Bibliographie Sur Le Stop-Motion
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Giovanna Belico Cária Guimarães O Boneco – Personagem
Giovanna Belico Cária Guimarães O Boneco – Personagem: Caracterização do personagem de animação Stop-motion Universidade Federal de Minas Gerais Escola de Belas Artes Mestrado em Artes 2012 1 Giovanna Belico Cária Guimarães O Boneco – Personagem: Caracterização do personagem de animação Stop-motion Dissertação apresentada ao Programa de Pós-Graduação em Artes da Escola de Belas Artes da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Mestre em Artes. Área de Concentração: Arte e Tecnologia da Imagem. Orientador: Maurício Silva Gino Belo Horizonte Escola de Belas Artes /UFMG 2012 2 Ficha catalográfica (modelo) Guimarães, Giovanna Belico Cária, 1975. O Boneco-Personagem: caracterização do personagem de animação stop-motion / Giovanna Belico Cária Guimarães. – 2012 102 f.: il. – Orientador: Maurício Silva Gino Dissertação apresentada ao Programa de Pós-Graduação em Artes da Escola de Belas Artes da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Mestre em Artes. 1. Boneco – Personagem - stop-motion - Arte – Cinema de Animação 2. Escultura - Teatro I. Gino, Maurício Silva, 1966 - III. Universidade Federal de Minas Gerais. Escola de Belas Artes IV. Título. CDD: CDU: código p/BIB/EBA 3 AGRADECIMENTOS Ao professor Francisco Marinho, com quem iniciei esse projeto. Ao professor Maurício Gino, pela orientação e apoio ao longo de todo o processo, sobretudo durante as (tantas) crises. Ao professor José Américo (in memorian) que contribuiu com suas sugestões e apontamentos. Aos professores Heitor Capuzzo e Ana Lúcia Andrade, que me contagiaram com o encanto pelo cinema e pelo stop-motion. A todo o apoio recebido da Escola de Belas Artes, da UFMG e da CAPES, fundamental para a conclusão desse projeto. -
Catalogue En Français Neederlandstalige Catalogus
Catalogue en français Neederlandstalige catalogus English catalogue Illustration / Illustratie © Nicolas de Crécy / Folioscope 2006 Sommaire - Inhoud - Content 3 Les jurys - De jury’s - The Juries . 4-7 Sélection officielle longs métrages Officiële selectie langspeelfilms Official feature films selection . 9-19 Sélection officielle courts métrages Officiële selectie korte films Official short films selection . 21-61 Rétrospectives Retrospectieven Retrospectives . 62-80 Futuranima . 80-83 Les invités - Genodigden - Guests . 84-89 Index par réalisateur Index par regisseur Index according to filmmakers . 90-91 Index par titre Index per titel Index according to titles . 92-93 Glossaire - Glossarium - Glossary . 94 Ours - Colofon - Colophon . 95 4 Jury Claude Diouri - CNC (B) laude Diouri est né à Fez en laude Diouri werd geboren in laude Diouri was born in Fez C 1941. Après des études de droit C Fez in 1941. Na zijn opleidingen C (Morocco) in 1941. After he et de cinéma, il travaille à la Ciné- recht en film, restaureert hij werken studied Law and Cinema, he started mathèque Royale de Belgique à la voor het Koninlijk Belgisch Film- working on the restoration of films at restauration. Il lance la revue archief. Hij start het tijdschrift the Royal Belgian Film Archives. He “Trépied” et s’essaie à la mise en “Trépied” op en waagt zich aan de founded the magazine “Trépied” and scène avec "Le Rideau Déchiré" aux regie van “Le Rideau Déchiré” in tried his fortune as a director with Beaux-Arts de Bruxelles. En 1968, il het PSK van Brussel. In 1968 opent “Le Rideau Déchiré” at the Brussels ouvre un cinéma d’art et d’essai Le hij het filmhuis Le Styx 1, dat hij in Beaux-Arts. -
Stop Motion Animation, Visual Effects and Metalepsis
The Impossible Qualities Of Illusionary Spaces: Stop Motion Animation, Visual Effects And Metalepsis Jane Shadbolt A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Sydney College of the Arts The University of Sydney 2018 1 This volume is presented as a record of the work undertaken for the degree of Doctor of Philosophy at Sydney College of the Arts, University of Sydney. This is to certify that to the best of my knowledge, the content of this thesis is myown work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. 2 Table of Contents Acknowledgements 5 List of Illustrations 6 Abstract 9 Foreword 10 Introduction 12 Stop motion animation as animation. Animation as film. 14 Situating animation within cinema 20 Materials, Methods and Frameworks 23 Chapter One: Metalepsis 32 All The Nice Things Come From Here 43 Metalepsis 44 Metalepsis in animation 54 Chapter Two: Layers 64 Layers in Animation 67 Layers As Narrative Devices 73 The Spaces Inside The Frame 78 The Schüfftan Process 80 The Space Between the Layers 95 Chapter Three: Motion 99 Duck Amuck 100 Frames and Motion 102 3 Stop Motion and The Uncanny 108 Time Elided and Frame Ellipses 117 The Rebellion Of Things 125 The Animated Camera and Metalepsis 127 Chapter Four: Space 134 Space and Narrative 135 The Space Created By Miniatures, Optics and -
30 BAB IV HASIL DAN PEMBAHASAN Pada Bab Ini Peneliti Akan Menguraikan Data Dan Hasil Penelitian Tentang Permasalahan Yang Telah
