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Full Press Archive
Full Press Archive In conversation with Freddie Robins, Charlotte Cameron, Knitting Industry Creative, October 1, 2018, www.knittingindustry.com Cent digital magazine, Play SS18, By a Thread Liberties (review of Liberties at The Exchange, Penzance), Martin Holman, Art Monthly, Dec 16 – Jan 17 p.21-23 Making it OK (review of What do I need to do to make it OK?), Ian Wilson, Surface Design Journal, Fall 2016 Textiles of recovery and repair (review of What do I need to do to make it OK?), Jessica Hemmings, Crafts, no. 257 November/December 2015 Protest and production in song (review of Yan Tan Tethera), Liz Hoggard, Crafts, no. 250 September/October 2014 Out on a Limb, Charlotte Abrahams, Crafts, no. 242 May/June 2013 Not your average barn, Vinny Lee, The Times Magazine, 4 May 2013 The Art of Craft, Maya Dudok de Wit, Flamingo Magazine, The Future Craft Issue, 2013 Transformations (exhibition review), Catherine Dormor, Textile, volume 11, number 1, March 2013, pp. 94-101(8), Bloomsbury Journals Collage Showcase: Freddie Robins, Collage Magazine, issue 1, Oct 11 2012 http://issuu.com/magazinecollage/docs/issue_3_plan_pages How to make it in design, Ros Drinkwater, The Sunday Business Post, February 20 2011 Wool, Clay, Felt and Steel, Rosanna Durham, Oh Comely, issue three, Nov / Dec 2010 Little and Large, Size does Matter (review of Extraordinary Measures), Jessica Hemmings, Crafts, no. 225 July / August 2010 Extraordinary Measures (review), Laura Cumming, The Observer, Sunday 2 May 2010 Art Knits, Sarah Ditum, Vogue Knitting (US), Fall 2009 Knitting Art, Freddie Robins / Beatrijs Sterk, Textile Forum, 1/2008 15 Degrees: Freddie Robins, IdN (International designers Network), vol. -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
Lee Sharp Mixer Landscape
LEE SHARP A.M.P.S. SOUND RECORDIST MSc Sound Design, University of Edinburgh Tel. 07929-474-502 E. [email protected] Web. www.sharpsound.co.uk Available throughout the UK and overseas IMDb: Lee Sharp TELEVISION AND FEATURES TITLE PRODUCTION COMPANY DIRECTOR PRODUCER OUTSIDE OUTSIDE MOVIE COMPANY ROMOLA GARAI MATTHEW JAMES WILKINSON FREE REIN - SEASON 3 (2nd Unit) LIME PICTURES / NETFLIX MAX MYERS ANGELO ABELA A TOUR WITH KEVIN HART NETFLIX KEVIN HART NEAL MARSHALL KILLERS ANONYMOUS RISE PRODUCTIONS MARTIN OWEN MATT WILLS HONKY TONK (WORKING TITLE) UNION PICTURES DAVID REES ROBYN FORSYTHE THE LAST TESTAMENT OF LILLIAN BILOCCA NORTHERN FILMS MAXINE PEAKE VANESSA STOCKLEY ENHANCED ESPN FILMS PAUL TAUBLIEB JOHN JORDAN A CHRISTMAS CAROL BBC FILMS TOM CAIRNS LESLEY STEWART OUTLAW KING (Sound Recordist: Main Unit Additional) SIGMA FILMS / NETFLIX DAVID MACKENZIE STAN WLODKOWSKI BREXIT SHORTS: SHATTERED THE GUARDIAN MAXINE PEAKE LAURENCE TOPHAM CEREMONY: THE RETURN OF FRIEDRICH ENGELS TIGERLILY NATASHA DACK OJUMU PHIL COLLINS ENGLAND IS MINE HONLODGE PRODUCTIONS MARK GILL BALDWIN LI BATMAN ARKHAM VR ROCKSTEADY STUDIOS SEFTON HILL NATHAN BURLOW WALK LIKE A PANTHER (2ND Unit) FOX INTERNATIONAL (UK) DAN CADAN DEAN O’TOOLE AHIR SHAH’S SUMMER KING BERT/ SKY ATLANTIC CHRISTOPHER SWEENY MADELINE ADDY JOCELYN JEE ESIEN’S SUMMER KING BERT / SKY ATLANTIC CHRISTOPHER SWEENY MADELINE ADDY THE LATE LATE SHOW: UK FULWELL 73 GLEN CLEMENTS CARLY SHACKLETON NATIONAL TREASURE (2nd Unit) THE FORGE MARC MUNDEN JOHN CHAPMAN BOOGIE MAN (Additional Photography) GLOBALWATCH ANDREW MORAHAN PAUL ANDREWS WHISKY GALORE (2nd Unit) WHISKEY GALORE GILLIES MCKINNON WILLY WAND LEE SHARP A.M.P.S. -
