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Analyzing the Barometer of Responses
Chapter 6 Don’t Touch My Holocaust – Analyzing the Barometer of Responses Israeli Artists Challenge the Holocaust Taboo Tami Katz-Freiman The national museum in the eternal capital of the Jewish people should encourage many exhibitions attesting that we are indeed liberated from the traumas of the past. If the Israel Museum could get hold of the bones of Holocaust victims, they could invite kindergarten children to build castles. Perhaps the Israel Museum should also import hair from Auschwitz to hang on it postmodern works.1 This sarcastic and radical response, published in Maariv on January 19, 1997, by Holocaust survivor, Knesset member, and journalist Joseph Lapid, following the controversial exhibition of Israeli artist Ram Katzir at the Israel Museum, reflects the problematic nature, the hypersensitivity, and the intricacy of the current Holocaust discourse in Israel. In this essay, I delve into the pressing issues of this highly delicate discourse. I attempt to locate the very root of its problematic nature, wherefrom all taboos and paradoxes stem pertaining to the discourse of Holocaust representation in 188 contemporary Israeli art. The Zionist ethos is informed by two fundamental notions: Holocaust and Heroism and Negation of Exile that are crucial to the understanding of the problematic nature inherent in Holocaust representation in Israel. In the following paragraphs, I trace the implications of these two perceptions on Holocaust representation in art, and attempt to categorize and classify modes of Holocaust representation in contemporary Israeli art in light of, or in relation to, the public sensitivity toward the manipulative use of the Holocaust. In order to elucidate some basic concepts relating to the Israeli black hole, I examine some strategies employed by current Israeli artists who are communicating Auschwitz2 in their work. -
Československý Churban Mnichovská Dohoda a Druhá Československá Republika Optikou Sionistického Jišuvu V Palestině (1938–1939)
Západočeská univerzita v Plzni Fakulta filozofická Katedra blízkovýchodních studií Československý churban Mnichovská dohoda a druhá československá republika optikou sionistického jišuvu v Palestině (1938–1939) Zbyněk Tarant Plzeň 2020 Západočeská univerzita v Plzni Fakulta filozofická Katedra blízkovýchodních studií Československý churban Mnichovská dohoda a druhá československá republika optikou sionistického jišuvu v Palestině (1938–1939) Zbyněk Tarant Plzeň 2020 Československý churban Zbyněk Tarant Vydání publikace bylo schváleno Vědeckou redakcí Západočeské univerzity v Plzni. Recenzenti: prof. PhDr. Jiří Holý, DrSc. doc. PhDr. Blanka Soukupová, CSc. Grafický návrh obálky: Anastasia Vrublevská Typografická úprava: Jakub Pokorný Vydala: Západočeská univerzita v Plzni Univerzitní 2732/8, 301 00 Plzeň Vytiskla: Prekomia s.r.o. Západní 1322/12, 323 00 Plzeň První vydání, 285 stran Plzeň 2020 ISBN 978-80-261-0935-8 © Západočeská univerzita v Plzni © Mgr. Zbyněk Tarant, Ph.D. Abstrakt Kniha Zbyňka Taranta nabízí pohled na mnichovskou doho- du, druhou československou republiku a počátek nacistické okupace českých zemí očima hebrejskojazyčného sionistic- kého tisku v britském mandátu Palestina. Popisuje nešťastný souběh dějinných událostí a výroků klíčových státníků, který mohl způsobit, že se Mnichov stal součástí izraelské sdílené paměti. Když Adolf Hitler 12. září 1938 v atmosféře vrcholící sudetské krize pronesl svůj protičeský projev, použil v něm rovněž příměr Československa s Palestinou. Jeho slova pak nerezonovala pouze u sudetských Němců, kteří je pochopili jako skrytý vzkaz k rozpoutání nepokojů v československém pohraničí, ale i v Palestině, kde jim s narůstajícími obavami naslouchali představitelé sionistického vedení. Mnichovská dohoda se pak pro židovské obyvatelstvo v Palestině (tzv. jišuv) měla stát symbolem zhroucení systému mezinárodních úmluv a záruk, na kterém spočívala samotná existence a budoucnost židovského národního hnutí. -
