Art Contemporain Israélien
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Women's Israel Trip ITINERARY
ITINERARY The Cohen Camps’ Women’s Trip to Israel Led by Adina Cohen April 10-22, 2018 Tuesday April 10 DEPARTURE Departure from Boston (own arrangements) Wednesday April 11 BRUCHIM HABA’AIM-WELCOME TO ISRAEL! . Rendezvous at Ben Gurion airport at 14:10 (or at hotel in Tel Aviv) . Opening Program at the Port of Jaffa, where pilgrims and olim entered the Holy Land for centuries. Welcome Dinner at Café Yafo . Check-in at hotel Overnight: Carlton, Tel Aviv Thursday April 12 A LIGHT UNTO THE NATIONS . Torah Yoga Session . Visit Save a Child’s Heart-a project of Wolfston Hospital, in which Israeli pediatric surgeons provide pro-bono cardiac surery for children from all over Africa and the Middle East. “Shuk Bites” lunch in the Old Jaffa Flea Market . Visit “The Women’s Courtyard” – a designer outlet empowering Arab and Jewish local women . Israeli Folk Dancing interactive program- Follow the beat of Israeli women throughout history and culture and experience Israel’s transformation through dance. Enjoy dinner at the “Liliot” Restaurant, which employs youth at risk. Overnight: Carlton, Tel Aviv Friday April 13 COSMOPOLITAN TEL AVIV . Interactive movement & drum circle workshop with Batya . “Shuk & Cook” program with lunch at the Carmel Market . Stroll through the Nahalat Binyamin weekly arts & crafts fair . Time at leisure to prepare for Shabbat . Candle lighting Cohen Camps Women’s Trip to Israel 2018 Revised 22 Aug 17 Page 1 of 4 . Join Israelis for a unique, musical “Kabbalat Shabbat” with Bet Tefilah Hayisraeli, a liberal, independent, and egalitarian community in Tel Aviv, which is committed to Jewish spirit, culture, and social action. -
Analyzing the Barometer of Responses
Chapter 6 Don’t Touch My Holocaust – Analyzing the Barometer of Responses Israeli Artists Challenge the Holocaust Taboo Tami Katz-Freiman The national museum in the eternal capital of the Jewish people should encourage many exhibitions attesting that we are indeed liberated from the traumas of the past. If the Israel Museum could get hold of the bones of Holocaust victims, they could invite kindergarten children to build castles. Perhaps the Israel Museum should also import hair from Auschwitz to hang on it postmodern works.1 This sarcastic and radical response, published in Maariv on January 19, 1997, by Holocaust survivor, Knesset member, and journalist Joseph Lapid, following the controversial exhibition of Israeli artist Ram Katzir at the Israel Museum, reflects the problematic nature, the hypersensitivity, and the intricacy of the current Holocaust discourse in Israel. In this essay, I delve into the pressing issues of this highly delicate discourse. I attempt to locate the very root of its problematic nature, wherefrom all taboos and paradoxes stem pertaining to the discourse of Holocaust representation in 188 contemporary Israeli art. The Zionist ethos is informed by two fundamental notions: Holocaust and Heroism and Negation of Exile that are crucial to the understanding of the problematic nature inherent in Holocaust representation in Israel. In the following paragraphs, I trace the implications of these two perceptions on Holocaust representation in art, and attempt to categorize and classify modes of Holocaust representation in contemporary Israeli art in light of, or in relation to, the public sensitivity toward the manipulative use of the Holocaust. In order to elucidate some basic concepts relating to the Israeli black hole, I examine some strategies employed by current Israeli artists who are communicating Auschwitz2 in their work. -
THE ROUGH GUIDE to Bangkok BANGKOK