British Street Food • Working for the Street Food Revolution 2 Selection of Coverage
2019 Review British Street Food • Working For The Street Food Revolution 2 Selection Of Coverage C4’s Sunday Brunch ITV News MediaMedia CoverageCoverage ReportReport 20192019 British Street Food • Working For The Street Food Revolution 3 About Us ■ Formed in 2009 ■ For young street food traders to showcase their talent ■ To make good food accessible to everyone ■ And to celebrate the grass roots street food movement British Street Food • Working For The Street Food Revolution 4 Founder – Richard Johnson ■ One of the 1,000 most influential people in London for four years running according to the Evening Standard ■ Award-winning food journalist and consultant ■ Writer / presenter of The Food Programme on BBC Radio 4 ■ Author of the best-selling book Street Food Revolution ■ Johnson has been the host of Full on Food for BBC2, Kill It, Cook It, Eat It for BBC3, as well as supertaster for ITV’s Taste The Nation and judge on Channel 4’s Iron Chef and Cookery School British Street Food • Working For The Street Food Revolution 5 About Us – Our Vision “ To share street food with the world. Michelin has just awarded its first stars to street food chefs. With the British Street Food Awards - and now the European Street Food Awards - we will find the Michelin stars of tomorrow.” British Street Food • Working For The Street Food Revolution 6 “ Traders compete in five regional heats, from May to August, with a big national final in September. 2019 attendance? Over 45,000 people.” British Street Food • Working For The Street Food Revolution 7 The Judges -
KATIE PATERSON CV Born in Glasgow, Scotland, 1981
KATIE PATERSON CV Born in Glasgow, Scotland, 1981 Represented by Ingleby Gallery, Edinburgh / James Cohan, New York SOLO EXHIBITIONS AND COMMISSIONS 2014-2114 Future Library, Oslo, Norway, 100 year commission 2019 NOW: Katie Paterson, Scottish National Gallery of Modern Art, Edinburgh, UK, 2019, forthcoming A place that exists only in moonlight: Katie Paterson & JMW Turner, Turner Contemporary, Margate, UK First There is a Mountain, touring commission, 25 venues, UK, 2019 2017 SALT, Utah Museum of Modern Art, USA 2016 From Earth into a Black Hole, James Cohan, New York, USA Katie Paterson, Centre PasquArt, Biel, Switzerland Hollow, collaboration with Zeller & Moye for the University of Bristol, UK, permanent commission Totality, Somerset House, London, UK Syzygy, The Lowry, Salford, UK 2015 Le Champ du Ciel, Field of the Sky, FRAC Frache Comté, Besançon, France 2014 Ideas, Ingleby Gallery, Edinburgh, UK Earth-Moon-Earth, Jupiter Artland, Edinburgh, UK Eveningness, Kunstverein & Stiftung Springhornhof, Neuenkirchen, Germany Second Moon, Locus+, commission Campo del Cielo, Field of the Sky, collaboration with the European Space Agency 2013 In Another Time, Mead Gallery, Warwick Arts Centre, UK Katie Paterson, Kettle’s Yard, Cambridge, UK Katie Paterson, Selfridges, London, UK 2012 Inside this Desert, BAWAG Contemporary, Vienna, Austria 100 Billion Suns, Haunch of Venison, London, UK Campo del Cielo, Field of the Sky, Exhibition Road Show, London, UK, Olympics commission FOCUS: Katie Paterson, The Modern Art Museum of Fort Worth, Texas, USA -
Lee Sharp Amps