Pincus Ha-Kehillot Iasi
Encyclopedia of the Jewish Communities From their Foundation until after the WWII Holocaust ROMANIA Volume I – Moldavia (Pages 141 - 176) Iasi Map Coordinates: 47º 10' North – 27º 36' East Author: Theodore Lavi, Ph.D., Coordinator of Pinkas ha-Kehilot in Yad Vashem - Transnistria, Hargat Project Coordinator Robert S. Sherins, M.D. English translation researched and edited by: Robert S. Sherins, M.D. Translation: Ziva Yavin, Ph.D. Rabbi Jack H Bloom, Ph.D. Donation of the translation was made by Robert S. Sherins, M.D., Richard J. Sherins, M.D., and Beryle Solomon Buchman N.B. Kehillah will be used where reference is to the organized Jewish community. Kehillah is the name given to Jewish communal organizations in Eastern Europe. The role and authority of the Kehillah varied greatly, depending on location and historical period. At times a Kehillah would have quasi-governmental authority over both the Jewish community and its relationship with the Gentile community. 1 IASI In Jewish sources: Yash or Yassy. (Aramaic: In the place Yas, which sits on the Blahui River and the Caicianu River and on springs.) A county city in the Moldavia region, on the bank of the Bahlui River and close to the Prut River. A railway intersection connecting Chisinau, Cernauti, Galati, and Bucharest. From 1565, the capital of the Moldavian Princedom. During World War I, served as a provisional capital of Romania. An important cultural center. Jewish Population Year Number % of Jews in the General Population 1803 2,420 (Heads of Households) 1820 4,396 families 1831 17,570 1838 29,652 1859 31,015 47.1 1899 39,441 50.8 1910 35,000 1921 43,500 1930 35,465 34.4 1941 33,135 29.6 1942 32,369 1947 38,000 Until the End of World War I The beginning of Jewish settlement and its development; the organization of the Kehillah; religious life; organizations and institutions; Zionist, national and socialist activity; cultural life; Iasi university- a nest of anti-Semitism. -
Curriculum Vitae Dr. Ofira Gruweis-Kovalsky Contact: Kefar Tabor P.O.B 256 Israel 15241 Home Tel: 972- 4- 6765634. Mobile: 972
1 Curriculum Vitae Dr. Ofira Gruweis-Kovalsky Contact: Personal details: Kefar Tabor P.O.B 256 Israel 15241 Citizenship: Israeli Home Tel: 972- 4- 6765634. Languages: Hebrew and English Mobile: 972-52-3553384 E-mail: [email protected] [email protected] Academic rank Senior Lecturer, Zefat Academic College, Israel (2017- present) Associate researcher Herzl Institute University of Haifa, Israel (2009-present) Associate researcher at the HBI Brandeis University, USA (2015-present) Adjunct lecturer, MA and BA programs in Israel Studies, University of Haifa, Israel (2010–present). Lecturer, Zefat Academic College, Israel (2014-2017) Education 2009-2010: Post Doc. Department of Geography and Environment, Bar-Ilan University, Israel, "The History of Jerusalem as Israel Capital City". 2009: PhD, Summa cum Laude. 'Land of Israel Studies' Dept., University of Haifa. "The Vindicated and the Persecuted": Myth, Ritual, and Propaganda in the Herut Movement 1948-1965. 2006: MA, Magna cum Laude. 'Jewish History' Dept., University of Haifa. 'The Myth of the Altalena Affair and the Herut Movement'. 1980: BA, Jewish History Dept. and Land of Israel History Dept., Tel Aviv University. Israel. Certificates Mediator, Emek Yizrael Academic College, Israel (1999). Archive manager, Tel Hai Academic College and the Israel National Archives (1994). 2 Scholarly Positions: Head of the general studies division, Multidisciplinary Department, Zefat Academic College, Israel (2018-present) Senior Lecturer, Multidisciplinary Department, Zefat Academic College, Israel (2017-present) Lecturer, Multidisciplinary Department, Zefat Academic College, Israel (2014 -2017) Adjunct lecturer, Land of Israel Studies Dept., Jewish History Dept., University of Haifa. MA and BA programs (2010–present). Assistant editor, Ze’ev Jabotinsky's Ideological Writings. -
