Jewelry for Initial Piercings
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Treatise on Combined Metalworking Techniques: Forged Elements and Chased Raised Shapes Bonnie Gallagher
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 1972 Treatise on combined metalworking techniques: forged elements and chased raised shapes Bonnie Gallagher Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Gallagher, Bonnie, "Treatise on combined metalworking techniques: forged elements and chased raised shapes" (1972). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. TREATISE ON COMBINED METALWORKING TECHNIQUES i FORGED ELEMENTS AND CHASED RAISED SHAPES TREATISE ON. COMBINED METALWORKING TECHNIQUES t FORGED ELEMENTS AND CHASED RAISED SHAPES BONNIE JEANNE GALLAGHER CANDIDATE FOR THE MASTER OF FINE ARTS IN THE COLLEGE OF FINE AND APPLIED ARTS OF THE ROCHESTER INSTITUTE OF TECHNOLOGY AUGUST ( 1972 ADVISOR: HANS CHRISTENSEN t " ^ <bV DEDICATION FORM MUST GIVE FORTH THE SPIRIT FORM IS THE MANNER IN WHICH THE SPIRIT IS EXPRESSED ELIEL SAARINAN IN MEMORY OF MY FATHER, WHO LONGED FOR HIS CHILDREN TO HAVE THE OPPORTUNITY TO HAVE THE EDUCATION HE NEVER HAD THE FORTUNE TO OBTAIN. vi PREFACE Although the processes of raising, forging, and chasing of metal have been covered in most technical books, to date there is no major source which deals with the functional and aesthetic requirements -
Download PDF About Minerals Sorted by Mineral Name
MINERALS SORTED BY NAME Here is an alphabetical list of minerals discussed on this site. More information on and photographs of these minerals in Kentucky is available in the book “Rocks and Minerals of Kentucky” (Anderson, 1994). APATITE Crystal system: hexagonal. Fracture: conchoidal. Color: red, brown, white. Hardness: 5.0. Luster: opaque or semitransparent. Specific gravity: 3.1. Apatite, also called cellophane, occurs in peridotites in eastern and western Kentucky. A microcrystalline variety of collophane found in northern Woodford County is dark reddish brown, porous, and occurs in phosphatic beds, lenses, and nodules in the Tanglewood Member of the Lexington Limestone. Some fossils in the Tanglewood Member are coated with phosphate. Beds are generally very thin, but occasionally several feet thick. The Woodford County phosphate beds were mined during the early 1900s near Wallace, Ky. BARITE Crystal system: orthorhombic. Cleavage: often in groups of platy or tabular crystals. Color: usually white, but may be light shades of blue, brown, yellow, or red. Hardness: 3.0 to 3.5. Streak: white. Luster: vitreous to pearly. Specific gravity: 4.5. Tenacity: brittle. Uses: in heavy muds in oil-well drilling, to increase brilliance in the glass-making industry, as filler for paper, cosmetics, textiles, linoleum, rubber goods, paints. Barite generally occurs in a white massive variety (often appearing earthy when weathered), although some clear to bluish, bladed barite crystals have been observed in several vein deposits in central Kentucky, and commonly occurs as a solid solution series with celestite where barium and strontium can substitute for each other. Various nodular zones have been observed in Silurian–Devonian rocks in east-central Kentucky. -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
Tiger's Eye Is Not a Pseudomorph Glenn Morita in the Early 1800’S, Mineralogists Recognized That Tiger’S Eye Was a Fibrous Variey of Quartz
Minutes of the 05/20/03 Westside Board Meeting VP Stu Earnst opened the meeting at 7:31pm. Treasurer’s report read by Kathy Earnst. Minutes approved as published in the newsletter. Old business: Lease on Walker valley discussed. The expiration notice was sent but we are not sure who it went to. We do not see any obstacle to renewal as communication between the council and DNR are open and ongoing. Special thanks, to DNR representative, Laurie Bergvall and DNR staff for their time and effort in hearing our concerns and working towards mutually beneficial solutions on the Walker Valley issues. Sign production is on hold until the sign committee decides where and what the signs will say. We have decided that they will not be on the gate but separate from it. There will be a gate going up at Walker Valley but we will have access to that lock and it will probably be a combo type of thing that we can easily give to other rockhound clubs going there. Talked about the possibility of posing the combo on website but that will depend on the type of gate they put up and what ends up being possible with the mechanics of that gate. New business: Thank you from Bob Pattie and Ed Lehman to Bruce Himko and AAA Printing for donation of the paper. Thank you to Danny Vandenberg for providing sample Walker Valley Material to DNR to show the value of the material we are trying to preserve and enjoy. Bob Pattie is pursuing with the retrieval of our state seized funds through the unclaimed property process. -