LEE SHARP A.M.P.S. SOUND RECORDIST MSc Sound Design, University of Edinburgh Tel. 07929-474-502 E. [email protected] Web. www.sharpsound.co.uk Available throughout the UK and overseas IMDb: Lee Sharp TELEVISION AND FEATURES TITLE PRODUCTION COMPANY DIRECTOR PRODUCER MEET THE RICHARDSONS - SERIES 1 2NDACT / ITV STUDIOS EDDIE STAFFORD PIP HADDOW SPORT ENGLAND - DOCUMENTARY KNUCKLEHEAD JJ AUGUSTAVO FRANCIS MILDMAY-WHITE THE LOVE SQUAD - SERIES 1 WORKER BEE / MTV DAVID KANGAS SEAN MURPHY EGGS COLLECTIVE: SMILE LOVE, IT MAY NEVER HAPPEN BBC ARTS REBECCA RYCROFT REBECCA RYCROFT LEVIS MUSIC PROJECT WITH LOYLE CARNER WARNER MUSIC WILL WILLIAMSON ABI BEASLEY AMULET HEAD GEAR FILMS ROMOLA GARAI MATTHEW JAMES WILKINSON FREE REIN - SEASON 3 (2nd Unit) LIME PICTURES / NETFLIX MAX MYERS ANGELO ABELA KEVIN HART: iRRESPONSIBLE NETFLIX KEVIN HART NEAL MARSHALL KILLERS ANONYMOUS RISE PRODUCTIONS MARTIN OWEN MATT WILLS LOOK THE OTHER WAY AND RUN UNION PICTURES DAVID REES ROBYN FORSYTHE THE LAST TESTAMENT OF LILLIAN BILOCCA NORTHERN FILMS MAXINE PEAKE VANESSA STOCKLEY ENHANCED ESPN FILMS PAUL TAUBLIEB JOHN JORDAN A CHRISTMAS CAROL BBC FILMS TOM CAIRNS LESLEY STEWART OUTLAW KING (Sound Recordist: Main Unit Additional) SIGMA FILMS / NETFLIX DAVID MACKENZIE STAN WLODKOWSKI BREXIT SHORTS: SHATTERED THE GUARDIAN MAXINE PEAKE LAURENCE TOPHAM CEREMONY: THE RETURN OF FRIEDRICH ENGELS TIGERLILY NATASHA DACK OJUMU PHIL COLLINS ENGLAND IS MINE HONLODGE PRODUCTIONS MARK GILL BALDWIN LI BATMAN ARKHAM VR ROCKSTEADY STUDIOS SEFTON HILL NATHAN BURLOW WALK LIKE A PANTHER (2ND Unit) FOX INTERNATIONAL (UK) DAN CADAN DEAN O’TOOLE AHIR SHAH’S SUMMER KING BERT/ SKY ATLANTIC CHRISTOPHER SWEENY MADELINE ADDY JOCELYN JEE ESIEN’S SUMMER KING BERT / SKY ATLANTIC CHRISTOPHER SWEENY MADELINE ADDY THE LATE LATE SHOW: UK FULWELL 73 GLEN CLEMENTS CARLY SHACKLETON LEE SHARP A.M.P.S. -
The British Academy Television Awards Sponsored by Pioneer
The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold, -
Academic Journal Modern Philology
ACADEMIC JOURNAL OF MODERN PHILOLOGY ACADEMIC JOURNAL MODERN PHILOLOGY OF Justyna Alnajjar, Sieci komunikacji w korporacjach w ujęciu lingwistyczny / 7 e-ISSN 2353–3218 ISSN 2299–7164 Vol. 7 (2018) Miguel Luis Poveda Balbuena, Origins of the French lexical borrowings in late Middle English weaponry / 21 Magdalena Bator, Marta Sylwanowicz, Early English Recipes—Development of the Text Type / 29 Katarzyna Buczek, Germanic Women in the Eyes of Law / 55 Zuzanna Bułat Silva, Gamilaraay, a Sleeping Language of New South Wales, Australia / 67 Academic Rafael Jiménez Cataño, Social Virtues in Taking Care of the Image of Others / 79 Anna Ciechanowska, On Zoosemic Tendencies in the Vocabulary of Prison Slang / 89 Aleksandra Deskur, „Wielka teoria piśmienności” – podstawowe założenia, krytyka i problemy metodologiczne / 109 Ewa Kębłowska-Ławniczak, From Peritext to Text: Constructing Authorship in David Journal Hare’s Selected Plays / 119 Prezi, Ịzọn narratives: Nengi-Ilagha’s Condolences, and Okara’s The Voice and “Little Snake and Little Frog” / 131 Matthias Urban, Towards a Semantically Organized Meaning List for Cognate Searches / 141 Ewa Ziomek, Sinister Vision of the Future in the TV Series Black Mirror / 159 of Piotr P. Chruszczewski, RECENZJA• Gaude, Mater Polonia? • Emilia Wąsikiewicz-Firlej. On (De)constructing Corporate Identity • Wydawnictwo Naukowe UAM: Poznań, 2017 / 167 Dominik Dworniczak, Classics have another quality too (…) they do not need to be true – o rewizjonizmie Williama Doyle’a / 179 Katarzyna Łobaza, Zróżnicowane i niedookreślone funkcje animatorów społeczno- kulturalnych / 195 Alan Żukowski, Autonomicznym Systemie Responsywnym – perspektywa Modern postmodernistyczna / 203 Philology Academic Journal Polish Academy of Modern of Sciences KOMISJA KOLEGIUM Philology NAUK MIĘDZYOBSZAROWYCH Wroclaw Branch FILOLOGICZNYCH STUDIÓW INDYWIDUALNYCH Academic Journal of Modern Philology Academic Journal of Modern Philology ISSN 2299-7164 Vol. -
