Fall 2006 Issue 1 Letter from the Editor Table of Contents Dear Colleagues: This Has Been an Exciting Year of Honors for OCC Members
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The Astronomical Garden of Venus and Mars-NG915: the Pivotal Role Of
The astronomical garden of Venus and Mars - NG915 : the pivotal role of Astronomy in dating and deciphering Botticelli’s masterpiece Mariateresa Crosta Istituto Nazionale di Astrofisica (INAF- OATo), Via Osservatorio 20, Pino Torinese -10025, TO, Italy e-mail: [email protected] Abstract This essay demonstrates the key role of Astronomy in the Botticelli Venus and Mars-NG915 painting, to date only very partially understood. Worthwhile coin- cidences among the principles of the Ficinian philosophy, the historical characters involved and the compositional elements of the painting, show how the astronomi- cal knowledge of that time strongly influenced this masterpiece. First, Astronomy provides its precise dating since the artist used the astronomical ephemerides of his time, albeit preserving a mythological meaning, and a clue for Botticelli’s signature. Second, it allows the correlation among Botticelli’s creative intention, the historical facts and the astronomical phenomena such as the heliacal rising of the planet Venus in conjunction with the Aquarius constellation dating back to the earliest represen- tations of Venus in Mesopotamian culture. This work not only bears a significant value for the history of science and art, but, in the current era of three-dimensional mapping of billion stars about to be delivered by Gaia, states the role of astro- nomical heritage in Western culture. Finally, following the same method, a precise astronomical dating for the famous Primavera painting is suggested. Keywords: History of Astronomy, Science and Philosophy, Renaissance Art, Educa- tion. Introduction Since its acquisition by London’s National Gallery on June 1874, the painting Venus and Mars by Botticelli, cataloged as NG915, has remained a mystery to be interpreted [1]1. -
THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V). -
1. Budorcas Taxicolor Tibetanus Milne-Edwards.- a Horn of an Adult and Skins and Skulls of Two Very Young Animals, Tai-Pa-Shiang, August 16 and October 25
59.9(51.4) Article XXIX.- MAMMALS FROM SHEN-SI PROVINCE, CHINA. By J. A. ALLEN. A small collection of mammals from Mount Tai-pai, Shen-si Province, China, recently acquired by the Museum through Mr. Alan Owston of Yokohama, contains several species of interest. It comprises 55 specimens, representing 16 species, some of which appear to be undescribed. The material is rather poorly prepared, the skulls having been left in the skins, and when removed were found to be more or less mutilated, some of them lacking the whole of the postorbital portion. The collection is of interest as coming from a hitherto unexplored locality, the Tai-pa-shiang mountains, on the western border of Shen-si, which are said to reach an altitude of about 11,000 feet. The specimens are mostly labeled simply "Tai-pa- shiang," with the sex of the specimen and date of collection, but a few are labeled as from "Yumonko, foot of Tai-pa-shiang," and others are marked "Si-Tai-pa-shiang." In no case is the altitude indicated. 1. Budorcas taxicolor tibetanus Milne-Edwards.- A horn of an adult and skins and skulls of two very young animals, Tai-pa-shiang, August 16 and October 25. The two specimens are respectively male and female, and differ much in color, the male having the body, except the ventral surface and the dorsal stripe, pale yellowish, the dorsal stripe, the ventral surface and limbs dark dull reddish brown; top of nose and edge of ears blackish. The other has the body nearly white, with the underparts and limbs dark brown; the dorsal stripe is dark brown only over the shoulders, and black mixed with white on the top of the neck and posterior two-thirds of the dorsal line; black hairs are also appearing on the limbs. -
False Dilemma Wikipedia Contents
