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Les 100 Ans En 100 Films [1961-1978] Maurice Elia

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Les 100 Ans En 100 Films [1961-1978] Maurice Elia Document generated on 10/02/2021 6:07 a.m. Séquences La revue de cinéma Les 100 ans en 100 films [1961-1978] Maurice Elia Number 180, September–October 1995 URI: https://id.erudit.org/iderudit/49596ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Elia, M. (1995). Les 100 ans en 100 films [1961-1978]. Séquences, (180), 4–59. Tous droits réservés © La revue Séquences Inc., 1995 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Actualités et Louisette Dussault. Il s'agit d'une co-produc­ 100 POUR 100 Tournage tion canado-française. Les 100 ans en 100 films BRIAN DE PALMA: UN DOUBLÉ NEIL JORDAN RETOURNE EN IRLANDE par Maurice Elia Après avoir terminé le montage de Mission Le réalisateur irlandais Neil Jordan (The Crying Impossible, dont la sortie est maintenant prévue Game, Interview With the Vampire) va tourner pour 1996, Brian de Palma mettra en chantier un film sur la vie de Michael Collins, un révo­ 1961 un nouveau suspense intitulé Ambrose Chapel. lutionnaire irlandais qui lutta contre les Anglais Pour l'écriture du scénario, De Palma a collaboré dans les années 20 afin d'obtenir l'indépendance avec Jay Cocks, le scénariste de The Age of de son pays. Collins faut assassiné par ses propres Innocence. amis lorsqu'il décida de recourir à des moyens politiques plutôt que militaires pour obtenir la DEPARDIEU EN ANGLAIS victoire. Liam Neeson incarnera Collins, aux Gérard Depardieu va de nouveau tourner dans la côtés de Julia Roberts qui jouera sa fiancée Kitty langue de Shakespeare. Il jouera cette fois sous la Kiernan. direction de Christopher Hampton (Carring- ton) dans The Secret Agent, avec Bob Hoskins DR. EDDIE et Patricia Arquette. AND MR. LOVE Eddie Murphy a terminé le tournage de Vampire in À TRAVERS LE MIROIR TIM ROBBINS, RÉALISATEUR Dans la plupart de ses films, Ingmar Bergman s'est Aptes l'excellent Bob Roberts, l'acteur Tim Brooklyn, une comédie attaché à prendre le contrepied de l'enseignement Robbins récidive derrière la caméra en tournant d'horreur signée Wes Cra­ » reçu dans sa jeunesse. Rappelons que son un film provisoirement intitulé Dead Man ven. Le comédien va main­ éducation sévère s'est faite sous la férule d'un Walking (les producteurs cherchent un autre ti­ tenant jouer dans un remake père pasteur luthérien. De son enfance tour­ tre). Robbins y dirige Susan Sarandon et Sean du classique de Jerry Lewis, mentée, il a ainsi gardé un certain nombre Penn, lui-même un acteur devenu réalisateur. The Nutty Professor. d'obsessions, dont la plus importante est cer­ Eddie Murphy tainement celle de la mort Qu'y a-t-il après la Robbins est également auteur du scénario. mort? Dieu existe-t-il? Qu'est-ce que l'existence? DANIEL MORIN TOURNE Comment communiquer entre humains pour que ARTHUR LAMOTHE POUR LES ENFANTS la vie sur cette terre soit plus facile à vivre? Les REVIENT À LA FICTION Le réalisateur de Tendre Guerre, Daniel Morin, films de Bergman donnent rarement des réponses, Lamothe filme cet été un suspense intitulé Le tournera son deuxième long métrage sous le si­ mais le questionnement est toujours présent Une autre obsession héritée de son éducation puri­ Silence des fusils. Produit par Rock Demers et gne de la fantaisie. Dans La Légende des taine: l'érotisme. Marivaudage à double sens avec Janine L. Glandier, le film raconte les mésaven­ kruïtes, un gamin de 12 ans qui s'est perdu en Sourires d'une nuit d'été (1955), viol avec La tures d'un biologiste dont la vie est bouleversée forêt est sauvé par d'étranges petites créatures Source (1959), masturbation avec Le Silence lorsqu'il découvre un cadavre lors d'une mission préhistoriques. Le film met en vedette Johnny (1963), troisième volet d'une trilogie commencée sur la Côte nord. Le film est interprété par l'ac­ Morina, Louise Portai et Yvan Ponton. avec À travers le miroir et Les Communiants (1962). Dans À travers le miroir, Karin, installée teur français Jacques Perrin, la Montagnaise dans une île pour les vacances avec son mari, son Michèle Audette, Gabriel Gascon, Louise Richer UN THRILLER QUÉBÉCOIS frère et son père, souffre de troubles mentaux et Le réalisateur Richard Roy a terminé le tournage trouvera la preuve que son mal est incurable. Elle Kawalerowicz), Chronique d'un été (Jean de Wagon nuit, un suspense policier avec Gildor s'adonnera à l'inceste avec son frère