Tanya Sources.Pdf
The Way to the Tree of Life Jewish practice entails fulfilling many laws. Our diet is limited, our days to work are defined, and every aspect of life has governing directives. Is observance of all the laws easy? Is a perfectly righteous life close to our heart and near to our limbs? A righteous life seems to be an impossible goal! However, in the Torah, our great teacher Moshe, Moses, declared that perfect fulfillment of all religious law is very near and easy for each of us. Every word of the Torah rings true in every generation. Lesson one explores how the Tanya resolved these questions. It will shine a light on the infinite strength that is latent in each Jewish soul. When that unending holy desire emerges, observance becomes easy. Lesson One: The Infinite Strength of the Jewish Soul The title page of the Tanya states: A Collection of Teachings ספר PART ONE לקוטי אמרים חלק ראשון Titled הנקרא בשם The Book of the Beinonim ספר של בינונים Compiled from sacred books and Heavenly מלוקט מפי ספרים ומפי סופרים קדושי עליון נ״ע teachers, whose souls are in paradise; based מיוסד על פסוק כי קרוב אליך הדבר מאד בפיך ובלבבך לעשותו upon the verse, “For this matter is very near to לבאר היטב איך הוא קרוב מאד בדרך ארוכה וקצרה ”;you, it is in your mouth and heart to fulfill it בעזה״י and explaining clearly how, in both a long and short way, it is exceedingly near, with the aid of the Holy One, blessed be He. "1 of "393 The Way to the Tree of Life From the outset of his work therefore Rav Shneur Zalman made plain that the Tanya is a guide for those he called “beinonim.” Beinonim, derived from the Hebrew bein, which means “between,” are individuals who are in the middle, neither paragons of virtue, tzadikim, nor sinners, rishoim. -
Staring Back at the Sun: Video Art from Israel, 1970-2012 an Exhibition and Public Program Touring Internationally, 2016-2017
Staring Back at the Sun: Video Art from Israel, 1970-2012 An Exhibition and Public Program Touring Internationally, 2016-2017 Roee Rosen, still from Confessions Coming Soon, 2007, video. 8:40 minutes. Video, possibly more than any other form of communication, has shaped the world in radical ways over the past half century. It has also changed contemporary art on a global scale. Its dual “life” as an agent of mass communication and an artistic medium is especially intertwined in Israel, where artists have been using video artistically in response to its use in mass media and to the harsh reality video mediates on a daily basis. The country’s relatively sudden exposure to commercial television in the 1990s coincided with the Palestinian uprising, or Intifada, and major shifts in internal politics. Artists responded to this in what can now be considered a “renaissance” of video art, with roots traced back to the ’70s. An examination of these pieces, many that have rarely been presented outside Israel, as well as recent, iconic works from the past two decades offers valuable lessons on how art and culture are shaped by larger forces. Staring Back at the Sun: Video Art from Israel, 1970-2012 traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond. Showcasing 35 works, this program includes documentation of early performances, films and videos, many of which have never been presented outside of Israel until now. Informed by the international 1 history of video art, the program surveys the development of the medium in Israel and explores how artists have employed technology and material to examine the unavoidable and messy overlap of art and politics. -
