Charlotte Pearson Production Designer
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Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Academic Journal Modern Philology
ACADEMIC JOURNAL OF MODERN PHILOLOGY ACADEMIC JOURNAL MODERN PHILOLOGY OF Justyna Alnajjar, Sieci komunikacji w korporacjach w ujęciu lingwistyczny / 7 e-ISSN 2353–3218 ISSN 2299–7164 Vol. 7 (2018) Miguel Luis Poveda Balbuena, Origins of the French lexical borrowings in late Middle English weaponry / 21 Magdalena Bator, Marta Sylwanowicz, Early English Recipes—Development of the Text Type / 29 Katarzyna Buczek, Germanic Women in the Eyes of Law / 55 Zuzanna Bułat Silva, Gamilaraay, a Sleeping Language of New South Wales, Australia / 67 Academic Rafael Jiménez Cataño, Social Virtues in Taking Care of the Image of Others / 79 Anna Ciechanowska, On Zoosemic Tendencies in the Vocabulary of Prison Slang / 89 Aleksandra Deskur, „Wielka teoria piśmienności” – podstawowe założenia, krytyka i problemy metodologiczne / 109 Ewa Kębłowska-Ławniczak, From Peritext to Text: Constructing Authorship in David Journal Hare’s Selected Plays / 119 Prezi, Ịzọn narratives: Nengi-Ilagha’s Condolences, and Okara’s The Voice and “Little Snake and Little Frog” / 131 Matthias Urban, Towards a Semantically Organized Meaning List for Cognate Searches / 141 Ewa Ziomek, Sinister Vision of the Future in the TV Series Black Mirror / 159 of Piotr P. Chruszczewski, RECENZJA• Gaude, Mater Polonia? • Emilia Wąsikiewicz-Firlej. On (De)constructing Corporate Identity • Wydawnictwo Naukowe UAM: Poznań, 2017 / 167 Dominik Dworniczak, Classics have another quality too (…) they do not need to be true – o rewizjonizmie Williama Doyle’a / 179 Katarzyna Łobaza, Zróżnicowane i niedookreślone funkcje animatorów społeczno- kulturalnych / 195 Alan Żukowski, Autonomicznym Systemie Responsywnym – perspektywa Modern postmodernistyczna / 203 Philology Academic Journal Polish Academy of Modern of Sciences KOMISJA KOLEGIUM Philology NAUK MIĘDZYOBSZAROWYCH Wroclaw Branch FILOLOGICZNYCH STUDIÓW INDYWIDUALNYCH Academic Journal of Modern Philology Academic Journal of Modern Philology ISSN 2299-7164 Vol. -
Uk Animation 2018 2 Short Animation Contents
UK ANIMATION 2018 2 SHORT ANIMATION CONTENTS INTRODUCTION 4 SHORT ANIMATION 6 FEATURE-LENGTH ANIMATION 38 VIRTUAL REALITY / IMMERSIVE EXPERIENCE ANIMATION 42 ABOUT BRITISH COUNCIL 46 BRITISH COUNCIL AND FESTIVALS 48 BRITISH COUNCIL FILM GLOBAL PROJECTS 50 BRITISH COUNCIL AND SHORTS 53 ANIMATION IN THE UK 2018 54 INDEX OF FILMS 62 , Director: Jonathan Hodgson Jonathan , Director: Roughhouse All inclusive images remain the copyright of their respective owners and may Cover: Cover: not be reproduced without the expressed permission of the rights holders. 3 INTRODUCTION Welcome to the 2018 UK Animation Catalogue presented by the British Council. We’re proud to be championing new and upcoming UK films and filmmakers to programmers and audiences around the world. The catalogue includes details of selected recent UK animated shorts, features and VR, and flags up some productions due for release in 2018. You can also find information about some of the work we do and the partners we work with. The PDF version of this catalogue will be updated periodically throughout the year and you can download it at film.britishcouncil. org/british-films-directory/uk-filmcatalogues Film credits and information in this catalogue are drawn from our British Films Directory. The Directory is an information resource which includes an extensive selection of UK titles currently in production, as well as details of recently completed UK shorts and feature- length films. You can explore the British Films Directory, as well as further directories listing both UK filmmakers and international film festivals, at britishcouncil.org/film 4 , Director: Joseph Wallace , Director: Edith Piaf (Said It Better Than Me) - Sparks Me) Than Piaf (Said It Better Edith 5 SHORT ANIMATION , Directors: Karni and Saul Karni , Directors: Perfect World Perfect 6 SHORT ANIMATION Adelaide McCarthy and the Attraction Making of a Legend Synopsis Synopsis We join Adelaide McCarthy as he explains the Urges in the undergrowth, erupting fungal fantasies, wonders of how stop motion puppets are made. -
