UNIVERSAL MUSIC • the Mavericks– Mono • Mat Kearney – JUST
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
Press Release
Contact Marketing / Promotion Label: UDR GmbH Süderwungweg 10 thomas@udr‐music.com 25813 Husum . Germany serena@udr‐music.com Phone: +49 (0)4841 - 66 821 67 Mail: [email protected] Mobile: +49 (0)151 - 2523 7051 Fax: +49 (0) 4841 - 66 821 68 Label @ Facebook: www.facebook.com/UDR.Music Label @ Web: www.udr‐music.com Saxon @ Facebook: www.facebook.com/saxon Saxon @ Web: www.saxon747.com Press Release COVER CD I Tracklist – including performers: 1. Crazy Train 7. Goodbye to Romance Vocals: Serj Tankiann Vocals: Ripper Gtrs: Tom Morello Gtrs: Gus G. Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 2. Over the Mountain 8. Back To The Coast (Quiet Riot) Vocals: Ripper Vocals: Kelle Rhoads Gtrs: Jon Donais Gtrs: Bruce Kulick Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Frankie Banali Drums Frankie Banali 3. Mr Crowley 9. Killer Girl. (Quiet Riot) Vocals: Chuck Billy Vocals: Ripper Owens Gtrs: Alexi Laiho Gtrs: Joel Hoekstra Keyboards: Kelle Rhoads Bass: Rudy Sarzo Bass Rudy: Sarzo Drums: Brett Chassen Drums: Vinny Appice 10. Believer 4. Suicide Solution Vocals: Ripper Vocals: Ripper Gtrs: Doug Aldrich Gtrs: Brad Gillis Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 11. S A T 0 5. I Don't Know Vocals: Ripper Owens Vocals: Ripper Rhythm guitars: Bob Kulick Gtrs: George Lynch Lead guitar: Dweezil Zappa Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Brett Chassen Drums: Vinny Appice 6. Flying High Again Vocals: Ripper Gtrs: Bernie Torme Bass: Rudy Sarzo Drums: Brett Chassen Press Release: IMMORTAL RANDY RHOADS – THE ULTIMATE TRIBUTE wird weltweit über UDR Music im März 2015 veröffentlicht. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
Nueva Mordida De La Serpiente Blanca
Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown El CD Forevermore, de Whitesnake, nos pone ante una banda aguerrida.Autor: Internet Publicado: 21/09/2017 | 05:13 pm Nueva mordida de la serpiente blanca Publicado: Miércoles 21 septiembre 2011 | 09:37:42 pm. Publicado por: Joaquín Borges-Triana Después de tres años de la salida al mercado del disco titulado Good to be bad, el vocalista David Coverdale y su tropa de Whitesnake vuelven a la carga en el presente 2011. El pasado 25 de marzo fue puesto en circulación a nivel mundial el fonograma denominado Forevermore, decimoprimero en la carrera de esta vieja agrupación británica que, pese al tiempo transcurrido desde su aparición y a los muchos cambios de alineación en su nómina, persiste en reinventarse una y otra vez. Desde que uno empieza a escuchar los 14 temas recogidos en el CD, se da cuenta de que este es un material con profundo sabor retro, pletórico en reminiscencias de álbumes grabados por el ensemble entre fines de los 70 y la década de los 80. En tal sentido, cabe afirmar que estamos ante un puñado de composiciones e interpretaciones signadas por un sonido gordo y cortante, con una base rítmica bien empastada. Asimismo, es evidente que Coverdale y sus compañeros de grupo se propusieron al enfrentarse a la producción de este nuevo fonograma, hacer un retorno a lo que pudiera definirse como una propuesta del más clásico rock y blues metalero. Con una actual nómina en la que acompañan al vocalista David Coverdale los guitarristas Doug Aldrich y Reb Beach, así como el baterista Brian Tichy, Michael Devin en el bajo y el teclista Brian Ruedy, Forevermore se inicia con Steal your heart away, corte cuya introducción me lleva a evocar los tiempos ya lejanos de Love Hunter, uno de los trabajos discográficos de la banda que más he disfrutado personalmente, junto al afamado 1987. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Ffanzeen: Rock'n'roll Attitude with Integrity: DVD Review: “Eric Clapton: the 1960S
