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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Studio Track Consoles
Sound Business 35 Studio Track Sigma Sound Studios in Philadelphia is LP with Carl Beaver producing and Bruce Hen - where Gamble & Huff are putting the finishing sal engineering. Riggs is also at Criteria, at work touches on albums they're producing for Teddy on a new album with Andy Johns and Marty Pendergrass and Patti LaBelle. Joe Tarsia, Cohn producing. Johns doubles as engineer on Sigma's president, is engineering. A new LP for the project; Bruce Hensal is the assistant. the Jones Girls is also in progress here, with Sarah Dash of Kirshner Records recently Dexter Wansel working with engineer Peter re- corded an album at Sound Labs in Hollywood Humphreys on several tunes and Gamble & Huff and RCA in New York. David Wolford is produc- producing others with engineer Tarsia. Other ac- ing for The Entertainment Company. tivity includes the finishing touches on Melba Moore's new album, produced by McFadden & Sunset Sound, L.A.: Toto doing overdubs for a Whitehead and engineered by Dirk Devlin. Pro- new CBS LP, Toni Knox engineering, David Leon- ducer Sandy lJnzer and engineer Jim Gallagher ard assisting; Neil Diamond doing strings for a are completing tracks on T.S. Monk's upcoming new CBS LP, Bob Gaudio producing, Ron Hitch- album. cock engineering, Stephen McManus assisting; Sigma in New York has its share of activity, Carter producing Prism for Capitol, Warren too. Mixer Francois Kevorkian is working with Dewey at the console, Richard McKernan assist- engineers Jay Mark and Carla Bandini on an al- ing; Earth, Wind & Fire doing strings for a new bum by The Strikers for Prelude Records. -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
The Shakin' Street Gazette, Volume 6
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Shakin Street Gazette, Student Music Magazine Buffalo State Archives: History of the College 1-1-1974 The Shakin' Street Gazette, Volume 6 The Shakin' Street Gazette Follow this and additional works at: https://digitalcommons.buffalostate.edu/shakinstreet Part of the History Commons Recommended Citation The Shakin' Street Gazette, "The Shakin' Street Gazette, Volume 6" (1974). Shakin Street Gazette, Student Music Magazine. 6. https://digitalcommons.buffalostate.edu/shakinstreet/6 This Book is brought to you for free and open access by the Buffalo State Archives: History of the College at Digital Commons at Buffalo State. It has been accepted for inclusion in Shakin Street Gazette, Student Music Magazine by an authorized administrator of Digital Commons at Buffalo State. For more information, please contact [email protected]. Volume one, Number six S+ree+ ' 0 But for the work I've taken on · Sto · star maker machine e popular song ut features double electric guitars (Jose Feliciano and Larry Carlton) that Joni's new on top of a light acoustic rhythm., released on the same day as the . "People's Parties!' follows, a . .- Dylan LP (coming in the balancing diversionary pasttimes (pe _s .first tour in seven years) parties) against the underlying s rt of ov wed. Not this repressed dispair in this song an 0 longing request for release in the fin oni, who ~ C:Ot! rts for "Same Situation" which ends: I ti4 first time g time, (including I called out to be released I o{e at Klein _ on February 11, Caught in my 'struggle for f cqurtesy of Festival East) has changed her _.:,achievement , I st~'le a little. -
Billy Paul Let 'Em in Mp3, Flac, Wma
Billy Paul Let 'Em In mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Let 'Em In Country: Netherlands Released: 1976 Style: Disco MP3 version RAR size: 1667 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1816 mb Rating: 4.2 Votes: 663 Other Formats: VOX AUD MP4 MPC VOC AC3 MP2 Tracklist Hide Credits Let 'Em In A1 5:11 Written-By – P. McCartney-L. McCartney* We All Got A Mission A2 3:35 Written-By – C. Gamble*, K. Gamble*, L. Huff* How Good Is Your Game A3 4:08 Written-By – M. Burton*, P. Terry* Love Won't Come Easy A4 4:15 Written-By – D. Wansel* Without You B1 3:16 Written-By – P. Ham*, T. Evans* Word Sure Gets Around B2 4:30 Written-By – V. Barrett*, V. Gray* I Trust You B3 4:20 Written-By – K. Gamble-L. Huff* I Think I'll Stay Home Today B4 6:19 Written-By – D. Wansel* Credits Arranged By – Bobby Martin (tracks: A2, B2), Dexter Wansel (tracks: A3, A4, A1, A2, A4) Artwork By – Ed Lee Engineer – Jay Mark, Joe Tarsia Executive Producer – Kenneth Gamble & Leon Huff* Other [Music By] – MFSB Photography – Frank Laffitte Producer – Dexter Wansel (tracks: A4, B1, B2, B4), Kenneth Gamble & Leon Huff* (tracks: A2, B3), Michael Burton (tracks: A3), Phil Terry (tracks: A3) Producer, Arranged By – Jack Faith (tracks: A1) Notes Recorded at Sigma Sound Studios Philadelphia, PA Mastered at Frankford/Wayne Recording Labs, Philadelphia, PA "TSOP" The Sound Of Philadelphia BIEM/Stemra Other versions Category Artist Title (Format) Label Category Country Year Philadelphia PZ 34389, Billy Let 'Em In (LP, International Records, -