Roy Williams Has Been Quoted in the Guardian Saying: "We Only Ever Get
Comedy, drama and black Britain – An interview with Paulette Randall Eva Ulrike Pirker British theatre director Paulette Randall once said about herself and her work, "I'm not a politician, and I never set out to be one. What I do believe is that if we are in the business of theatre, of art, of creating, then that has to be at the forefront. The product, the play, has to be paramount."1 A look at her creative output, however, shows her political engagement in place – not so much in the sense of taking a proffered side, but certainly in the sense of insisting on participation in the public debate. To name just a few of her recent projects: Her 2003 production of Urban Afro Saxons at the Theatre Royal Stratford East was a timely intervention in the public debate about Britishness. The staging of James Baldwin's Blues for Mr Charlie (2004) at the Tricycle Theatre provided a thought-provoking viewing experience for a British audience in the wake of the Stephen Lawrence Inquiry. For the Trycicle and Talawa Theatre Company, Randall has staged four of August Wilson's plays. Her most recent theatre project was a production of Mustapha Matura's adaptation of Chekhov's Three Sisters at the Birmingham Repertory Theatre in 2006.2 However, Paulette Randall also has a professional life outside the theatre, where she makes her impact on the landscape of British sitcoms as a television producer. The following interview focuses not so much on specific productions, but more generally on her views on television, Britain's theatre culture, and the representations of Britain's diverse society. -
PRESS 2000 Zygmunt Bauman
PRESS 2000 Zygmunt Bauman, 'Leben - oder bloß Uberleben?', Die Ziet, Berlin, Germany, 28 December 2000 Aidan Dunne, 'Where angels fear to tread', The Irish Times, Dublin, Ireland, 4 December 2000 John A. Walker, 'To buy or not to buy?', Art Review, London, England, December 2000/January 2001 Anders Sjogren, 'Mannen bakom rondellens huvudlosa kroppar', Vasterbottens-Kuriren, Umea, Sweden, 9 November 2000 Author Unknown, 'Omdiskuterad staty invigd', Vasterbottens Folkblad, Umea, Sweden, 9 November 2000 Barry Toberman, 'Oslo weeps as memorial to Nazi victims dedicated', Jewish Chronicle, London, England, 3 November 2000 Trond Boren, 'Stolene er tome', Stavanger Aftenblad, Stavanger, Norway, 27 October 2000 Lotte Sandberg, 'Poetiske paminnelser', Aftenposten, Oslo, Norway, 27 October 2000 Erle Moestue Bugge, 'Norske joder far sitt krigs-monument', Aftenposten, Oslo, Norway, 25 October 2000 Martin Gayford, 'Artist on art', The Daily Telegraph, London, England, 7 October 2000 Martin Gayford, 'Self-portraits without the self', The Daily Telegraph, London, England, 4 October 2000 Gautier Deblonde, 'Gormley's People', Granta 71, London, Autumn 2000 Mark Currah, 'Antony Gormley', Time Out, London, England, 27 September - 4 October 2000 Author Unknown, 'Männer, schwerelos: Skulpturen von Gormley bei White Cube2 in London', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 23 September 2000 Charles Darwent, 'Eight iron men, some old Y-fronts and a neon tube', The Independent on Sunday, London, England, 17 September 2000 Claire Bishop, 'Casting himself -