City of St. Peters Board of Aldermen Tentative Agenda for Regular Meeting St
CITY OF ST. PETERS BOARD OF ALDERMEN TENTATIVE AGENDA FOR REGULAR MEETING ST. PETERS JUSTICE CENTER, 1020 GRAND TETON DRIVE, ST. PETERS, MO 63376 OCTOBER 22, 2020 – 6:30 P.M. A. Call to Order, Mayor Len Pagano B. Roll Call C. Opening Ceremonies 1. Invocation 2. Pledge of Allegiance 3. Proclamations: National Arts and Humanities Month, Jill Tutt 4. Presentation: No Hunger Holiday, Mike Narkawicz 5. Recognition: Random Acts of Kindness D. Approval of Minutes: The Board of Aldermen Work Session meeting of October 8, 2020; and the Regular Board of Aldermen meeting of October 8, 2020. E. Reports of Officers, Boards and Commissions 1. Mayoral Report of Appointments to Boards and Commissions a. Appointment to the Veterans Memorial Commission 2. City Administrator’s Report: 3. Report of Director, Planning, Community and Economic Development: 4. St. Peters Business Spotlight: None F. Open Forum 1. Citizens Petitions and Comments 2. Communications from the Elected Officials 3. Announcements G. Public Hearings: None H. Unfinished Business Items: None I. New Business Items: 1. Bill No. 20-118: Bill authorizing the City Administrator of the City of St. Peters, Missouri, to execute a Certain Subrecipient Agreement between St. Charles County (Grantee) and the City of St. Peters (Subrecipient) for conducting City Community Development Block Grant (CDBG) Programs with 2020 Federal Funding 2. Bill No. 20-119: Bill of the City of St. Peters, Missouri, deleting Chapter 615 of the Code of the City of St. Peters, Missouri, in its entirety; enacting, in lieu thereof, a new Chapter 615; and providing for the licensing and regulation of body art establishments and body artists 3. -
Hercules Jewelry Project
Hercules Knot Jewelry Series I thoroughly enjoyed my wire wrapping jewelry projects, but in the course of researching and building the class, I was inspired to learn real metalsmithing. I’ve been assembling earrings and necklaces for decades, but suddenly I really wanted to solder, and set gems, and fabricate! Fortunately, my good friend Fjorlief InHaga is a brilliant artisan, and she’s been teaching me and letting me use her studio. THE HERCULES KNOT aka HERAKLES, Reef Knot or Square Knot This motif represents strength and came to be associated with marriage. Brides wore their belts tied this way (see my paper on Roman Weddings). It was a common motif in the Greco-Roman world though the Republic and Early – Mid Empire. 1 2 3 Above, gold bracelet and ring from the 1st century BCE – 2nd CE. Silver mirror, 4th century CE. I imagine this would have been a lovely wedding present. Below: Necklaces dated to the 2nd-3rd century, an armband (#6), and rings from 5rd century BCE to 3rd CE . I have included only a small number of the large quantity of eXtant artifacts. Combined with the variations in assembly technique and clasps, the abundance of pieces shows that the Hercules Knot was a style that was widespread and made by many different artisans. 4 5 6 7 8 9 10 For my first project, I wanted to duplicate the look of these early Imperial necklaces of emerald and gold. For cost purposes, I used brass and glass, which was a commonly-used substitute for stones in period. -
Reflecting on the Moche Past 2000 Years of Mirrors in Andean Art
Reflecting on the Moche Past 2000 Years of Mirrors in Andean Art Reflecting on the Moche Past Mirror Frame Moche, Loma Negra, Peru, AD 500-800 Gilded copper/bronze H. 9 ¼ in. W 5 in. irrors, useful for seeing one’s own image, or for reflecting light, are a commonplace today. But in ancient M times pooled water was the only readily available reflective surface. Artificial mirrors could be made only by processing rare natural substances or forging new man-made materials. Vanity is a universal human trait, and ancient peoples undoubtedly sought to admire their own faces, coiffures, and bodies. Numerous ceramic vessels portray individuals with elaborate coiffures or using pincers (tweezer-like tools) to pluck facial hair. At least two ceramic vessels portray women holding small black disks – presumably mirrors - up to their faces. After the con- quest, Garcilaso de la Vega wrote about mirrors: "Los espejos en que se miravan Las mugeres de LA sangre real eran de Plata muy brunida y Las comunes en acofar [The mirrors in which the women of royal blood looked were of highly polished silver; commoners used bronze mirrors]" libro II cap xxxviii. But pre-Columbian mirrors were undoubtedly used for purposes far more significant than facilitating personal adornment. Mirrors made by labori- ously mining, shaping, and grinding dark, shiny minerals were exchanged over long distances, incorporated in public and private rituals, and sometimes were buried with the dead. Today’s mirrors are made from glass or plastic sheets coated with silver or an- other reflective material. While glass was never manufactured in the ancient Americas, dark volcanic glass – obsidi- an – was sometimes ground flat and polished to produce a reflective sur- face. -