et, ses hallu­ Rouch, Edgar Morin), Léon Morin, prêtre (jean- Roy, Céline Bonnier et l'acteur français Bernard- cinations s'aggravant, devra être hospitalisée. À Pierre Melville), Breakfast at Tiffany's (Blake Pierre Donnadieu (le maniaque de L'Homme son fils qui l'interroge, le mari de Karin dira: «Dieu Edwards), One, Two, Three (Billy Wilder), n'est peut-être que l'amour. C'est en aimant que qui voulait savoir). Le film raconte les tribula­ Judgment at Nuremberg (Stanley Kramer), l'on peut quelque chose pour les autres.» tions d'un policier qui est harcelé par un mysté­ The Misfits (John Huston), L'île nue {Kaneto Shindo), Accatone (Pier Paolo Pasolini), La rieux personnage. Afin de l'identifier, il recrute et aussi: Jules et Jim (François Truffaut), Cleo de Notte (Michelangelo Antonioni), Salvatore les services d'une aspirante policière qui se re­ 5 à 7 (Agnès Varda), Le Procès de Jeanne Giuliano (Francesco Rosi), Vanlna Vanini trouve alors plongée dans un monde interlope d'Arc (Robert Bresson), L'Année dernière à (Roberto Rossellini), Saturday Night and inquiétant. Marienbad (Alain Resnais), Lola (Jacques Demy), Sunday Morning (Karel Reisz), ATaste of Viridiana (Luis Bunuel), West Side Story Honey (Tony Richardson), Une femme est une LE RETOUR DES MARTIENS (Robert Wise, Jerome Robbins), Il Posto femme (Jean-Luc Godard), Victim (Basil (Ermanno Olmi), Mère Jeanne des Anges l Dearden). -*) Ceux qui ont la nostalgie des films de science- fiction naïfs des années 50, ces productions rem- Séquences Rosebud Les bonnes répliques de ceux qui nous ont quittés * Charles Denner (1926-1995) dans L'Homme qui aimait les femmes (1977) de François Truffaut (scénario de François Truffaut, Michel Fermaud et Suzanne Schiffman): Les jambes des femmes sont des compas qui arpentent k globe terrestre en tous sens lui donnant son équilibre et son har­ monie. ...la robe en soie vert pâle, le décolleté rond autour du cou, LE COUTEAU DANS L'EAU les franges aux manches et tout autour des genoux, le mouve­ Le premier long métrage de Roman Polanski est ment de la marche, le mouvement de la robe... une fine analyse des rapports entre les êtres: un mari qui, emmenant sa femme en week-end, Si je passe derrière vous dans l'escalier, ce n'est pas par politesse prend un étudiant en auto-stop, celui-ci qui les mais pour regarder vos jambes. suit à bord d'un yacht, créant un sourd anta­ Charles Denner gonisme entre eux, et la jeune femme entre les deux, à la fois attachante et mystérieuse. Les trois * Harry Guardino (1925-1995) dans Lovers and Other Strangers personnages vont donc se chercher, s'observer. Et (1970) de Cy Howard (scénario de Renée Taylor, Joseph Bologna comme dans les vraies joutes nautiques, quelqu'un et David Z. Goodman, d'après la pièce de Renée Taylor et Joseph tombe à l'eau. Le temps de croire l'étudiant noyé, Bologna): le temps que le mari aille prévenir la police, le i temps d'une séduction entre la jeune femme et (Mettant sa femme/Anne Meara dans une catégorie bien à part): l'étudiant soudain ressorti de l'eau. Par jeu et très / never hit a woman in my life till I met you... sûre d'elle-même, elle avoue à la fin à son mari qu'elle l'a trompé avec le jeune homme. Le mari n'en croit pas un mot Direction d'acteurs remar­ * Ida Lupino (1918-1995) dans They Drive By Night (1940) de Harry Guardino quable, tant dans sa fermeté que dans sa Raoul Walsh (scénario de Jerry Wald et Richard Macaulay, d'après cohérence, accompagnée d'une musique de jazz le roman Long Haul de A.I. Bezzerides): lancinante; regard aigu visant l'image vraie et vive, le trait, la réaction, le comportement révélateurs. (À la barre des témoins, totalement désarçonnée, donnant les rai­ Et la présence, ruisselante d'eau, de joie et de sons pour lesquelles elle a laissé les portes électriques d'un garage sourires, d'une débutante: Jolanta Umecka. se refermer, provoquant l'asphyxie de son mari ivrogne): Polanski nous rend si proche et si constante la He was laughing. Yes, he... he was laughing. He kissed me when he force de ses personnages qu'on ne voit abso­ lument personne d'autre qu'eux. C'est ce qui don­ was drunk. Yes, he kissed me when he was drunk. So I got a new car. nera tant de puissance à ses films subséquents: Yes, l... Lgot a new car, and I bought some new clothes. Yes, pretty. Repulsion (1965), Rosemary's Baby (1968), And he... he used to tell terrible jokes, and hed laugh at them. He was Chinatown (1974) ou Le Locataire (1976).
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