ROUGH GUIDES THE ROUGH GUIDE to Bangkok BANGKOK N I H T O DUSIT AY EXP Y THANON L RE O SSWA H PHR 5 A H A PINKL P Y N A PRESSW O O N A EX H T Thonburi Democracy Station Monument 2 THAN BANGLAMPHU ON PHE 1 TC BAMRUNG MU HABURI C ANG h AI H 4 a T o HANO CHAROEN KRUNG N RA (N Hualamphong MA I EW RAYAT P R YA OAD) Station T h PAHURAT OW HANON A PL r RA OENCHI THA a T T SU 3 SIAM NON NON PH KH y a SQUARE U CHINATOWN C M HA H VIT R T i v A E e R r X O P E N R 6 K E R U S N S G THAN DOWNTOWN W A ( ON RAMABANGKOK IV N Y E W M R LO O N SI A ANO D TH ) 0 1 km TAKSIN BRI DGE 1 Ratanakosin 3 Chinatown and Pahurat 5 Dusit 2 Banglamphu and the 4 Thonburi 6 Downtown Bangkok Democracy Monument area About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections and you should be able to find whatever you need in one of them. The colour section is designed to give you a feel for Bangkok, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The city chapters cover each area of Bangkok in depth, giving comprehensive accounts of all the attractions plus excursions further afield, while the listings section gives you the lowdown on accommodation, eating, shopping and more. -
Israel: Growing Pains at 60
Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left. -
Since 2017 Bezalel Academy for Art and Design, MFA
Hadas Maor Curiculum Vitae Professional Experience: Since 2017 Bezalel Academy for Art and Design, MFA Program, lecturer 2017 Bait LeOmanut Israelit, lecturer 2017 French Institute Focus Program 2016 Sculpture Quadrennial Riga 2016 Invited guest Lecture: Conservatism and Liberalism, appearances in contemporary culture 2015 Curator of the Israeli Pavilion, the 56th International Art Exhibition – la Biennale di Venezia 2014 Artist Mentor Artport, Tel Aviv 2012 The 2nd Ural Industrial Biennial of Contemporary Art Intellectual platform, invited guest Lecture: Contemplating the possibility of criticality within the field of visual art 2012 Lecturer of curatorial studies, School of Arts, Kibbutzim College of Education, Tel Aviv 2011 ARCOmadrid 2011, Professional Meetings, invited guest 2010 Professional visit to LA, organized by the LA-TLV partnership and The Jewish Federation of Los Angeles 2009 Study visit to Poland, organized by Adam Mickiewicz Institute, Warsaw 2007 Art Basel 2007, 7db platform for art professionals, invited guest Since 2006 Consultant to Bank Hapoalim Collection of Israeli Art 2006-2009 Consultant to the Angel Collection of Contemporary Art Since 2001 Curator of the Geny and Hanina Brandes Art Collection, Tel Aviv Since 1998 Independent contemporary art curator (The Tel Aviv Museum of Art, The Haifa Museum of Art, The Herzliya Museum of Contemporary Art, The Petach Tikva Museum of Art, The Ramat Gan Museum of Israeli Art, The Ein Harod Museum of Art, The Tel Aviv University Gallery and more) 1997 - 2005 Senior Lecturer -
SCOREBOARD Venus Has Been Delayed Again, Until Late September, While ' »1 • W a T 'R David Wheatoa Excelsior, Minn., Def
20—MANCHESTER HERALD. Tuesday, August 28, 1990 Calhoun first college coach to have own trading card WEDNESDAY in the set and chose Calhoun. He got By DAVID A. PHILLIPS a first-round selection of the New his intention to be placed in the Lionel Simmons and Bo Kimble of basketball card. Printed on high in touch with the Husky coach’s Jersey Nets, also is included. Waterbury Republican NBA draft he is no longer governed Loyola Marymount. grade stock, the card has a has a LOCAL NEWS INSIDE agent in Hartford and after Calhoun “Vk^en dealers and collectors in by the NCAA. Besides ^ top draft possibilities. glossy front with a color action checked out Star Pics, he gave the New England saw our checklist of “Really, he’s in limbo,” said Star Pics will include cards for photo of each player — or in WATERBURY (AP) — Just go-ahead to allow them to use his players, we had hundreds