Introduction
Notes Introduction 1. The exact Hebrew name for this affair is the “Yemenite children Affair.” I use the word babies instead of children since at least two thirds of the kidnapped were in fact infants. 2. 1,053 complaints were submitted to all three commissions combined (1033 complaints of disappearances from camps and hospitals in Israel, and 20 from camp Hashed in Yemen). Rabbi Meshulam’s organization claimed to have information about 1,700 babies kidnapped prior to 1952 (450 of them from other Mizrahi ethnic groups) and about 4,500 babies kidnapped prior to 1956. These figures were neither discredited nor vali- dated by the last commission (Shoshi Zaid, The Child is Gone [Jerusalem: Geffen Books, 2001], 19–22). 3. During the immigrants’ stay in transit and absorption camps, the babies were taken to stone structures called baby houses. Mothers were allowed entry only a few times each day to nurse their babies. 4. See, for instance, the testimony of Naomi Gavra in Tzipi Talmor’s film Down a One Way Road (1997) and the testimony of Shoshana Farhi on the show Uvda (1996). 5. The transit camp Hashed in Yemen housed most of the immigrants before the flight to Israel. 6. This story is based on my interview with the Ovadiya family for a story I wrote for the newspaper Shishi in 1994 and a subsequent interview for the show Uvda in 1996. I should also note that this story as well as my aunt’s story does not represent the typical kidnapping scenario. 7. The Hebrew term “Sephardic” means “from Spain.” 8. -
Forgotten Palestinians
1 2 3 4 5 6 7 8 9 THE FORGOTTEN PALESTINIANS 10 1 2 3 4 5 6x 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36x 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36x 1 2 3 4 5 THE FORGOTTEN 6 PALESTINIANS 7 8 A History of the Palestinians in Israel 9 10 1 2 3 Ilan Pappé 4 5 6x 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 YALE UNIVERSITY PRESS 5 NEW HAVEN AND LONDON 36x 1 In memory of the thirteen Palestinian citizens who were shot dead by the 2 Israeli police in October 2000 3 4 5 6 7 8 9 10 1 2 3 4 5 Copyright © 2011 Ilan Pappé 6 The right of Ilan Pappé to be identified as author of this work has been asserted by 7 him in accordance with the Copyright, Designs and Patents Act 1988. 8 All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright 9 Law and except by reviewers for the public press) without written permission from 20 the publishers. 1 For information about this and other Yale University Press publications, 2 please contact: U.S. -
Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Early Zionist-Kurdish Contacts and the Pursuit of Cooperation: the Antecedents of an Alliance, 1931-1951 Permalink https://escholarship.org/uc/item/2ds1052b Author Abramson, Scott Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Early Zionist-Kurdish Contacts and the Pursuit of Cooperation: the Antecedents of an Alliance, 1931-1951 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Languages and Cultures by Scott Abramson 2019 © Copyright by Scott Abramson 2019 ABSTRACT OF THE DISSERTATION Early Zionist-Kurdish Contacts and the Pursuit of Cooperation: the Antecedents of an Alliance, 1931-1951 by Scott Abramson Doctor of Philosophy in Near Eastern Languages and Cultures University of California, Los Angeles Professor Lev Hakak, Co-Chair Professor Steven Spiegel, Co-Chair This study traces the progress of the contacts between Zionists/Israelis and Kurds—two non-Arab regional minorities intent on self-government and encircled by opponents—in their earliest stage of development. From the early 1930s to the early 1950s, the Political Department of the Jewish Agency (later, the Israeli Foreign Ministry) and several eminent Kurdish leaders maintained contact with a view to cooperation. The strategic calculus behind a Zionist/Israeli-Kurdish partnership was the same that directed Zionist/Israeli relations with all regional minorities: If demographic differences from the region’s Sunni Arab majority had made ii them outliers and political differences with them had made them outcasts, the Zionists/Israelis and the Kurds, together with their common circumstance as minorities, had a common enemy (Arab nationalists) against whom they could make common cause. -