False dilemma Wikipedia Contents 1 False dilemma 1 1.1 Examples ............................................... 1 1.1.1 Morton's fork ......................................... 1 1.1.2 False choice .......................................... 2 1.1.3 Black-and-white thinking ................................... 2 1.2 See also ................................................ 2 1.3 References ............................................... 3 1.4 External links ............................................. 3 2 Affirmative action 4 2.1 Origins ................................................. 4 2.2 Women ................................................ 4 2.3 Quotas ................................................. 5 2.4 National approaches .......................................... 5 2.4.1 Africa ............................................ 5 2.4.2 Asia .............................................. 7 2.4.3 Europe ............................................ 8 2.4.4 North America ........................................ 10 2.4.5 Oceania ............................................ 11 2.4.6 South America ........................................ 11 2.5 International organizations ...................................... 11 2.5.1 United Nations ........................................ 12 2.6 Support ................................................ 12 2.6.1 Polls .............................................. 12 2.7 Criticism ............................................... 12 2.7.1 Mismatching ......................................... 13 2.8 See also -
Sosyal Düşünce Sözlügü
Sosyal Düşünce Sözlügü 1750 Başlıq "Raslantılar bir sineği bile yaratamazlar" Evet. Hayatın başlangıcı yada evrimin işleyişi konusunda yapılan tartışmalarda çok kullanılan bir kelime de "raslantı"dır. Ancak bilim raslantılarla ilgilenmez . Bu konuyu sağlıklı bir şekilde anlayabilmek için önce "raslantı" kelimesine bakmalıyız. Doğada hiçbirşey raslantı eseri değildir. Evrende ceryan eden her olay, kuralları kesin kanunlara ve alternatifsiz olgulara bağlıdır. "Raslantı", henüz işleyişini tam olarak analiz edemediğimiz ve kurallarını açıkça ortaya koyamadığımız hareketlerde kullanılan bir "joker" kelimedir. Bir atom zerresinin en ufak bir hareketi bile "kesin" kurallara bağlıdır ve bu kuralların dışına çıkmaz. Bu bağlamda canlılığın oluşumu ve evrim de hiçbir şekilde raslantı ile ilgili değildir ve şartlar uygun olduğunda bir <U>zorunluluktur</U>. "Raslantılar bir sineği bile yaratamazlar" 2'>devam "Raslantılar bir sineği bile yaratamazlar" 2 Elinize bir zar alın ve atın, zarın 6 gelmesi bir raslantı yada şans değil, -uygun şartlarda- bir zorunluluk tur. Zarı atarken elinizin hareketinin zara vediği kinetik enerji, bu enerjinin mutlak yönü, zarı oluşturan materyal, zarın atomlarındaki diziliş, zarın özkütlesi, fiziksel yapısı, ısısı, ağırlığı, hacmi, atılan zeminin materyali, yüzey yapısı, sıcaklığı, özkütlesi, sürtünme katsayısı, ortamdaki havanın sıcaklığı, moleküler yapısı, yoğunluğu, enerjisi, hareketi, ortamdaki çekim kuvvetleri... ve bilimin henüz keşfetmediği daha pekçok faktör, biraraya gelerek zarın 6 gelmesini "zorunlu" kılar. Bu bir "tesadüf" değil "<U>zorunluluk</U>" tur. Evrende HER hareketin bir nedeni vardır ve bu neden, bu hareketin doğmasını ZORUNLU kılar. Buna determinizm (nedensellik) denir. Günümüzde atomaltı parçacıkların dünyasında bazı beklenmedik olayların bulunduğu, bazı nedenlerin birden fazla hareketi doğurduğu, dolayısıyla determinizmin "şüpheli" hale geldiği kimilerince dile getirilse de, bu doğru değildir. -
The Multi-Messenger Discovery and Observation of a Binary Neutron Star
The Astrophysical Journal Letters, 848:L12 (59pp), 2017 October 20 https://doi.org/10.3847/2041-8213/aa91c9 © 2017. The American Astronomical Society. All rights reserved. Multi-messenger Observations of a Binary Neutron Star Merger LIGO Scientific Collaboration and Virgo Collaboration, Fermi GBM, INTEGRAL, IceCube Collaboration, AstroSat Cadmium Zinc Telluride Imager Team, IPN Collaboration, The Insight-Hxmt Collaboration, ANTARES Collaboration, The Swift Collaboration, AGILE Team, The 1M2H Team, The Dark Energy Camera GW-EM Collaboration and the DES Collaboration, The DLT40 Collaboration, GRAWITA: GRAvitational Wave Inaf TeAm, The Fermi Large Area Telescope Collaboration, ATCA: Australia Telescope Compact Array, ASKAP: Australian SKA Pathfinder, Las Cumbres Observatory Group, OzGrav, DWF (Deeper, Wider, Faster Program),AST3, and CAASTRO Collaborations, The VINROUGE Collaboration, MASTER Collaboration, J-GEM, GROWTH, JAGWAR, Caltech- NRAO, TTU-NRAO, and NuSTAR Collaborations,Pan-STARRS,TheMAXITeam,TZACConsortium, KU Collaboration, Nordic Optical Telescope, ePESSTO, GROND, Texas Tech University, SALT Group, TOROS: Transient Robotic Observatory of the South Collaboration, The BOOTES Collaboration, MWA: Murchison Widefield Array, The CALET Collaboration, IKI-GW Follow-up Collaboration, H.E.S.S. Collaboration, LOFAR