BAB IV HASIL DAN PEMBAHASAN Pada bab ini peneliti akan menguraikan data dan hasil penelitian tentang permasalahan yang telah dirumuskan pada Bab I, yaitu tampilan seksualitas pada tayangan animasi anak Shaun The Sheep. Hasil penelitian ini diperoleh dengan teknik analisis deskriptif dengan teknik sampling purposive sampling dengan kriteria beberapa scene yang ada pada tiga episode yang menampilkan adegan seksualitas. 4.1 Gambaran Umum 4.1.1 Sejarah Shaun The Sheep Shaun The Sheep adalah Shaun the Sheep adalah serial televisi animasi untuk anak-anak yang berasal dari Inggris. Di Inggris, Shaun si Domba tayang di BBC One, sedangkan di Indonesia animasi ini tayang di MNCTV. Sejak ditayangkan pertama kali di Inggris pada Maret 2007 di CBBC Channel, Shaun The Sheep telah memiliki 80 episode dari 2 musim, dan musim ketiganya yang sedang ditayangkan mulai 25 Februari 2013 di Inggris atau 11 Maret di MNCTV. Shaun the Sheep telah disiarkan di 180 negara di seluruh dunia. Sebuah film panjang yang berdasarkan pada serial Shaun the Sheep telah dirilis pada tanggal 6 Februari 2015 di Britania Raya atau 18 Februari di Indonesia. 30 31 Animasi Shaun The Sheep ini memiliki genre serial komedi animasi untuk anak yang diciptakan oleh Nick Park dan dirancang oleh Richard Goleszowski, Alison Snowden, David Fine. Animasi ini di sutradarai oleh Richard Goleszowski dan Christopher Sadler dengan pengisi suara Jhon Sparkses, Justin Fletcher, Kate Habour, Richard Webber, dan Jo Allen. Animasi ini juga di kerjakan di rumah produksi Aardman Animations. Saat ini Shaun The Sheep memiliki 4 seri atau season dengan 130 episode dengan durasi setiap episode 7 menit. -
Learning Phonological Features from EEG Recordings During Speech Perception: Three Feature Systems Compared Daniel R
Learning phonological features from EEG recordings during speech perception: three feature systems compared Daniel R. McCloy and Adrian K. C. Lee Institute for Learning and Brain Sciences, University of Washington INTRODUCTION Phonemes are the abstract representations of speech sounds that represent all and only the contrastive relationships between sounds (i.e., the set of sounds different enough to change the identity of a word if one sound were substituted for another; Jones 1957). Within any given language, the set of phonemes is widely held to be structured in terms of phonological distinctive features (hereafter “phonological features”) — properties common to some subset ofthe phoneme inventory. For example, in some phonological feature systems, all phonemes characterized by sounds made with complete occlusion of the oral tract share the feature “non-continuant.” There are a number of competing hypotheses regarding the particular details of what the features are, and whether there is a single universal feature system or a separate feature system for each language. Phonological features have been called the most important advance of linguistic theory of the 20th century, for their descriptive power in capturing sound patterns, and for their potential to capture the structure of phonological knowledge as represented in the brain (Mielke and Hume 2006). Few linguists would dispute the first of these claims; as every first-year phonology student learns, descriptions of how a phoneme is realized differently in different contexts canbe -
Institut Für Anglistik Und Amerikanistik Der Universität Wien
DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis „”If It Moves, They Will Watch It” – Selecting Effective Audio-Visual Material For Film-Based Foreign Language Teaching With Beginners“ verfasst von / submitted by Julia Hajsan angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil.) Wien, 2016 / Vienna, 2016 Studienkennzahl lt. Studienblatt / A A 190 344 365 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Lehramt UF Englisch UF Bosnisch/Kroatisch/Serbisch degree programme as it appears on the student record sheet: ao. Univ. Prof. Dr. Monika Seidl Betreut von / Supervisor: We read to understand, or to begin to understand [...] Reading, almost as much as breathing, is our essential function. Alberto Manguel 7 Table of Contents Introduction ................................................................................................................................... 1 1. Film in a Teaching Context ....................................................................................................... 4 1.1. Film and Its Struggle for Acceptance .................................................................................. 4 1.2. Challenges ............................................................................................................................ 6 2. Film and Its Effectivity in a Beginners’ Classroom ............................................................... -
Christopher Sadler 51 Springfield Avenue • Bristol • BS7 9QS