of calls Rylko. “They have no money, so David Robinson, Pervis Ellison and Calhoun’s case, coach — bordered when you thought you’d seen Jim picture and namesake. because of Jim Calhoun and Tate what we did is track down every by a number of basketballs. Instead ■ Coventry Lake limits sought. ilanrl|f0lpr Danny Ferry, each of which will Calhoun’s face on everything im George.” player and agent we wanted to print bear a “Flashback!” stripe in the of a myriad of statistics so small that aginable, think again. “He’s represented by Peter Rois- Star Pics also had to go through a cards of and got an authorization upper right comer. -
Biographies Six Solo Exhibitions at Hagar Art Gallery, Jaffa Tal Ben Zvi Biographies Six Solo Exhibitions at Hagar Art Gallery, Jaffa
Biographies Six Solo Exhibitions at Hagar Art Gallery, Jaffa Tal Ben Zvi Biographies Six Solo Exhibitions at Hagar Art Gallery, Jaffa Curator, editor, text: Tal Ben Zvi Graphic Editing: Dina Shoham Graphic Design: Tal Stern Catalogue Production: Dina Shoham Studio English translation: Daria Kassovsky, Ela Bar-David (pp. E40-E47) Arabic translation: Roaa Translations Structure and language consultant: Gal N. Kusturica Special thanks to Asaf Zippor The curator wishes to thank Sami Abu Shehade and Ihsan Sirri who took part in the Gallery’s activity; the artists participating in this catalogue: David Adika, Anisa Ashkar, Hanna Farah, Tsibi Geva, Gaston Zvi Ickovicz, Khen Shish. Heartfelt thanks to Zahiya Kundos, Sami Buchari, Ela Bar-David, Ruthie Ginsburg, Lilach Hod, Hana Taragan, Tal Yahas, Shelly Cohen, Hadas Maor, Naama Meishar, Faten Nastas Mitwasi and Tali Rosin. Prepress: Kal Press Printing: Kal Press Binding: Sabag Bindery Published by Hagar Association, www.hagar-gallery.com No part of this publication may be reproduced, stored in a retrieval system, photocopied or transmitted in any form or by any means, electronic, mechanical, or otherwise, without prior permission from the publishers. ISBN: 965-90953-1-7 Production of the catalogue was made possible through the support of: Israel National Lottery Council for the Arts The European Union Heinrich Böll Foundation © 2006, Tal Ben Zvi E5 Hagar Art Gallery, Jaffa Forgetting What Cannot be Forgotten Tal Ben Zvi E14 On Hanna Farah’s Distorted E19 On Tsibi Geva’s Lattice E23 On Gaston Zvi Ickowicz’s Buenos Aires E27 On Khen Shish’s Birthday E31 On David Adika’s Portraits: Mother Tongue E35 On Anisa Ashkar’s Barbur 24000 E40 Under the Light of Slumber Or, Hassan Beck’s Private Parking Zahiya Kundos E42 Aber Elr'ol Sami Buchari E48 CVs E51 List of Works Hagar Art Gallery, Jaffa Forgetting What Cannot be Forgotten | Tal Ben Zvi How could you stand life? These days we can stand it because of video; Abu Kamal was right – we’ve become a video nation. -
Tel Aviv Elite Guide to Tel Aviv
DESTINATION GUIDE SERIES TEL AVIV ELITE GUIDE TO TEL AVIV HIGHLIGHTS OF TEL AVIV 3 ONLY ELITE 4 Elite Traveler has selected an exclusive VIP experience EXPERT RECOMMENDATIONS 5 We asked top local experts to share their personal recommendations ENJOY ELEGANT SEA-FACING LUXURY AT THE CARLTON for the perfect day in Tel Aviv WHERE TO ➤ STAY 7 ➤ DINE 13 ➤ BE PAMPERED 16 RELAX IN STYLE AT THE BEACH WHAT TO DO ➤ DURING THE DAY 17 ➤ DURING THE NIGHT 19 ➤ FEATURED EVENTS 21 ➤ SHOPPING 22 TASTE SUMPTUOUS GOURMET FLAVORS AT YOEZER WINE BAR NEED TO KNOW ➤ MARINAS 25 ➤ PRIVATE JET TERMINALS 26 ➤ EXCLUSIVE TRANSPORT 27 ➤ USEFUL INFORMATION 28 DISCOVER CUTTING EDGE DESIGNER STYLE AT RONEN ChEN (C) ShAI NEIBURG DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | TEL AVIV www.elitetraveler.com 2 HIGHLIGHTS OF TEL AVIV Don’t miss out on the wealth of attractions, adventures and experiences on offer in ‘The Miami of the Middle East’ el Aviv is arguably the most