Before the Copyright Royalty Board United States Copyright Office Washington, D.C
Before the Copyright Royalty Board United States Copyright Office Washington, D.C. 20540 In the Matter of ) ) Distribution ofDART Sound Recordings Fund ) Docket No. -------- Featured Recording Artists and Copyright Owners ) Subfunds Royalties For 2010 ) NOTICE OF SETTLEMENT AND REQUEST FOR PARTIAL DISTRIBUTION OF THE 2010 DART SOUND RECORDINGS FUND FEATURED RECORDING ARTISTS AND COPYRIGHT OWNERS SUBFUNDS ROYALTIES l The Alliance ofArtists and Recording Companies ("AARC"), on behalfofitselfand parties listed in Exhibit A, see 2010 Settling Parties, Ex. A, (collectively referred to as the "Settling Parties"), submits this notice reporting that the 2010 Audio Home Recording Act of 1992 (referred to hereinafter as "DART,,)2 Sound Recordings Fund Featured Recording Artists and Copyright Owners Subfunds distribution proceeding is settled, except for the claims ofEric N. Bums, Arpi Takacs, Eugene "Lambchops" Curry, Herman Kelly, Afterschool Publishing, Eddie Rolling, Write 4 U Publishing/Treasa Fennie ("Write 4 U/Fennie,,)3, and Ernest William Furrow.4 Therefore, the Settling Parties request partial distribution ofthe 2010 DART Sound Recordings Fund Featured Recording Artists and Copyright Owners Subfunds ("2010 Sound Recordings Fund"), as follows: 1 On behalfofthe Settling Parties, AARC filed a motion for partial distribution pursuant to § 801(b)(3)(A) on July 15,2011. Write 4 U objected to the request on July 26, 2011, and the CRB denied § 801(b)(3)(A) partial distribution on August 9,2011, on the grounds that Write 4 U's objection established that a controversy existed with regard to the requested 98%. The CRB noted that Settling Parties could re-file their request for partial distribution pursuant to § 80I(b)(3)(C), which they have done herein. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Quiktron.Com • Call Toll Free: 800.361.0471 COMPLETE SOLUTIONS
TABLE OF CONTENTS Fiber Cables & Hardware Audio/Video Cables & Devices • Custom Fiber ................................4-6 • HDMI & DVI...............................85-90 • Laser-Optimized ............................9-10 • Component Video ..........................91-92 • Bend Tolerant & Low Loss Cable Assemblies ....11-16 • S-Video...................................93-94 • Multimode ................................17-20 • Composite Video ...........................95-96 • Single-mode ..............................21-23 • F-Type Cables ................................97 • Fiber Connectivity & Accessories..............24-26 • Audio ...................................98-103 • LC Uniboot...................................27 • Plenum Rated Audio/Video.................104-105 • Mode Conditioning .........................28-30 • Plenum Rated Low Profile .....................106 • MTP .....................................31-33 • Sub & Speaker Cables.........................107 • Fiber Optic Hardware .......................34-36 • A/V Wall Plates . .108 • Media Converters & Chassis..................37-38 • Active Devices ...........................109-120 • Fiber Optic Testers & Accessories .............39-48 PC/Computer Cables, Devices & Accessories Copper Network Cables • Monitor & Projector ......................123-129 • Cat5e ....................................51-52 • Splitters & Extenders .....................130-133 • Cat6 ........................................53 • Keyboard & Mouse ...........................134 • Cat6a .......................................54 -
Songstress Marilyn Ashford-Brown “Herstory” in the Making
