Invictus Catalog Lowres.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
The Use of Titanium in Dentistry
Cells and Materials Volume 5 Number 2 Article 9 1995 The Use of Titanium in Dentistry Toru Okabe Baylor College of Dentistry, Dallas Hakon Hero Scandinavian Institute of Dental Materials, Haslum Follow this and additional works at: https://digitalcommons.usu.edu/cellsandmaterials Part of the Dentistry Commons Recommended Citation Okabe, Toru and Hero, Hakon (1995) "The Use of Titanium in Dentistry," Cells and Materials: Vol. 5 : No. 2 , Article 9. Available at: https://digitalcommons.usu.edu/cellsandmaterials/vol5/iss2/9 This Article is brought to you for free and open access by the Western Dairy Center at DigitalCommons@USU. It has been accepted for inclusion in Cells and Materials by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Cells and Materials, Vol. 5, No. 2, 1995 (Pages 211-230) 1051-6794/95$5 0 00 + 0 25 Scanning Microscopy International, Chicago (AMF O'Hare), IL 60666 USA THE USE OF TITANIUM IN DENTISTRY Toru Okabe• and HAkon Hem1 Baylor College of Dentistry, Dallas, TX, USA 1Scandinavian Institute of Dental Materials (NIOM), Haslum, Norway (Received for publication August 8, 1994 and in revised form September 6, 1995) Abstract Introduction The aerospace, energy, and chemical industries have Compared to the metals and alloys commonly used benefitted from favorable applications of titanium and for many years for various industrial applications, tita titanium alloys since the 1950's. Only about 15 years nium is a rather "new" metal. Before the success of the ago, researchers began investigating titanium as a mate Kroll process in 1938, no commercially feasible way to rial with the potential for various uses in the dental field, produce pure titanium had been found. -
Metals and Metal Products Tariff Schedules of the United States
251 SCHEDULE 6. - METALS AND METAL PRODUCTS TARIFF SCHEDULES OF THE UNITED STATES SCHEDULE 6. - METALS AND METAL PRODUCTS 252 Part 1 - Metal-Bearing Ores and Other Metal-Bearing Schedule 6 headnotes: Materials 1, This schedule does not cover — Part 2 Metals, Their Alloys, and Their Basic Shapes and Forms (II chemical elements (except thorium and uranium) and isotopes which are usefully radioactive (see A. Precious Metals part I3B of schedule 4); B. Iron or Steel (II) the alkali metals. I.e., cesium, lithium, potas C. Copper sium, rubidium, and sodium (see part 2A of sched D. Aluminum ule 4); or E. Nickel (lii) certain articles and parts thereof, of metal, F. Tin provided for in schedule 7 and elsewhere. G. Lead 2. For the purposes of the tariff schedules, unless the H. Zinc context requires otherwise — J. Beryllium, Columbium, Germanium, Hafnium, (a) the term "precious metal" embraces gold, silver, Indium, Magnesium, Molybdenum, Rhenium, platinum and other metals of the platinum group (iridium, Tantalum, Titanium, Tungsten, Uranium, osmium, palladium, rhodium, and ruthenium), and precious- and Zirconium metaI a Iloys; K, Other Base Metals (b) the term "base metal" embraces aluminum, antimony, arsenic, barium, beryllium, bismuth, boron, cadmium, calcium, chromium, cobalt, columbium, copper, gallium, germanium, Part 3 Metal Products hafnium, indium, iron, lead, magnesium, manganese, mercury, A. Metallic Containers molybdenum, nickel, rhenium, the rare-earth metals (Including B. Wire Cordage; Wire Screen, Netting and scandium and yttrium), selenium, silicon, strontium, tantalum, Fencing; Bale Ties tellurium, thallium, thorium, tin, titanium, tungsten, urani C. Metal Leaf and FoU; Metallics um, vanadium, zinc, and zirconium, and base-metal alloys; D, Nails, Screws, Bolts, and Other Fasteners; (c) the term "meta I" embraces precious metals, base Locks, Builders' Hardware; Furniture, metals, and their alloys; and Luggage, and Saddlery Hardware (d) in determining which of two or more equally specific provisions for articles "of iron or steel", "of copper", E. -
Making a Skull Ring
