On the Suspension Ring, Together with a 9Ct Gold
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Instrumental) / Holger Czukay Movies
2007/08/04 Cool In The Pool / Holger Czukay Movies Cool In The Pool (instrumental) / Holger Czukay Movies Persian Love / Holger Czukay Movies How Much Are They / Holger Czukay, Jah Wobble and Jaki Liebezeit Full Circle Handle With Care / Traveling Wilburys The Traveling Wilburys Collection Maxine / Traveling Wilburys The Traveling Wilburys Collection Runaway / Traveling Wilburys The Traveling Wilburys Collection Running Scared / Roy Orbison The Essential Roy Orbison Hope For Us All / Nick Lowe At My Age Hey Girl / Freddie Scott Birth of Soul You'll Never Leave Him / Freddie Scott The Leiber & Stoller Story Vol.3 Brown Eyed Girl / Freddie Scott Vanthology For Once In My Life / Jean DuShon 未発売 For Once In My Life / Stevie Wonder Song Review - A Greatest Hits Collection Heaven Help Us All / Ray Charles and Gladys Knight Genius Loves Company Compared To What / Dee Dee Bridgewater Red Earth Move Along (Show's Over) / Beaver Nelson Beaver Nelson's Exciting Opportunity Damaged Goods / Jud Newcomb Byzantine We Can't Go On Meeting Like This / Hummingbird We Can't Go On Meeting Like This 2007/08/11 Ngoma~D-Fumo~Pink Guitar / Sim Redmond Band Live at Grassroots I Wish I Knew / Derek Trucks Band & Susan Tedeschi live @ Oregon Zoo, Portland - June 22, 2007 (not for sale) If I Should Fall Behind / Bruce Springsteen Live In Dublin Comment / Wilco Kicking Television Armagideon Time / The Clash From Here To Eternity Bodhisattva / Steely Dan Gold Cariba / Wes Montgomery Full House The Eleven / Grateful Dead Fillmore West 1969: The Complete Recordings Playing -
The Hilltop 1-21-1977
Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 1-21-1977 The iH lltop 1-21-1977 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 1-21-1977" (1977). The Hilltop: 1970-80. 175. http://dh.howard.edu/hilltop_197080/175 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' i • •• • • ' • ' Hilltop Highlights : "Pb1 ver roncf'de, New; From Black Schools ... .. p2 nothing HUSA's N!w Office ......".. .... :, p2 ' \\'ithout a demand" Third World Ne"5 Foe ........ p3 law School Troubled .. ·........ p4 · Fredcrirk Douglas, Roots On TV ......................... p6 ' ''THE VOICE OF THF HOWARD COMMUNITY'' WHUR's Q;iet Storm ......... .. .. p7 Howard University, Washington D.C., 20059 ., I Vol'.. 59, No. 14 21 January 1977 ' ' SBA Questions Lack College of Medicine of Quality Education Acceptance of HU ' At HU Law School Grads ·oecreas~pg • • By Arlene Wailer i[ 8'1,'. Leila Brown dent body concerning the and Fred Hines ~ ' G rld Sc hool· Editor organization of the protest. there nevertheless seemed Hilltop Staffwriters $ to be a general consensus ' .. fhe law school is on a that ''something has to be The number of H oward undergraduate students who d ownward trend, and we • are admitted to the College of Medicine ha!\.fdecreased at · done," about the education 0 , ' need to arrest it," said God at the school. -
Studio Track Consoles
Sound Business 35 Studio Track Sigma Sound Studios in Philadelphia is LP with Carl Beaver producing and Bruce Hen - where Gamble & Huff are putting the finishing sal engineering. Riggs is also at Criteria, at work touches on albums they're producing for Teddy on a new album with Andy Johns and Marty Pendergrass and Patti LaBelle. Joe Tarsia, Cohn producing. Johns doubles as engineer on Sigma's president, is engineering. A new LP for the project; Bruce Hensal is the assistant. the Jones Girls is also in progress here, with Sarah Dash of Kirshner Records recently Dexter Wansel working with engineer Peter re- corded an album at Sound Labs in Hollywood Humphreys on several tunes and Gamble & Huff and RCA in New York. David Wolford is produc- producing others with engineer Tarsia. Other ac- ing for The Entertainment Company. tivity includes the finishing touches on Melba Moore's new album, produced by McFadden & Sunset Sound, L.A.: Toto doing overdubs for a Whitehead and engineered by Dirk Devlin. Pro- new CBS LP, Toni Knox engineering, David Leon- ducer Sandy lJnzer and engineer Jim Gallagher ard assisting; Neil Diamond doing strings for a are completing tracks on T.S. Monk's upcoming new CBS LP, Bob Gaudio producing, Ron Hitch- album. cock engineering, Stephen McManus assisting; Sigma in New York has its share of activity, Carter producing Prism for Capitol, Warren too. Mixer Francois Kevorkian is working with Dewey at the console, Richard McKernan assist- engineers Jay Mark and Carla Bandini on an al- ing; Earth, Wind & Fire doing strings for a new bum by The Strikers for Prelude Records. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Billy Paul Let 'Em in Mp3, Flac, Wma