FFanzeen: Rock'n'Roll Attitude With Integrity: DVD Review: “Eric Clapton: The 1960s ... Page 1 of 5 Share Report Abuse Next Blog» Create Blog Sign In FFanzeen: Rock'n'Roll Attitude With Integrity Through the writings and photography of Robert Barry Francos, a view of the arts and culture, including everyday life. FRIDAY, SEPTEMBER 24, 2010 Blog Archive DVD Review: “Eric Clapton: The 1960s Review” ▼ 2010 (116) ▼ September (15) Text © Robert Barry Francos/FFanzeen, 2010 DVD Review: “The Rolling Images from the Internet Stones, 1969-1974: The Mi... Rock’n’Roll Heroes, by Carolyn Lee Boyd DVD Review: “Eric Clapton: The 1960s Review” DVD Review: “Orlok, the Vampire” in 3D, dir FW Mur... Book Review: “A Dead Boy’s Tale” by Cheetah Chrome... Oh, How They Danced... DVD Review: “I Need That Record!” DVD Review: “Night of the Living Dead: Reanimated”... Road Trip to Yellowknife, Day 9: Lac La Biche to S... Eric Clapton: The 1960s Review Directed by Alex Westbrook Road Trip to Yellowknife, Day Sexy Intellectual, 2010 8: Peace River to La... 120 minutes, USD $19.95 DVD Review: “Leonard Cohen’s Chromedreams.co.uk.com Lonesome Heroes” MVDvisual.com Road Trip to Yellowknife, Day 7: Louise Falls, NWT... When I was in school during the early ‘70s, there was some standard DVD Review: “F.A.R.T.: The bathroom graffiti, such as “Frodo Lives”, “I Grok Spock,” and “Clapton Movie” IS God.” At the time I wasn’t into Middle Earth, being a Stranger in a DVD Review: “The Monster and Strange Land, or music that much (that would start in 1975), so they the Ape” were all lost on me back then. -
Sample Curriculum Guide
The Curriculum Guide for “Your story starts with you, right here.” The Dream Switch Lyrics by Becky Boesen Music by David von Kampen Sung by Andrea von Kampen | Co-produced by Blixt Locally Grown and Nebraska Community Foundation Supported by the Peter Kiewit Foundation SAMPLE 10/19 Draft Curriculum Guide Dear Educator, Thank you for incorporating the arts into your classroom or educational group, using The Dream Switch Curriculum Guide. We are excited that The Dream Switch performance and community conversation is coming to your area. We “What sometimes hope that this guide makes it easy and fun for you to looks empty is space deepen your students’ connection to these events, and that The Dream Switch can serve as a catalyst for interesting for a dream.” conversations, projects, and explorations in your classroom. This guide is created for students of all ages with some parts geared towards particular grade levels for maximum impact. If you have any questions about The Dream Switch, please do not hesitate to contact us. Thank you again! Warmly, Becky and Petra, Blixt Locally Grown NCF staff and volunteers 2 PART 1: INFORMATION What is The Dream Switch Project The Dream Switch is a community building project, which includes: A live performance of an original song cycle; A community conversation following the performance; and School/community engagement activities The project is produced by Nebraska Community Foundation and Blixt Locally Grown, and is available to Nebraska hometowns. The Dream Switch Story The Dream Switch story revolves around a young outlier from the Sandhills who decides after her first year of college in Nebraska, that her happiness awaits elsewhere. -