Making a skull ring The first people to utilize the lost wax process is unknown as it is shrouded in history. It is well documented that it has been used for thousands of years to produce objects in metal which could not be produced any other way, due to the complexity of their design. The lost wax process allows anything that can be modeled in wax to be accurately transmuted into metal. Most fine jewelry made from gold and sterling are made using lost wax casting as it produces the highest detail The Wax Models are placed in a Plaster Mixture which then aloud to harden. Once the plaster mixture (investment) has set hard, the flasks are placed in a kiln, slowly heated to between 1000 and 1250 degrees F, and held at that temperature until all wax residues have disappeared. The place where the wax was is now a void, hence the "lost wax" designation for this process. The metal is then melted in a metal furnace and the molds are filled with liquid silver by hand while the mold is still very hot. The flask is then allowed to cool and the investment mold is broken away revealing the metal piece. This process faithfully reproduces every detail of the original wax as well as the gates and vents, which must latter be cut off with a jeweler's saw. http://davescustomskulls.com/MAKING_OF_A_SKULL_RING.html (1 of 7) [10/27/2007 8:07:45 AM] Making a skull ring After cutting away the Silver Tail-(Sprue) the Hand Finishing Process begins with the Many different Steps shown below to BRING final Details and a Mirror Finish to the RING surface. -
The Diamond Glass Companies of Montreal, Canada
The Diamond Glass Companies of Montreal, Canada Bill Lockhart, Beau Schriever, Bill Lindsey, and Carol Serr The Diamond Glass Co. and Diamond Flint Glass Co. were two in a series of Canadian companies (headquartered in Montreal) that began with the Excelsior Glass Co. in 1879 and culminated as Domglas in the 1990s. This chapter deals with the first four firms during the 1879-1913 period (see the Dominion Glass section for the later companies). None of the glass houses used manufacturer’s marks on bottles, but all of them left embossed jars that can be traced to them. The Diamond Flint Glass Co. also made – and marked – insulators. Histories Excelsior Glass Co., St. Johns and Montreal, Quebec (1879-1883) William and David Yuile acquired control of the bankrupt St. Johns Glass Co. at St. Johns, Quebec, in 1878. They renovated the factory and incorporated in April of the following year as the Excelsior Glass Co. The plant made fruit jars, a general line of bottles, and insulators. Unhappy with the location, the brothers moved the factory to Parthenais St., Montreal, in 1880. The new plant produced prescription ware, fruit jars, and some tableware. The firm reorganized in 1883 as the North American Glass Co. (King 1987:67-70). Figure 1 – Beaver Goblet (Sean George Pressed Glass & Goblets) Toulouse (1971:189) told a slightly different story. He claimed that the Yuile brothers “had taken over the Foster Bros. Glass Co. Shortly after it was founded.” They renamed the plant the St. Johns Glass Figure 2 – Beaver band Co. in 1875 and the Excelsior Glass Co. -
Antibacterial Property and Biocompatibility of Silver, Copper, and Zinc in Titanium Dioxide Layers Incorporated by One-Step Micro-Arc Oxidation: a Review
antibiotics Review Antibacterial Property and Biocompatibility of Silver, Copper, and Zinc in Titanium Dioxide Layers Incorporated by One-Step Micro-Arc Oxidation: A Review Masaya Shimabukuro Department of Biomaterials, Faculty of Dental Science, Kyushu University, 3-1-1 Maidashi, Higashi-ku, Fukuoka 812-8582, Japan; [email protected]; Tel.: +81-92-642-6346 Received: 3 October 2020; Accepted: 19 October 2020; Published: 20 October 2020 Abstract: Titanium (Ti) and its alloys are commonly used in medical devices. However, biomaterial-associated infections such as peri-implantitis and prosthetic joint infections are devastating and threatening complications for patients, dentists, and orthopedists and are easily developed on titanium surfaces. Therefore, this review focuses on the formation of biofilms on implant surfaces, which is the main cause of infections, and one-step micro-arc oxidation (MAO) as a coating technology that can be expected to prevent infections due to the implant. Many researchers have provided sufficient data to prove the efficacy of MAO for preventing the initial stages of biofilm formation on implant surfaces. Silver (Ag), copper (Cu), and zinc (Zn) are well used and are incorporated into the Ti surface by MAO. In this review, the antibacterial properties, cytotoxicity, and durability of these elements on the Ti surface incorporated by one-step MAO will be summarized. This review is aimed at enhancing the importance of the quantitative control of Ag, Cu, and Zn for their use in implant surfaces and the significance of the biodegradation behavior of these elements for the development of antibacterial properties. Keywords: titanium; biofilm; infection; micro-arc oxidation; silver; copper; zinc; antibacterial properties; coating; implant 1. -
Titanium Alloy Data Sheet