16.-22. Oktober 2003 På Bergen Kino Lørdag 18
16.-22. OKTOBER 2003 PÅ BERGEN KINO www.filmweb.no/biff LØRDAG 18. OKTOBER KP1 KL. 19.00 Et hav av film venter deg.. Lunsjretter, middagsretter, utstillinger, cafe-quiz mandager, BIFF byr på et rekordstort program i år. Med mer enn hundre langfilmer og nærmere 150 kortfilmer på programmet er BIFF den desiderte største konserter tirs- og torsdager og klubb onsdag og i helgene... filmfestivalen i Norge. BIFF er i år selve lokomotivet i Bergen Art Festival, som består av åtte partnere innen samtidskunstfeltet. ”På vei mot den 7. kunstart” har vi kalt denne fellesmarkeringen – fordi film er den kunstkunstart som tar opp i seg de andre fagfeltene, så som litteratur, musikk, billed- og scenekunst. PRØV VÅR NYE SANDWICHMENY, OGSÅ TAKE-AWAY!!! Hva er så de viktigste tema for årets BIFF? Det er først nå vi får rushet av Åpningstider: filmer som er laget etter 11. september 2001. Flere av filmene bærer preg mandag - lørdag 11.00 - 00.30/03.30 av den nye verdensuro i kjølvannet av det som skjedde og hva som er skjedd i etterkant. søndag 12.00 - 00.30 Café Opera Et annet tema er det vi i forrige århundre kalte kvinnefrigjøring. Det handler om kvinner som på forskjellig vis kutter kontakten til menn og prøver å stake ut sin egen kurs. PERSONAL VELOCITY er et Engen 18 - 5011 Bergen - tlf. 55 23 03 15 godt eksempel her. Så har vi en del filmer som har ensomhet som grunnleggende tema, selv om de på overflaten handler om noe annet og mer konkret. Og videre: "Grenseland i film" – vårt prosjekt i samarbeid med Statens filmtilsyn - handler i år om moralske panikker vis à vis f.eks. -
Charlie Brooker Meets Karl Kraus After the End of the World
Abstract Volume 1, Issue 2, September 2018 Keywords Charlie Brooker Meets Karl Kraus after the End of the World Joe Weiss Appalachian State University [email protected] 62 | Booker Meets Kraus 1. Cyborg Man1 predicted, there are no longer hands to perform such deeds, only cyborgs armed with screens that speak the jargon and Has every conversation in history been just a series of beeps? gesture the gesture of the culture industry. Kraus, embodying —Brooker, The Guardian the last, messianic judgment against the approaching, but not yet total impoverishment of language and experience, wielded the torch that shined the light on the guilt of marching off to IF Karl Kraus was, as Brecht once observed, the hand war amidst the possibility of emancipating nature via that performed the suicide of an age, then perhaps Charlie technology for the first time. He thus wrote The Last Days of Brooker is the apparition that remains when, as Kraus himself Mankind.2 Booker, whose art and criticism take place after the light has been extinguished, when nothing save the Black 1 The original draft of this essay was completed just prior to the 2016 Mirror is held up to nature, writes in a period that, in T.W. release of Charlie Brooker’s new Black Mirror episodes. It could, therefore, only Adorno’s formulation, ought to bear the title, “After address the films from series one and two, and the special from 2014. Brooker, Black 3 Mirror (UK: Zeppotron, 2011-2014), Channel 4. Hereafter, all individual episodes Doomsday.” Even though Kraus’ work was produced when will be cited within the body of the text with italics. -
Cataloog Catalogue (Eng)
