Bachelor of Education (Art), Hamidrasha Art School, Beit Berl College

Total Page:16

File Type:pdf, Size:1020Kb

Bachelor of Education (Art), Hamidrasha Art School, Beit Berl College Curriculum Vitae Peleg Dishon E-mail [email protected] Website pelegdishon.com Higher Education 2005-09 -Bachelor of Education (Art), HaMidrasha Art School, Beit Berl College 2003-05 - Bachelor of Design (Fashion), Shenkar School of Design and Engineering Solo exhibitions 2014 - White to Play and Win -Circle 1 Gallery, Berlin, Curator: Doreet Levitte Harten 2013 - Up turned Chairs -Litvak Gallery, Tel Aviv, Curator: Meital Manor 2013 - Microvue - This is not a computer, Beéri Gallery, Kibbutz Beéri, Curator: Ziva Yalin 2013 - Mach Bands, Jerusalem Artists House, Jerusalem, Curator: Edna Mosenson 2012 - Flood, Petah Tikva Museum of Art, Petah Tikva, Curator: Irit Carmon 2010 - Z.Tz.U.K.L.L.H.H, HaMidrasha Gallery, Tel Aviv, Curator: Boaz Arad 2010 - Trains that Pass in the night, Tel Aviv Artists House, Tel-Aviv, Curator: Orly Hofman 2009 - Graduate exhibition, Hamidrasha - School of art, Beit Berl Collage. Selected Group exhibitions 2017 - Safe Haven / State of Emergency, Haifa Museum of Art, Haifa, Curator: Limor Alpern Zered 2017 - Across from, Mormon University, Jerusalem, Curator: Rinat Edelstein, Lee He Shulov, Tamar Manor Friedman 2017 - Transformations, The Steinhardt Museum of Natural History, Curator: Yifat Gurion 2017 – On the edge, Erez Israel Museum, Tel Aviv, Israel, Curator: Anat Getaniu 2017 – Fragmented Spaces, Spliced Identities, Open University Gallery Raanana, Israel, Curator: Yael Eylat Van-Essen, PhD 2016 - White on white, Mané-Katz Museum, Haifa, Israel, Curator: Svetlana Reingold 2016 - Things to come, Petach Tikva Museum of art, Petach Tikva, Curator: Doreet Levitte Harten 2015 - Back and Forth, NIMAC Art Centre, Nicosia, Cyprus, Curator: Drorit Gur-Arie 2014 - Give meaning to the place, collaboration with Pino Pascali Foundation. Pulgia Region, Italy 2013 - Wound, Petach Tikva Museum of art, Petach Tikva, Curator: Hila Cohen-Schneiderman 2012 - Tectonic Faults, Mani House, Tel Aviv, Curator: Drorit Gur-Arie 2011 - Meshek-Bait, the Kibbutz Gallery, Kibbutz Urim, Curator: Sari Golan 2011 - Site Specific, the Open University Gallery, Ra’anana, Curator: Carmit Blumenson 1 2011 - Shesh Besh, Petach Tikva Museum of art, Petach Tikva, Curator: Hadas Maor 2010 - White Night, Dana Gallery, kibbutz Yad mordechay, Curator: Ravit Harari 2010 - The Last Decade, 2000-2010 Midrasha Graduate Works, Mofat, Tel Aviv 2009 - Corridor, Pyramid- center for contemporary art, Haifa, Curator: Smadar Shindler 2009 - Life in an Emptied House, ST-ART - artist incubator, Tel-Aviv Art Fairs 2017 - PULSE MIAMI BEACH, Miami, USA 2017 - Fresh Paint 9- Contemporary Art Fair, Tel-Aviv, Israel 