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Armen Avanessian Hat Ein Neues Buch. Es Heißt Ethnofuturismen
Jan-Martin Zollitsch 20.9.18 Armen Avanessian / Mahan Moalemi (Hg.), Ethnofuturismen. Aus dem Englischen von Ronald Voullié. Merve Verlag. Leipzig 2018. ETHNO*FUTURISMEN [Armen Avanessian hat ein neues Buch. Es heißt Ethnofuturismen. Er hat es am 13. September im Roten Salon der Volksbühne vorgestellt. (Ich war da.) Der andere Herausgeber des Buches, Mahan Moalemi, war nicht da. Weil er kein Visum bekommen hat, sagt Avanessian. Deswegen hat Avanessian den Vortrag, den Moalemi halten wollte, dann selbst vorgetragen.] Demnach geht es in Ethnofuturismen um die Dimension des »Chronopolitischen«. Diese zeichnet sich aus durch eine Ungleichverteilung der Zukunft. Ethnofuturismen können diesem Ungleichgewicht entgegenwirken. Die (Wieder-)Entdeckung von Zukünften als Ethnofuturismen sei in ihrer ›chronopolitischen‹ Wirkung vergleichbar mit der ulterioren Beförderung eines sich quer durch die »Chronosphäre« fortsetzenden »Butterfly-Effekts«. Ein solcher Effekt sei zu verstehen als eine fortwachsende Abweichung, sich »exponentiell« steigernde »Divergenz«. Auch der lineare Zeitstrahl müsse »sideways« ausgedehnt, in die Räume entlang der »timelines« verzerrt und erweitert werden. Dahinter stünden »Verschiebungen des Zeitbewusstseins«, Mobilitäts- und Vertreibungserfahrungen des ›Globalen Südens‹ und der Versuch in der »Sackgasse« der »identity politics« auszuparken. (Das sind die notierten Stichwörter, aber angereichert; auch denke ich über die Emergenz von Bedeutung nach.) Schon im Juli – im Deutschlandfunk [1] – hatte Avanessian von ›Zeit‹ und ›Zukunft‹ -
A Multidimensional Exploration of the Lifeworld
Rosen.i-xx 1/30/06 10:57 AM Page xi PREFACE ................................... 1. the way into the lifeworld When I peel myself away from this computer screen long enough to turn my head and consider what appears below my window, at once I notice the commingling of vividly colored flowers arrayed in beds amidst the background foliage of the front lawn. And beyond the roofs of houses across the road, I can see the white chop of the windswept wavelets in Vancouver harbor, and the layered mountains that enfold the inlet in shades of blue and gray. But the pull of cyberspace, and of modern tech- nology in general, does seem irresistible. The high-powered abstractions of this realm relentlessly draw my attention. In imposing themselves on my awareness, the world of concrete life is relegated to the background and overshadowed. I am hardly alone in my tendency to succumb to the lure of technology and other heady possibilities on the contemporary scene, and so to become oblivious to the earth in which I dwell. Partici- pating in modern culture renders the lifeworld peripheral. But it is pre- cisely this world that I intend to explore in the present book. To be sure, that is easier said than done. For one thing, the eclipse of the lifeworld actually long predates the advent of modern technology. The Renaissance was a critical juncture. It was then that there arose a more “individualistic, and rational understanding of nature” (Gebser 1985, 15), one involving a greater sense of detachment from the world and concomitant inclination to objectify that world, accompanied by a more abstract experience of the space and time in which objects were situated (Heidegger 1962/1977). -
Print Layout 1
LivingLit 04 8/30/04 5:45 PM Page 158 158 The Cultural Phenomenology of Literature by William Irwin Thompson Introduction First of all, I would like to thank you for inviting me back to York for this conference, for this is a particularly appropriate time for me to return. If I were still on the faculty at York, this would be the year of my compul- sory retirement, so I look upon this as my Last Lecture or Swan Song. It is doubly appropriate for me to give this lecture here, for it was in this very room in 1971 when I was an Associate Professor of Humanities that I organized a conference entitled “Thinking on a Planetary Scale,” to which I invited the global theorist Bucky Fuller, the ecological archi- tect Paolo Soleri, and Richard Falk, Professor of International Law at the Woodrow