American Friends of the Tel Aviv Museum of Art Spring Gala! Thursday, April 25, 2013 the Pierre Hotel
American Friends of the Tel Aviv Museum of Art Spring Gala! Thursday, April 25, 2013 The Pierre Hotel American Friends of the Tel Aviv Museum of Art 36 West 44th Street, Suite 1209 New York, NY 10036 To Dave Genser for the years Congratulations of dedicated leadership Suzanne Landau of the Director and Chief Curator American Friends of the of the Tel Aviv Museum of Art. Tel Aviv Museum of Art. Best wishes for great success, Herta and Paul Amir With friendship and best wishes, Herta and Paul Amir American Friends of the Tel Aviv Museum of Art Spring Gala 2013 Honoring Patron of the Arts Martin Sanders Artist of the Year Tal R Leadership in Public Arts Tsipi Ben-Haim Thursday, April 25, 2013 6:30 pm Cocktails and Silent Auction 7:30 pm Dinner Dance and Live Auction The Pierre Hotel, New York Welcome David Genser AFTAM Chairman Motzi Adam Sanders Address Suzanne Landau Director and Chief Curator Tel Aviv Museum of Art Patron of the Arts Martin Sanders Presented by: Suzanne Landau Director and Chief Curator Tel Aviv Museum of Art Artist of the Year Tal R Introduction by: Anders Kold Curator & Head of Acquisitions Louisiana Museum of Modern Art Presented by: Joan Genser Leadership in Public Arts Tsipi Ben-Haim Presented by: Ambassador Ron Prosor Permanent Representative of Israel to the United Nations Dinner and Dance Performance Burr Johnson Live Auction DawnMarie Kotsonis Auctioneer Musical Program Passacaglia of Handel-Halvorsen 2013 Recipient of the Irving and Mollie Sanders Memorial Juilliard / Tel Aviv Museum of Art Prize Dane Johansen, Cellist 2012 Recipient of the Irving and Mollie Sanders Memorial Juilliard / Tel Aviv Museum of Art Prize Sean Lee, Violinist Honorary Committee Paul and Herta Amir Mayor and Mrs. -
No. 52, Winter 2019 CONTENTS
Journal of Media and Communications History in Israel and the Jewish World The Shalom Rosenfeld Institute for Research of Jewish Media and Communication The Lester and Sally Entin Faculty of Humanities, Tel Aviv University, P.O.B. 39040 Ramat Aviv, Tel Aviv 6139001, Israel Tel. 972-3-6405144; Email: [email protected] Head of the Institute: Prof. Raanan Rein Founder of the Institute: Shalom Rosenfeld First editor of Kesher: Dr. Mordecai Naor No. 52, Winter 2019 CONTENTS Editor What’s in Kesher 52? Pictures and War / Gideon Kouts 3 Prof. Gideon Kouts Fake News at the Inception of Hebrew Journalism: Editorial Board Selected Examples / Gideon Kouts 4 Prof. Meir Chazan “A Word with Our Writers”: The Problem of Fake News in Foreign Prof. Yaacov Shavit Reportage of the Newspaper Hatsefira, 1874 / Zef Segal 15 Prof. Yosef Gorny Dr. Mordecai Naor Hanukka, Its Heroes, and Its Festivities in Eliezer Ben-Yehuda’s Newspapers Dr. Orly Tsarfaty / David Lavi 21 Dr. Baruch Leshem Prof. Uzi Elyada Keter Torah Hame’asef: An Emulation of the Journal Ha-Me’asef by an Unknown Author / Moshe Pelli 34 Editorial Assistant Avigdor Hameiri and the Shaping of Popular Media in Mandatory Palestine Dafna Bareket and Nurit Karshon in the 1920S / Ouzi Elyada 39 Hebrew Copy Editor “The Modern Matchmaker”—Yosef Lieber’s Hebrew Matchmaking Herzlia Efrati Revolution / Orit Yaal 49 Hamashkif—History of a Revisionist Newspaper / Ofira Gruweis-Kovalsky 63 English Section Naftali Greenwood Haredi (Ultra-Orthodox) Society and the State of Israel in Its First Decade, as