Collaboration, LWA: Long Wavelength Array, HAWC Collaboration, The Pierre Auger Collaboration, ALMA Collaboration, Euro VLBI Team, Pi of the Sky Collaboration, The Chandra Team at McGill University, DFN: Desert Fireball Network, ATLAS, High Time Resolution Universe Survey, RIMAS and RATIR, and SKA South Africa/MeerKAT (See the end matter for the full list of authors.) Received 2017 October 3; revised 2017 October 6; accepted 2017 October 6; published 2017 October 16 Abstract On 2017 August 17 a binary neutron star coalescence candidate (later designated GW170817) with merger time 12:41:04 UTC was observed through gravitational waves by the Advanced LIGO and Advanced Virgo detectors. -
The Aratean Corpus in Vat. Grec. 1087
Book reviews 249 Ultimately, this book is aimed at the general reader, more curious about the science of dark matter than its history and sociology. To even begin to understand this complex field, one must take time with this slim volume in order to appreciate how the tiniest subatomic particles are connected to the largest structures of the cosmos. Freese mixes a stiff drink, but it goes down smoothly. LISA MESSERI University of Virginia [email protected] The Aratean corpus in Vat. Grec. 1087 Antiche stele a Bisanzio. Il codice Vaticano Greco 1087. Edited by Fabio Guidetti and Anna Santoni (Edizioni della Normale, Pisa, 2013. Pp. 208 + 31 illustrations. € 20. ISBN 978-88-7642-485-4. For nearly 150 years, scholars have devoted considerable effort trying understand the various means by which the astrothesic knowledge of the Graeco-Roman world passed to the modern age. Thanks to the magisterial work of Paul Kunitzsch and others, our grasp of the tortuous journey of Ptolemy’s Syntaxis mathematike from the original Greek to its Latin translations in the twelfth century has become much firmer. But despite the attention of a far wider range of scholars, the intricacies of the transmission of the Phaenomena of Aratus to the Latin West remain more elusive. This is primarily due to the fact that, soon after its composition, the poem attracted a huge entourage of ancillary material: the so-called ‘Aratean corpus’, composed of a rudimentary star catalogue, sets of celestial maps, a series of illustrated mythological explanations of the forms of the individual constellations and a potted biography of the author. -
Linos (Helikon)
Downloaded from https://academic.oup.com/bics/article/33/Supplement_38_Part_2/123/5696566 by guest on 01 October 2021 LINOS (HELIKON) LINOS (HELIKON) Pausanias 9.29.6 As one approached the grove of the Muses one came first to a re- lief depicting Eupheme, and next, to Linos, in a stone worked into the shape of a small cave. To~'T~KCXT~ ?TO< EKCXGTOV rp'o ~iiqBuafaq T~VMouaGv tvay<~ouai. Hesiod is quoted as having made Linos the son of the Muse Ourania'. This, and his musicianship, would be enough to explain Linos' pres- ence on Mount Helikon. See MUSES (THESPIAI). [LINOS (THE~ES)3 Pausanias 9.29.8-9 The Thebans told Pausanias that Linos' bones had been removed from Thebes by Philip after Chaironeia and lat r returned by him, both actions resulting from dreams. All traces of the tomb had disappeared. This story is not to be taken seriously it depends on the literary tradition of Linos as the unfortunate mus c teacher of Herakles'. There is no evidence for a cult. Hesiod, fr. 305 M-IJ. (Schol. T Homer, IZiad 18.570). See also Lobon of Argos, fr. 305 Lloyd-Jones and Parsons (Diogenes Laertios, Prooim. 1.4; Anth. Palat. 7.616). Linos' father was either Hermes (Diogenes Laertios) or Amphimaros son of Poseidon (Pausanias). See also note 2. The story was known in Athens at least as early as the second quarter of the fifth century B.C.: see the Attic red figure skyphos by the Pistoxenos Painter, ca. 470 B.C., CVA Deutsche Demokratische Republik 1. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Multi-Messenger Observations of a Binary Neutron Star Merger