Wilson School at Princeton. The conference was my eVort to express to my colleagues that business as usual was not enough and that we were living through a radical juncture in history in which a new planetary culture was emerging, a culture that was distinct from the internationalism that had characterized the world-system since the end of World War II.1 Wissenschaft und Wissenskunst Since B. W. Powe has asked us in this conference to think about the meaning of literacy in an electronic age, let me take a moment to address myself to this, the central question of our gathering. In my own writings of the time when I was here at York – in works such as At the Edge of History and Passages about Earth – I tried to use the structure of Romantic “Poems of Description and Meditation,” as the internal structure for non-fiction essays.2 In this work, I was also trying to respond to the challenge of Marshall McLuhan’s work. -
Musik Und Macht
# 2016/07 dschungel https://jungle.world/artikel/2016/07/musik-und-macht Das Konzeptalbum »Brute« der Musikerin Fatima Al Qadiri Musik und Macht Von thomas vorreyer Die aus Kuwait stammende Musikerin und Künstlerin Fatima Al Qadiri lebt mittlerweile in Berlin. Nun legt sie mit »Brute« ein Konzeptalbum über Polizeigewalt und Versammlungsfreiheit vor. New York, Montag, 26. September 2011. Der MSNBC-Moderator Lawrence O’Donnell schaut mit ernster Miene in die Kamera: »Am Wochenende haben ein paar Störenfriede einen friedlichen Protest gegen die Gier der Wall Street in einen Ausbruch des Chaos verwandelt. Sie trugen Pfefferspray, Waffen und Abzeichen.« Die folgenden Bilder zeigen, wie Beamte des NYPD eine kleine Gruppe von Demonstranten in eine Seitenstraße abdrängen und nacheinander zu Boden ringen. Verglichen mit dem, was sich kurze Zeit später in der US-amerikanischen Kleinstadt Ferguson ereignen wird, mögen die Aktionen der Ordnungshüter geradezu harmlos erscheinen – den Eindruck unangemessenen Handelns, von polizeilicher Willkür, bestärken sie dennoch. Mit »Brute« legt die Produzentin Fatima Al Qadiri nun ein Album vor, das Wut und Verzweifelung in den Mittelpunkt stellt. »Wut treibt dich hinaus auf die Straße, Verzweiflung bringt dich wieder hinein«, erklärt sie. Die Stimmung der Bewohner der westlichen Welt will sie mit ihrem Werk eingefangen haben. Sound-Samples wie jenes von Lawrence O’Donnell sind die akustischen Eckpfeiler. Doch die Perspektive der Kuwaiterin Al Qadiri ist vor allem die einer desillusionierten Außenseiterin. Zum Gespräch bittet sie kurzfristig in ein Café in Berlin-Mitte. Draußen Baustellenlärm, drinnen Al Qadiri unter Strom. Sie wohnt ums Eck. Bis morgen will sie eine kurzfristig angenommene Auftragsarbeit fertigstellen. Dennoch nimmt sie sich mehr als eine Stunde Zeit. -
The Horizons of Continental Philosophy Martinus Nijhoff Philosophy Library Volume 30
THE HORIZONS OF CONTINENTAL PHILOSOPHY MARTINUS NIJHOFF PHILOSOPHY LIBRARY VOLUME 30 For a complete list of volumes in this series see final page of this volume. The Horizons of Continental Philosophy Essays on Husser!, Heidegger, and Merleau-Ponty edited by Hugh J. Silverman State University of New York at Stony Brook Algis Mickunas Ohio University Theodore Kisiel Northern Illinois University Alphonso Lingis The Pennsylvania State University 1988 SPRINGER-SCIENCE+BUSINESS MEDIA, B.V. Library of Congress Cataloging in Publication Data The Horizons Qf continental phllosophy essays on Husserl, Heidegger, and Merleau-Ponty I editors, Hugh J. Silverman ... [et al. 1. p. cm. -- (Martinus Nljhoff phi losophy l ibrary ; v. 30) Inc ludes index. ISBN 978-90-481-8308-1 ISBN 978-94-017-3350-2 (eBook) DOI 10.1007/978-94-017-3350-2 1. Philosophy, Modern--20th century . 2. Husserl, Edmund. 1859-1938. 3. Heidegger, Martin, 1889-1976. 4. Merleau-Ponty, Maurice, 1908-1961. 1. Silverman, Hugh J. II. Series. B804.H726 1988 190--dc19 87-33798 CIP ISBN 978-90-481-8308-1 Copyright © 1988 by Springer Science+Business Media Dordrecht Origina11y published by Kluwer Academic Publishers in 1988 An rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording, or otherwise, without the prior written permis sion of the publishers, Springer-Science+Business Media, B.V. PUBLICATIONS BOARD General Editor Hugh J. Silverman Volume Editors Algis Mickunas (Husserl Circle) Theodore Kisiel (Heidegger Conference) Alphonso Lingis (~lerleau-Ponty Circle) Publications Committee Members Theodore Ki s i e1 Alphonso Lingis Al gi s Mi ckunas John Sallis Hugh J. -
