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Catalogue En Français Neederlandstalige Catalogus Catalogue en français Neederlandstalige catalogus English catalogue Illustration / Illustratie © Nicolas de Crécy / Folioscope 2006 Sommaire - Inhoud - Content 3 Les jurys - De jury’s - The Juries . 4-7 Sélection officielle longs métrages Officiële selectie langspeelfilms Official feature films selection . 9-19 Sélection officielle courts métrages Officiële selectie korte films Official short films selection . 21-61 Rétrospectives Retrospectieven Retrospectives . 62-80 Futuranima . 80-83 Les invités - Genodigden - Guests . 84-89 Index par réalisateur Index par regisseur Index according to filmmakers . 90-91 Index par titre Index per titel Index according to titles . 92-93 Glossaire - Glossarium - Glossary . 94 Ours - Colofon - Colophon . 95 4 Jury Claude Diouri - CNC (B) laude Diouri est né à Fez en laude Diouri werd geboren in laude Diouri was born in Fez C 1941. Après des études de droit C Fez in 1941. Na zijn opleidingen C (Morocco) in 1941. After he et de cinéma, il travaille à la Ciné- recht en film, restaureert hij werken studied Law and Cinema, he started mathèque Royale de Belgique à la voor het Koninlijk Belgisch Film- working on the restoration of films at restauration. Il lance la revue archief. Hij start het tijdschrift the Royal Belgian Film Archives. He “Trépied” et s’essaie à la mise en “Trépied” op en waagt zich aan de founded the magazine “Trépied” and scène avec "Le Rideau Déchiré" aux regie van “Le Rideau Déchiré” in tried his fortune as a director with Beaux-Arts de Bruxelles. En 1968, il het PSK van Brussel. In 1968 opent “Le Rideau Déchiré” at the Brussels ouvre un cinéma d’art et d’essai Le hij het filmhuis Le Styx 1, dat hij in Beaux-Arts. In 1968 he opened a Styx 1, qu’il agrandira avec deux 1975 met 2 nieuwe zalen zal uit- theatre for artistic and experimental nouvelles salles en 1975. En 1974, il breiden. In 1974 stampt hij het film- film, Le Styx 1, opening two new crée une société de distribution de distributiebedrijf Coopérative Cinéma theatres in 1975. In 1974 Claude film appelée Coopérative Cinéma Nouveau uit de grond en in 1990 founded a film distribution company Nouveau et reprend les salles de neemt hij de zalen van de Actor’s called Coopérative Cinéma Nouveau. l’Actor’s Studio dans le centre de Studio in het centrum van Brussel In 1990 he took over the Actor’s Bruxelles en 1990. over. Studio in the centre of Brussels. Claude Diouri fait partie du jury Claude Diouri maakt deel uit van Claude Diouri is a member of the de la compétition nationale. de jury van de nationale competitie. jury for the national competition. Marie-Anne Fontenier - Supinfocom Valenciennes (F) iplômée en Arts Graphiques en arie Anne Fontenier behaalde arie-Anne Fontenier studied D 1973, Marie-Anne Fontenier M een diploma grafische kunst MGraphic Arts. After she gra- travaille d’abord comme chercheuse, in 1973. Ze werkte eerst als onder- duated in 1973, she first worked as a enseignante et consultante dans le zoekster, lesgeefster en adviseuse researcher, teacher and consultant in domaine des communications visuel- in de sector van de visuele communi- the field of visual communication. les. Elle dirige l’école de Supinfocom catie. Ze is sinds 1988 directrice van She has been the director of the Valenciennes depuis 1988 et crée les de school Supinfocom Valenciennes Supinfocom School in Valenciennes sections de réalisation digitale et de en stichtte de afdelingen digitale since 1988, where she has created design multimédia. En 1999, elle regie en multimediadesign. In 1999 the departments of digital produc- fonde le festival des e.Magiciens, richt ze het festival e.Magiciens tion and multimedia design. In consacré à la jeune création virtuelle op, dat gewijd is aan de jonge 1999 she founded the Festival des européenne et ouvre Supinfocom Europese virtuele animatietalenten. e.Magiciens, dedicated to young, Arles. En 2002, elle met sur pied In datzelfde jaar opent ze bovendien European virtual creation. The same Supinfocomgame à Valenciennes. Supinfocom Arle. In 2002 roept ze year she also founded a Supinfocom L’avalanche de prix récoltés par les Supinfocomgame in het leven in School in Arles. In 2002 she organised films des étudiants de Supinfocom Valenciennes. De lawine aan prijzen Supinfocomgame in Valenciennes. attestent de la qualité de son ensei- die de studenten van Supinfocom The impressive number of prizes gnement. met hun films behaalden, zijn het awarded to Supinfocom students duidelijkste bewijs van de kwaliteit shows the quality of her teaching. Marie-Anne Fontenier fait partie van haar opleiding. du jury de la compétition nationale. Marie-Anne Fontenier is Marie-Anne Fontenier maakt deel a member of the jury for uit van de jury van de nationale the national competition. competitie. Jury 5 André Joassin (B) ritique de cinéma depuis 30 ans, ndré Joassin is al meer dan 30 ndré Joassin has