Christopher Sadler 51 Springfield Avenue • Bristol • BS7 9QS MOBILE +44 (0)7976 716212 • E-MAIL [email protected] WEB uk.linkedin.com/in/cjsadler • vimeo.com/csadler PROFILE I am a director, animator and writer with over twenty years experience in the film and television industry. I have extensive experience in directing animation and pre/post production for stop frame, 2D and CGI animated series. I have series-directed a multi-award winning stop frame series and developed a high budget movie series spin-off in CGI. I have worked as a stop frame character animator at the highest level on several award-winning movie projects. I also have writing, story editing and storyboarding credits, as well as a basic knowledge of Maya, with experience in facial animation for RP on a feature film project. REFERENCES “Chris Sadler is an extremely talented, creative and imaginative director of stop- motion animation. He is also - and I don't say this lightly - one of the finest stop- motion animators in the world. He has an amazing gift for performance, characterisation and humour. He was one of my key animators - 'key' in every sense - on The Pirates! and he delivered some of the best animation in a movie which is distinguished by great animation. What can I tell you? Chris rules.” Peter Lord, director. Aardman Animations. July 3, 2012. (More references available upon request.) 51 Springfield Avenue • Horfield, Bristol • BS7 9QS • MOB +44 (0)7976 716212 • E-MAIL [email protected] EXPERIENCE Freelance Writer Dec 2015 + Writer/script consultant for new series in development. -
Estudio De La Preproducción En La Animación Bajo Cámara. Técnica Y Legado De La Stop-Motion
Estudio de la preproducción en la animación bajo cámara. Técnica y legado de la stop-motion. Paula Montalva Ortiz. 0 Estudio de la preproducción en la animación bajo cámara. Técnica y legado de la stop-motion. Paula Montalva Ortiz. Universidad Politécnica de Valencia Facultad de Bellas Artes Estudio de la preproducción en la animación bajo cámara. Técnica y legado de la stop-motion. Autora: Paula Montalva Ortiz Tutor: Pérez García, Elías Miguel Cotutor: Vidal Ortega, Miguel Master en Producción Artística. Tipología 1 Especialidad: Pensamiento Contemporáneo y Cultura Visual Valencia, Julio 2020. 1 Estudio de la preproducción en la animación bajo cámara. Técnica y legado de la stop-motion. Paula Montalva Ortiz. Esta obra está bajo una Licencia Creative Commons Atribución 4.0 Internacional. 2020, Paula Montalva Ortiz. 2 Estudio de la preproducción en la animación bajo cámara. Técnica y legado de la stop-motion. Paula Montalva Ortiz. RESUMEN Una guía introductoria a la técnica de animación denominada stop-motion, desde sus orígenes accidentales a las aplicaciones actuales. Investigación de las diferentes técnicas de la animación bajo cámara y sus características. Estudio de las fases de preproducción en diferentes productoras y los trucos empleados para la realización efectiva de los elementos sobre la escena. An introductory guide about the animation technique named stop-motion, from its incidental origins to actual aplications. Investigation of the different techniques of stop-motion animation and their characteristics. Study of preproduction phases in different production companies and tricks used for the effective realization of the scene elements. PALABRAS CLAVE Stop-motion, preproducción, construcción, escenario, armadura, marioneta, impresión 3D Stop-motion, preproduction, building, set, armature, puppet, 3D printing 3 Estudio de la preproducción en la animación bajo cámara. -
Negotiating National Boundaries in Recent British Children's Cinema and Television. In
Citation: Shail, RS (2019) Negotiating national boundaries in recent British children’s cinema and television. In: The Palgrave Handbook of Children’s Film and Television. Palgrave Macmillan, pp. 365-378. ISBN 9783030176198 DOI: https://doi.org/10.1007/978-3-030-17620-4_20 Link to Leeds Beckett Repository record: https://eprints.leedsbeckett.ac.uk/id/eprint/6055/ Document Version: Book Section (Accepted Version) The aim of the Leeds Beckett Repository is to provide open access to our research, as required by funder policies and permitted by publishers and copyright law. The Leeds Beckett repository holds a wide range of publications, each of which has been checked for copyright and the relevant embargo period has been applied by the Research Services team. We operate on a standard take-down policy. If you are the author or publisher of an output and you would like it removed from the repository, please contact us and we will investigate on a case-by-case basis. Each thesis in the repository has been cleared where necessary by the author for third party copyright. If you would like a thesis to be removed from the repository or believe there is an issue with copyright, please contact us on [email protected] and we will investigate on a case-by-case basis. Negotiating National Boundaries in recent British Children’s Cinema and Television Robert Shail Abstract In his study of British children’s cinema, Noel Brown suggests its distinctive character has been challenged by the globalisation of media culture, arguing that productions with a strong reference to national contexts are under pressure to homogenise their content to please a wider demographic.