Billy Paul Let 'Em In mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Let 'Em In Country: Netherlands Released: 1976 Style: Disco MP3 version RAR size: 1667 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1816 mb Rating: 4.2 Votes: 663 Other Formats: VOX AUD MP4 MPC VOC AC3 MP2 Tracklist Hide Credits Let 'Em In A1 5:11 Written-By – P. McCartney-L. McCartney* We All Got A Mission A2 3:35 Written-By – C. Gamble*, K. Gamble*, L. Huff* How Good Is Your Game A3 4:08 Written-By – M. Burton*, P. Terry* Love Won't Come Easy A4 4:15 Written-By – D. Wansel* Without You B1 3:16 Written-By – P. Ham*, T. Evans* Word Sure Gets Around B2 4:30 Written-By – V. Barrett*, V. Gray* I Trust You B3 4:20 Written-By – K. Gamble-L. Huff* I Think I'll Stay Home Today B4 6:19 Written-By – D. Wansel* Credits Arranged By – Bobby Martin (tracks: A2, B2), Dexter Wansel (tracks: A3, A4, A1, A2, A4) Artwork By – Ed Lee Engineer – Jay Mark, Joe Tarsia Executive Producer – Kenneth Gamble & Leon Huff* Other [Music By] – MFSB Photography – Frank Laffitte Producer – Dexter Wansel (tracks: A4, B1, B2, B4), Kenneth Gamble & Leon Huff* (tracks: A2, B3), Michael Burton (tracks: A3), Phil Terry (tracks: A3) Producer, Arranged By – Jack Faith (tracks: A1) Notes Recorded at Sigma Sound Studios Philadelphia, PA Mastered at Frankford/Wayne Recording Labs, Philadelphia, PA "TSOP" The Sound Of Philadelphia BIEM/Stemra Other versions Category Artist Title (Format) Label Category Country Year Philadelphia PZ 34389, Billy Let 'Em In (LP, International Records, -
Country Christmas ...2 Rhythm
1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY -
“Heretic Streak”: the Orwellian Aesthetic in Ray Davies' Song Writing And
STUDIA HUMANISTYCZNE AGH Tom 15/2 • 2016 http://dx.doi.org/10.7494/human.2016.15.2.7 Izabela Curyłło-Klag* Jagiellonian University in Krakow UTOPIA, DYSTOPIA AND THE “HERETIC STREAK”: THE ORWELLIAN AESTHETIC IN RAY DAVIES’ SONG WRITING AND OTHER CREATIVE PROJECTS The article explores the infl uence of Orwell’s fi ction on the creative output of Ray Davies, one of Britain’s fi nest songwriters and the erstwhile frontman of The Kinks, a ‘British Invasion’ group. The Davies oeuvre can be placed alongside Orwell’s work due to its entertainment value, sharpness of ob- servation and complex, confl icted socio-political sympathies. By balancing utopian visions with dystopian premonitions and by offering regular critiques of the culture they hold dear, Orwell and Davies represent the same tradition of cautious patriotism. They also share a similar aesthetic, communicating their insights through humour, self-mockery and acerbic wit. Keywords: Orwell, Ray Davies, pop culture, dystopia, utopia In the opening frame of a documentary on The Kinks, Hugh Fielder, a well-known English music critic, comments: “If George Orwell wrote songs, and was not a member of the socialist party, he’d be writing Ray Davies’ songs”. He then immediately checks himself: “Sorry, that’s a literary allusion, it’s probably gonna go whoosh” (The Kinks Story 2010: 3’21). Mentioning literature with reference to a British Invasion band is not exactly the done thing: rockers do not usually enthuse over writers, even if they share their love of words. Not long ago for instance, the frontman of Oasis declared that reading fi ction is a waste of time, and dismissed the whole publishing business as elitist, since it allows “people who write and read and review books [to put] themselves a tiny little bit above the rest of us” (Gallagher 2013). -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
The Kinks Preservation Act 2 Mp3, Flac, Wma
The Kinks Preservation Act 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Preservation Act 2 Country: US Released: 1974 MP3 version RAR size: 1314 mb FLAC version RAR size: 1628 mb WMA version RAR size: 1611 mb Rating: 4.9 Votes: 591 Other Formats: VOC WAV FLAC MIDI AA ASF MP3 Tracklist A1 Announcement A2 Introduction To Solution A3 When A Solution Comes A4 Money Talks A5 Announcement A6 Shepherds Of The Nation A7 Scum Of The Earth A8 Second-Hand Car Spiv A9 He's Evil A10 Mirror Of Love A11 Announcement A12 Nobody Gives (Part 1) A13 Nobody Gives (Conclusion) B1 Oh Where Oh Where Is Love? B2 Flash's Dream (The Final Elbow) B3 Flash's Confession B4 Nothing Lasts Forever B5 Announcement B6 Artificial Man B7 Scrapheap City B8 Announcement B9 Salvation Road Other versions Category Artist Title (Format) Label Category Country Year Preservation Act 2 (2xLP, LPL2-5040 The Kinks RCA Victor LPL2-5040 UK 1974 Album) Preservation Act 2 (CD, VICP-70007 The Kinks Victor VICP-70007 Japan 2008 Album, RE, SHM) Konk, Preservation Act 2 (CD, UICY-25359 The Kinks Universal UICY-25359 Japan 2013 Album, RE, RM, SHM) UMC Preservation Act 2 (2xLP, CPL2-5040 The Kinks RCA Victor CPL2-5040 Canada 1974 Album, Gat) Preservation Act 2 (CD, VEL 79722-2 The Kinks Konk, Velvel VEL 79722-2 Germany 1998 Album, RE, RM) Related Music albums to Preservation Act 2 by The Kinks The Kinks - Preservation Act 1 R. Kelly & Public Announcement - Honey Love The Kinks - Kinks Kollekted The Kinks - The Kinks Are The Village Green Preservation Society The Kinks - Alcohol Kinks, The - The Essential Kinks The Kinks - Percy - The Original Film Music The Kinks - Give The People What They Want The Kinks - Tarde De Verano (Los Kinks Vol.5) The Kinks - Come Dancing With The Kinks / The Best Of The Kinks 1977-1986. -
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200