Total Lot Value = $5,520.15 LOT #149 Location Id Lot # Item Id Sku Image Store Price Model Store Quantity Classification Total Value
Total Lot Value = $5,520.15 LOT #149 location_id Lot # item_id sku Image store_price model store_quantity classification Total Value A10-S11-D009 149 143692 BR-2072 $11.99 Pink CZ Sparkling Heart Dangle Belly Button Ring 1 Belly Ring $11.99 A10-S11-D010 149 67496 BB-1011 $4.95 Abstract Palm Tree Surgical Steel Tongue Ring Barbell - 14G 10 Tongue Ring $49.50 A10-S11-D013 149 113117 CA-1346 $11.95 Triple Bezel CZ 925 Sterling Silver Cartilage Earring Stud 6 Cartilage $71.70 A10-S11-D017 149 150789 IX-FR1313-10 $17.95 Black-Plated Stainless Steel Interlocked Pattern Ring - Size 10 1 Ring $17.95 A10-S11-D022 149 168496 FT9-PSA15-25 $21.95 Tree of Life Gold Tone Surgical Steel Double Flare Tunnel Plugs - 1" - Pair 2 Plugs Sale $43.90 A10-S11-D024 149 67502 CBR-1004 $10.95 Hollow Heart .925 Sterling Silver Captive Bead Ring - 16 Gauge CBR 10 Captive Ring , Daith $109.50 A10-S11-D031 149 180005 FT9-PSJ01-05 $11.95 Faux Turquoise Tribal Shield Surgical Steel Double Flare Plugs 4G - Pair 1 Plugs Sale $11.95 A10-S11-D032 149 67518 CBR-1020 $10.95 .925 Sterling Silver Hollow Star Vertical Captive Bead Ring - 16G 4 Captive Ring , Daith $43.80 A10-S11-D034 149 67520 CBR-1022 $10.95 .925 Sterling Silver Hollow Butterfly Vertical Captive Bead Ring - 16G 2 Captive Ring , Daith $21.90 A10-S11-D035 149 67521 CBR-1023 $8.99 .925 Sterling Silver Hollow Cross Vertical Captive Bead Ring - 16G 2 Captive Ring , Daith $17.98 A10-S11-D036 149 67522 NP-1001 $15.95 Triple CZ .925 Sterling Silver Nipple Piercing Barbell Shield 8 Nipple Ring $127.60 A10-S11-D038 149 -
Metals and Metal Products Tariff Schedules of the United States
251 SCHEDULE 6. - METALS AND METAL PRODUCTS TARIFF SCHEDULES OF THE UNITED STATES SCHEDULE 6. - METALS AND METAL PRODUCTS 252 Part 1 - Metal-Bearing Ores and Other Metal-Bearing Schedule 6 headnotes: Materials 1, This schedule does not cover — Part 2 Metals, Their Alloys, and Their Basic Shapes and Forms (II chemical elements (except thorium and uranium) and isotopes which are usefully radioactive (see A. Precious Metals part I3B of schedule 4); B. Iron or Steel (II) the alkali metals. I.e., cesium, lithium, potas C. Copper sium, rubidium, and sodium (see part 2A of sched D. Aluminum ule 4); or E. Nickel (lii) certain articles and parts thereof, of metal, F. Tin provided for in schedule 7 and elsewhere. G. Lead 2. For the purposes of the tariff schedules, unless the H. Zinc context requires otherwise — J. Beryllium, Columbium, Germanium, Hafnium, (a) the term "precious metal" embraces gold, silver, Indium, Magnesium, Molybdenum, Rhenium, platinum and other metals of the platinum group (iridium, Tantalum, Titanium, Tungsten, Uranium, osmium, palladium, rhodium, and ruthenium), and precious- and Zirconium metaI a Iloys; K, Other Base Metals (b) the term "base metal" embraces aluminum, antimony, arsenic, barium, beryllium, bismuth, boron, cadmium, calcium, chromium, cobalt, columbium, copper, gallium, germanium, Part 3 Metal Products hafnium, indium, iron, lead, magnesium, manganese, mercury, A. Metallic Containers molybdenum, nickel, rhenium, the rare-earth metals (Including B. Wire Cordage; Wire Screen, Netting and scandium and yttrium), selenium, silicon, strontium, tantalum, Fencing; Bale Ties tellurium, thallium, thorium, tin, titanium, tungsten, urani C. Metal Leaf and FoU; Metallics um, vanadium, zinc, and zirconium, and base-metal alloys; D, Nails, Screws, Bolts, and Other Fasteners; (c) the term "meta I" embraces precious metals, base Locks, Builders' Hardware; Furniture, metals, and their alloys; and Luggage, and Saddlery Hardware (d) in determining which of two or more equally specific provisions for articles "of iron or steel", "of copper", E. -
OPAR CFP Advances in the Studies of Obsidian Sources and Artifacts Of