2013 - Art Beijing, Beijing, China 2013 - Art Stage, the Marina Bay Sands Convention and Exhibition Centre, Singapore 2010 - Fresh Paint 3- Contemporary Art Fair, Tel-Aviv, Israel Special Projects 2016 - The boulevard, Tel Aviv, Israel 2015 - Home Decor, The most incredible stories in the world, Beit Michal, Rehovot 2015 - Home Décor, Space Shuttle, Love Art festival, Tel Aviv 2015 - Art in community program, Ministry of culture, Israel 2013 – The Enterprise, Love Art festival, Tel Aviv 2010 – I Read the Text Afterward, Alfred Gallery, Tel Aviv Scholarships and awards 2016 – Asylum Arts, International Jewish Artist Retreat, Garrison, NY, USA 2015 – Artist Career Development Program, Asylum Arts, Artis, and Artport, Tel Aviv, Israel 2014 – Give Meaning to the Place Residence, Pino Pascali Foundation, Pulgia Region, Italy 2014-15 – Art in community program, Ministry of culture, Israel 2014 –15 - Gabirol residency program, Tel aviv-yafo municipality, Israel 2013 - Miron Sima prize for Visual Art 2013 2009 -10 - Prize for Excellency in Art, America-Israel Cultural Association 2009 - Prize for Excellency in Art, Midrasha Art School, Beit Berl College 2005-09 - Excellent educators program, Ministry of Education, Israel 2 Collections The Israel Museum Collection, Jerusalem, Israel The SIP Collection, Shpilman Institute for photography, Tel Aviv, Israel Ha'poalim Bank Collection, Israel Petch Tikva Museum Collection, Petach Tikva, Israel START Collection, Serge Tiroche, Jaffa, Israel Privet Colletions Publications 2017 – On the edge Catalog, Erez Israel Museum, Tel Aviv 2016 – Things to come Catalog, Petach Tikva Museum of art, Petach Tikva 2015 – LOWIMPACT, London 2014 - Alfred Gallery Catalog 2005-2013 2011 - Site Specific Catalog, the Open University Gallery, Ra’anana 2011 - Ms Use Magazine, Tel Aviv 2011 - Shesh Besh Catalog, Petach Tikva Museum of art, Petach Tikva 2010 - White Night Catalog, Dana Gallery, kibbutz Yad mordechay Press reviews and articles 27.10.2013– Outside the Frame, Karin levit ,Haa'retz 23.3.2013 - Mach Bands Review, Smadar Shefi, PHD_The Window 5.6.2012 – Shadow at Jerusalem, Smadar Shefi PHD, Ha'aretz 24.5.2012 –Continuum, Hila Shkolnic-Brener, City Mouse Tel Aviv 2.2.2012 – Open House – Ravit Harari, Nisha Magazine 21.7.2011 – Blue Blinder, City Mouse Tel Aviv 5.11.2010 – Light Out of Stone – Solo Exhibition Review, Uzi Tzur, Ha'aretz 26.3.2010 – Image Predator Smadar Shefi, PHD, Ha'aretz 29.10.2009 – Life in an Emptied House, Avital Borg, Ha'aretz 16.8.2009 - Graduate Exhibition Review, Mia Shimeony, Timeout Tel-Aviv 28.7.2009 - Graduate exhibition Review, Smadar Shefi, PHD, Ha'aretz Curating 2017 - wave length, Lior Schur, Alfred cooperative institute for Art & Cloture, Tel Aviv 2016 - Metal beast, Omer Even-Paz, Bezalel 7 Gallery, Jerusalem 3 .
