name for cided at a meeting of the the reorganized Washington league, held on March. 19 Base Ball Club to take the in the Empire House this place of the hoodoo nick city. Those present were name, "Senators," held its George H. Geer, proxy for first meeting Friday after Charles H. Knapp, of Au noon and decided to call the burn, Mr. Knapp being pre new club "National," after vented by illness from at the once famous National tending; F. C. Landgraf Club of this city, that once and M. T. Roche, Cortland; played on the lot back of Robert L. Utley, J. H. Put- the White House. The com naui and Charles R. -
Police Close in on Prime Cudgen Land
THE TWEED Volume 2 #43 Thursday, July 8, 2010 Page Advertising and news enquiries: 10 Phone: (02) 6672 2280 [email protected] [email protected] www.tweedecho.com.au LOCAL & INDEPENDENT Police close in on prime Cudgen land Ken Sapwell exhibition until July 14, is expected to trigger a swag of objections from The NSW Police Force is seeking to community and environmental exploit a loophole in planning laws groups who have been involved in a to establish a new police station on long-running battle to save the red- protected farm land at Cudgen. soil plateau from development. The move is the first serious chal- It’s also being watched closely by lenge to the Cudgen plateau’s unique other emergency service agencies who agricultural status since the Anglican have been searching for a flood-free Church lost a court battle to build a site to consolidate their operations in school on another nearby parcel of a so-called super-centre close to the prime farming land about 12 years ago geographic centre of the shire. (see panel, page 2). Former long-serving Mayor Max Senior police say the station is an Boyd, who was part of a 10-man study Karen Oliver as Eliza Doolittle in her Ascot finery.Photo supplied emergency facility which can be built team which resulted in the govern- on the site without the consent of ment classifying the plateau as agri- Tweed council or the government if cultural land of State significance, says Karen’s Directed by respected Gold Coast erful voices on the Tweed Coast, they can convince them that no other he’s confident the government will show producer Tracey Kriz and co- this production is a nice piece of suitable sites are available. -
Intervarsity Carnival - S.U.C.C
Sydney Univeraity - 1st Innings G.Lovall c.Bennett b.O'Brien 37 (6) not out 43 D.lliutblin b. O'Brien 25 (1) b.Kielar 0 D.Quoyle b.O'Brien 51 P.Hant}lin c. b.Schaeche S6 B.Tugwell run out 101 G.Lennon c&b.O'Brienie (7) not out 27 D .McLennanc • Holt b.O'Brien 16 (2) b.McKenziell O.Kearney stp. b.O'Brien 3 J.Gavagna not out 0 (4) b.Kielar 2 S.Frawley not out 2 (3) c.Symcns b.Kielar 17 T.Howard (5) c.Symons b.O'Brien 1 Sundries 18 3 Total 8 (decl) 35T 5 for lI7 Failt61,66s 155,247,,314, 341,351,351. Fall! 0, 28,29, 30,3 Bowling 0. M. R. W. 0. M. R. W. Keiiar -1 S3 a" W ■J 13- r Andersen 10 2 43 0 3 0 13 0 McKenzie 8 3 19 0 3 1 8 1 O'Brien 38 7 116 6 19 10 19 1 ttolt 10 3 27 0 2 0 11 0 Symcns 7 0 26 0 Schaeche 11 4 34 1 Appleford 3 0 12 0 Mclnnes 11 2 23 0 Norton 3 0 13 0 Melbourne University - 1st Innings C.M^Cehzli cSJb.Le«inon 44 B o w l i n g R.Schaech c. P.Haiii>linb.CMoyle 7 Quoyle 20-3- 41-1 M.Symons c . P. Hant>linb. Gavagna 10 (tward 17-4- 54-0 P.Afpleford c.Howcird b.Gavagna 35 Gavagna 20-4- 41-2 R.McInnes cSi).Lennon 1 Lennon 44-8-118-4 J.Norton c.Lovell b.Lenncn 79 Frawley 20-1- 61-0 T.O'Brien b.Gavagna 34 McLennan 4-1- 6-0 D.Bennett c&b.Lennon 63 Lovell 1- 1- 0-1 P.Anderson c.TugvdBll b.Lovell 33 B.Kielar not out 4 H.Holt not out 0 Sundries 25 Total 9 (decl) 335 Fall; 23,63,65,78,128,208,249, 322,334. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429