Songstress Marilyn Ashford-Brown “Herstory” in the Making Marilyn Ashford-Brown is an American Singer-Songwriter and Recording Artist of trans-continental acclaim, who followed Paul Anka’s lyric lead in his hit tune, My Way, by doing it “her” way. In today’s ever-changing, youth-targeted music industry, R&B veteran Marilyn Ashford-Brown has not allowed the new epochs of the marketplace to hamper her musical ontogeny. For more than three decades the Washington, D. C. native has performed stateside throughout the surrounding Metropolitan Areas of the Nation’s Capital. She has also wowed audiences abroad, working venues in Hamburg, Germany, The United Kingdom, Amsterdam, and Costa Brava, Spain, largely by word of mouth and social media outlets. With five (5) independently released cd’s to her credit, Marilyn wrote and co-produced ninety seven percent of the songs. She attributes her international success to her 2009 cd release entitled Just Doing Me, and simply trusting her instincts. Track one of that release, I’ve Got A Feeling, even today, remains timeless and of the moment. Although this cut did not garner much airplay on domestic radio stations, it managed to secure a spot on the playlists of international radio stations, including Tokyo, which led to international performance opportunities. Washington Post freelance writer, Mike Joyce, gave the Just Doing Me! release a glaring review in the publication’s September 4, 2009 Weekend edition. 1 Inspired at an early age by Diana Ross and The Supremes, Marilyn knew that music would be her life. She formed her first singing group, Nature’s Children, while in junior high school. -
Soul Truth (Continued from Page 160) Promotion
Soul Truth (Continued from page 160) promotion. Personal Pick: "Teach Me Tonight"-- Phoebe Snow (Columbia). Radio station WEAS-FM (Savannah) announced that it had a new operations manager, Howard Wade. Norm Gardner was promoted at Mercury Records in New York as promotion manager, both pop and r&b. Alonzo King, who was at one time promotion repre- sentative at Motown Records, was named artist rela- tions rep for the company. April 1st, it was announced, a roast would be held for Bob "Nighthawk" Terry in Washington, D.C. Dennis Edwards, former lead singer of The Temp- tations, was in the studio recording an 1p for Motown Records. Personal Pick: "Come On, Have Yourself A Good Time" -- Major Lance (Columbia). For the first time since the fifties a radio an- nouncer was found guilty of perjury. Frankie Crocker was sentenced to a year and a day with $1,000 fine. Crocker appealed the conviction. It was this time of year that in the splitting up department it was announced that Baker, Harris and Young were going to go their separate ways. How- ever, they did not, as the three came to an agree- ment to have "a piece of the rock," the label, Gold Mind, would be distributed by Salsoul Records. APRIL ABC recording artist Eloise Laws dhcl her co -producer Linda Creed Launcheda promo- Personal Pick: "Let 'Em In" -- Billy Paul (PIR). tion tour in conjunction with Laws' debut album, "Eloise." Featured in the photoat a Chicago reception are (from left): Linda Creed; Runa Sanders, Sanders One -Stop; Zeggie Barnes, formerly affiliated with Buddah Eloise Laws; E. -
The Jacksons Goin' Places Mp3, Flac, Wma
The Jacksons Goin' Places mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Goin' Places Country: UK & Europe Released: 2018 MP3 version RAR size: 1240 mb FLAC version RAR size: 1620 mb WMA version RAR size: 1820 mb Rating: 4.9 Votes: 819 Other Formats: XM AU DXD AUD WAV RA MMF Tracklist Hide Credits Music's Takin' Over 1 Arranged By – Gene McFadden, John Whitehead, Victor CarstarphenProducer – Gene 4:36 McFadden, John Whitehead, Victor Carstarphen Goin' Places 2 4:35 Arranged By – Dexter WanselProducer – Gamble & Huff Different Kind Of Lady 3 Arranged By – Dexter WanselProducer – Jackie Jackson, Marlon Jackson, Michael Jackson, 3:36 Randy Jackson, Tito Jackson Even Though You're Gone 4 4:35 Arranged By – Jack FaithProducer – Gamble & Huff Jump For Joy 5 4:34 Arranged By – Dexter WanselProducer – Dexter Wansel Heaven Knows I Love You, Girl 6 3:59 Arranged By – Jack FaithProducer – Gamble & Huff Man Of War 7 3:13 Arranged By – Jack FaithProducer – Gamble & Huff Do What You Wanna 8 Arranged By – Dexter WanselProducer – Jackie Jackson, Marlon Jackson, Michael Jackson, 3:32 Randy Jackson, Tito Jackson Find Me A Girl 9 4:35 Arranged By – Jack FaithProducer – Gamble & Huff Credits Congas – Randy Jackson Congas, Bongos – David Cruse, Larry Washington Drums – Charles Collins Executive Producer – Gamble & Huff Guitar – Dennis Harris, Michael "Sugar Bear" Forman*, Roland Chambers, Tito Jackson Keyboards – Dexter Wansel Piano – Leon Huff Notes © 1977 Sony Music Entertainment Inc. Second European CD release (no SID codes); released in the fall of 1991 as part of the Collectors Choice series; comes with a white tray.