Recommended publications
  • Elyasaf Kowner, Born 1970, Haifa, Israel. Interdisciplinary Artist {Video Art, Photography, Music} Selected Solo Exhibitions
    Elyasaf Kowner Curriculum Vitae www.kowner.com +972-544-442-890 Elyasaf Kowner, Born 1970, Haifa, Israel. Interdisciplinary artist {video art, photography, music} Selected Solo Exhibitions / Screenings ‘Kindergarten Performance’, Marc Chagall School [Curated by Itay Mautner], Tel Aviv, 2008 ‘Temporary Disappearance’, Yair Gallery [Curated by Yair Shulevitz], Tel Aviv, 2007 ‘Red Light/Red Heat’, The Gallery in Tmoona [Curated by Merav S. Ben Alon], Tel Aviv, 2006 ‘Learning Pain from Trees’, Herzliya museum [Curated by Dalia Levin], Herzliya, 2006 ‘15’, Haifa Museum of Art [Curated by Ilana Tenenbaum], Haifa, 2005 ‘I wandered relentlessly’, Hilchot Shchenim B, Center for Digital Art [Curated by Galit Eilat], Holon, 2004 ‘First Portrait’, Tel Aviv Museum [Curated by Varda Steinlauf], 2003 'In Great Condition', Miklatok Gallery [Curated by Dalia Bar-Amotz], Kibbutz Maabarot, 2003 'Car Portraits', Janco-Dada Museum, Ein Hod, 2002 'Inner Light', Brauda Academy Gallery [Curated by Shlomi Schwarzberg], Carmiel, 2002 'Fragments', evening of video art screening, Herzliya museum [Curated by Boaz Arad], Herzliya, 2001 'Video Works', ‘Rosenfeld’ Gallery , Tel Aviv, 2001 'Elastic View Point' video-art show, Left Bank Cultural Center [Curated by Boaz Arad], Tel Aviv, 2000 'Checking up the Distance', the Royal Academy, The Hague, 1997 'Closed in a Box', 'The Krane' gallery, East Village, New York, 1993 Selected Group Exhibitions / Screenings 'The Secret Exhibition', Beit Mani [Curated by Esti Drori and Doron Polak], Tel Aviv, 2008 'Street Art for Street
    [Show full text]
  • Biographical Notes
    Biographical Notes 1956 Born in Israel Lives and works in Tel Aviv Since 2007 - Teaches art at Bezalel Academy of Art and Design, Jerusalem Since 2001 - Teaches art at the Midrasha School of Art, Beit Berl Academic College, Israel 1983 – 2006 - Teaches art at the Thelma Yellin High School of the Arts, Givatayim, Israel 1993-2004 - Teaches art at Camera Obscura School of Art, Tel Aviv 1995-1996 - Studied at the New Seminar for Visual Culture, Criticism and Theory, Camera Obscura School of Art, Tel Aviv 1978-1982 - Studied art at the Avni School of Art, Tel Aviv One-Person Exhibitions 2009 – Kings of Israel - Rosenfeld Gallery, Tel Aviv 2008 - OI VA'AVOI, Rosenfeld Gallery, Tel Aviv 2007 - "Boaz Arad: VoozVooz," The Center for Contemporary Art, Tel Aviv (cat.) 1986 - Mapu Gallery, Tel Aviv 1985 - Chelouche Gallery, Tel Aviv Selected Group Exhibitions 2009 Your Cat is Dead, Hamidrasha Gallery, Tel Aviv, Curator: Doron Rabina 2009 2009 Tel Aviv Time, Tel Aviv Museum of Art, Curator: Nili Goren 2008 - Good Kids, Rosenfeld Gallery, Tel Aviv 2008 - "Self Portrait", Cabri Gallery of Israeli Art, Israel Minshar for Art, Art School and Culture Center ART OF THE STATE, Contemporary Photography and Video Art from Israel, The Jewish Historical Museum Amsterdam "Real Time – Art in Israel 1998-2008", Israel Museum Jerusalem (cat.) "Access to Israel I & II– Israeli Contemporary Art, Stadt Frankfurt Am Main (Cat.) "Mamma’s Boy", Bait Banamal, Tel Aviv (Cat.) "Dead End", Rosenfeld Gallery, Tel Aviv 2007 - "Food for Thought: A Video Art Sampler," The Jewish
    [Show full text]
  • The Future of Holocaust Remembrance in America Jillian
    University of Michigan Controversy & Community: The Future of Holocaust Remembrance in America Jillian Weyman HJCS 498 Primary Advisor: Professor Deborah Dash Moore April 15th, 2013 Table of Contents I. Introduction 3-7 II. Mirroring Evil: Nazi Imagery/Recent Art 7-31 III. The Holocaust Project: From Darkness Into Light 32-55 IV. White Flame of the Six Million 55-67 V. Schenker Holocaust Memorial Garden 67-76 VI. Conclusion 77-78 VII. Appendix of Artist Biographies 79-91 VIII. Works Cited 92-98 2 As a high school senior in the spring of 2009, I made the personally difficult choice to join the Los Angeles delegation for the March of the Living, a two-week trip in Poland for Yom HaShoah, and Israel for Yom Hazikaron and Yom Ha’atzmaut, Independence Day. Since elementary school, Yom HaShoah ceremonies in my private Jewish day school, looked and felt the same. I would sit in a room with peers and either listen to a Holocaust survivor share their story (many years it was the same survivor), be shown a documentary or student-made video, or both. Regardless of the structure, the content of these ceremonies always terrified me. I was uncomfortable reading about the Holocaust, seeing pictures, watching Holocaust-related films, and on multiple occasions even hoped that on the morning of our annual Yom HaShoah ceremony that I would not feel well enough to go to school. I still cannot accurately explain what possessed me senior year to sign up for March of the Living. However, during my interview with Monise Neumann, March of the Living director for the Los Angeles Delegation, my decision was made after she explained to me that she faced the same challenges as I did with Holocaust material.