Armen Avanessian Hat Ein Neues Buch. Es Heißt Ethnofuturismen
Jan-Martin Zollitsch 20.9.18 Armen Avanessian / Mahan Moalemi (Hg.), Ethnofuturismen. Aus dem Englischen von Ronald Voullié. Merve Verlag. Leipzig 2018. ETHNO*FUTURISMEN [Armen Avanessian hat ein neues Buch. Es heißt Ethnofuturismen. Er hat es am 13. September im Roten Salon der Volksbühne vorgestellt. (Ich war da.) Der andere Herausgeber des Buches, Mahan Moalemi, war nicht da. Weil er kein Visum bekommen hat, sagt Avanessian. Deswegen hat Avanessian den Vortrag, den Moalemi halten wollte, dann selbst vorgetragen.] Demnach geht es in Ethnofuturismen um die Dimension des »Chronopolitischen«. Diese zeichnet sich aus durch eine Ungleichverteilung der Zukunft. Ethnofuturismen können diesem Ungleichgewicht entgegenwirken. Die (Wieder-)Entdeckung von Zukünften als Ethnofuturismen sei in ihrer ›chronopolitischen‹ Wirkung vergleichbar mit der ulterioren Beförderung eines sich quer durch die »Chronosphäre« fortsetzenden »Butterfly-Effekts«. Ein solcher Effekt sei zu verstehen als eine fortwachsende Abweichung, sich »exponentiell« steigernde »Divergenz«. Auch der lineare Zeitstrahl müsse »sideways« ausgedehnt, in die Räume entlang der »timelines« verzerrt und erweitert werden. Dahinter stünden »Verschiebungen des Zeitbewusstseins«, Mobilitäts- und Vertreibungserfahrungen des ›Globalen Südens‹ und der Versuch in der »Sackgasse« der »identity politics« auszuparken. (Das sind die notierten Stichwörter, aber angereichert; auch denke ich über die Emergenz von Bedeutung nach.) Schon im Juli – im Deutschlandfunk [1] – hatte Avanessian von ›Zeit‹ und ›Zukunft‹ -
Santa Fe New Mexican, 09-30-1911 New Mexican Printing Company
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 9-30-1911 Santa Fe New Mexican, 09-30-1911 New Mexican Printing Company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Company. "Santa Fe New Mexican, 09-30-1911." (1911). https://digitalrepository.unm.edu/sfnm_news/641 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Of AMTA FE MEW CAN VOL. 48 SANTA FE, NEW MEXICO, SATURDAY, SEPTEMBER 30, 1911. NO. 204 GOOD EWE COL JAHAMILLQ REPUBLIC!! C E ADJOURNS ITALY BOMBARDS IT ILL USE CLOCK STRUCK SUCCEEDS BURSUM AFIER NHN& mHMG TICKET TURKISH SEAPOR T 5 1 15 jIUREASURY r HI5jEI0P0ie Financial Statement Shows He Is Named Chairman of Intrepid Explorer Duke Whenever He Deems It Im- Army of 25,000 Railroad Well Distributed Geographically and Wisely Selected. $1,050,147.72 Was the Republican Central D'Abruzzi In Command perative To Do So, He Machinists and Others 5,000 to for Men There August 1. Committee .. ... ; Delegates Expect 12,003 Majority of Attacking Fleet Declares Quits Work They Nominated.--Orator- y Flowed Until 3 a. inland AND SPAN HERBEBT W. ClARK. SEG'ABY Ovations PORTE APPEALS TO POWERS CAPITOL I5SPICK Many Remarkable. for Nominees, Especially GOVERNOR JTR00UCE5 HIM IS THEIR SLOGAN for Curry, Clancy and Armijo.Santa Fe Cohorts In Solomon Two There Is Still Time to !'!Illinois House Cleaning Luna, Treasurer; Home This to Take Needed Rest Says President As Guest of Sedalia, Central and Harriman Thorough Evening ' To-Da- y . -
Musik Und Macht