M Titanium Alloy Data Sheet Description Titanium equipment is often used in severe corrosive environments encountered in the chemical processing industries. Titanium has been considered an exotic “wonder metal” by many. This was particularly true in reference to castings. However, increasing demands and rapidly advancing technology have permitted titanium castings to be commercially available at an economical cost. The combination of its cost, strength, corrosion resistance, and service life in very demanding corrosive environments suggest its selection in applications where titanium castings have never been considered in the past. Specifications Flowserve’s commercially pure titanium (C.P.-Ti) castings conform to ASTM Specification B367, Grade C-3. Flowserve’s palladium stabilized titanium (Ti-Pd) castings conform to Grade Ti-Pd 8A. Composition C.P.-Ti (C-3) Ti-Pd (8A) Element Percent Percent Nitrogen 0.05 max. 0.05 max. Carbon 0.10 max. 0.10 max. Hydrogen 0.015 max. 0.015 max. Iron 0.25 max. 0.25 max. Oxygen 0.40 max. 0.40 max. Titanium Remainder Remainder Palladium –– 0.12 min. Minimum C.P.-Ti (C-3) & Mechanical Ti-Pd (8A) and Physical Tensile Strength, psi 65,000 Properties MPa 448 Yield Strength, psi 55,000 MPa 379 Elongation, % in 1" (25 mm), min. 12 Brinell Hardness, 3000 kg, max. 235 Modulus of Elasticity, psi 15.5 x 106 MPa 107,000 Coefficient of Expansion, in/in/°F@ 68-800°F 5.5 x 10-6 m/m/°C @ 20-427°C 9.9 x 10-6 Thermal Conductivity, Btu/hr/ft/ft2/°F @ 400° 9.8 WATTS/METER-KELVIN @ 204°C 17 Density lb/cu in 0.136 kg/m3 3760 Melting Point, °F (approx.) 3035 °C 1668 Titanium Alloy Data Sheet (continued) Corrosion The outstanding mechanical and physical properties of titanium, combined with its Resistance unexpected corrosion resistance in many environments, makes it an excellent choice for particularly aggressive environments like wet chlorine, chlorine dioxide, sodium and calcium hypochlorite, chlorinated brines, chloride salt solutions, nitric acid, chromic acid, and hydrobromic acid. -
9F41a1f5e9.Pdf
index windsor pearls 1 freshwater in silver 7 tahitian in silver 23 brilliance 28 lace 4 1 pearl exotics 49 vintage795 57 classics in 14k gold 65 tahitian in 14k gold 79 pearl basics studs & strands 87 modern-king by imperial Luxury statement pearl jewelry designs crafted in sterling silver. For decades freshwater pearl farmers have been attempting to develop new culturing techniques in order to produce larger and rounder pearls than ever before. We are proud to announce that our farmers have cracked the code producing affordable top quality pearls from 13-16mm! Ring: 616079/FW-WT 1 Pendant: 686453/FW18 Earrings: 626453/FW Pendant: 687230/FW18-1S Earrings: 627230/FW Ring: 617230/FW 2 Pendant: 684791/FW18 Earrings: 624791/FW Ring: 613791/FW Pendant: 689947/FW18 Earrings: 624671/FW Ring: 619947/FW 3 Necklace: 996520/18WH Earrings: 626913/FW 4 Necklace: 669913 5 Pendant: 689913/18 Earrings: 629913 Bracelet: 639913 Pendant: 686971/FW18 Earrings: 626971/FW 6 VALUE, SELECTION and STYLE Pendant: 683786/18 Earrings: 623786 Ring: 613786 7 Pendant: 684095/FW18 Earrings: 624095/FW Pendant: 685919/FW18 Earrings: 625919/FW Ring: 615919/FW 8 Pendant: 685991/FW18 Earrings: 625991/FW Pendant: 689951/FW18 Earrings: 629951/FW Ring: 619951/FW 9 Pendant: 685103/FW18 Earrings: 625103/FW18 Pendant: 685417/18 Earrings: 625417 Ring: 615417 10 Necklace: 664010 Bracelet: 633149 Necklace: 663760 Earrings: 623760 Bracelet: 633760 11 A. Pendant: 688304/FW18 B. Earrings: 628304/FW C. Pendant: 688340/FW18 D. Earrings: 628340/FW C A B D 12 E. Pendant: 683699/FW18 F. Earrings: 623699/FW G. Pendant: 687330/FW18 H. -
THE USE of MIXED MEDIA in the PRODUCTION of METAL ART by Mensah, Emmanuel (B.A. Industrial Art, Metals)
THE USE OF MIXED MEDIA IN THE PRODUCTION OF METAL ART By Mensah, Emmanuel (B.A. Industrial Art, Metals) A Thesis submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology In partial fulfillment of the requirements for the degree of MASTER OF ARTS (ART EDUCATION) Faculty of Art, College of Art and Social Sciences March 2011 © 2011, Department of General Art Studies DECLARATION I hereby declare that this submission is my own work toward the M.A Art Education degree and that, to the best of my knowledge, it contains no materials previously published by another person or material which has been accepted for the award of any other degree of the university, except where due acknowledgement has been made in the text. ……………………………….. ……………………………….. ………………………….. Student’s name & ID Signature Date Certified by ……………………………….. ……………………………….. ………………………….. Supervisor’s Name Signature Date Certified by ……………………………….. ……………………………….. ………………………….. Head of Department’s Name Signature Date ii ABSTRACT The focus of this study was to explore