unique ‘Habuah’ (‘The Bubble’), for its carefree Central Tel Aviv’s striking early 20th T city in Israel and one that fascinates, and fun-loving atmosphere, in which century Bauhaus architecture, dubbed bewilders and mesmerizes visitors. the difficult politics of the region rarely ‘the White City’, is not instantly Built a mere century ago on inhospitable intrudes and art, fashion, nightlife and attractive, but has made the city a World sand dunes, the city has risen to become beach fun prevail. This relaxed, open vibe Heritage Site, and its golden beaches, a thriving economic hub, and a center has seen Tel Aviv named ‘the gay capital lapped by the clear azure Mediterranean, of scientific, technological and artistic of the Middle East’ by Out Magazine, are beautiful places for beautiful people. -
Nina Canell CV EN.Indd
nina canell Swedish artist Nina Canell explores the potential of hidden objects and materials meant for the useage of forwarding or saving knowledge and technological proces- ses. Canell transforms sliced power- and fiber optic cables, unwound wire coils or exposed electrical wires into sculptural arrangements. Her interest in the contempo- rary advances of data transmission, the physical properties of data carriers themsel- ves and their indiscernible internal processes is rooted in the questioning of memory and knowledge. Her conviction is that there is no mediation without loss, neither between solid objects nor living things. Her sculptural process reveals the hidden process of transmission, at the same time questioning the integrity of the object with synthetic and organic materials. Nina Canell exhibited in the Nordic Pavilion at the 57th Venice Biennale in 2017. In 2019 the Kunstmuseum St. Gallen and the Kunsthalle Baden-Baden both showed solo exhibitions of the artist. biography 1979 born in Vaxjö, SE lives and works in Berlin, DE education 2005 Institute of Art, Design and Technology, Dun Laoghaire, Co. Dublin, IE solo exhibitions (selection) 2019 “Muscle Memory”, Staatliche Kunsthalle Baden-Baden, DE “Nina Canell and Robin Watkins: Energy Budget”, Capri, Dusseldorf, DE 2018 “NINA CANELL / IAN KIAER”, Various Others | Barbara Gross Galerie, Munich, DE “Energy Budget”, S.M.A.K Stedelijk Museum voor Actuele Kunst, Ghent, BE “Reflexologies”, Kunstmuseum St. Gallen, CH 2017 “Polyethylene-Insulated Smear”, Mendes Wood, São Paulo, BR -
Bachelor of Education (Art), Hamidrasha Art School, Beit Berl College
Curriculum Vitae Peleg Dishon E-mail [email protected] Website pelegdishon.com Higher Education 2005-09 -Bachelor of Education (Art), HaMidrasha Art School, Beit Berl College 2003-05 - Bachelor of Design (Fashion), Shenkar School of Design and Engineering Solo exhibitions 2014 - White to Play and Win -Circle 1 Gallery, Berlin, Curator: Doreet Levitte Harten 2013 - Up turned Chairs -Litvak Gallery, Tel Aviv, Curator: Meital Manor 2013 - Microvue - This is not a computer, Beéri Gallery, Kibbutz Beéri, Curator: Ziva Yalin 2013 - Mach Bands, Jerusalem Artists House, Jerusalem, Curator: Edna Mosenson 2012 - Flood, Petah Tikva Museum of Art, Petah Tikva, Curator: Irit Carmon 2010 - Z.Tz.U.K.L.L.H.H, HaMidrasha Gallery, Tel Aviv, Curator: Boaz Arad 2010 - Trains that Pass in the night, Tel Aviv Artists House, Tel-Aviv, Curator: Orly Hofman 2009 - Graduate exhibition, Hamidrasha - School of art, Beit Berl Collage. Selected Group exhibitions 2017 - Safe Haven / State of Emergency, Haifa Museum of Art, Haifa, Curator: Limor Alpern Zered 2017 - Across from, Mormon University, Jerusalem, Curator: Rinat Edelstein, Lee He Shulov, Tamar Manor Friedman 2017 - Transformations, The Steinhardt Museum of Natural History, Curator: Yifat Gurion 2017 – On the edge, Erez Israel Museum, Tel Aviv, Israel, Curator: Anat Getaniu 2017 – Fragmented Spaces, Spliced Identities, Open University Gallery Raanana, Israel, Curator: Yael Eylat Van-Essen, PhD 2016 - White on white, Mané-Katz Museum, Haifa, Israel, Curator: Svetlana Reingold 2016 - Things to come, Petach Tikva Museum of art, Petach Tikva, Curator: Doreet Levitte Harten 2015 - Back and Forth, NIMAC Art Centre, Nicosia, Cyprus, Curator: Drorit Gur-Arie 2014 - Give meaning to the place, collaboration with Pino Pascali Foundation. -