    [Show full text]
  • Shai Yehezkelli Cv
    SHAI YEHEZKELLI CV EDUCATION 2010 Master of Fine Arts with honors at the Bezalel Academy of Art & Design, Tel-Aviv, Israel 2006 Bachelor of Fine Arts, Summa Cum Laude, at the Bezalel Academy of Art & Design, Jerusalem, Israel SELECTED SOLO EXHIBITIONS 2019 "The Great Sieste”, Chelouche gallery, Tel-Aviv "Maarava", Mindy Solomon gallery, Miami 2018 "Heel To Toe", Oded Shatil Contemporary Art Space, Tel-Aviv "Nothing Went Wrong to Write Home About", 2025 Kunst und Kultur, Hamburg 2016 "In Praise of Avalanche", The 2015 Rappaport Prize for a Young Israeli Artist, Tel Aviv Museum of Art (Curator: Anat Danon-Sivan) 2014 "With Philistines", Julie M. Gallery, Tel Aviv 2012 "Forever Sweat-Beads", Julie M. Gallery, Tel Aviv "Space C", Haifa museum of Art 2009 “Shouldn’t Couldn’t Wouldn’t“, Darom, Tel Aviv (Curator: Eden Bannet) 2007 “Fountain”, Solo gallery, Tel Aviv (Curator: Dana Taggar) SELECTED TWO-PERSON EXHIBITIONS 2019 "Support Beam Fall" With Eden Bannet, Villa Gallery, Jerusalem (Curator: Alfa Haimov) 2014 “Abigail Hopkins . Shai Yehezkelli", Ha'Kibbutz Gallery, Tel Aviv (Curator: Yael Keyni) 2013 "Depression Delights" with Sharon Fadida, The New & Bad gallery, Haifa (Curator: Natalie Levin) 2007 “Chay Tseeyurim” With Ran Keydar, Barbur, Jerusalem (Curators: Avi Sabah, Masha Zusman, Yanai Segal) SELECTED GROUP EXHIBITIONS Mindy Solomon Gallery [email protected] 8397 NE 2nd Avenue mindysolomon.com Miami, FL 33138 P 786-953-6917 United States F 786-464-0240 SHAI YEHEZKELLI CV 2019 “Hidden Hour”, Mindy Solomon Gallery, Miami, Florida "Maarbolot", Chelouche Gallery, Tel-Aviv 2018 "Stav", Maya Gallery, Tel-Aviv (Curator: Tsibi Geva) “No Other Place - Decade Exhibition”, The Tel Aviv Convention Center, Fresh Paint art fair “The Origin of Who U Are Right Now”, Kvadrat16 gallery, Copenhagen "Between Walls", Binyamin Gallery, Tel-Aviv (Curator: Gal Attia) "Weiße Weste", Il Caminetto, Hamburg (Curator: Rebekka Seubert) 2017 "There Will Be Nothing", MFA Gallery of Bezalel Academy, Tel-Aviv (Curators: Yitzhak Livneh, Dor Guez) “Art after Chagall.