been a film C André Joassin fut entre autres, A jaar filmcriticus. Hij was onder A critic for over 30 years. He was rédacteur en chef de la revue “Studio andere hoofdredacteur voor het tijd- also, among other things, chief- Belgique”. Actuellement, il collabore schrift Studio Belgique. Momenteel editor of the magazine “Studio régulièrement au “Télémoustique”, werkt hij regelmatig samen met Belgique”. He is currrently a regular au “Généraliste”, aux publications de “Télémoustique”, “de Huisarts”, de contributor to several magazines la presse jeunesse du groupe ”Vers publicaties van de presse jeunesse including “Télémoustique”, “Généra- l’avenir”, et au journal “Le Soir”. van de groep “Vers l’avenir” en de liste”, the “Presse Jeunesse” publi- Dans le domaine de l’animation, il krant “Le Soir”. cations of the group “Vers l’Avenir” a longtemps apporté sa contribution Op gebied van animatie werkte and the newspaper “Le Soir”. In the au quotidien du festival d’Annecy et André Joassin lang mee aan het field of animation, he was a long- a participé au dictionnaire “Image dagblad van het festival van Annecy term collaborator with the daily par Image, le cinéma d’animation en nam hij deel aan het woorden- newspaper of the Annecy Film Wallonie-Bruxelles”. boek “Image par Image, le cinéma Festival and was involved in the d’animation Wallonie-Bruxelles” creation of the dictionary “Image André Joassin fait partie du jury (Beeld per beeld, de animatiefilm in par Image, le cinéma d’animation de la compétition nationale. Wallonië en Brussel). Wallonie-Bruxelles”. André Joassin maakt deel uit van André Joassin is a member of the de jury van de nationale competitie. jury for the national competition. Lyonel Kouro (F) uteur, concepteur, réalisateur, ij is auteur, ideeënman en regis- s an author, designer and direc- A Lyonel s’intéresse à la matière, Hseur, maar Lyonel Kouro is voor- A tor, Lyonel Kouro is very inter- particulièrement à la pâte à modeler al een man van de echte materie, ested in the world of animation, and et à la sculpture appliquée au meer bepaald van klei en beeldhouw- particularly in the use of modelling cinéma d’animation. Il a réalisé des kunst die toegespitst is op de anima- clay and sculptures in animation cin- clips (“Adelita”, “Sergent Garcia/ tiefilm. Hij maakt clips (“Adelita”, ema. He has created several music Toma que Toma”), des courts métra- “Sergent Garcia/ Toma que Toma”), videos (“Adelita”, “Sergent Garcia/ ges (“Le Rendez-vous”), des généri- kortfilms (“Le Rendez-vous”), film- Toma que Toma”), short films (“Le ques, des émissions télé pour generieken en tv-uitzendingen voor Rendez-vous”), credit titles, TV pro- Canal +, France 2, Canal Jimmy, prin- Canal +, France 2, Canal Jimmy en grammes for Canal +, France 2 and cipalement en patamod et prépare gebuikte daarbij voornamelijk klei- Canal Jimmy, mainly in modelling in actuellement un long métrage en 3D. animatie. Momenteel werkt hij aan clay, and is currently working on Il oriente maintenant ses recherches een langspeelfilm in 3D. Hij verricht a feature film in 3D. Lyonel Kouro’s à la fois vers les techniques virtuel- tegenwoordig veel onderzoek naar current research is focused on virtu- les et des techniques d’animation computertechnieken en directe ani- al techniques and direct animation directes comme le sable ou le grat- matietechnieken zoals zand- of kras- techniques such as sand or film tage sur pellicule. animatie. scraping. Lyonel Kouro fait partie du jury Lyonel Kouro maakt deel uit van Lyonel Kouro is a member de la compétition nationale. de jury van de nationale competitie. of the jury for the national competition. 6 Jury Guionne Leroy (B) ette ex-étudiante de La Cambre uionne Leroy studeerde aan La his former student at La Cambre C se fait très vite remarquer pour G Cambre. De kwaliteit van haar T was soon noticed for the excep- la qualité de son animation en pâte kleianimatie wordt al snel opge- tional quality of her modelling clay- à modeler avec “La Traviata” (1993). merkt, vooral wanneer ze in 1993 animation in “La Traviata” (1993). Elle est engagée comme animatrice “La Traviata” maakt. Ze wordt aan- She was hired as an animator on sur “Toy Story” et “James et la geworven als animator voor “Toy “Toy Story” and “James and the pêche géante”. Après “Arthur”, un Story” en “James and the Giant giant Peach”. After “Arthur”, a short court personnel (1996), elle devient Peach”. Na “Arthur”, een eigen kort- film created by her (1996), Guionne chef animatrice sur “Chicken Run” film uit 1996, wordt ze hoofdanima- became the chief animator on (Aardman). Elle travaille ensuite sur tor voor “Chicken Run” van Aardman. “Chicken Run” (Aardman). She then divers projets, publicités, séries, Ze werkt vervolgens aan verschillende worked on several projects, series développement de longs métrages, projecten, reclamespots, reeksen en and feature films, specifically for notamment pour nWave.
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