VAN 2 T.E.M. 9 DECEMBER 2006 / KUNSTENCENTRUM STUK - CINEMA ZED WWW.KORTFILMFESTIVAL.BE (NL) CATALOOG CATALOGUE (ENG) Leuven staat ook dit jaar weer 8 dagen geheel in het teken van de kortfi lm, For the 12th consecutive year, Leuven zeroes in on short fi lm for a full 8 een genre dat bestaat in talloze verschijningsvormen. Al is het maar de vraag days. The genre can take on an endless amount of formats. Can you even call of je van een “genre” kan spreken. Hoewel de beperkte duurtijd van een it a “genre”? Even though the limited duration of a short fi lm affects the kortfi lm weliswaar noopt tot een andere manier van vertellen, is het enige narration method in a certain way, the only characteristic that the mass of belangrijke gemeenschappelijke kenmerk van de massa fi lms op IKL- fi lms screened at ISFFL have in common is being “short”. Other than that, programma dat ze “kort” zijn. Verder zijn ze vooral heel divers en zijn de they are of an incredible diversity and the variety, in terms of both content variaties, zowel op inhoudelijk als op vormelijk vlak, grenzeloos: van korte and style, are endless. Short gags, intense relationship dramas, low budget gags tot intimistische relatiedrama’s, van low budget video’s tot productioneel videos or state of the art miniature fi lms, linear stories or non-narrative hoogstaande mini-fi lms, van lineaire verhaaltjes tot niet-narratieve abstracte abstract visuals, innovative video pieces or grand classic cinema…short fi lms visuals, van grensverleggende en -verkennende videowerken tot grootse klassieke cinema; je vindt het allemaal terug in wat in de eerste plaats het cover everything, making them the main creative breeding ground for the creatieve broeinest van de hele audiovisuele sector is. -
Catalogue En Français Neederlandstalige Catalogus
Catalogue en français Neederlandstalige catalogus English catalogue Illustration / Illustratie © Nicolas de Crécy / Folioscope 2006 Sommaire - Inhoud - Content 3 Les jurys - De jury’s - The Juries . 4-7 Sélection officielle longs métrages Officiële selectie langspeelfilms Official feature films selection . 9-19 Sélection officielle courts métrages Officiële selectie korte films Official short films selection . 21-61 Rétrospectives Retrospectieven Retrospectives . 62-80 Futuranima . 80-83 Les invités - Genodigden - Guests . 84-89 Index par réalisateur Index par regisseur Index according to filmmakers . 90-91 Index par titre Index per titel Index according to titles . 92-93 Glossaire - Glossarium - Glossary . 94 Ours - Colofon - Colophon . 95 4 Jury Claude Diouri - CNC (B) laude Diouri est né à Fez en laude Diouri werd geboren in laude Diouri was born in Fez C 1941. Après des études de droit C Fez in 1941. Na zijn opleidingen C (Morocco) in 1941. After he et de cinéma, il travaille à la Ciné- recht en film, restaureert hij werken studied Law and Cinema, he started mathèque Royale de Belgique à la voor het Koninlijk Belgisch Film- working on the restoration of films at restauration. Il lance la revue archief. Hij start het tijdschrift the Royal Belgian Film Archives. He “Trépied” et s’essaie à la mise en “Trépied” op en waagt zich aan de founded the magazine “Trépied” and scène avec "Le Rideau Déchiré" aux regie van “Le Rideau Déchiré” in tried his fortune as a director with Beaux-Arts de Bruxelles. En 1968, il het PSK van Brussel. In 1968 opent “Le Rideau Déchiré” at the Brussels ouvre un cinéma d’art et d’essai Le hij het filmhuis Le Styx 1, dat hij in Beaux-Arts. -
Joel Morris Writer
Joel Morris Writer Joel is currently writing a comic science fiction novel, set in 1979, about the dangers of both nostalgia and science fiction. He is developing a drama series, GODLESS BEASTS, with Kudos Film & TV, and recently co-wrote a commissioned episode of Sky’s URBAN MYTHS series. Joel was part of the writers' room for both PADDINGTON and PADDINGTON 2, the beloved bear films from Heyday/StudioCanal. He wrote the 5-part series CUNK ON BRITAIN (House of Tomorrow/BBC), having previously written the 30' specials CUNK ON SHAKEPSEARE and CUNK ON CHRISTMAS, based on the character of Philomena Cunk which he co-created for Charlie Brooker's Wipe shows. Joel has worked extensively with Charlie and was part of the writing team behind critically lauded and award-winning A TOUCH OF CLOTH (Sky1, Broadcast award) and WIPE shows (BBC, BAFTA award). Joel and Jason are the creators and writers of the phenomenally successful LADYBIRD BOOKS FOR GROWN-UPS, which have sold more than 5 million copies. On TV, Joel has written for MURDER IN SUCCESSVILLE (BBC3), BACK (Channel 4), THE ANGELOS EPITHEMIOU SHOW (Channel 4), IT'S KEVIN (BBC2), MIRANDA (BBC2), THAT MITCHELL AND WEBB LOOK (BBC2, BAFTA, Best Comedy Programme), SCREENWIPE (BBC4), FIT (CBBC), IT'S KEVIN ELDON (BBC2), THE ARMSTRONG AND MILLER SHOW (BBC1; BAFTA, Best Comedy Programme), TEN O'CLOCK LIVE (Channel 4), ALAN CARR'S SPECTACULARS (Channel 4), THE ONES (BBC1), CHARLIE BROOKER'S HOW TV RUINED YOUR LIFE (BBC2), PAUL O'GRADY LIVE (ITV1), SORRY, I'VE GOT NO HEAD (CBBC), THE IMPRESSIONS SHOW (BBC1), THE PETER SERAFINOWICZ SHOW (BBC2), MIRANDA HART'S UNWRAPPED (BBC2), THE MIDNIGHT BEAST (E4), THE OMID DJALILI SHOW (BBC1), MANSTROKEWOMAN (BBCThree), FUR TV (MTV), 8 OUT OF 10 CATS (Channel 4), and THE IMPRESSIONABLE JON CULSHAW (ITV1). -
Animac 2014 – Full Programme
Animac 2014 – Full programme International Film Festival of Animation of Catalonia From 20th to 23rd February 2014, Lleida Animac 2014 explores hybrid animation with Chris Shepherd, Jiří Barta and the makers of Gumball ANIMAC 2014 Animac, the International Film Festival of Animation in Catalonia, celebrates its 18th birthday by devoting it to hybrid animation – under the lemma HYBRID – and its capacity to mix and integrate all kinds of audiovisual formats. The Festival will be held in Lleida (Spain) from 20th to 23rd February 2014. Organized by Lleida City Council and directed by curator Carolina López, Animac 2014 reaffirms its commitment to all audiences: four days full of animation screenings – with more than 235 selected pieces –, exclusive lectures, and special sessions targeted at professionals, students, connoisseurs, families and children. Directly related to the HYBRID theme, Animac will welcome the following international guests: British animator Chris Shepherd, Czech stop-motion master Jiří Barta, the makers of “The Amazing World of Gumball”, Ben Bocquelet and Mic Graves, musician/animator tandem Péter Vacz and Joseph Wallace, Polish animator Piotr Szczepanowicz or abstract Japanese animator Maya Yonesho, among others. Spanish animation will be represented by Marc and Xavi Terris, the animators of the Annie-nominated indie-game Tiny Thief, FX specialist Àlex Villagrasa, the maker of Pocoyó Guillermo García Carsi and BCN-based Headless Studio. HYBRID, THE SPIRIT OF OUR TIMES Animation has benefited all possible media, mixing and merging with many languages, techniques and formats: we defend our HYBRID theme as a symptom of the spirit of our times. Thus, Animac’s full programme and all its sections are infused with hybrid animation. -
Joel Morris Writer
Joel Morris Writer Joel is currently writing a comic science fiction novel, set in 1979, about the dangers of both nostalgia and science fiction. He is developing a drama series, GODLESS BEASTS, with Kudos Film & TV, and recently co-wrote a commissioned episode of Sky’s URBAN MYTHS series. Joel was part of the writers' room for both PADDINGTON and PADDINGTON 2, the beloved bear films from Heyday/StudioCanal. He wrote the 5-part series CUNK ON BRITAIN (House of Tomorrow/BBC), having previously written the 30' specials CUNK ON SHAKEPSEARE and CUNK ON CHRISTMAS, based on the character of Philomena Cunk which he co-created for Charlie Brooker's Wipe shows. Joel has worked extensively with Charlie and was part of the writing team behind critically lauded and award-winning A TOUCH OF CLOTH (Sky1, Broadcast award) and WIPE shows (BBC, BAFTA award). Joel and Jason are the creators and writers of the phenomenally successful LADYBIRD BOOKS FOR GROWN-UPS, which have sold more than 5 million copies. On TV, Joel has written for MURDER IN SUCCESSVILLE (BBC3), BACK (Channel 4), THE ANGELOS EPITHEMIOU SHOW (Channel 4), IT'S KEVIN (BBC2), MIRANDA (BBC2), THAT MITCHELL AND WEBB LOOK (BBC2, BAFTA, Best