Jean Gebser the INVISIBLE ORIGIN Evolution As a Supplementary Process Translated by THEO RÖTTGERS
Journal of Conscious Evolution Volume 1 Article 14 Issue 1 Issue 01/2005 May 2018 Jean Gebser THE INVISIBLE ORIGIN Evolution as a Supplementary Process Translated by THEO RÖTTGERS Follow this and additional works at: https://digitalcommons.ciis.edu/cejournal Part of the Anthropology Commons, Cognition and Perception Commons, Cognitive Psychology Commons, Developmental Psychology Commons, and the Philosophy of Mind Commons Recommended Citation Translated by THEO RÖTTGERS (2018) "Jean Gebser THE INVISIBLE ORIGIN Evolution as a Supplementary Process," Journal of Conscious Evolution: Vol. 1 : Iss. 1 , Article 14. Available at: https://digitalcommons.ciis.edu/cejournal/vol1/iss1/14 This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in Journal of Conscious Evolution by an authorized editor of Digital Commons @ CIIS. For more information, please contact [email protected]. Jean Gebser : THE INVISIBLE ORIGIN http://cejournal.org/GRD/JeanGebser.htm Jean Gebser TT HH EE II NN VV II SS II BB LL EE OO RR II GG II NN EEvvoolluuttiioonn aass aa SSuupppplleemmeennttaarryy PPrroocceessss The New Consciousness Although it is presently prohibited to consider, while observing obvious facts, events and things, also those which are as is commonly said behind the things, it will be attempted on these pages to overrule this timid prohibition. Whoever insists on letting the transparency of the whole become evident, must devote himself to this rather painful and uncomfortable but also pleasant task, which is from year to year becoming more urgent and necessary. He has to do it even at the risk that his statements, meant to be a contribution to the explanation of human behaviour, will be discarded in a rationalistic and emotionally negative way, since they are inconvenient to the presently overemphasized security requirement. -
Jean Gebser - a Bridge Between East and West
1 Jean Gebser - A Bridge Between East And West Integral Consciousness And The Zen Tradition Peter Gottwald Abstract. Passages in the „The Ever Pr esent Origin“ clearly show how Gebser him self perceived a fundamental sim ilarity between his conception of an integral consciousness and the Eastern Zen traditi on and it´s Dhar ma, i.e. the teachings of this tra dition. This was already poi nted out in 1989 by this author, who considers himself since 1981 as a Zen disciple in the tradition of the Sanbo- Kyodan (“Religious Organization oh the Thr ee Treasures”) based in Kamakura, Japan. More recently, Rick Muller wrote on „Z en and Gebser“, em phasizing „self- creation“ - sim ultaneously mythic, mental, magic and integral - as a basic concept. This assertion can also be found i n American thought (e.g. H.D.Thoreau´s Walden) and literature (e.g. Thornton Wilder´s The Eigth Day). It is this author´s conviction that a novel and convincing „Dharma for the West“ can be formulated that will both be free from “eastern ideology” and also will lead out of the „dead ends“ and „traps“, that Western theology and religion have trodden and contrieved over the past cen turies. It will be pointed out in the author´s presentation how German philoso phy (e.g. the wor k of Karl Jaspers) and German literature (e.g. Robert Musil) show sim ilar tendencies in that they integrate the mystical tradition with rational thought. The developing tradition of a Transpersonal Psychology, on the other hand, seem s to this author a predominantly rational-mental approach to our possibilities as hum an beings, as we stand now on t he brink of either de stroying ourselves as a species or attaining a new level of consciousness – and hence, a new culture. -
Fatima Al Qadiri