    [Show full text]
  • Art Contemporain Israélien
    06_05_10 _ art contemporain israélien Pierre Bergé & associés Société de Ventes Volontaires_agrément n°2002-128 du 04.04.02 12, rue Drouot 75009 Paris T. +33 (0)1 49 49 90 00 F. +33 (0)1 49 49 90 01 Pierre Bergé & associés - Belgique Grand Sablon 40 Grote Zavel Bruxelles B-1000 Brussel T. +32 (0)2 504 80 30 F. +32 (0)2 513 21 65 Pierre Bergé & associés - Suisse 11, rue du général Dufour CH-1204 Genève T. +41 22 737 21 00 F. +41 22 737 21 01 PARIS www.pba-auctions.com ART CONTEMPORAIN ISRAÉLIEN Jeudi 6 mai 2010 2 3 4 5 6 7 8 9 10 11 12 13 14 15 VENTE AUX ENCHÈRES PUBLIQUES PARIS Pierre Bergé & associés Vente ART CONTEMPORAIN Israélien Jeudi 6 mai 2010 - 18 heures Drouot Montaigne PIERRE BERGÉ & ASSOCIÉS - FRANCE Pierre Bergé président Antoine Godeau - Frédéric Chambre vice-présidents 12 rue Drouot 75009 Paris - T. +33 (0)1 49 49 90 00 - F. +33 (0)1 49 49 90 01 numéro d’agrément_2002-128 du 04.04.02 RELATIONS PUBLIQUES DÉPARTEMENT DÉPARTEMENT PRESSE SPÉCIALISÉE JUDAÏCA DESIGN Nathalie du Breuil Amélie Sieffert ART NOUVEAU T. + 33 (0)1 49 49 90 08 T. + 33 (0)1 49 49 90 09 ART DÉCORATIF [email protected] [email protected] François Epin T. + 33 (0)1 49 49 90 13 CHARGÉE DE PROJETS : DÉPARTEMENT [email protected] PRESSE / ÉVÈNEMENTS BIJOUX - HORLOGERIE Sandor Gutermann Marie Le Tallec Dora Blary T. + 33 (0)1 49 49 90 33 T. + 33 (0)1 49 49 90 26 T.
    [Show full text]
  • Tel Aviv University International Study Abroad - Fall Semester 2014
    COURSE DESCRIPTION FALL 2014 T EL AVIV UNIVERSITY TEL AVIV UNIVERSITY INTERNATIONAL STUDY ABROAD - FALL SEMESTER 2014 COURSE DESCRIPTION MAIN OFFICE UNITED STATES CANADA The Carter Building , Room 108 Office of Academic Affairs Lawrence Plaza Ramat Aviv, 6997801, Israel 39 Broadway, Suite 1510 3130 Bathurst Street, Suite 214 Phone: +972-3-6408118 New York, NY 10006 Toronto, Ontario M6A 2A1 Fax: +972-3-6409582 Phone: +1-212-742-9030 [email protected] [email protected] Fax: +1-212-742-9031 [email protected] INTERNATIONAL.TAU.AC.IL 1 TABLE OF CONTENTS ■ FALL SEMESTER 2014 DATES 3-5 ■ ACADEMIC REQUIREMENTS 6-17 O INSTRUCTIONS FOR REGISTRATION 6-7 O REGULAR UNIVERSITY COURSES 7 O WITHDRAWAL FROM COURSES 8 O PASS/FAIL OPTION 8 O INCOMPLETE COURSES 8 O GRADING SYSTEM 9 O CODE OF HONOR AND ACADEMIC INTEGRITY 9 O RIGHT TO APPEAL 10 O SPECIAL ACCOMMODATIONS 10 O HEBREW ULPAN REGULATIONS 11 O TAU WRITING CENTER 11-12 O DESCRIPTION OF LIBRARIES 13 O MOODLE 13 O SCHEDULE OF COURSES 14-16 O EXAM TIMETABLE 17 ■ TRANSCRIPT REQUEST INSTRUCTIONS 18 ■ COURSE DESCRIPTIONS 19-97 ■ REGISTRATION FORM FOR STUDY ABROAD COURSES 98 ■ EXTERNAL REGISTRATION FORM 99 2 FALL SEMESTER 2014 IMPORTANT DATES ■ The Fall Semester starts on Sunday, October 19th 2014 and ends on Thursday, January 1st 2015 (inclusive). ■ Academic Orientation: Sunday, September 15th 2014. ■ Course registration deadline: Thursday, September 18th 2014 ■ Class changes and finalizing schedule (see hereunder): Sunday or Monday, October 26th – 27th 2014. ■ Last day in the dorms: Sunday, January 4th 2014. Students are advised to register to more than the required 5 courses but not more than 7 courses.