THE BLACK GOLD THAT CAME FROM THE SEA. ADVANCES IN THE STUDIES OF OBSIDIAN SOURCES & ARTIFACTS OF THE CENTRAL MEDITERRANEAN AREA COORDINATING EDITORS Franco Italiano, Istituto Nazionale di Geofisica e Vulcanologia, Sezione di Palermo, Italy. Franco Foresta Martin, Laboratorio Museo di Scienze della Terra Isola di Ustica, Palermo, Italy; Istituto Nazionale di Geofisica e Vulcanologia, Sezione di Palermo, Italy. Maria Clara Martinelli, Polo Regionale delle Isole Eolie per i siti culturali, Parco Archeologico e Museo Luigi Bernabò Brea, Lipari, Messina, Italy. DESCRIPTION Open Archaeology invites manuscripts for the Special Issue on The Black Gold That Came from the Sea. Advances in the Studies of Obsidian Sources and Artifacts of the Central Mediterranean Area. This Special Issue collects most of the contributions presented at the international workshop on the same subject which took place in Palermo, Italy, on 10-12 June 2019. The topics are: archaeometric studies of obsidian sources and artifacts; new methods of obsidian sources discrimination; genesis of the Central Mediterranean obsidian outcrops exploited during the Prehistory; obsidians as an edutainment tool; a section is dedicated to studies of characterization of ancient glasses. HOW TO SUBMIT The authors are kindly invited to submit their contribution via online submission system Editorial Manager available at http://www.editorialmanager.com/opar/ It is important that authors include a cover letter with their manuscript, making it clear that the manuscript is dedicated to Special Issue on The Black Gold That Came from the Sea. Advances in the Studies of Obsidian Sources and Artifacts of the Central Mediterranean Area. The cover letter should explicitly state that the manuscript (or one with substantially the same content, by any of the authors) has not been previously published in any language anywhere and that it is not under simultaneous consideration or in press by another journal. -
Making a Skull Ring
Making a skull ring The first people to utilize the lost wax process is unknown as it is shrouded in history. It is well documented that it has been used for thousands of years to produce objects in metal which could not be produced any other way, due to the complexity of their design. The lost wax process allows anything that can be modeled in wax to be accurately transmuted into metal. Most fine jewelry made from gold and sterling are made using lost wax casting as it produces the highest detail The Wax Models are placed in a Plaster Mixture which then aloud to harden. Once the plaster mixture (investment) has set hard, the flasks are placed in a kiln, slowly heated to between 1000 and 1250 degrees F, and held at that temperature until all wax residues have disappeared. The place where the wax was is now a void, hence the "lost wax" designation for this process. The metal is then melted in a metal furnace and the molds are filled with liquid silver by hand while the mold is still very hot. The flask is then allowed to cool and the investment mold is broken away revealing the metal piece. This process faithfully reproduces every detail of the original wax as well as the gates and vents, which must latter be cut off with a jeweler's saw. http://davescustomskulls.com/MAKING_OF_A_SKULL_RING.html (1 of 7) [10/27/2007 8:07:45 AM] Making a skull ring After cutting away the Silver Tail-(Sprue) the Hand Finishing Process begins with the Many different Steps shown below to BRING final Details and a Mirror Finish to the RING surface. -
Testing Gold Platinum Silver.Qxp
PROCEDURES FOR TESTING GOLD, PLATINUM AND SILVER To test for the karat value of gold, platinum and silver, you will need the following materials and tools: • Black acid testing stone that is washed thoroughly with water prior to each test. • Acids. • Gold testing needles with gold tips - used for comparison with test pieces. Testing for 10K, 12K, 14K Scratch the gold piece to be tested on the stone. Next to this position, scratch the appropriate needle (10, 12 or 14K). Place a drop of the appropriate acid on the stone where the gold was rubbed off. If the gold is the same karat or higher, the color of the scratch mark for the gold piece will appear the same as the mark from the needle. If that gold piece is a lower karat, the scratched deposit will become fainter and eventually disappear. Testing for 18K Scratch the test piece on the stone and apply 18K acid. Any gold that is less than 18K will disappear in less than 30 seconds. Gold that remains on the stone is 18K or higher. Testing for 20K and 24K Scratch the gold piece on the stone. Next, scratch any item of know karat (coin or needle) on the stone. Apply one drop of acid to area. The material that starts to disappear has the lower karat. Testing for Platinum Scratch the test item on the stone and apply one drop of acid to the application on the stone. If the material is platinum, it should keep its white, bright color. White Gold The same procedure for platinum can be used for 18K white gold.