FATIMA AL QADIRI: CHINAS OF THE MIND Elena Harvey Collins, independent curator | September 25, 2015 — January 10, 2016 Fatima Al Qadiri’s music articulates the disconnect upon historical sites and museums in Iraq and Syria. The between what is experienced and what is imagined, how fact that many works of art, such as the Assyrian statuary places are distorted and romanticized in our collective recently attacked in Mosul, Iraq, are in fact plaster replicas memory, and how they can endure as a feeling or a mood. of originals held in European museums adds to the layers Pulling from multiple cultural references, Al Qadiri builds of confusion and to the sense of things not being where sonic architectures that spatialize both past and future. A they belong, or where we left them. However, there is a particular hook pulls me into her music: the icy, skittering plastic quality to the melodies of Al Qadiri’s album, a sounds of Grime, a genre of music originating in London distancing that comes from the way that the artist’s raw during the early 2000s. Grime was a very specific sound memories are overlaid with removed experience, including that could only have sprung from London’s hybridized, sounds sampled from the video game Desert Strike: Return bustling, DIY music scene, coming by way of jungle, UK to the Gulf, based on the US military’s response to Iraq’s Garage, 2-Step, dancehall, and rap. It was music made 1991 invasion of Kuwait. Al Qadiri evokes the strangeness by teenage musicians on computers in housing estate and alienation of re-experiencing a war as entertainment, bedrooms, music for dancefloors, characterized by a conveying a sense of cultural slippage—how sounds, moody scene and raves that got shut down early by the places, and events are mediated by distance, politics, and police. -
Manifesto Per Una Politica Accelerazionista P. 20
P. 4 – MANIFESTO PER UNA POLITICA ACCELERAZIONISTA P. 20 – INVENTING THE FUTURE - CONCLUSIONS Alex Williams e Nick Srnicek P. 32 – RED STACK ATTACK! ALGORITMI, CAPITALE E AUTOMAZIONE DEL COMUNE Tiziana Terranova P. 46 – ABNORMAL ENCEPHALIZATION IN THE AGE OF MACHINE LEARNING Matteo Pasquinelli P. 62 – APPUNTI PER UNA DISCOGRAFIA ACCELERAZIONISTA October 2016 Valerio Mattioli L’invito a partecipare a DAMA ci ha posti di fronte alla Published by necessità di sviluppare un dispositivo che approfondisse un KABUL magazine preciso argomento, quello dell’Accelerazionismo e dei suoi www.kabulmagazine.com sviluppi teorici ed estetici, al di là del testo scritto. Per questo Edition of 25 motivo, la raccolta di testi qui presentata e una serie di video Turin, November 2016 proiettati sabato 5 novembre a Palazzo Saluzzo di Paesana Design and print by riusciranno forse, se non certamente a esaurire la notevole Fabrizio Cosenza portata dell’argomento, quantomeno a documentare parte delle maggiori riflessioni scaturite negli ultimi anni del dibattito Texts by Alex Williams e Nick Srnicek contemporaneo. Tiziana Terranova Teorizzato nel 2013 da Nick Srnicek e Alex Williams, Matteo Pasquinelli l’Accelerazionismo è stato immediatamente accolto dal Valerio Mattioli sentire comune non solo per le idee esposte nel suo Manifesto, ma soprattutto per la riconsiderazione del futuro, messo da parte negli ultimi da una spinta di diffusa Retromania. Criticando l’atteggiamento intellettuale di passiva analisi critica dell’accademismo odierno, tale pensiero ha spinto all’esigenza di ripensare, con una prospettiva rivolta al nuovo, alla possibilità di cambiare ciò che Adam Curtis ha chiamato hyper normalization. Ancor prima di parlare di tecnologia, l’Accelerazionismo apre gli occhi sull’attività che scandisce e definisce la nostra quotidianità: il lavoro. -
Bringing Down the System One Song at a Time
Bringing down the System one song at a time Music | Bittles’ Magazine: The music column from the end of the world: March New Album Reviews. After the colossal disappointment of Anti, together with the bloated arrogance of Life Of Pablo you could be forgiven for coming to the conclusion that these are dark times for music. I mean, Ed Sheeran’s X has just spent over 80 consecutive weeks in the official charts for fucks sake! And there does seem to be a dearth of great albums in the charts right now. Adele, Justin Bieber, Ronan Keating or Little Mix are hardly names to get your aural sense tingling with delight. By JOHN BITTLES Yet, as always, there are still a few musical nuggets to be found. For