# 2016/07 dschungel https://jungle.world/artikel/2016/07/musik-und-macht Das Konzeptalbum »Brute« der Musikerin Fatima Al Qadiri Musik und Macht Von thomas vorreyer Die aus Kuwait stammende Musikerin und Künstlerin Fatima Al Qadiri lebt mittlerweile in Berlin. Nun legt sie mit »Brute« ein Konzeptalbum über Polizeigewalt und Versammlungsfreiheit vor. New York, Montag, 26. September 2011. Der MSNBC-Moderator Lawrence O’Donnell schaut mit ernster Miene in die Kamera: »Am Wochenende haben ein paar Störenfriede einen friedlichen Protest gegen die Gier der Wall Street in einen Ausbruch des Chaos verwandelt. Sie trugen Pfefferspray, Waffen und Abzeichen.« Die folgenden Bilder zeigen, wie Beamte des NYPD eine kleine Gruppe von Demonstranten in eine Seitenstraße abdrängen und nacheinander zu Boden ringen. Verglichen mit dem, was sich kurze Zeit später in der US-amerikanischen Kleinstadt Ferguson ereignen wird, mögen die Aktionen der Ordnungshüter geradezu harmlos erscheinen – den Eindruck unangemessenen Handelns, von polizeilicher Willkür, bestärken sie dennoch. Mit »Brute« legt die Produzentin Fatima Al Qadiri nun ein Album vor, das Wut und Verzweifelung in den Mittelpunkt stellt. »Wut treibt dich hinaus auf die Straße, Verzweiflung bringt dich wieder hinein«, erklärt sie. Die Stimmung der Bewohner der westlichen Welt will sie mit ihrem Werk eingefangen haben. Sound-Samples wie jenes von Lawrence O’Donnell sind die akustischen Eckpfeiler. Doch die Perspektive der Kuwaiterin Al Qadiri ist vor allem die einer desillusionierten Außenseiterin. Zum Gespräch bittet sie kurzfristig in ein Café in Berlin-Mitte. Draußen Baustellenlärm, drinnen Al Qadiri unter Strom. Sie wohnt ums Eck. Bis morgen will sie eine kurzfristig angenommene Auftragsarbeit fertigstellen. Dennoch nimmt sie sich mehr als eine Stunde Zeit. -
Juice Newton Fan Club Spring Newsletter 2013 Birthday Wishes!!
Juice Newton Fan Club Spring Newsletter 2013 Hello everyone and Happy Spring!! We certainly hope you all have enjoyed your holidays and the new year thus far. The JNFC has grown with more members. I certainly and delighted that the club is solid and strong and that the members are so devoted to Juice and her music. (Thanks to Cindy Lane Adams for the photo of Juice) Birthday Wishes!! Thank you to everyone who wished Juice “Happy Birthday” on her special day! Please know that Juice sincerely appreciates everybody for remembering her. I too, wish to thank everyone for remembering me on my birthday this past March. Some of the communications that were sent in are so inspiring and rewarding. I want to shine the light on a JNFC member Geremar Donato who is a special member of the JNFC. He writes… “ Hi Paul! I just want to wish you a Happy Birthday! I hope you have everything you wished for. I want to thank you again for doing a great job on the Juice Newton fan club. All the fans are so lucky to have you. You care so much for us and you always do what it takes to make it the best. Keep up the good work. A good person like you deserves the very best. I've been a fan of Juice Newton for over 30 years. Yeah, I will always be her fan forever!” Geremar Once again, thank you Geremar and thank you all for your unwavering support of not only Juice, but also the JNFC!! 1 New Songs!! The wait is over for new material from Juice!! Juice is one of the many talents featured on the new duets album of Carla Olson! Carla Olson's new duets album "Have Harmony, Will Travel" will be released in April 28, 2013!! The tracks of the album consist of: From the 'Have Harmony, Will Travel' recording sessions: L-R: James Intveld, Juice Newton, Tom Fillman, Carla Olson and Tony Marsico.