    [Show full text]
  • Second Sale Starter
    Henry Hollander, Bookseller 843 Twenty-Fourth Avenue San Francisco, CA 94121 2007 Year-End Sale Contact us at 415-831-3228 or [email protected] This is our second year-end sale. We are getting a late start, so the sale will run until January 31st. All of the title below are offered at a 50% discount off of our regular prices which appear below (ie. Price below $10.00, sale price $5.00). Quanities are limited, so some items will sell out. We are beginning with a stock of at least three copies of each item. Sale price DOES NOT extend to any items not listed below. At this time I have not been able to fully proof this catalog for typographic errors. Neither item numbers nor page numbers are up yet either. I should have a better version of this catalog available by the 24th. Orders can be placed through the website. The website (http://www.hollanderbooks.com) will not calculate a discount, but one will be taken on all sale items when the final invoice is run. However, it may be easier for you to send me a list of your order in an email to the address above. Thanks for your interest. We look forward to hearing from you. Jewish Art "Scheinfeld." Tel Aviv, Sabra, 1977. First Edition. Oblong quarto, orange cloth, 68 pp., b/w and color illustrations throughout. Hardbound. Very Good. Introduction by Ethel Broido in Hebrew and English. Foreword by Baruch Oren. An artist's catalog. Yeshayahu Scheinfeld is an Israeli naive artist who worked in various mediums including weaving.His usual subject matter is the scenery of the land of Israel (29433) $10.00 Abrahami, Elie.
    [Show full text]
  • Ingafonarcocos-Cat-Einharod.Pdf
    Inga Fonar Cocos Inga Fonar Cocos Viewer’s Version Im Auge des Betrachters Museum of Art, Ein Harod Museum of Art, Ein Harod The catalogue was published with the Thanks Contents · Inhalt support of · Dieser Katalog konnte mit der To Yona Fischer and Giora Rosen – for a productive Inga Fonar Cocos: Viewer’s Version · freundlichen Unterstützung der folgenden dialogue, and for their deep involvement and support; Im Auge des Betrachters Institutionen erscheinen: to Galia Bar Or, Hagi Kenaan and Micha Brumlik – for their profound understanding of my works and Design and Production · Gestaltung und Herstellung: Galia Bar Or How to Touch on Understanding Without Touching 13 Council for the Arts, Israeli National Lottery · their discussion in a wide academic context; to Dr. Michael Gordon / Photography · Fotografien: Kunstausschuss der israelischen Nationallotterie Benjamin Hartmann, Asaf Harofe Medical Center – Miki Koren / Additional Photographs · Zusätzliche Hagi Kenaan Where Are The Invisible Trains Headed? 37 for assisting me in my study of neuro-ophthalmology; Fotografien: Klaus Illi (pp. 18, 20, 21, 22), Dina The Israeli Center for Libraries · to Eli Arluk – for his support; to Galina and to Roni Guna (pp. 102, 103), Avshalom Avital (pp. 85, 86, Das israelische Bibliothekszentrum Micha Brumlik Blindness – Inga Fonar Cocos’ 87), Avraham Hay (pp. 98, 99), Inga Fonar Cocos Itshaki – for their generous collaboration on the work The Yehoshua Rabinovitch Foundation · “Ashdod-Tel Aviv”; to Rachel Gilad-Wallner, Avi Kats, (pp. 23, 95, 96) / Hebrew Text Editing · Lektorat Ophthalmological Diagnosis 57 Yael Zimels, Elon Rosen, Ruchama Shaulski and der hebräischen Beiträge: Orna Yehudaioff / Yehoshua Rabinovitch Stiftung Oded Shatil – for their devoted support.