and incorporate various artistic and non artistic media into the production of metal art. The researcher was particularly interested in integrating more non metallic materials that are not traditional to the production of metal art in the decoration, finishing and the protective coating of metal art works. Basic hand forming techniques including raising, chasing and repoussé, piercing and soldering were employed in the execution of the works. Other techniques such as painting, dyeing and macramé were also used. Non metallic media that were used in the production of the works included leather, nail polish, acrylic paint, epoxy, formica glue, graphite, eye pencil, lagging, foam, wood, shoe polish, shoe lace, eggshell paper, spray paint, cotton cords and correction fluid. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Adolescent and Young Adult Tattooing, Piercing, and Scarification
CLINICAL REPORT Guidance for the Clinician in Rendering Pediatric Care AdolescentCora C. Breuner, MD, MPH, a David A.and Levine, MD, b YoungTHE COMMITTEE ON ADOLESCENCEAdult Tattooing, Piercing, and Scarification Tattoos, piercing, and scarification are now commonplace among abstract adolescents and young adults. This first clinical report from the American Academy of Pediatrics on voluntary body modification will review the methods used to perform the modifications. Complications resulting from body modification methods, although not common, are discussed to provide aAdolescent Medicine Division, Department of Pediatrics, Orthopedics the pediatrician with management information. Body modification will be and Sports Medicine, Seattle Children’s Hospital, University of Washington, Seattle, Washington; and bPediatrics, Morehouse School of contrasted with nonsuicidal self-injury. When available, information also is Medicine, Atlanta, Georgia presented on societal perceptions of body modification. State laws are subject to change, and other state laws and regulations may impact the interpretation of this listing. Drs Breuner and Levine shared responsibility for all aspects of writing and editing the document and reviewing and responding to questions and comments from reviewers and the Board of Directors, and “ ” approve the final manuscript as submitted. This document is copyrighted and is property of the American Tattoos, piercings, and scarification, also known as body modifications, Academy of Pediatrics and its Board of Directors. All authors have filed conflict of interest statements with the American Academy are commonly obtained by adolescents and young adults. Previous of Pediatrics. Any conflicts have been resolved through a process reports on those who obtain tattoos, piercings, and scarification have 1 approved by the Board of Directors. -
Native American | Navajo | Southwestern | Turquoise | Handmade
09/24/21 06:20:04 NATIVE AMERICAN | NAVAJO | SOUTHWESTERN | TURQUOISE | HANDMADE Auction Opens: Thu, Apr 1 4:29pm PT Auction Closes: Thu, Apr 8 10:30am PT Lot Title Lot Title 0001 Native American Navajo Handmade Sterling 0017 Native American Handmade Sterling Silve Silver Turquoise Bracelet by Rosco Scoott. Navajo Turquoise Ring. 0002 Native American Handmade Sterling Silver 0018 Native American Navajo Handmade Sterling Navajo Feathers Set By V. Silver Turquoise Ring by Mike Thomas. 0003 Native American Navajo Handmade Sterling 0019 Native American Handmade Sterling Silver Silver Turquoise Post Dangle Earrings by Zuni Earring's By Ray & Patty Edaakie. Enriquez. 0020 Native American Handmade Sterling Silver 0004 Native American Navajo Handmade Sterling navajo Turquoiose Ring By Amy Locaspino. Silver Turquoise Dangle Earrings by Michael 0021 Native American Handmade Sterling Silver Bitsue. Navajo Turquoise Bracelet By Max Calladito. 0005 Native American Navajo Handmade Sterling 0022 Sterling Silver Turquoise and Coral Indian Silver Turquoise Ring by Nathaniel Curley. Face Ring. 0006 Native American Navajo Handmade Sterling 0023 Native American Navajo Handmade Sterling Silver Lapis and Opal Inlay Bracelet by Jerome Silver Turquoise Bracelet by Marie Thomas. Yazzie. 0024 Native American Navajo Handmade Sterling 0007 Native American Navajo Handmade Sterling Silver Multi-Color Inlay Ring by Ray Jack. Silver Turquoise Dangle Earrings. 0025 Native American Navajo Handmade Sterling 0008 Native American Navajo Handmade Sterling Silver Turquoise Post Dangle Earrings. Silver Turquoise Bracelet by Betty House. 0026 Native American Handmade Sterling Silver 0009 Native American Navajo Handmade Sterling Navajo Inlay synthetic Opal Earrings By Bruce Silver Turquoise Ring by Shirley Largo. Johnson.