Staring Back at the Sun: Video Art from Israel, 1970-2012 an Exhibition and Public Program Touring Internationally, 2016-2017
Staring Back at the Sun: Video Art from Israel, 1970-2012 An Exhibition and Public Program Touring Internationally, 2016-2017 Roee Rosen, still from Confessions Coming Soon, 2007, video. 8:40 minutes. Video, possibly more than any other form of communication, has shaped the world in radical ways over the past half century. It has also changed contemporary art on a global scale. Its dual “life” as an agent of mass communication and an artistic medium is especially intertwined in Israel, where artists have been using video artistically in response to its use in mass media and to the harsh reality video mediates on a daily basis. The country’s relatively sudden exposure to commercial television in the 1990s coincided with the Palestinian uprising, or Intifada, and major shifts in internal politics. Artists responded to this in what can now be considered a “renaissance” of video art, with roots traced back to the ’70s. An examination of these pieces, many that have rarely been presented outside Israel, as well as recent, iconic works from the past two decades offers valuable lessons on how art and culture are shaped by larger forces. Staring Back at the Sun: Video Art from Israel, 1970-2012 traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond. Showcasing 35 works, this program includes documentation of early performances, films and videos, many of which have never been presented outside of Israel until now. Informed by the international 1 history of video art, the program surveys the development of the medium in Israel and explores how artists have employed technology and material to examine the unavoidable and messy overlap of art and politics. -
A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution WATCH
HUMAN RIGHTS A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution WATCH A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution Copyright © 2021 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 978-1-62313-900-1 Cover design by Rafael Jimenez Human Rights Watch defends the rights of people worldwide. We scrupulously investigate abuses, expose the facts widely, and pressure those with power to respect rights and secure justice. Human Rights Watch is an independent, international organization that works as part of a vibrant movement to uphold human dignity and advance the cause of human rights for all. Human Rights Watch is an international organization with staff in more than 40 countries, and offices in Amsterdam, Beirut, Berlin, Brussels, Chicago, Geneva, Goma, Johannesburg, London, Los Angeles, Moscow, Nairobi, New York, Paris, San Francisco, Sydney, Tokyo, Toronto, Tunis, Washington DC, and Zurich. For more information, please visit our website: http://www.hrw.org APRIL 2021 ISBN: 978-1-62313-900-1 A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution Map .................................................................................................................................. i Summary ......................................................................................................................... 2 Definitions of Apartheid and Persecution .................................................................................