DRAFT VERSION OCTOBER 6, 2017 Typeset using LATEX twocolumn style in AASTeX61 MULTI-MESSENGER OBSERVATIONS OF A BINARY NEUTRON STAR MERGER LIGO SCIENTIFIC COLLABORATION,VIRGO COLLABORATION AND PARTNER ASTRONOMY GROUPS (Dated: October 6, 2017) ABSTRACT On August 17, 2017 a binary neutron star coalescence candidate (later designated GW170817) with merger time 12:41:04 UTC was observed through gravitational waves by the Advanced LIGO and Advanced Virgo detectors. The Fermi Gamma-ray Burst Monitor independently detected a gamma-ray burst (GRB170817A) with a time-delay of 1.7swith respect to the merger ⇠ time. From the gravitational-wave signal, the source was initially localized to a sky region of 31 deg2 at a luminosity distance +8 of 40 8 Mpc and with component masses consistent with neutron stars. The component masses were later measured to be in the range− 0.86 to 2.26 M . An extensive observing campaign was launched across the electromagnetic spectrum leading to the discovery of a bright optical transient (SSS17a, now with the IAU identification of AT2017gfo) in NGC 4993 (at 40 Mpc) less ⇠ than 11 hours after the merger by the One-Meter, Two Hemisphere (1M2H) team using the 1-m Swope Telescope. The optical transient was independently detected by multiple teams within an hour. Subsequent observations targeted the object and its environment. Early ultraviolet observations revealed a blue transient that faded within 48 hours. Optical and infrared observations showed a redward evolution over 10 days. Following early non-detections, X-ray and radio emission were discovered at the ⇠ transient’s position 9 and 16 days, respectively, after the merger. -
IAN Symbol Library Catalog
Overview The IAN symbol libraries currently contain 2976 custom made vector symbols The Libraries Include designed specifically for enhancing science communication skills. Download the complete set or create a custom packaged version. 2976 science/ecology symbols Our aim is to make them a standard resource for scientists, resource managers, 55 albums in 6 categories community groups, and environmentalists worldwide. Easily create diagrammatic representations of complex processes with minimal graphical skills. Currently Vector (SVG & AI) versions downloaded by 91068 users in 245 countries and 50 U.S. states. Raster (PNG) version The IAN Symbol Libraries are provided completely cost and royalty free. Please acknowledge as: Symbols courtesy of the Integration and Application Network (ian.umces.edu/symbols/). Acknowledgements The IAN symbol libraries have been developed by many contributors: Adrian Jones, Alexandra Fries, Amber O'Reilly, Brianne Walsh, Caroline Donovan, Catherine Collier, Catherine Ward, Charlene Afu, Chip Chenery, Christine Thurber, Claire Sbardella, Diana Kleine, Dieter Tracey, Dvorak, Dylan Taillie, Emily Nastase, Ian Hewson, Jamie Testa, Jan Tilden, Jane Hawkey, Jane Thomas, Jason C. Fisher, Joanna Woerner, Kate Boicourt, Kate Moore, Kate Petersen, Kim Kraeer, Kris Beckert, Lana Heydon, Lucy Van Essen-Fishman, Madeline Kelsey, Nicole Lehmer, Sally Bell, Sander Scheffers, Sara Klips, Tim Carruthers, Tina Kister , Tori Agnew, Tracey Saxby, Trisann Bambico. From a variety of institutions, agencies, and companies: Chesapeake -
The Epoch of the Constellations on the Farnese Atlas and Their Origin in Hipparchus’S Lost Catalogue
JHA, xxxvi (2005) THE EPOCH OF THE CONSTELLATIONS ON THE FARNESE ATLAS AND THEIR ORIGIN IN HIPPARCHUS’S LOST CATALOGUE BRADLEY E. SCHAEFER, Louisiana State University, Baton Rouge 1. BACKGROUND The Farnese Atlas is a Roman statue depicting the Titan Atlas holding up a celestial globe that displays an accurate representation of the ancient Greek constellations (see Figures 1 and 2). This is the oldest surviving depiction of the original Western constellations, and as such can be a valuable resource for studying their early development. The globe places the celestial fi gures against a grid of circles (including the celestial equator, the tropics, the colures, the ecliptic, the Arctic Circle, and the Antarctic Circle) that allows for the accurate positioning of the constellations. The positions shift with time due to precession, so the observed positions on the Farnese Atlas correspond to some particular date. Also, the declination of the Arctic and Antarctic Circles will correspond to a particular latitude for the observer whose observations were adopted by the sculptor. Thus, a detailed analysis of the globe will reveal the latitude and epoch for the observations incorporated in the Atlas; and indeed these will specify enough information that we can identify the observer. Independently, a detailed comparison of the constellation symbols on the Atlas with those from the other surviving ancient material also uniquely points to the same origin for the fi gures. The Farnese Atlas1 fi rst came to modern attention in the early sixteenth century when it became part of the collection of antiquities in the Farnese Palace in Rome, hence its name.