instance, this week we review an electric riposte to modern society by Fatima Al Qadiri, Prins Thomas‘ kosmische meanderings, the rock dynamism of Heron Oblivion, Andrew Weatherall’s cocky swagger, the trip hop flavoured jazz of Submotion Orchestra, and lots more. So, pop on your spectacles, open your ears, and let us begin… This month we’ll start with Fatima Al Qadiri’s second album Brute. While last year’s Asiatisch was inspired largely by ideas of a future China, for her sophomore LP the artist explores »the theme of authority, the relationship between police, citizens and protest worldwide, particularly of her adopted home in the United States«. The result is a deeply immersive electronic odyssey which, thankfully, is filled with as many moments of glacial beauty as righteous rage. Containing sampled dialogue from urban protests, Brute is a chilling portrayal of a modern society which has sleepwalked into a police state. -
Evolution of Consciousness According to Jean Gebser
Evolution of Consciousness According to Jean Gebser Ulrich J. Mohrhoff Sri Aurobindo International Centre of Education This article introduces and summarizes The Ever-Present Origin, the magnum opus of cul- tural historian and evolutionary philosopher Jean Gebser, largely in his own words. According to Gebser, human consciousness underwent a series of mutations each of which has enriched reality by a new (qualitative) dimension. At present humanity is again undergoing such a mutation: this time from the mental, perspectival structure of consciousness to the integral, aperspectival structure or, using the terminology of Sri Aurobindo, from mind to supermind. The integrality of this consciousness consists in part in its ability to integrate the preceding consciousness structures, rather than sup- pressing them (as the mental structure does) and hence being adversely affected by them. The article concludes with a brief account of the Mother’s personal experience of this mutation. Everything that happens to us, then, is only the answer and echo of what and how we ourselves are. — Jean Gebser (161)1 What thou art within, that outside thee thou shalt enjoy. — Sri Aurobindo2 1 Introduction The book Ursprung und Gegenwart is the magnum opus of cultural historian and evolutionary phi- losopher Jean Gebser. Its two parts were first published in 1949 and 1953, respectively. As early as 1951, the Bollingen Foundation contemplated the feasibility of an Eng- lish-language version. In his eight-page review, the distinguished philosopher of histo- ry -
An Overview of Jean Gebser's Thoughts on Consciousness Feuerstein, Georg
Journal of Conscious Evolution Volume 1 Article 11 Issue 1 Issue 01/2005 May 2018 On the Nature of Consciousness and Reality: An Overview of Jean Gebser's Thoughts on Consciousness Feuerstein, Georg Follow this and additional works at: https://digitalcommons.ciis.edu/cejournal Part of the Anthropology Commons, Cognition and Perception Commons, Cognitive Psychology Commons, Developmental Psychology Commons, and the Philosophy of Mind Commons Recommended Citation Feuerstein, Georg (2018) "On the Nature of Consciousness and Reality: An Overview of Jean Gebser's Thoughts on Consciousness," Journal of Conscious Evolution: Vol. 1 : Iss. 1 , Article 11. Available at: https://digitalcommons.ciis.edu/cejournal/vol1/iss1/11 This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in Journal of Conscious Evolution by an authorized editor of Digital Commons @ CIIS. For more information, please contact [email protected]. On the Nature of Consciousness and Reality : On the Nature of Consciousness and Reality http://cejournal.org/GRD/ConsciousReality.htm On the Nature of Consciousness and Reality An Overview of Jean Gebser's Thoughts on Consciousness Georg Feuerstein Chapter 1 from: Structures of Consciousness: The Genius of Jean Gebser: Originally published in 1987 by Integral Publishing. "Consciousness," argues psychologist George A. Miller, "is a word worn smooth by a million tongues . Maybe we should ban the word for a decade or two until we can develop more precise terms for the several uses which 'consciousness' now obscures.1 He is of course right, but the solution he suggests is impractical.