    [Show full text]
  • Writing Visual History Photography, Visual Arts and Media Sunday, 8 May 2016 the Hebrew University of Jerusalem Mandel School for Advanced Studies, Room 530
    המרכז ללימודים גרמניים CENTER FOR GERMAN STUDIES EUROPEAN FORUM AT THE HEBREW UNIVERSITY Conference in the framework of the research project of the DAAD Center for German Studies: German Postwar Visual History in a European Framework Writing Visual History Photography, Visual Arts and Media Sunday, 8 May 2016 The Hebrew University of Jerusalem Mandel School for Advanced Studies, Room 530 Boaz Arad, Marcel Marcel, Video, ©2000 9:00-9:15 - Opening 11:30-13:00 - Paper Panel: Appropriating 14:30-16:00 - Panel Discussion: Noam Shoval (Head of the DAAD Center the Past Photography, History, Memory for German Studies, The Hebrew Chris Wahl (Filmuniversität Babelsberg Paul Frosh (The Hebrew University of University of Jerusalem) KONRAD WOLF): The Real Triumph of the Jerusalem) Tobias Ebbrecht-Hartmann (The Hebrew Reels of Triumph of the Will Noam Gal (The Israel Museum, Jerusalem) University of Jerusalem) Noga Stiassny (Universität Hamburg / The Evelyn Runge (The Hebrew University of Hebrew University of Jerusalem): Jerusalem) 9:15-10:45 - Paper Panel: Visual Memory Appropriating Nazi Imagery in Visual Arts Ofer Ashkenazi (The Hebrew University of Yael Mazor (Tel Aviv University): History Tobias Ebbrecht-Hartmann (The Hebrew Jerusalem) Repeating? Archival Elements in the Works University of Jerusalem): From Trophy to Evidence – Jerusalem 1961, a Trial as Film of Harun Farocki and Romuald Karmakar 16:30-18:00 - Artist’s Conversation and Götz Lachwitz (Universität Hamburg): Michal Shur-Ofry / Guy Pessach (The Video Screening with Boaz Arad Hebrew University of Jerusalem): Performing Memory in Documentary Moderator: Michal Peer (The Hebrew Copyright and the Holocaust Films University of Jerusalem) Marc Brüggemann (Freie Universität Berlin / The Hebrew University of Jerusalem): 13:00-14:30 - Lunch break Remembering Munich 1972 – Visual Memory in German Exhibitions and Museums RSVP in advance to: [email protected].
    [Show full text]
  • Contents of the Press Kit
    CONTENTS OF THE PRESS KIT Press release p.2 p.3 Biography p.5 Exhibition layout p.6 Contents of the catalogue p.7 Catalogue extracts p.10 Practical informations Ron Amir Somewhere in the Desert 14 September 2 December 2018 Ron Amir – Bisharah and Anwar’s Tree, 2015 Press preview: Thursday 13 September 11am–2pm Museum director Fabrice Hergott Official opening: Thursday 13 September 6–10pm Exhibition curator The Musée d’Art Moderne de la Ville de Paris is delighted to be presenting the Noam Gal exhibition Quelque part dans le désert/ Somewhere in the Desert by Israeli photographer Ron Amir. Already shown at the Israel Museum in Jerusalem in 2016, Curator at the Musée d’Art the exhibition – 30 large-format colour photographs and 6 videos – looks at the living Moderne de la Ville de Paris: conditions of Sudanese and Eritrean refugees in the Holot detention centre in the Emmanuelle de l’Ecotais Negev Desert, which has since been shut down. In flight from terrorism and Press officer oppression in their home countries, these migrants were not able to live or work Maud Ohana legally in Israel. While allowed to come and go freely during the day, they had to [email protected] check in and out each morning and evening. Tel. 01 53 67 40 51 Dating from 2014–2016, Ron Amir's photographs document the refugees' daytime Visitor information activities, showing how, in the desert and with no resources, they set about shaping a Musée d’Art Moderne shared everyday existence. Using sticks, sand, stones and all kinds of abandoned bits de la Ville de Paris 11 Avenue du Président Wilson and pieces, they managed to to put together community huts, tearooms, sporting 75116 Paris facilities, improvised ovens and other additions to the spartan facilities provided at Tel.