Comedy Programme), SCREENWIPE (BBC4), FIT (CBBC), IT'S KEVIN ELDON (BBC2), THE ARMSTRONG AND MILLER SHOW (BBC1; BAFTA, Best Comedy Programme), TEN O'CLOCK LIVE (Channel 4), ALAN CARR'S SPECTACULARS (Channel 4), THE ONES (BBC1), CHARLIE BROOKER'S HOW TV RUINED YOUR LIFE (BBC2), PAUL O'GRADY LIVE (ITV1), SORRY, I'VE GOT NO HEAD (CBBC), THE IMPRESSIONS SHOW (BBC1), THE PETER SERAFINOWICZ SHOW (BBC2), MIRANDA HART'S UNWRAPPED (BBC2), THE MIDNIGHT BEAST (E4), THE OMID DJALILI SHOW (BBC1), MANSTROKEWOMAN (BBCThree), FUR TV (MTV), 8 OUT OF 10 CATS (Channel 4), and THE IMPRESSIONABLE JON CULSHAW (ITV1). -
Radio 4 Listings for 9 – 15 January 2016 Page 1
Radio 4 Listings for 9 – 15 January 2016 Page 1 of 18 SATURDAY 09 JANUARY 2016 Anna Hill talks innovation and business ideas with Berkshire SAT 11:30 From Our Own Correspondent (b06tl8kh) farmer Mark Bennett who's installed floating solar panels on a Chairman Mao or Colonel Sanders SAT 00:00 Midnight News (b06tl8jz) man-made reservoir on his land. The programme explores some The latest national and international news from BBC Radio 4. of the issues in a new report presented to the Oxford Farming The best in news and current affairs storytelling. Today, after a Followed by Weather. Conference, which said there are fewer entrepreneurs in troubled week for the Chinese economy, we wonder who's more farming than in other sectors. Mark Bennett has set up Floating popular in China today, the author of that Little Red Book, Solar UK as a diversification on the 300 acre farm. He realised Chairman Mao, or the founder of Kentucky Fried Chicken, SAT 00:30 Book of the Week (b06vj1t0) he could make good use of the 'dead space' above the water Colonel Sanders. Violence continues to rain down on Yemen. Young Orson rather than install ground panels which would take up grazing The Islamic State group has now become involved in the civil land. He also rents storage space and small business units, and war and is believed to have been behind a string of suicide Episode 5 supplies water and power to a fruit farm. bombings. Our correspondent witnessed the horrific aftermath We meet a farmer who's come up with a way of grazing her of one such attack in the capital Sana'a. -
18 May 2012 Page 1 of 18 SATURDAY 12 MAY 2012 Presented by Charlotte Smith
Radio 4 Listings for 12 – 18 May 2012 Page 1 of 18 SATURDAY 12 MAY 2012 Presented by Charlotte Smith. Produced by Clare Freeman in * "Tele op blues" from the Lyon's Maid 1973 show, "With Birmingham. Lyon's Maid You're Laughing" written by Denis Norden and SAT 00:00 Midnight News (b01h7chb) Malcolm Mitchell and performed by Julia Sutton. The latest national and international news from BBC Radio 4. Followed by Weather. SAT 06:57 Weather (b01h7chs) * "The Latest" from Cole National Annual Sales Meeting Show The latest weather forecast. "A Fairy Tale" 1965, performed by Liz Seneff SAT 00:30 Book of the Week (b01hj9w1) * "I Never Enjoyed my Operation More" from the Converters Granta's Britain SAT 07:00 Today (b01hdnkk) Inc show "The Spirit of '78". No composition credits. Cast: Presented by James Naughtie and Evan Davis. Including Carol Steffen, Renee Kalen, Alice Dodd, Lee Pelty, and Mike The Magic Place Yesterday in Parliament, Sports Desk, Weather and Thought for Arquette the Day. Four writers create a personal portrait, exploring their sense of * "We Were There" from the Detroit Diesel 1966 show "Diesel identity and what it feels like to be at home in Britain. Dazzle" written by Hank Beebe and Bill Heyer. SAT 09:00 Saturday Live (b01hdnqn) This selection of original non-fiction is taken from Granta Peter Hennessy, Canvey Island, selective mutism, 56 Up, the * "The Answer" from General Electric's Silicon Division's 1973 magazine's volume 'Britain' Baron of Pontinha, reading Crowdscape, Joan Baez show "Got to Investigate Silicones" written by Hank Beebe and Bill Heyer, performed by Ron Young, Paul Eichel, & Joy 'The Magic Place' written and read by Kapka Kassabova.