Jude Campbell 1St Assistant Director
Jude Campbell 1st Assistant Director Credits include: HIS DARK MATERIALS Director: Amit Gupta Fantasy Adventure Drama Series Producer: Nick Pitt Featuring: Dafne Keen, Amir Wilson, Adewale Akinnuoye-Agbaje Production Co: Bad Wolf / HBO / BBC One TEMPLE Director: Tinge Krishnan Thriller Crime Drama Series Producer: Jenny Frayn Featuring: Mark Strong, Carice van Houten, Daniel Mays Production Co: Hera Pictures / Sky One TIN STAR Director: Alice Troughton Crime Drama Series Producer: Angus Lamont Featuring: Tim Roth, Genevieve O’Reilly, Abigail Lawrie Production Co: Kudos Film & Television / Amazon THE CORRUPTED Director: Ron Scalpello Crime Thriller Producers: Andrew Berg, John Sachs Featuring: Sam Claflin, Timothy Spall, Charlie Murphy Production Co: Eclipse Films / Powderkeg Pictures BORN A KING Director: Agustí Villaronga Period Drama Producers: Andrés Vicente Gómez, Marco Gómez Featuring: Ed Skrein, Hermione Corfield, Laurence Fox Production Co: Lola Films / Celtic Films THE SPANISH PRINCESS Director: Lisa Clarke Period Drama Series Producer: Andrea Dewsbury Featuring: Charlotte Hope, Elliot Cowan, Ruairi O’Connor Production Co: New Pictures / Playground Ent. / Starz! DERRY GIRLS Director: Michael Lennox Comedy Producer: Catherine Gosling Fuller Featuring: Saoirse-Monica Jackson, Louisa Harland, Jamie-Lee O’Donnell Production Co: Hat Trick Productions / Netflix GAP YEAR Director: Natalie Bailey Comedy Drama Series Producer: Tim Whitby Featuring: Brittney Wilson, Alice Lee, Tim Key Production Co: Eleven / E4 Creative Media Management -
Charlie Brooker Meets Karl Kraus After the End of the World
Abstract Volume 1, Issue 2, September 2018 Keywords Charlie Brooker Meets Karl Kraus after the End of the World Joe Weiss Appalachian State University [email protected] 62 | Booker Meets Kraus 1. Cyborg Man1 predicted, there are no longer hands to perform such deeds, only cyborgs armed with screens that speak the jargon and Has every conversation in history been just a series of beeps? gesture the gesture of the culture industry. Kraus, embodying —Brooker, The Guardian the last, messianic judgment against the approaching, but not yet total impoverishment of language and experience, wielded the torch that shined the light on the guilt of marching off to IF Karl Kraus was, as Brecht once observed, the hand war amidst the possibility of emancipating nature via that performed the suicide of an age, then perhaps Charlie technology for the first time. He thus wrote The Last Days of Brooker is the apparition that remains when, as Kraus himself Mankind.2 Booker, whose art and criticism take place after the light has been extinguished, when nothing save the Black 1 The original draft of this essay was completed just prior to the 2016 Mirror is held up to nature, writes in a period that, in T.W. release of Charlie Brooker’s new Black Mirror episodes. It could, therefore, only Adorno’s formulation, ought to bear the title, “After address the films from series one and two, and the special from 2014. Brooker, Black 3 Mirror (UK: Zeppotron, 2011-2014), Channel 4. Hereafter, all individual episodes Doomsday.” Even though Kraus’ work was produced when will be cited within the body of the text with italics.