    [Show full text]
  • IS IT OK to LAUGH ABOUT IT? Steir-Livny V6 Layout 1 4/5/2017 7:40 AM Page 2
    Livny hB-1_hB.qxd 31/03/2017 22:40 Page 1 H I s Dr. Liat Steir-Livny is Assistant o Holocaust humour, satire, and parody are This is the first book that suggests a comprehensive analysis of a l i sensitive and complex issues. For many Professor in the Department of o complex and sensitive subject – contemporary Holocaust humour t c years, Israeli culture recoiled from dealing Culture, Sapir Academic College, a in Israel – and does it in an innovative and intriguing way that adds O Israel. She is a tutor and course u with the Holocaust from a humorous or s K Is it OK satirical perspective. The perception was to our understanding of the transgenerational transfer of the trauma t coordinator in the MA program that a humorous approach might threaten H to the younger generations. in Cultural Studies and i n t the sanctity of its memory, or evoke feel - u o the Department of Literature, m ings of disrespect towards the subject and Nurith Gertz , Professor Emerita, The Open University L Language and the Arts, and she is o hurt Holocaust survivors' feelings. Official and Sapir Academic College u a to Laugh About it? agents of Holocaust memory continue to also the academic coordinator r u , follow this approach. But, from the of the MA program in Cultural S g 1990s, a new unofficial path of commem - Studies, the Open University, a h t oration has been taking shape. Texts that i Israel. Her books and arti cles r combine the Holocaust with humour are a A e analyse Israeli collective memory major aspect of it, but this remains contro - a Books of Related Interest b and popular culture.
    [Show full text]
  • ןמוא םש Artist Name הדובעה םש Work Title תאור Description
    In Summer 2003 in Leipzig, a few hundred people met up in a space temporarily arranged for the project Radioballett Leipzig. Participants עבודת וידיאו המתרחשת gathered with small radios, or בתא של כספומט. שני ילדים rentedThis is athem video from piece the that organizers, takes סרט חודרים תיעודי לתוכו, הם העוקב שריםאחר אך andplace tuned in an them ATM booth.to the localTwo children סרט עבודתם הליריקה תיעודי והשפה המשותפתהעוקב אינםשלאחר David independentget into the booth; radio station.they are At singing, around)מובנים. עבודתם הצייר החריזה דויד המשותפת ריבשלהמלודית, 6pm,but the the lyrics radio and broadcast the language switched are וצלם ערבה David) פרוייקט לאוזן, הצייר העיתונתפומבי אך דוידשל מיקי ריבחסרת קבוצתכל(Reeb fromnot comprehensible. playing music to The a directive, melodic go מללוצלם ,Witz עבודת (Kratsman וידאו קוהרנטיהעיתונת, Christinaבה Miki) מיקי שהםלמרות)נראה קרצמןזאת(ReebמבטLigna שנה Olaf toverse the istrain pleasantDescription station. to Solisten the to, group but itכולל פנורמי של(Kratsman טקסט ,Grimm הסינכרוניזציה שלMiki) תאורמצלמה Marenשריתקרצמןהנעהוהפוליפוניה Work Title שם העבודה Artist Name שם אומן crossedlacksA documentary any the coherent street film to wording. about the station the In work spite and (בו כולל תאום בסיבובקהל (Shapira טקסטקולות ) בתחנתSarit)במהלךשל יום ביניהם שריתשפיראולילה ,(Sobczakעלמוכיחה Project – Weizman wentofA documentarythis,the inside. Israeli the synchronization Directivespainter film aboutDavid for the behavior Reeband work and 2003 את פנים רכבתשמאל , (Shapira חדר יכולתם כיבוש, בגרמניהSarit) והרחוב לתקשרמודרךשיעתוקשפירא ,}הנשקףלבצע Arad, Boaz Square ארד בועז werepolyphonyofIsraeli the broadcast, Israeliphotographer (vocal painter interspersed coordination) DavidMiki Kartzman. Reeb with and 2003 {,'שמאלפעולות, מהחלון באמצעותו( אינתיפאדה, כיבוששל, מסוימות הלכות קוד. (דרך שיעתוקפוליטיקה,}שכנים אתורכיה,שידורי control קונטרול Goren, Amit גורן עמית music.betweenIsraeli photographerFollowing them proves the Mikicues, their Kartzman.
    [Show full text]